Continuity and Change in Art :: the Development of Modes of Representation.
The representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hoboken :
Taylor and Francis,
2014.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation in art evolve in a natural developmental order and are expressions of the predominant mode of thought in their particular cultural epoch. They reflect important features of the social order and are expressed in other intellectual endeavors as well, especially in concepts of science. A fascinating e. |
| Beschreibung: | 1 online resource (432 pages) |
| ISBN: | 9781317769019 1317769015 |
Internformat
MARC
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| 100 | 1 | |a Blatt, Sidney J. |q (Sidney Jules), |d 1928-2014. |1 https://id.oclc.org/worldcat/entity/E39PBJbtjQy6J4kVKVc94dVBfq |0 http://id.loc.gov/authorities/names/n82249867 | |
| 245 | 1 | 0 | |a Continuity and Change in Art : |b the Development of Modes of Representation. |
| 260 | |a Hoboken : |b Taylor and Francis, |c 2014. | ||
| 300 | |a 1 online resource (432 pages) | ||
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| 505 | 0 | |a Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Preface; 1. The Form of Objects and of Space in the History of Art; Introduction; Patterns of Change; The Search for a ""Vocabulary of Form"" or a ""System of Schemata""; Psychological Criteria; A Structural Analysis of a Vocabulary of Form; 2. The Development of Modes of Representation; Introduction; The Developmental Model; Stages of Cognitive Development; Concepts of Space; Topological Concepts; Projective Concepts; Euclidean Concepts; Riemannian Space. | |
| 505 | 8 | |a Table 1: Individual and Cultural Development of Concepts of the Object and of Space3. From Topological to Projective Space: Painting in the Ancient, Greco-Roman, and Medieval Periods; Ancient Art; Greco-Roman Art; The Art of the Middle Ages; Parallel Development in Pre-Renaissance Art and Science; 4. The Discovery and Development of Linear Perspective: The Renaissance, Mannerism, and the Baroque; The Renaissance; Mannerism; The Baroque; Parallel Development in Renaissance and Baroque Art and Science; 5. From Linear Perspective to Conceptual Art: Impressionism, Cubism, and Modern Art. | |
| 505 | 8 | |a Impressionism and Post-ImpressionismCubism; Modern Art; Parallel Development in Post-Renaissance Art and Science; References; Author Index; Subject Index. | |
| 520 | |a The representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation in art evolve in a natural developmental order and are expressions of the predominant mode of thought in their particular cultural epoch. They reflect important features of the social order and are expressed in other intellectual endeavors as well, especially in concepts of science. A fascinating e. | ||
| 650 | 0 | |a Visual perception. |0 http://id.loc.gov/authorities/subjects/sh85143926 | |
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| 650 | 0 | |a Art |x Psychology. |0 http://id.loc.gov/authorities/subjects/sh85007499 | |
| 650 | 0 | |a Painting |x Psychological aspects. | |
| 650 | 6 | |a Perception visuelle. | |
| 650 | 6 | |a Art et société. | |
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| author | Blatt, Sidney J. (Sidney Jules), 1928-2014 |
| author2 | Blatt, Ethel S. |
| author2_role | |
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| author_GND | http://id.loc.gov/authorities/names/n82249867 |
| author_facet | Blatt, Sidney J. (Sidney Jules), 1928-2014 Blatt, Ethel S. |
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| contents | Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Preface; 1. The Form of Objects and of Space in the History of Art; Introduction; Patterns of Change; The Search for a ""Vocabulary of Form"" or a ""System of Schemata""; Psychological Criteria; A Structural Analysis of a Vocabulary of Form; 2. The Development of Modes of Representation; Introduction; The Developmental Model; Stages of Cognitive Development; Concepts of Space; Topological Concepts; Projective Concepts; Euclidean Concepts; Riemannian Space. Table 1: Individual and Cultural Development of Concepts of the Object and of Space3. From Topological to Projective Space: Painting in the Ancient, Greco-Roman, and Medieval Periods; Ancient Art; Greco-Roman Art; The Art of the Middle Ages; Parallel Development in Pre-Renaissance Art and Science; 4. The Discovery and Development of Linear Perspective: The Renaissance, Mannerism, and the Baroque; The Renaissance; Mannerism; The Baroque; Parallel Development in Renaissance and Baroque Art and Science; 5. From Linear Perspective to Conceptual Art: Impressionism, Cubism, and Modern Art. Impressionism and Post-ImpressionismCubism; Modern Art; Parallel Development in Post-Renaissance Art and Science; References; Author Index; Subject Index. |
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| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:25:54Z |
| institution | BVB |
| isbn | 9781317769019 1317769015 |
| language | English |
| oclc_num | 876512678 |
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| spelling | Blatt, Sidney J. (Sidney Jules), 1928-2014. https://id.oclc.org/worldcat/entity/E39PBJbtjQy6J4kVKVc94dVBfq http://id.loc.gov/authorities/names/n82249867 Continuity and Change in Art : the Development of Modes of Representation. Hoboken : Taylor and Francis, 2014. 1 online resource (432 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Preface; 1. The Form of Objects and of Space in the History of Art; Introduction; Patterns of Change; The Search for a ""Vocabulary of Form"" or a ""System of Schemata""; Psychological Criteria; A Structural Analysis of a Vocabulary of Form; 2. The Development of Modes of Representation; Introduction; The Developmental Model; Stages of Cognitive Development; Concepts of Space; Topological Concepts; Projective Concepts; Euclidean Concepts; Riemannian Space. Table 1: Individual and Cultural Development of Concepts of the Object and of Space3. From Topological to Projective Space: Painting in the Ancient, Greco-Roman, and Medieval Periods; Ancient Art; Greco-Roman Art; The Art of the Middle Ages; Parallel Development in Pre-Renaissance Art and Science; 4. The Discovery and Development of Linear Perspective: The Renaissance, Mannerism, and the Baroque; The Renaissance; Mannerism; The Baroque; Parallel Development in Renaissance and Baroque Art and Science; 5. From Linear Perspective to Conceptual Art: Impressionism, Cubism, and Modern Art. Impressionism and Post-ImpressionismCubism; Modern Art; Parallel Development in Post-Renaissance Art and Science; References; Author Index; Subject Index. The representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation in art evolve in a natural developmental order and are expressions of the predominant mode of thought in their particular cultural epoch. They reflect important features of the social order and are expressed in other intellectual endeavors as well, especially in concepts of science. A fascinating e. Visual perception. http://id.loc.gov/authorities/subjects/sh85143926 Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Painting Psychological aspects. Perception visuelle. Art et société. Art Psychologie. Peinture Aspect psychologique. visual perception. aat ART Techniques Painting. bisacsh Art and society fast Art Psychology fast Painting Psychological aspects fast Visual perception fast Electronic book. Blatt, Ethel S. Print version: Blatt, Sidney J. Continuity and Change in Art : The Development of Modes of Representation. Hoboken : Taylor and Francis, ©2014 9780898593426 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=754416 Volltext |
| spellingShingle | Blatt, Sidney J. (Sidney Jules), 1928-2014 Continuity and Change in Art : the Development of Modes of Representation. Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Preface; 1. The Form of Objects and of Space in the History of Art; Introduction; Patterns of Change; The Search for a ""Vocabulary of Form"" or a ""System of Schemata""; Psychological Criteria; A Structural Analysis of a Vocabulary of Form; 2. The Development of Modes of Representation; Introduction; The Developmental Model; Stages of Cognitive Development; Concepts of Space; Topological Concepts; Projective Concepts; Euclidean Concepts; Riemannian Space. Table 1: Individual and Cultural Development of Concepts of the Object and of Space3. From Topological to Projective Space: Painting in the Ancient, Greco-Roman, and Medieval Periods; Ancient Art; Greco-Roman Art; The Art of the Middle Ages; Parallel Development in Pre-Renaissance Art and Science; 4. The Discovery and Development of Linear Perspective: The Renaissance, Mannerism, and the Baroque; The Renaissance; Mannerism; The Baroque; Parallel Development in Renaissance and Baroque Art and Science; 5. From Linear Perspective to Conceptual Art: Impressionism, Cubism, and Modern Art. Impressionism and Post-ImpressionismCubism; Modern Art; Parallel Development in Post-Renaissance Art and Science; References; Author Index; Subject Index. Visual perception. http://id.loc.gov/authorities/subjects/sh85143926 Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Painting Psychological aspects. Perception visuelle. Art et société. Art Psychologie. Peinture Aspect psychologique. visual perception. aat ART Techniques Painting. bisacsh Art and society fast Art Psychology fast Painting Psychological aspects fast Visual perception fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85143926 http://id.loc.gov/authorities/subjects/sh85007975 http://id.loc.gov/authorities/subjects/sh85007499 |
| title | Continuity and Change in Art : the Development of Modes of Representation. |
| title_auth | Continuity and Change in Art : the Development of Modes of Representation. |
| title_exact_search | Continuity and Change in Art : the Development of Modes of Representation. |
| title_full | Continuity and Change in Art : the Development of Modes of Representation. |
| title_fullStr | Continuity and Change in Art : the Development of Modes of Representation. |
| title_full_unstemmed | Continuity and Change in Art : the Development of Modes of Representation. |
| title_short | Continuity and Change in Art : |
| title_sort | continuity and change in art the development of modes of representation |
| title_sub | the Development of Modes of Representation. |
| topic | Visual perception. http://id.loc.gov/authorities/subjects/sh85143926 Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Painting Psychological aspects. Perception visuelle. Art et société. Art Psychologie. Peinture Aspect psychologique. visual perception. aat ART Techniques Painting. bisacsh Art and society fast Art Psychology fast Painting Psychological aspects fast Visual perception fast |
| topic_facet | Visual perception. Art and society. Art Psychology. Painting Psychological aspects. Perception visuelle. Art et société. Art Psychologie. Peinture Aspect psychologique. visual perception. ART Techniques Painting. Art and society Art Psychology Painting Psychological aspects Visual perception Electronic book. |
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