The piracy crusade :: how the music industry's war on sharing destroys markets and erodes civil liberties /
In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that "internet pirates killed the music industry" has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working art...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amherst :
University of Massachusetts Press,
[2013]
|
Schriftenreihe: | Science/technology/culture.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that "internet pirates killed the music industry" has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a "cybercrime" similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of "piracy" as a myth perpetuated by today's cultural cartels--the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this "piracy crusade" is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy--policies that threaten to undermine the foundations of democratic society |
Beschreibung: | 1 online resource (xii, 244 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781613763186 1613763182 9781613762868 1613762860 |
Internformat
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245 | 1 | 4 | |a The piracy crusade : |b how the music industry's war on sharing destroys markets and erodes civil liberties / |c Aram Sinnreich. |
264 | 1 | |a Amherst : |b University of Massachusetts Press, |c [2013] | |
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505 | 0 | |a Stacking the deck : the monopolization of music -- Riding the tiger : why the music industry loves (and hates) technology -- "We've been talking about this for years" : the music industry's five stages of grief -- Dissecting the bogeyman : how bad is P2P, anyway? -- Bubbles and storms : the story behind the numbers -- Is the music industry its own worst enemy? -- "This sounds way too good" : no good idea goes unpunished -- Guilty until proven innocent : antipiracy and civil liberties -- Is democracy piracy? | |
520 | |a In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that "internet pirates killed the music industry" has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a "cybercrime" similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of "piracy" as a myth perpetuated by today's cultural cartels--the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this "piracy crusade" is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy--policies that threaten to undermine the foundations of democratic society | ||
650 | 0 | |a Copyright |x Music. |0 http://id.loc.gov/authorities/subjects/sh85032470 | |
650 | 0 | |a Piracy (Copyright) |x Prevention. | |
650 | 0 | |a Music trade |x Law and legislation. | |
650 | 0 | |a Music and the Internet. |0 http://id.loc.gov/authorities/subjects/sh2004002303 | |
650 | 0 | |a Sound recordings |x Pirated editions. |0 http://id.loc.gov/authorities/subjects/sh85032487 | |
650 | 0 | |a Civil rights. |0 http://id.loc.gov/authorities/subjects/sh85026371 | |
650 | 6 | |a Droit d'auteur |x Musique. | |
650 | 6 | |a Musique et Internet. | |
650 | 6 | |a Enregistrements sonores |x Piratage. | |
650 | 7 | |a LAW |x Administrative Law & Regulatory Practice. |2 bisacsh | |
650 | 7 | |a Civil rights |2 fast | |
650 | 7 | |a Copyright |x Music |2 fast | |
650 | 7 | |a Music and the Internet |2 fast | |
650 | 7 | |a Music trade |x Law and legislation |2 fast | |
650 | 7 | |a Sound recordings |x Pirated editions |2 fast | |
758 | |i has work: |a The piracy crusade (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGrWwryVtxRXQ9pXgwrJtC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Sinnreich, Aram. |t Piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties. |d Amherst, [Massachusetts] ; Boston, [Massachusetts] : University of Massachusetts Press, ©2013 |h xii, 244 pages |k Science/technology/culture. |z 9781625340511 |
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adam_text | |
any_adam_object | |
author | Sinnreich, Aram |
author_GND | http://id.loc.gov/authorities/names/n2010015362 |
author_facet | Sinnreich, Aram |
author_role | aut |
author_sort | Sinnreich, Aram |
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callnumber-first | K - Law |
callnumber-label | K1450 |
callnumber-raw | K1450 .S57 2013 |
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contents | Stacking the deck : the monopolization of music -- Riding the tiger : why the music industry loves (and hates) technology -- "We've been talking about this for years" : the music industry's five stages of grief -- Dissecting the bogeyman : how bad is P2P, anyway? -- Bubbles and storms : the story behind the numbers -- Is the music industry its own worst enemy? -- "This sounds way too good" : no good idea goes unpunished -- Guilty until proven innocent : antipiracy and civil liberties -- Is democracy piracy? |
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dewey-ones | 346 - Private law |
dewey-raw | 346.04/82 |
dewey-search | 346.04/82 |
dewey-sort | 3346.04 282 |
dewey-tens | 340 - Law |
discipline | Rechtswissenschaft |
format | Electronic eBook |
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id | ZDB-4-EBA-ocn879285707 |
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indexdate | 2024-11-27T13:25:58Z |
institution | BVB |
isbn | 9781613763186 1613763182 9781613762868 1613762860 |
language | English |
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series | Science/technology/culture. |
series2 | Science/technology/culture |
spelling | Sinnreich, Aram, author. https://id.oclc.org/worldcat/entity/E39PCjD7ttmvgfC6FWkKB9mfMP http://id.loc.gov/authorities/names/n2010015362 The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / Aram Sinnreich. Amherst : University of Massachusetts Press, [2013] ©2013 1 online resource (xii, 244 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Science/technology/culture Print version record. Includes bibliographical references and index. Stacking the deck : the monopolization of music -- Riding the tiger : why the music industry loves (and hates) technology -- "We've been talking about this for years" : the music industry's five stages of grief -- Dissecting the bogeyman : how bad is P2P, anyway? -- Bubbles and storms : the story behind the numbers -- Is the music industry its own worst enemy? -- "This sounds way too good" : no good idea goes unpunished -- Guilty until proven innocent : antipiracy and civil liberties -- Is democracy piracy? In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that "internet pirates killed the music industry" has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a "cybercrime" similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of "piracy" as a myth perpetuated by today's cultural cartels--the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this "piracy crusade" is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy--policies that threaten to undermine the foundations of democratic society Copyright Music. http://id.loc.gov/authorities/subjects/sh85032470 Piracy (Copyright) Prevention. Music trade Law and legislation. Music and the Internet. http://id.loc.gov/authorities/subjects/sh2004002303 Sound recordings Pirated editions. http://id.loc.gov/authorities/subjects/sh85032487 Civil rights. http://id.loc.gov/authorities/subjects/sh85026371 Droit d'auteur Musique. Musique et Internet. Enregistrements sonores Piratage. LAW Administrative Law & Regulatory Practice. bisacsh Civil rights fast Copyright Music fast Music and the Internet fast Music trade Law and legislation fast Sound recordings Pirated editions fast has work: The piracy crusade (Text) https://id.oclc.org/worldcat/entity/E39PCGrWwryVtxRXQ9pXgwrJtC https://id.oclc.org/worldcat/ontology/hasWork Print version: Sinnreich, Aram. Piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties. Amherst, [Massachusetts] ; Boston, [Massachusetts] : University of Massachusetts Press, ©2013 xii, 244 pages Science/technology/culture. 9781625340511 Science/technology/culture. http://id.loc.gov/authorities/names/no2010132731 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1186909 Volltext |
spellingShingle | Sinnreich, Aram The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / Science/technology/culture. Stacking the deck : the monopolization of music -- Riding the tiger : why the music industry loves (and hates) technology -- "We've been talking about this for years" : the music industry's five stages of grief -- Dissecting the bogeyman : how bad is P2P, anyway? -- Bubbles and storms : the story behind the numbers -- Is the music industry its own worst enemy? -- "This sounds way too good" : no good idea goes unpunished -- Guilty until proven innocent : antipiracy and civil liberties -- Is democracy piracy? Copyright Music. http://id.loc.gov/authorities/subjects/sh85032470 Piracy (Copyright) Prevention. Music trade Law and legislation. Music and the Internet. http://id.loc.gov/authorities/subjects/sh2004002303 Sound recordings Pirated editions. http://id.loc.gov/authorities/subjects/sh85032487 Civil rights. http://id.loc.gov/authorities/subjects/sh85026371 Droit d'auteur Musique. Musique et Internet. Enregistrements sonores Piratage. LAW Administrative Law & Regulatory Practice. bisacsh Civil rights fast Copyright Music fast Music and the Internet fast Music trade Law and legislation fast Sound recordings Pirated editions fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85032470 http://id.loc.gov/authorities/subjects/sh2004002303 http://id.loc.gov/authorities/subjects/sh85032487 http://id.loc.gov/authorities/subjects/sh85026371 |
title | The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / |
title_auth | The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / |
title_exact_search | The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / |
title_full | The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / Aram Sinnreich. |
title_fullStr | The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / Aram Sinnreich. |
title_full_unstemmed | The piracy crusade : how the music industry's war on sharing destroys markets and erodes civil liberties / Aram Sinnreich. |
title_short | The piracy crusade : |
title_sort | piracy crusade how the music industry s war on sharing destroys markets and erodes civil liberties |
title_sub | how the music industry's war on sharing destroys markets and erodes civil liberties / |
topic | Copyright Music. http://id.loc.gov/authorities/subjects/sh85032470 Piracy (Copyright) Prevention. Music trade Law and legislation. Music and the Internet. http://id.loc.gov/authorities/subjects/sh2004002303 Sound recordings Pirated editions. http://id.loc.gov/authorities/subjects/sh85032487 Civil rights. http://id.loc.gov/authorities/subjects/sh85026371 Droit d'auteur Musique. Musique et Internet. Enregistrements sonores Piratage. LAW Administrative Law & Regulatory Practice. bisacsh Civil rights fast Copyright Music fast Music and the Internet fast Music trade Law and legislation fast Sound recordings Pirated editions fast |
topic_facet | Copyright Music. Piracy (Copyright) Prevention. Music trade Law and legislation. Music and the Internet. Sound recordings Pirated editions. Civil rights. Droit d'auteur Musique. Musique et Internet. Enregistrements sonores Piratage. LAW Administrative Law & Regulatory Practice. Civil rights Copyright Music Music and the Internet Music trade Law and legislation Sound recordings Pirated editions |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1186909 |
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