Negotiations in a vacant lot :: studying the visual in Canada /
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a categ...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal & Kingston :
McGill-Queen's University Press,
2014.
|
| Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen's University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen's University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary's University). |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773596375 0773596372 9780773596382 0773596380 |
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| 245 | 0 | 0 | |a Negotiations in a vacant lot : |b studying the visual in Canada / |c edited by Lynda Jessup, Erin Morton, and Kirsty Robertson. |
| 264 | 1 | |a Montreal & Kingston : |b McGill-Queen's University Press, |c 2014. | |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Rethinking Relevance: Studying the Visual in Canada / LYNDA JESSUP, ERIN MORTON, AND KIRSTY ROBERTSON -- PART ONE PREPOSTEROUS HISTORIES OF THE PRESENT / ERIN MORTON. 1 Struck by Likening: Homer Watson, Jack Chambers, Gerhard Richter, and the Force of Art World Analogies / MARK A. CHEETHAM -- 2 Feminist Art History in Canada: A "Limited Pursuit"? / KRISTY A. HOLMES -- 3 Dealing with Chiastic Perspectives: Global Art Histories in Canada / ALICE MING WAI JIM -- 4 The Location of / The Conditions for Art: On-Site Specifics and Site Adjustments / ANNIE GÉRIN. | |
| 505 | 8 | |a PART TWO OUT WITH THE NEW / IMRE SZEMAN. 5 National Cultural Policy and the International Liberal Order / BARBARA JENKINS -- 6 Visualizing the "New" North American Landscape / SARAH E.K. SMITH -- 7 Arctic Culture/Global Indigeneity / HEATHER IGLOLIORTE -- 8 The Vacant Lot: Who's Buying It? / RICHARD WILLIAM HILL. | |
| 505 | 8 | |a PART THREE DISCONTIGUOUS DEPENDENCIES / KIRSTY ROBERTSON. 9 The Aesthetics of the Territory-Nation-State and the "Canadian Problematique" / ROB SHIELDS -- 10 Our Vacant Lot Is a Trailer Park: Why English Canada's Perpetual Threat of Disappearing Keeps Film and Television Alive / JENNIFER VANDERBURGH -- 11 The Art of Conflict: Liberal Development after Neo-liberalism / SUSAN CAHILL -- 12 Considering Sovereignty and Neo-liberalism within Indeterminate States and Self-Determined Spaces / PETER CONLIN. | |
| 520 | |a At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen's University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen's University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary's University). | ||
| 650 | 0 | |a Art and society |z Canada. | |
| 650 | 0 | |a Art |z Canada |x History. | |
| 650 | 0 | |a Art, Canadian. | |
| 651 | 0 | |a Canada |x Cultural policy. | |
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| 650 | 0 | |a Nationalism and art |z Canada. | |
| 650 | 0 | |a National characteristics in art. |0 http://id.loc.gov/authorities/subjects/sh97002690 | |
| 650 | 6 | |a Art et société |z Canada. | |
| 650 | 6 | |a Art |x Aspect politique |z Canada. | |
| 650 | 6 | |a Nationalisme et art |z Canada. | |
| 650 | 6 | |a Caractéristiques nationales dans l'art. | |
| 650 | 6 | |a Art |z Canada |x Histoire. | |
| 650 | 6 | |a Art canadien. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
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| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Jessup, Lynda, |d 1956- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjMm3tjFy8XXmRTR3DtBT3 |0 http://id.loc.gov/authorities/names/n2001008936 | |
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| 700 | 1 | |a Morton, Erin, |d 1981- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjwJPK3cM8vBPDKxtpVqcd |0 http://id.loc.gov/authorities/names/no2014147414 | |
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| DE-BY-FWS_katkey | ZDB-4-EBA-ocn881399325 |
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| _version_ | 1816882275412869121 |
| adam_text | |
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| author2 | Jessup, Lynda, 1956- Robertson, Kirsty, 1976- Morton, Erin, 1981- |
| author2_role | edt edt edt |
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| author_GND | http://id.loc.gov/authorities/names/n2001008936 http://id.loc.gov/authorities/names/nb2010018829 http://id.loc.gov/authorities/names/no2014147414 |
| author_facet | Jessup, Lynda, 1956- Robertson, Kirsty, 1976- Morton, Erin, 1981- |
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| callnumber-first | N - Fine Arts |
| callnumber-label | N72 |
| callnumber-raw | N72.S6 N44 2014eb |
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| collection | ZDB-4-EBA |
| contents | Introduction: Rethinking Relevance: Studying the Visual in Canada / LYNDA JESSUP, ERIN MORTON, AND KIRSTY ROBERTSON -- PART ONE PREPOSTEROUS HISTORIES OF THE PRESENT / ERIN MORTON. 1 Struck by Likening: Homer Watson, Jack Chambers, Gerhard Richter, and the Force of Art World Analogies / MARK A. CHEETHAM -- 2 Feminist Art History in Canada: A "Limited Pursuit"? / KRISTY A. HOLMES -- 3 Dealing with Chiastic Perspectives: Global Art Histories in Canada / ALICE MING WAI JIM -- 4 The Location of / The Conditions for Art: On-Site Specifics and Site Adjustments / ANNIE GÉRIN. PART TWO OUT WITH THE NEW / IMRE SZEMAN. 5 National Cultural Policy and the International Liberal Order / BARBARA JENKINS -- 6 Visualizing the "New" North American Landscape / SARAH E.K. SMITH -- 7 Arctic Culture/Global Indigeneity / HEATHER IGLOLIORTE -- 8 The Vacant Lot: Who's Buying It? / RICHARD WILLIAM HILL. PART THREE DISCONTIGUOUS DEPENDENCIES / KIRSTY ROBERTSON. 9 The Aesthetics of the Territory-Nation-State and the "Canadian Problematique" / ROB SHIELDS -- 10 Our Vacant Lot Is a Trailer Park: Why English Canada's Perpetual Threat of Disappearing Keeps Film and Television Alive / JENNIFER VANDERBURGH -- 11 The Art of Conflict: Liberal Development after Neo-liberalism / SUSAN CAHILL -- 12 Considering Sovereignty and Neo-liberalism within Indeterminate States and Self-Determined Spaces / PETER CONLIN. |
| ctrlnum | (OCoLC)881399325 |
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| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.030971 |
| dewey-search | 701/.030971 |
| dewey-sort | 3701 530971 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Canada Cultural policy. Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 |
| geographic_facet | Canada Cultural policy. Canada |
| id | ZDB-4-EBA-ocn881399325 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:01Z |
| institution | BVB |
| isbn | 9780773596375 0773596372 9780773596382 0773596380 |
| language | English |
| oclc_num | 881399325 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| series | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |
| series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| spelling | Negotiations in a vacant lot : studying the visual in Canada / edited by Lynda Jessup, Erin Morton, and Kirsty Robertson. Montreal & Kingston : McGill-Queen's University Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file McGill-Queen's/Beaverbrook Canadian Foundation studies in art history Includes bibliographical references and index. Introduction: Rethinking Relevance: Studying the Visual in Canada / LYNDA JESSUP, ERIN MORTON, AND KIRSTY ROBERTSON -- PART ONE PREPOSTEROUS HISTORIES OF THE PRESENT / ERIN MORTON. 1 Struck by Likening: Homer Watson, Jack Chambers, Gerhard Richter, and the Force of Art World Analogies / MARK A. CHEETHAM -- 2 Feminist Art History in Canada: A "Limited Pursuit"? / KRISTY A. HOLMES -- 3 Dealing with Chiastic Perspectives: Global Art Histories in Canada / ALICE MING WAI JIM -- 4 The Location of / The Conditions for Art: On-Site Specifics and Site Adjustments / ANNIE GÉRIN. PART TWO OUT WITH THE NEW / IMRE SZEMAN. 5 National Cultural Policy and the International Liberal Order / BARBARA JENKINS -- 6 Visualizing the "New" North American Landscape / SARAH E.K. SMITH -- 7 Arctic Culture/Global Indigeneity / HEATHER IGLOLIORTE -- 8 The Vacant Lot: Who's Buying It? / RICHARD WILLIAM HILL. PART THREE DISCONTIGUOUS DEPENDENCIES / KIRSTY ROBERTSON. 9 The Aesthetics of the Territory-Nation-State and the "Canadian Problematique" / ROB SHIELDS -- 10 Our Vacant Lot Is a Trailer Park: Why English Canada's Perpetual Threat of Disappearing Keeps Film and Television Alive / JENNIFER VANDERBURGH -- 11 The Art of Conflict: Liberal Development after Neo-liberalism / SUSAN CAHILL -- 12 Considering Sovereignty and Neo-liberalism within Indeterminate States and Self-Determined Spaces / PETER CONLIN. At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen's University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen's University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary's University). Art and society Canada. Art Canada History. Art, Canadian. Canada Cultural policy. Art Political aspects Canada. Nationalism and art Canada. National characteristics in art. http://id.loc.gov/authorities/subjects/sh97002690 Art et société Canada. Art Aspect politique Canada. Nationalisme et art Canada. Caractéristiques nationales dans l'art. Art Canada Histoire. Art canadien. ART General. bisacsh ART Canadian. bisacsh Nationalism and art fast National characteristics in art fast Art Political aspects fast Art fast Art and society fast Art, Canadian fast Cultural policy fast Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 History fast Jessup, Lynda, 1956- editor. https://id.oclc.org/worldcat/entity/E39PCjMm3tjFy8XXmRTR3DtBT3 http://id.loc.gov/authorities/names/n2001008936 Robertson, Kirsty, 1976- editor. https://id.oclc.org/worldcat/entity/E39PCjrHHv7mYM6Xf8vdMCPfMd http://id.loc.gov/authorities/names/nb2010018829 Morton, Erin, 1981- editor. https://id.oclc.org/worldcat/entity/E39PCjwJPK3cM8vBPDKxtpVqcd http://id.loc.gov/authorities/names/no2014147414 has work: Negotiations in a Vacant Lot (Text) https://id.oclc.org/worldcat/entity/E39PCGCgwx3gkq874VtPTVDRjC https://id.oclc.org/worldcat/ontology/hasWork Print version: Negotiations in a vacant lot. McGill-Queen's/Beaverbrook Canadian Foundation studies in art history McGill-Queen's/Beaverbrook Canadian Foundation studies in art history (CaOONL)20149038755 McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. http://id.loc.gov/authorities/names/no2009036808 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=867484 Volltext |
| spellingShingle | Negotiations in a vacant lot : studying the visual in Canada / McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. Introduction: Rethinking Relevance: Studying the Visual in Canada / LYNDA JESSUP, ERIN MORTON, AND KIRSTY ROBERTSON -- PART ONE PREPOSTEROUS HISTORIES OF THE PRESENT / ERIN MORTON. 1 Struck by Likening: Homer Watson, Jack Chambers, Gerhard Richter, and the Force of Art World Analogies / MARK A. CHEETHAM -- 2 Feminist Art History in Canada: A "Limited Pursuit"? / KRISTY A. HOLMES -- 3 Dealing with Chiastic Perspectives: Global Art Histories in Canada / ALICE MING WAI JIM -- 4 The Location of / The Conditions for Art: On-Site Specifics and Site Adjustments / ANNIE GÉRIN. PART TWO OUT WITH THE NEW / IMRE SZEMAN. 5 National Cultural Policy and the International Liberal Order / BARBARA JENKINS -- 6 Visualizing the "New" North American Landscape / SARAH E.K. SMITH -- 7 Arctic Culture/Global Indigeneity / HEATHER IGLOLIORTE -- 8 The Vacant Lot: Who's Buying It? / RICHARD WILLIAM HILL. PART THREE DISCONTIGUOUS DEPENDENCIES / KIRSTY ROBERTSON. 9 The Aesthetics of the Territory-Nation-State and the "Canadian Problematique" / ROB SHIELDS -- 10 Our Vacant Lot Is a Trailer Park: Why English Canada's Perpetual Threat of Disappearing Keeps Film and Television Alive / JENNIFER VANDERBURGH -- 11 The Art of Conflict: Liberal Development after Neo-liberalism / SUSAN CAHILL -- 12 Considering Sovereignty and Neo-liberalism within Indeterminate States and Self-Determined Spaces / PETER CONLIN. Art and society Canada. Art Canada History. Art, Canadian. Art Political aspects Canada. Nationalism and art Canada. National characteristics in art. http://id.loc.gov/authorities/subjects/sh97002690 Art et société Canada. Art Aspect politique Canada. Nationalisme et art Canada. Caractéristiques nationales dans l'art. Art Canada Histoire. Art canadien. ART General. bisacsh ART Canadian. bisacsh Nationalism and art fast National characteristics in art fast Art Political aspects fast Art fast Art and society fast Art, Canadian fast Cultural policy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh97002690 |
| title | Negotiations in a vacant lot : studying the visual in Canada / |
| title_auth | Negotiations in a vacant lot : studying the visual in Canada / |
| title_exact_search | Negotiations in a vacant lot : studying the visual in Canada / |
| title_full | Negotiations in a vacant lot : studying the visual in Canada / edited by Lynda Jessup, Erin Morton, and Kirsty Robertson. |
| title_fullStr | Negotiations in a vacant lot : studying the visual in Canada / edited by Lynda Jessup, Erin Morton, and Kirsty Robertson. |
| title_full_unstemmed | Negotiations in a vacant lot : studying the visual in Canada / edited by Lynda Jessup, Erin Morton, and Kirsty Robertson. |
| title_short | Negotiations in a vacant lot : |
| title_sort | negotiations in a vacant lot studying the visual in canada |
| title_sub | studying the visual in Canada / |
| topic | Art and society Canada. Art Canada History. Art, Canadian. Art Political aspects Canada. Nationalism and art Canada. National characteristics in art. http://id.loc.gov/authorities/subjects/sh97002690 Art et société Canada. Art Aspect politique Canada. Nationalisme et art Canada. Caractéristiques nationales dans l'art. Art Canada Histoire. Art canadien. ART General. bisacsh ART Canadian. bisacsh Nationalism and art fast National characteristics in art fast Art Political aspects fast Art fast Art and society fast Art, Canadian fast Cultural policy fast |
| topic_facet | Art and society Canada. Art Canada History. Art, Canadian. Canada Cultural policy. Art Political aspects Canada. Nationalism and art Canada. National characteristics in art. Art et société Canada. Art Aspect politique Canada. Nationalisme et art Canada. Caractéristiques nationales dans l'art. Art Canada Histoire. Art canadien. ART General. ART Canadian. Nationalism and art National characteristics in art Art Political aspects Art Art and society Art, Canadian Cultural policy Canada History |
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