The theatre of Harold Pinter /:
The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London, England ; New York, New York :
Bloomsbury Methuen Drama,
2014.
|
| Schriftenreihe: | Critical companions (London, England)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an assessment of Pinter''s entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance The Theatre of Harold Pinter considers Pinter''s chief narrative concer. |
| Beschreibung: | 1 online resource (316 pages) : illustrations, tables |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781408175330 1408175339 9781408175293 1408175290 9781408175323 1408175320 |
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| 264 | 1 | |a London, England ; |a New York, New York : |b Bloomsbury Methuen Drama, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (316 pages) : |b illustrations, tables | ||
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| 490 | 1 | |a Critical Companions | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed May 6, 2014). | |
| 505 | 0 | |a FC; Half title; In the same series from Bloomsbury Methuen Drama; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; 1 Invasions and Oppressions; Awkward Investments in Enclosed Spaces: The Room, The Birthday Party, The Dumb Waiter, The Hothouse; The Stranger on the Threshold: A Slight Ache, The Caretaker; 2 The Company of Men and the Place of Women; The Male Church: The Dwarfs; Untenable Archetypes: A Night Out, Night School, The Collection, Tea Party; Negotiations and Contracts: The Lover, The Homecoming; 3 Present Continuous, Past Perfect. | |
| 505 | 8 | |a Contours and Shadows: Landscape, Silence, Old TimesA Foreign Country: No Man's Land; 4 The Impossible Family; Exiled: Monologue, Betrayal; Other Places: Victoria Station, Family Voices, A Kind of Alaska, Moonlight; Family Under Threat: One for the Road, Mountain Language, Party Time, Celebration; 5 Politics and the Artist as Citizen; Anger and All That: The Birthday Party, The Dumb Waiter, The Hothouse; Art, Truth and Politics: The Nobel Lecture, Precisely, The New World Order, Press Conference, Celebration; The Fist and the Kiss: Ashes to Ashes; 6 Some Concluding Remarks. | |
| 505 | 8 | |a 7 Critical and Performance PerspectivesThe Curse of Pinter Harry Burton; 'Who the Hell's That?': Pinter's Memory Plays of the 1970s Chris Megson; Revisiting Pinter's Women : One for the Road (1984), Mountain Language (1988) and Part y Time (1991) Ann C. Hall; Pinter's Political Dramas: Staging Neoliberal Discourse and Authoritarianism Basil Chiasson; Chronology; Notes; Bibliography; Notes on Contributors; Index. | |
| 520 | |a The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an assessment of Pinter''s entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance The Theatre of Harold Pinter considers Pinter''s chief narrative concer. | ||
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| 600 | 1 | 0 | |a Greig, David |x Criticism and interpretation. |
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| author_facet | Taylor-Batty, Mark |
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| author_sort | Taylor-Batty, Mark |
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| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PR6066 |
| callnumber-raw | PR6066.I53 .T39 2014eb |
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| contents | FC; Half title; In the same series from Bloomsbury Methuen Drama; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; 1 Invasions and Oppressions; Awkward Investments in Enclosed Spaces: The Room, The Birthday Party, The Dumb Waiter, The Hothouse; The Stranger on the Threshold: A Slight Ache, The Caretaker; 2 The Company of Men and the Place of Women; The Male Church: The Dwarfs; Untenable Archetypes: A Night Out, Night School, The Collection, Tea Party; Negotiations and Contracts: The Lover, The Homecoming; 3 Present Continuous, Past Perfect. Contours and Shadows: Landscape, Silence, Old TimesA Foreign Country: No Man's Land; 4 The Impossible Family; Exiled: Monologue, Betrayal; Other Places: Victoria Station, Family Voices, A Kind of Alaska, Moonlight; Family Under Threat: One for the Road, Mountain Language, Party Time, Celebration; 5 Politics and the Artist as Citizen; Anger and All That: The Birthday Party, The Dumb Waiter, The Hothouse; Art, Truth and Politics: The Nobel Lecture, Precisely, The New World Order, Press Conference, Celebration; The Fist and the Kiss: Ashes to Ashes; 6 Some Concluding Remarks. 7 Critical and Performance PerspectivesThe Curse of Pinter Harry Burton; 'Who the Hell's That?': Pinter's Memory Plays of the 1970s Chris Megson; Revisiting Pinter's Women : One for the Road (1984), Mountain Language (1988) and Part y Time (1991) Ann C. Hall; Pinter's Political Dramas: Staging Neoliberal Discourse and Authoritarianism Basil Chiasson; Chronology; Notes; Bibliography; Notes on Contributors; Index. |
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| dewey-full | 822.914 |
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| dewey-ones | 822 - English drama |
| dewey-raw | 822.914 |
| dewey-search | 822.914 |
| dewey-sort | 3822.914 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn880452530 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:59Z |
| institution | BVB |
| isbn | 9781408175330 1408175339 9781408175293 1408175290 9781408175323 1408175320 |
| language | English |
| oclc_num | 880452530 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (316 pages) : illustrations, tables |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
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| publisher | Bloomsbury Methuen Drama, |
| record_format | marc |
| series | Critical companions (London, England) |
| series2 | Critical Companions |
| spelling | Taylor-Batty, Mark, author. The theatre of Harold Pinter / Mark Taylor-Batty. London, England ; New York, New York : Bloomsbury Methuen Drama, 2014. ©2014 1 online resource (316 pages) : illustrations, tables text txt rdacontent computer c rdamedia online resource cr rdacarrier Critical Companions Includes bibliographical references and index. Online resource; title from PDF title page (ebrary, viewed May 6, 2014). FC; Half title; In the same series from Bloomsbury Methuen Drama; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; 1 Invasions and Oppressions; Awkward Investments in Enclosed Spaces: The Room, The Birthday Party, The Dumb Waiter, The Hothouse; The Stranger on the Threshold: A Slight Ache, The Caretaker; 2 The Company of Men and the Place of Women; The Male Church: The Dwarfs; Untenable Archetypes: A Night Out, Night School, The Collection, Tea Party; Negotiations and Contracts: The Lover, The Homecoming; 3 Present Continuous, Past Perfect. Contours and Shadows: Landscape, Silence, Old TimesA Foreign Country: No Man's Land; 4 The Impossible Family; Exiled: Monologue, Betrayal; Other Places: Victoria Station, Family Voices, A Kind of Alaska, Moonlight; Family Under Threat: One for the Road, Mountain Language, Party Time, Celebration; 5 Politics and the Artist as Citizen; Anger and All That: The Birthday Party, The Dumb Waiter, The Hothouse; Art, Truth and Politics: The Nobel Lecture, Precisely, The New World Order, Press Conference, Celebration; The Fist and the Kiss: Ashes to Ashes; 6 Some Concluding Remarks. 7 Critical and Performance PerspectivesThe Curse of Pinter Harry Burton; 'Who the Hell's That?': Pinter's Memory Plays of the 1970s Chris Megson; Revisiting Pinter's Women : One for the Road (1984), Mountain Language (1988) and Part y Time (1991) Ann C. Hall; Pinter's Political Dramas: Staging Neoliberal Discourse and Authoritarianism Basil Chiasson; Chronology; Notes; Bibliography; Notes on Contributors; Index. The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an assessment of Pinter''s entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance The Theatre of Harold Pinter considers Pinter''s chief narrative concer. Pinter, Harold, 1930-2008 Criticism and interpretation. Greig, David Criticism and interpretation. Greig, David fast https://id.oclc.org/worldcat/entity/E39PBJrwXQ6tM4BWYKGbMBGrbd Pinter, Harold, 1930-2008 fast https://id.oclc.org/worldcat/entity/E39PBJxH3jmQfdVGxhV8mFqvpP Literary studies: plays & playwrights. bicssc DRAMA English, Irish, Scottish, Welsh. bisacsh Criticism, interpretation, etc. fast Print version: Taylor-Batty, Mark. Theatre of Harold Pinter. London, England ; New York, New York : Bloomsbury Methuen Drama, ©2014 viii, 305 pages Critical companions (Methuen Drama) 9781408175309 Critical companions (London, England) FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=964321 Volltext |
| spellingShingle | Taylor-Batty, Mark The theatre of Harold Pinter / Critical companions (London, England) FC; Half title; In the same series from Bloomsbury Methuen Drama; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; 1 Invasions and Oppressions; Awkward Investments in Enclosed Spaces: The Room, The Birthday Party, The Dumb Waiter, The Hothouse; The Stranger on the Threshold: A Slight Ache, The Caretaker; 2 The Company of Men and the Place of Women; The Male Church: The Dwarfs; Untenable Archetypes: A Night Out, Night School, The Collection, Tea Party; Negotiations and Contracts: The Lover, The Homecoming; 3 Present Continuous, Past Perfect. Contours and Shadows: Landscape, Silence, Old TimesA Foreign Country: No Man's Land; 4 The Impossible Family; Exiled: Monologue, Betrayal; Other Places: Victoria Station, Family Voices, A Kind of Alaska, Moonlight; Family Under Threat: One for the Road, Mountain Language, Party Time, Celebration; 5 Politics and the Artist as Citizen; Anger and All That: The Birthday Party, The Dumb Waiter, The Hothouse; Art, Truth and Politics: The Nobel Lecture, Precisely, The New World Order, Press Conference, Celebration; The Fist and the Kiss: Ashes to Ashes; 6 Some Concluding Remarks. 7 Critical and Performance PerspectivesThe Curse of Pinter Harry Burton; 'Who the Hell's That?': Pinter's Memory Plays of the 1970s Chris Megson; Revisiting Pinter's Women : One for the Road (1984), Mountain Language (1988) and Part y Time (1991) Ann C. Hall; Pinter's Political Dramas: Staging Neoliberal Discourse and Authoritarianism Basil Chiasson; Chronology; Notes; Bibliography; Notes on Contributors; Index. Pinter, Harold, 1930-2008 Criticism and interpretation. Greig, David Criticism and interpretation. Greig, David fast https://id.oclc.org/worldcat/entity/E39PBJrwXQ6tM4BWYKGbMBGrbd Pinter, Harold, 1930-2008 fast https://id.oclc.org/worldcat/entity/E39PBJxH3jmQfdVGxhV8mFqvpP Literary studies: plays & playwrights. bicssc DRAMA English, Irish, Scottish, Welsh. bisacsh |
| title | The theatre of Harold Pinter / |
| title_auth | The theatre of Harold Pinter / |
| title_exact_search | The theatre of Harold Pinter / |
| title_full | The theatre of Harold Pinter / Mark Taylor-Batty. |
| title_fullStr | The theatre of Harold Pinter / Mark Taylor-Batty. |
| title_full_unstemmed | The theatre of Harold Pinter / Mark Taylor-Batty. |
| title_short | The theatre of Harold Pinter / |
| title_sort | theatre of harold pinter |
| topic | Pinter, Harold, 1930-2008 Criticism and interpretation. Greig, David Criticism and interpretation. Greig, David fast https://id.oclc.org/worldcat/entity/E39PBJrwXQ6tM4BWYKGbMBGrbd Pinter, Harold, 1930-2008 fast https://id.oclc.org/worldcat/entity/E39PBJxH3jmQfdVGxhV8mFqvpP Literary studies: plays & playwrights. bicssc DRAMA English, Irish, Scottish, Welsh. bisacsh |
| topic_facet | Pinter, Harold, 1930-2008 Criticism and interpretation. Greig, David Criticism and interpretation. Greig, David Pinter, Harold, 1930-2008 Literary studies: plays & playwrights. DRAMA English, Irish, Scottish, Welsh. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=964321 |
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