American postfeminist cinema :: women, romance and contemporary culture /
Examines a cycle of postfeminist films that adopt the conventions of romance. In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a het...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2014]
|
| Schriftenreihe: | Traditions in American cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Examines a cycle of postfeminist films that adopt the conventions of romance. In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status. Key Features Offers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminism Analyses the recurring narrative and discursive patterns of postfeminist cinema Includes 13 case studies of popular postfeminist films and other media texts, including television programmes Continues the tradition of feminist analysis of romance as a significant media genre for women |
| Beschreibung: | 1 online resource (vii, 200 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 178-187) and index. |
| ISBN: | 9780748693375 0748693378 9780748696772 0748696776 1306819962 9781306819961 |
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| 490 | 1 | |a Traditions in American cinema | |
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| 504 | |a Includes bibliographical references (pages 178-187) and index. | ||
| 505 | 0 | |a Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index. | |
| 520 | |a Examines a cycle of postfeminist films that adopt the conventions of romance. In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status. Key Features Offers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminism Analyses the recurring narrative and discursive patterns of postfeminist cinema Includes 13 case studies of popular postfeminist films and other media texts, including television programmes Continues the tradition of feminist analysis of romance as a significant media genre for women | ||
| 546 | |a English. | ||
| 650 | 0 | |a Man-woman relationships in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh96010544 | |
| 650 | 0 | |a Feminism and motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85047748 | |
| 650 | 6 | |a Relations entre hommes et femmes au cinéma. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn880877855 |
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| _version_ | 1816882274026651648 |
| adam_text | |
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| author | Schreiber, Michele |
| author_GND | http://id.loc.gov/authorities/names/no2014089920 |
| author_facet | Schreiber, Michele |
| author_role | aut |
| author_sort | Schreiber, Michele |
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| classification_rvk | AP 53925 |
| collection | ZDB-4-EBA |
| contents | Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index. |
| ctrlnum | (OCoLC)880877855 |
| dewey-full | 791.436522 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436522 |
| dewey-search | 791.436522 |
| dewey-sort | 3791.436522 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Traditions in American cinema</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 178-187) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 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| genre | Electronic books. |
| genre_facet | Electronic books. |
| geographic | USA gnd |
| geographic_facet | USA |
| id | ZDB-4-EBA-ocn880877855 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:00Z |
| institution | BVB |
| isbn | 9780748693375 0748693378 9780748696772 0748696776 1306819962 9781306819961 |
| language | English |
| oclc_num | 880877855 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vii, 200 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Traditions in American cinema. |
| series2 | Traditions in American cinema |
| spelling | Schreiber, Michele, author. http://id.loc.gov/authorities/names/no2014089920 American postfeminist cinema : women, romance and contemporary culture / Michele Schreiber. Edinburgh : Edinburgh University Press, [2014] ©2014 1 online resource (vii, 200 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in American cinema Print version record. Includes bibliographical references (pages 178-187) and index. Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index. Examines a cycle of postfeminist films that adopt the conventions of romance. In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status. Key Features Offers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminism Analyses the recurring narrative and discursive patterns of postfeminist cinema Includes 13 case studies of popular postfeminist films and other media texts, including television programmes Continues the tradition of feminist analysis of romance as a significant media genre for women English. Man-woman relationships in motion pictures. http://id.loc.gov/authorities/subjects/sh96010544 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Relations entre hommes et femmes au cinéma. Féminisme et cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Feminism and motion pictures fast Man-woman relationships in motion pictures fast Frau Motiv gnd http://d-nb.info/gnd/4113617-2 Liebesfilm gnd http://d-nb.info/gnd/4261643-8 USA gnd Electronic books. Print version: Schreiber, Michele. American postfeminist cinema. Edinburgh : Edinburgh University Press, [2014] 9780748693368 (DLC) 2014407317 (OCoLC)868378476 Traditions in American cinema. http://id.loc.gov/authorities/names/no2014085852 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=783914 Volltext |
| spellingShingle | Schreiber, Michele American postfeminist cinema : women, romance and contemporary culture / Traditions in American cinema. Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index. Man-woman relationships in motion pictures. http://id.loc.gov/authorities/subjects/sh96010544 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Relations entre hommes et femmes au cinéma. Féminisme et cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Feminism and motion pictures fast Man-woman relationships in motion pictures fast Frau Motiv gnd http://d-nb.info/gnd/4113617-2 Liebesfilm gnd http://d-nb.info/gnd/4261643-8 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh96010544 http://id.loc.gov/authorities/subjects/sh85047748 http://d-nb.info/gnd/4113617-2 http://d-nb.info/gnd/4261643-8 |
| title | American postfeminist cinema : women, romance and contemporary culture / |
| title_auth | American postfeminist cinema : women, romance and contemporary culture / |
| title_exact_search | American postfeminist cinema : women, romance and contemporary culture / |
| title_full | American postfeminist cinema : women, romance and contemporary culture / Michele Schreiber. |
| title_fullStr | American postfeminist cinema : women, romance and contemporary culture / Michele Schreiber. |
| title_full_unstemmed | American postfeminist cinema : women, romance and contemporary culture / Michele Schreiber. |
| title_short | American postfeminist cinema : |
| title_sort | american postfeminist cinema women romance and contemporary culture |
| title_sub | women, romance and contemporary culture / |
| topic | Man-woman relationships in motion pictures. http://id.loc.gov/authorities/subjects/sh96010544 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Relations entre hommes et femmes au cinéma. Féminisme et cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Feminism and motion pictures fast Man-woman relationships in motion pictures fast Frau Motiv gnd http://d-nb.info/gnd/4113617-2 Liebesfilm gnd http://d-nb.info/gnd/4261643-8 |
| topic_facet | Man-woman relationships in motion pictures. Feminism and motion pictures. Relations entre hommes et femmes au cinéma. Féminisme et cinéma. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video Reference. Feminism and motion pictures Man-woman relationships in motion pictures Frau Motiv Liebesfilm USA Electronic books. |
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| work_keys_str_mv | AT schreibermichele americanpostfeministcinemawomenromanceandcontemporaryculture |