The intimate act of choreography /:
A comprehensive book that covers all aspects of choreography from the most fundamental techniques to highly sophisticated artistic concerns. The Intimate Act of Choreography presents the what and how of choreography in a workable format that begins with basics- - time, space, force -- and moves on t...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Pittsburgh, Pennsylvania :
University of Pittsburgh Press,
[1982]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A comprehensive book that covers all aspects of choreography from the most fundamental techniques to highly sophisticated artistic concerns. The Intimate Act of Choreography presents the what and how of choreography in a workable format that begins with basics- - time, space, force -- and moves on to the more complex issues faced by the intermediate and advanced choreographer -- form, style, abstraction, compositional structures, and choreographic devices.The format of the book evolved from the idea that improvisation is a good way to learn choreography. This approach is in harmony with widely accepted dance philosophies that value the unique quality of each individual's creativity. After discussing a concept, the authors provide improvisations, and choreographic studies that give the student a physical experience of that concept. The language is stimulating an innovative, rich in visual images that will challenge the choreographer to explore new directions in movement.The book is for serious dance students and professionals who are interested in both the practical and theoretical aspects of the art, dancers who are just starting to choreograph, and teachers who are seeking fresh ideas and new approaches to use with young choreographers. (A Teacher's Addendum offers suggestions on how to use the material in the classroom.) It is a guide, a text, and an extensive resource of every choreographic concept central to the art form. |
| Beschreibung: | 1 online resource (251 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780822971313 0822971313 9780822934639 0822934639 |
Internformat
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| 100 | 1 | |a Blom, Lynne Anne, |d 1942-1993, |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJbM46vDkY3F9vJfkMvJXd |0 http://id.loc.gov/authorities/names/n82011655 | |
| 245 | 1 | 4 | |a The intimate act of choreography / |c Lynne Anne Blom and L. Tarin Chaplin. |
| 264 | 1 | |a Pittsburgh, Pennsylvania : |b University of Pittsburgh Press, |c [1982] | |
| 264 | 4 | |c ©1982 | |
| 300 | |a 1 online resource (251 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Foreword -- Preface -- Acknowledgments -- Terminology -- 1. Approach -- Isolating choreographic elements -- Combining theory and practice -- Using improvisation -- 2. Essentials -- Intention, motivation, and clarity -- Theme -- Simplicity -- Artistic impact -- 3. Speaking body -- Body parts -- Building trust and sensitivity -- 4. Phrase -- Basic structure -- High point -- Variety in phrase length -- Choreographic phrase vs. movement combinations -- 5. Space -- Level -- Geometry of space -- Design in space : shape -- Focus -- Active space -- Turning -- Floor pattern -- Stage space -- Personal space -- Environment -- 6. Time -- Tempo -- Momentum -- Duration -- Clock time -- Regular/irregular -- Accent -- Meter -- Natural rhythms -- Stillness -- 7. Energy -- Energy (active/passive) -- Force (strong/gentle) -- Movement qualities : dynamics in action -- 8. Forming -- Form's natural existence and artistic use -- Organic form -- Transitions -- Sequencing -- Compositional structures vs. choreographic devices -- Compositional structures -- Theme and variation vs. motif and development -- Choreographic devices -- Overall form -- 9. Abstraction -- In art and aesthetics -- Imagery -- Gestures -- Degrees of abstraction -- Pure dance -- Romanticism/classicism -- Abstraction vs. stylization -- 10. Style -- Personal movement style -- Choreographic style -- Codified technique -- Theories of movement -- Cultural style -- Great periods in art -- 11. Silence, sound, and music -- Silence -- Sound -- Music -- 12. Group work -- Group trust, movement, design -- Multibody movement : design and structure -- Partner work -- Numerical possibilities and staging -- Balance and placement in overall design -- Small groups -- Chorus vs. group -- New resources : dances from your dancers -- Using choreographic devices and compositional structures -- Formations -- The one and the many -- Working with masses -- 13. Theatrical elements -- 14. Performance -- 15. Tangents -- Teacher's addendum : the delicate art of teaching choreography -- Appendix. List of improvisations and choreographic studies -- Notes -- Index. | |
| 520 | 8 | |a A comprehensive book that covers all aspects of choreography from the most fundamental techniques to highly sophisticated artistic concerns. The Intimate Act of Choreography presents the what and how of choreography in a workable format that begins with basics- - time, space, force -- and moves on to the more complex issues faced by the intermediate and advanced choreographer -- form, style, abstraction, compositional structures, and choreographic devices.The format of the book evolved from the idea that improvisation is a good way to learn choreography. This approach is in harmony with widely accepted dance philosophies that value the unique quality of each individual's creativity. After discussing a concept, the authors provide improvisations, and choreographic studies that give the student a physical experience of that concept. The language is stimulating an innovative, rich in visual images that will challenge the choreographer to explore new directions in movement.The book is for serious dance students and professionals who are interested in both the practical and theoretical aspects of the art, dancers who are just starting to choreograph, and teachers who are seeking fresh ideas and new approaches to use with young choreographers. (A Teacher's Addendum offers suggestions on how to use the material in the classroom.) It is a guide, a text, and an extensive resource of every choreographic concept central to the art form. | |
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| 650 | 7 | |a PERFORMING ARTS |x Dance |x Modern. |2 bisacsh | |
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| 700 | 1 | |a Chaplin, L. Tarin, |e author. | |
| 776 | 0 | 8 | |i Print version: |a Blom, Lynne Anne. |t Intimate act of choreography. |d Pittsburgh, Pennsylvania : University of Pittsburgh Press, [1982] |h xx, 230 pages ; 21 cm |z 9780822953425 |w (DLC) 10852993 |
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| author | Blom, Lynne Anne, 1942-1993 Chaplin, L. Tarin |
| author_GND | http://id.loc.gov/authorities/names/n82011655 |
| author_facet | Blom, Lynne Anne, 1942-1993 Chaplin, L. Tarin |
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| contents | Foreword -- Preface -- Acknowledgments -- Terminology -- 1. Approach -- Isolating choreographic elements -- Combining theory and practice -- Using improvisation -- 2. Essentials -- Intention, motivation, and clarity -- Theme -- Simplicity -- Artistic impact -- 3. Speaking body -- Body parts -- Building trust and sensitivity -- 4. Phrase -- Basic structure -- High point -- Variety in phrase length -- Choreographic phrase vs. movement combinations -- 5. Space -- Level -- Geometry of space -- Design in space : shape -- Focus -- Active space -- Turning -- Floor pattern -- Stage space -- Personal space -- Environment -- 6. Time -- Tempo -- Momentum -- Duration -- Clock time -- Regular/irregular -- Accent -- Meter -- Natural rhythms -- Stillness -- 7. Energy -- Energy (active/passive) -- Force (strong/gentle) -- Movement qualities : dynamics in action -- 8. Forming -- Form's natural existence and artistic use -- Organic form -- Transitions -- Sequencing -- Compositional structures vs. choreographic devices -- Compositional structures -- Theme and variation vs. motif and development -- Choreographic devices -- Overall form -- 9. Abstraction -- In art and aesthetics -- Imagery -- Gestures -- Degrees of abstraction -- Pure dance -- Romanticism/classicism -- Abstraction vs. stylization -- 10. Style -- Personal movement style -- Choreographic style -- Codified technique -- Theories of movement -- Cultural style -- Great periods in art -- 11. Silence, sound, and music -- Silence -- Sound -- Music -- 12. Group work -- Group trust, movement, design -- Multibody movement : design and structure -- Partner work -- Numerical possibilities and staging -- Balance and placement in overall design -- Small groups -- Chorus vs. group -- New resources : dances from your dancers -- Using choreographic devices and compositional structures -- Formations -- The one and the many -- Working with masses -- 13. Theatrical elements -- 14. Performance -- 15. Tangents -- Teacher's addendum : the delicate art of teaching choreography -- Appendix. List of improvisations and choreographic studies -- Notes -- Index. |
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| dewey-sort | 3792.8 12 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn878136514 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:56Z |
| institution | BVB |
| isbn | 9780822971313 0822971313 9780822934639 0822934639 |
| language | English |
| oclc_num | 878136514 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (251 pages) : illustrations |
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| publishDate | 1982 |
| publishDateSearch | 1982 |
| publishDateSort | 1982 |
| publisher | University of Pittsburgh Press, |
| record_format | marc |
| spelling | Blom, Lynne Anne, 1942-1993, author. https://id.oclc.org/worldcat/entity/E39PBJbM46vDkY3F9vJfkMvJXd http://id.loc.gov/authorities/names/n82011655 The intimate act of choreography / Lynne Anne Blom and L. Tarin Chaplin. Pittsburgh, Pennsylvania : University of Pittsburgh Press, [1982] ©1982 1 online resource (251 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Foreword -- Preface -- Acknowledgments -- Terminology -- 1. Approach -- Isolating choreographic elements -- Combining theory and practice -- Using improvisation -- 2. Essentials -- Intention, motivation, and clarity -- Theme -- Simplicity -- Artistic impact -- 3. Speaking body -- Body parts -- Building trust and sensitivity -- 4. Phrase -- Basic structure -- High point -- Variety in phrase length -- Choreographic phrase vs. movement combinations -- 5. Space -- Level -- Geometry of space -- Design in space : shape -- Focus -- Active space -- Turning -- Floor pattern -- Stage space -- Personal space -- Environment -- 6. Time -- Tempo -- Momentum -- Duration -- Clock time -- Regular/irregular -- Accent -- Meter -- Natural rhythms -- Stillness -- 7. Energy -- Energy (active/passive) -- Force (strong/gentle) -- Movement qualities : dynamics in action -- 8. Forming -- Form's natural existence and artistic use -- Organic form -- Transitions -- Sequencing -- Compositional structures vs. choreographic devices -- Compositional structures -- Theme and variation vs. motif and development -- Choreographic devices -- Overall form -- 9. Abstraction -- In art and aesthetics -- Imagery -- Gestures -- Degrees of abstraction -- Pure dance -- Romanticism/classicism -- Abstraction vs. stylization -- 10. Style -- Personal movement style -- Choreographic style -- Codified technique -- Theories of movement -- Cultural style -- Great periods in art -- 11. Silence, sound, and music -- Silence -- Sound -- Music -- 12. Group work -- Group trust, movement, design -- Multibody movement : design and structure -- Partner work -- Numerical possibilities and staging -- Balance and placement in overall design -- Small groups -- Chorus vs. group -- New resources : dances from your dancers -- Using choreographic devices and compositional structures -- Formations -- The one and the many -- Working with masses -- 13. Theatrical elements -- 14. Performance -- 15. Tangents -- Teacher's addendum : the delicate art of teaching choreography -- Appendix. List of improvisations and choreographic studies -- Notes -- Index. A comprehensive book that covers all aspects of choreography from the most fundamental techniques to highly sophisticated artistic concerns. The Intimate Act of Choreography presents the what and how of choreography in a workable format that begins with basics- - time, space, force -- and moves on to the more complex issues faced by the intermediate and advanced choreographer -- form, style, abstraction, compositional structures, and choreographic devices.The format of the book evolved from the idea that improvisation is a good way to learn choreography. This approach is in harmony with widely accepted dance philosophies that value the unique quality of each individual's creativity. After discussing a concept, the authors provide improvisations, and choreographic studies that give the student a physical experience of that concept. The language is stimulating an innovative, rich in visual images that will challenge the choreographer to explore new directions in movement.The book is for serious dance students and professionals who are interested in both the practical and theoretical aspects of the art, dancers who are just starting to choreograph, and teachers who are seeking fresh ideas and new approaches to use with young choreographers. (A Teacher's Addendum offers suggestions on how to use the material in the classroom.) It is a guide, a text, and an extensive resource of every choreographic concept central to the art form. Choreography. http://id.loc.gov/authorities/subjects/sh85024743 Chorégraphie. PERFORMING ARTS Theater General. bisacsh PERFORMING ARTS Dance Modern. bisacsh Choreography fast Chaplin, L. Tarin, author. Print version: Blom, Lynne Anne. Intimate act of choreography. Pittsburgh, Pennsylvania : University of Pittsburgh Press, [1982] xx, 230 pages ; 21 cm 9780822953425 (DLC) 10852993 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=827424 Volltext |
| spellingShingle | Blom, Lynne Anne, 1942-1993 Chaplin, L. Tarin The intimate act of choreography / Foreword -- Preface -- Acknowledgments -- Terminology -- 1. Approach -- Isolating choreographic elements -- Combining theory and practice -- Using improvisation -- 2. Essentials -- Intention, motivation, and clarity -- Theme -- Simplicity -- Artistic impact -- 3. Speaking body -- Body parts -- Building trust and sensitivity -- 4. Phrase -- Basic structure -- High point -- Variety in phrase length -- Choreographic phrase vs. movement combinations -- 5. Space -- Level -- Geometry of space -- Design in space : shape -- Focus -- Active space -- Turning -- Floor pattern -- Stage space -- Personal space -- Environment -- 6. Time -- Tempo -- Momentum -- Duration -- Clock time -- Regular/irregular -- Accent -- Meter -- Natural rhythms -- Stillness -- 7. Energy -- Energy (active/passive) -- Force (strong/gentle) -- Movement qualities : dynamics in action -- 8. Forming -- Form's natural existence and artistic use -- Organic form -- Transitions -- Sequencing -- Compositional structures vs. choreographic devices -- Compositional structures -- Theme and variation vs. motif and development -- Choreographic devices -- Overall form -- 9. Abstraction -- In art and aesthetics -- Imagery -- Gestures -- Degrees of abstraction -- Pure dance -- Romanticism/classicism -- Abstraction vs. stylization -- 10. Style -- Personal movement style -- Choreographic style -- Codified technique -- Theories of movement -- Cultural style -- Great periods in art -- 11. Silence, sound, and music -- Silence -- Sound -- Music -- 12. Group work -- Group trust, movement, design -- Multibody movement : design and structure -- Partner work -- Numerical possibilities and staging -- Balance and placement in overall design -- Small groups -- Chorus vs. group -- New resources : dances from your dancers -- Using choreographic devices and compositional structures -- Formations -- The one and the many -- Working with masses -- 13. Theatrical elements -- 14. Performance -- 15. Tangents -- Teacher's addendum : the delicate art of teaching choreography -- Appendix. List of improvisations and choreographic studies -- Notes -- Index. Choreography. http://id.loc.gov/authorities/subjects/sh85024743 Chorégraphie. PERFORMING ARTS Theater General. bisacsh PERFORMING ARTS Dance Modern. bisacsh Choreography fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85024743 |
| title | The intimate act of choreography / |
| title_auth | The intimate act of choreography / |
| title_exact_search | The intimate act of choreography / |
| title_full | The intimate act of choreography / Lynne Anne Blom and L. Tarin Chaplin. |
| title_fullStr | The intimate act of choreography / Lynne Anne Blom and L. Tarin Chaplin. |
| title_full_unstemmed | The intimate act of choreography / Lynne Anne Blom and L. Tarin Chaplin. |
| title_short | The intimate act of choreography / |
| title_sort | intimate act of choreography |
| topic | Choreography. http://id.loc.gov/authorities/subjects/sh85024743 Chorégraphie. PERFORMING ARTS Theater General. bisacsh PERFORMING ARTS Dance Modern. bisacsh Choreography fast |
| topic_facet | Choreography. Chorégraphie. PERFORMING ARTS Theater General. PERFORMING ARTS Dance Modern. Choreography |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=827424 |
| work_keys_str_mv | AT blomlynneanne theintimateactofchoreography AT chaplinltarin theintimateactofchoreography AT blomlynneanne intimateactofchoreography AT chaplinltarin intimateactofchoreography |