Modern British playwriting.: voices, documents, new interpretations / The 1990s :
British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are fresh...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London, England ; New York, New York :
Bloomsbury Methuen Drama,
2012.
|
| Schriftenreihe: | Decades of modern British playwriting.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama''s Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine R. |
| Beschreibung: | 1 online resource (288 pages) : illustrations, tables |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781408129289 1408129280 130684195X 9781306841955 9781408177914 1408177919 |
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| 264 | 1 | |a London, England ; |a New York, New York : |b Bloomsbury Methuen Drama, |c 2012. | |
| 264 | 4 | |c ©2012 | |
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| 490 | 1 | |a Decades of Modern British Playwriting | |
| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Cover; Contents; General Preface; Acknowledgements; Introduction: Living in the 1990s; Background; Everyday life; Education; Media; Culture; Science, technology and industry; Politics; 1 Theatre in the 1990s; Background; Heritage, culture and the Arts Council; Flagship theatres: West End, National and RSC; Off-West End and companies; New writing; Experimental, fringe and live art; Outside London: England, Scotland, Wales and Northern Ireland; Conclusion; 2 Playwrights and Plays; Philip Ridley; Introduction; The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place. | |
| 505 | 8 | |a ConclusionSarah Kane; Introduction; Blasted; Cleansed; 4.48 Psychosis; Conclusion; Anthony Neilson; Introduction; Normal; Penetrator; The Censor; Conclusion; Mark Ravenhill; Introduction; Shopping and Fucking; Some Explicit Polaroids; Mother Clap's Molly House; Conclusion; 3 Documents; Philip Ridley: Vesper -- a Monologue; Sarah Kane: Interview with Dan Rebellato; Anthony Neilson: In His Own Words; Mark Ravenhill: 'A Tear in the Fabric'; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Notes on Contributors. | |
| 520 | |a British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama''s Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine R. | ||
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| 600 | 1 | 0 | |a Ridley, Philip |x Criticism and interpretation. |
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| author | Sierz, Aleks |
| author_facet | Sierz, Aleks |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR736 |
| callnumber-raw | PR736 .S54 2012eb |
| callnumber-search | PR736 .S54 2012eb |
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| contents | Cover; Contents; General Preface; Acknowledgements; Introduction: Living in the 1990s; Background; Everyday life; Education; Media; Culture; Science, technology and industry; Politics; 1 Theatre in the 1990s; Background; Heritage, culture and the Arts Council; Flagship theatres: West End, National and RSC; Off-West End and companies; New writing; Experimental, fringe and live art; Outside London: England, Scotland, Wales and Northern Ireland; Conclusion; 2 Playwrights and Plays; Philip Ridley; Introduction; The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place. ConclusionSarah Kane; Introduction; Blasted; Cleansed; 4.48 Psychosis; Conclusion; Anthony Neilson; Introduction; Normal; Penetrator; The Censor; Conclusion; Mark Ravenhill; Introduction; Shopping and Fucking; Some Explicit Polaroids; Mother Clap's Molly House; Conclusion; 3 Documents; Philip Ridley: Vesper -- a Monologue; Sarah Kane: Interview with Dan Rebellato; Anthony Neilson: In His Own Words; Mark Ravenhill: 'A Tear in the Fabric'; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Notes on Contributors. |
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| discipline | Anglistik / Amerikanistik |
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| genre | Criticism, interpretation, etc. fast |
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| id | ZDB-4-EBA-ocn880452375 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:59Z |
| institution | BVB |
| isbn | 9781408129289 1408129280 130684195X 9781306841955 9781408177914 1408177919 |
| language | English |
| oclc_num | 880452375 |
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| physical | 1 online resource (288 pages) : illustrations, tables |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
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| publisher | Bloomsbury Methuen Drama, |
| record_format | marc |
| series | Decades of modern British playwriting. |
| series2 | Decades of Modern British Playwriting |
| spelling | Sierz, Aleks, author. Modern British playwriting. The 1990s : voices, documents, new interpretations / Aleks Sierz. London, England ; New York, New York : Bloomsbury Methuen Drama, 2012. ©2012 1 online resource (288 pages) : illustrations, tables text txt rdacontent computer c rdamedia online resource cr rdacarrier Decades of Modern British Playwriting Includes bibliographical references and index. Print version record. Cover; Contents; General Preface; Acknowledgements; Introduction: Living in the 1990s; Background; Everyday life; Education; Media; Culture; Science, technology and industry; Politics; 1 Theatre in the 1990s; Background; Heritage, culture and the Arts Council; Flagship theatres: West End, National and RSC; Off-West End and companies; New writing; Experimental, fringe and live art; Outside London: England, Scotland, Wales and Northern Ireland; Conclusion; 2 Playwrights and Plays; Philip Ridley; Introduction; The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place. ConclusionSarah Kane; Introduction; Blasted; Cleansed; 4.48 Psychosis; Conclusion; Anthony Neilson; Introduction; Normal; Penetrator; The Censor; Conclusion; Mark Ravenhill; Introduction; Shopping and Fucking; Some Explicit Polaroids; Mother Clap's Molly House; Conclusion; 3 Documents; Philip Ridley: Vesper -- a Monologue; Sarah Kane: Interview with Dan Rebellato; Anthony Neilson: In His Own Words; Mark Ravenhill: 'A Tear in the Fabric'; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Notes on Contributors. British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama''s Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine R. Kane, Sarah, 1971-1999 Criticism and interpretation. Neilson, Anthony Criticism and interpretation. Ravenhill, Mark Criticism and interpretation. Ridley, Philip Criticism and interpretation. Neilson, Anthony fast https://id.oclc.org/worldcat/entity/E39PBJqvX8DxYgbj9gDTyhgh73 Kane, Sarah, 1971-1999 fast https://id.oclc.org/worldcat/entity/E39PBJcRdMCg8F7bv8YBx8XTpP Ravenhill, Mark fast https://id.oclc.org/worldcat/entity/E39PBJdgTqvCxQCY9CjhhxYQMP DRAMA English, Irish, Scottish, Welsh. bisacsh Criticism, interpretation, etc. fast Print version: Sierz, Aleks. Modern British playwriting. The 1990s. London, England ; New York, New York : Bloomsbury Methuen Drama, ©2012 ix, 277 pages Decades of modern British playwriting. 9781408129265 Decades of modern British playwriting. http://id.loc.gov/authorities/names/no2012072439 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=965756 Volltext |
| spellingShingle | Sierz, Aleks Modern British playwriting. voices, documents, new interpretations / Decades of modern British playwriting. Cover; Contents; General Preface; Acknowledgements; Introduction: Living in the 1990s; Background; Everyday life; Education; Media; Culture; Science, technology and industry; Politics; 1 Theatre in the 1990s; Background; Heritage, culture and the Arts Council; Flagship theatres: West End, National and RSC; Off-West End and companies; New writing; Experimental, fringe and live art; Outside London: England, Scotland, Wales and Northern Ireland; Conclusion; 2 Playwrights and Plays; Philip Ridley; Introduction; The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place. ConclusionSarah Kane; Introduction; Blasted; Cleansed; 4.48 Psychosis; Conclusion; Anthony Neilson; Introduction; Normal; Penetrator; The Censor; Conclusion; Mark Ravenhill; Introduction; Shopping and Fucking; Some Explicit Polaroids; Mother Clap's Molly House; Conclusion; 3 Documents; Philip Ridley: Vesper -- a Monologue; Sarah Kane: Interview with Dan Rebellato; Anthony Neilson: In His Own Words; Mark Ravenhill: 'A Tear in the Fabric'; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Notes on Contributors. Kane, Sarah, 1971-1999 Criticism and interpretation. Neilson, Anthony Criticism and interpretation. Ravenhill, Mark Criticism and interpretation. Ridley, Philip Criticism and interpretation. Neilson, Anthony fast https://id.oclc.org/worldcat/entity/E39PBJqvX8DxYgbj9gDTyhgh73 Kane, Sarah, 1971-1999 fast https://id.oclc.org/worldcat/entity/E39PBJcRdMCg8F7bv8YBx8XTpP Ravenhill, Mark fast https://id.oclc.org/worldcat/entity/E39PBJdgTqvCxQCY9CjhhxYQMP DRAMA English, Irish, Scottish, Welsh. bisacsh |
| title | Modern British playwriting. voices, documents, new interpretations / |
| title_auth | Modern British playwriting. voices, documents, new interpretations / |
| title_exact_search | Modern British playwriting. voices, documents, new interpretations / |
| title_full | Modern British playwriting. The 1990s : voices, documents, new interpretations / Aleks Sierz. |
| title_fullStr | Modern British playwriting. The 1990s : voices, documents, new interpretations / Aleks Sierz. |
| title_full_unstemmed | Modern British playwriting. The 1990s : voices, documents, new interpretations / Aleks Sierz. |
| title_short | Modern British playwriting. |
| title_sort | modern british playwriting the 1990s voices documents new interpretations |
| title_sub | voices, documents, new interpretations / |
| topic | Kane, Sarah, 1971-1999 Criticism and interpretation. Neilson, Anthony Criticism and interpretation. Ravenhill, Mark Criticism and interpretation. Ridley, Philip Criticism and interpretation. Neilson, Anthony fast https://id.oclc.org/worldcat/entity/E39PBJqvX8DxYgbj9gDTyhgh73 Kane, Sarah, 1971-1999 fast https://id.oclc.org/worldcat/entity/E39PBJcRdMCg8F7bv8YBx8XTpP Ravenhill, Mark fast https://id.oclc.org/worldcat/entity/E39PBJdgTqvCxQCY9CjhhxYQMP DRAMA English, Irish, Scottish, Welsh. bisacsh |
| topic_facet | Kane, Sarah, 1971-1999 Criticism and interpretation. Neilson, Anthony Criticism and interpretation. Ravenhill, Mark Criticism and interpretation. Ridley, Philip Criticism and interpretation. Neilson, Anthony Kane, Sarah, 1971-1999 Ravenhill, Mark DRAMA English, Irish, Scottish, Welsh. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=965756 |
| work_keys_str_mv | AT sierzaleks modernbritishplaywritingvoicesdocumentsnewinterpretations |