Film Criticism, the Cold War, and the Blacklist :: Reading the Hollywood Reds.
Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
2014.
©2014 |
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their a. |
| Beschreibung: | 1 online resource (365 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520958517 0520958519 1306565855 9781306565851 9780520280670 0520280679 9780520280687 0520280687 |
Internformat
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| 100 | 1 | |a Smith, Jeff, |d 1962 December 17- |1 https://id.oclc.org/worldcat/entity/E39PCjrph3RQtmxw89J3WcmHVK | |
| 245 | 1 | 0 | |a Film Criticism, the Cold War, and the Blacklist : |b Reading the Hollywood Reds. |
| 260 | |a Berkeley : |b University of California Press, |c 2014. | ||
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (365 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer. | |
| 505 | 8 | |a 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index. | |
| 520 | |a Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their a. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |x Political aspects |z United States. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Cold War in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh00004342 | |
| 650 | 0 | |a Communism and motion pictures |z United States. | |
| 650 | 0 | |a Blacklisting of entertainers |z United States |x History |y 20th century. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Guerre froide au cinéma. | |
| 650 | 6 | |a Communisme et cinéma |z États-Unis. | |
| 650 | 6 | |a Listes noires d'artistes du spectacle |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect politique |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Blacklisting of entertainers |2 fast | |
| 650 | 7 | |a Cold War (1945-1989) in motion pictures |2 fast | |
| 650 | 7 | |a Communism and motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a 20th century american culture. | ||
| 653 | |a 20th century american history. | ||
| 653 | |a allegory. | ||
| 653 | |a american entertainment culture. | ||
| 653 | |a american films. | ||
| 653 | |a anti communist propaganda. | ||
| 653 | |a cold war. | ||
| 653 | |a communism. | ||
| 653 | |a critical lens. | ||
| 653 | |a entertainment blacklist. | ||
| 653 | |a film and television. | ||
| 653 | |a film criticism. | ||
| 653 | |a film history. | ||
| 653 | |a historical films. | ||
| 653 | |a hollywood blacklist. | ||
| 653 | |a hollywood. | ||
| 653 | |a house committee on un american activities. | ||
| 653 | |a huac. | ||
| 653 | |a literary allegory. | ||
| 653 | |a movie studies. | ||
| 653 | |a police procedures. | ||
| 653 | |a political. | ||
| 653 | |a politics. | ||
| 653 | |a postwar period. | ||
| 653 | |a propaganda films. | ||
| 653 | |a propaganda. | ||
| 653 | |a science fiction films. | ||
| 653 | |a villains. | ||
| 653 | |a westerns. | ||
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Film criticism, the Cold War, and the blacklist (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG84VK9BBtbD9HYRmXpvwP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Smith, Jeff. |t Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |d Berkeley : University of California Press, ©2014 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn875820421 |
|---|---|
| _version_ | 1813903641909657600 |
| adam_text | |
| any_adam_object | |
| author | Smith, Jeff, 1962 December 17- |
| author_facet | Smith, Jeff, 1962 December 17- |
| author_role | |
| author_sort | Smith, Jeff, 1962 December 17- |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.P6 .S65 2014 |
| callnumber-search | PN1995.9.P6 .S65 2014 |
| callnumber-sort | PN 41995.9 P6 S65 42014 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer. 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index. |
| ctrlnum | (OCoLC)875820421 |
| dewey-full | 791.436582825 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436582825 |
| dewey-search | 791.436582825 |
| dewey-sort | 3791.436582825 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn875820421 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T16:21:55Z |
| institution | BVB |
| isbn | 9780520958517 0520958519 1306565855 9781306565851 9780520280670 0520280679 9780520280687 0520280687 |
| language | English |
| lccn | 2013037614 |
| oclc_num | 875820421 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (365 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Smith, Jeff, 1962 December 17- https://id.oclc.org/worldcat/entity/E39PCjrph3RQtmxw89J3WcmHVK Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. Berkeley : University of California Press, 2014. ©2014 1 online resource (365 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer. 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index. Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their a. Includes bibliographical references and index. English. Motion pictures Political aspects United States. Motion pictures United States History 20th century. Cold War in motion pictures. http://id.loc.gov/authorities/subjects/sh00004342 Communism and motion pictures United States. Blacklisting of entertainers United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Guerre froide au cinéma. Communisme et cinéma États-Unis. Listes noires d'artistes du spectacle États-Unis Histoire 20e siècle. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Blacklisting of entertainers fast Cold War (1945-1989) in motion pictures fast Communism and motion pictures fast Motion pictures fast Motion pictures Political aspects fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast 20th century american culture. 20th century american history. allegory. american entertainment culture. american films. anti communist propaganda. cold war. communism. critical lens. entertainment blacklist. film and television. film criticism. film history. historical films. hollywood blacklist. hollywood. house committee on un american activities. huac. literary allegory. movie studies. police procedures. political. politics. postwar period. propaganda films. propaganda. science fiction films. villains. westerns. History fast has work: Film criticism, the Cold War, and the blacklist (Text) https://id.oclc.org/worldcat/entity/E39PCG84VK9BBtbD9HYRmXpvwP https://id.oclc.org/worldcat/ontology/hasWork Print version: Smith, Jeff. Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. Berkeley : University of California Press, ©2014 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=753538 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=753538 Volltext |
| spellingShingle | Smith, Jeff, 1962 December 17- Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer. 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index. Motion pictures Political aspects United States. Motion pictures United States History 20th century. Cold War in motion pictures. http://id.loc.gov/authorities/subjects/sh00004342 Communism and motion pictures United States. Blacklisting of entertainers United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Guerre froide au cinéma. Communisme et cinéma États-Unis. Listes noires d'artistes du spectacle États-Unis Histoire 20e siècle. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Blacklisting of entertainers fast Cold War (1945-1989) in motion pictures fast Communism and motion pictures fast Motion pictures fast Motion pictures Political aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh00004342 |
| title | Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |
| title_auth | Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |
| title_exact_search | Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |
| title_full | Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |
| title_fullStr | Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |
| title_full_unstemmed | Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |
| title_short | Film Criticism, the Cold War, and the Blacklist : |
| title_sort | film criticism the cold war and the blacklist reading the hollywood reds |
| title_sub | Reading the Hollywood Reds. |
| topic | Motion pictures Political aspects United States. Motion pictures United States History 20th century. Cold War in motion pictures. http://id.loc.gov/authorities/subjects/sh00004342 Communism and motion pictures United States. Blacklisting of entertainers United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Guerre froide au cinéma. Communisme et cinéma États-Unis. Listes noires d'artistes du spectacle États-Unis Histoire 20e siècle. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Blacklisting of entertainers fast Cold War (1945-1989) in motion pictures fast Communism and motion pictures fast Motion pictures fast Motion pictures Political aspects fast |
| topic_facet | Motion pictures Political aspects United States. Motion pictures United States History 20th century. Cold War in motion pictures. Communism and motion pictures United States. Blacklisting of entertainers United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Guerre froide au cinéma. Communisme et cinéma États-Unis. Listes noires d'artistes du spectacle États-Unis Histoire 20e siècle. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video General. Blacklisting of entertainers Cold War (1945-1989) in motion pictures Communism and motion pictures Motion pictures Motion pictures Political aspects United States History |
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