The Edinburgh Companion to Samuel Beckett and the Arts.:
The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geoc...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabaté, and Mark Nixon, a. |
| Beschreibung: | 1 online resource (521 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780748675708 0748675701 1306538556 9781306538558 1784025380 9781784025380 9780748675692 0748675698 |
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| 245 | 1 | 4 | |a The Edinburgh Companion to Samuel Beckett and the Arts. |
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| 505 | 0 | |a Introduction: Towards a Minoritarian Criticism -- The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context. | |
| 505 | 8 | |a 8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin. | |
| 505 | 8 | |a 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism. | |
| 505 | 8 | |a 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude -- Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett. | |
| 505 | 8 | |a 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index. | |
| 520 | |a The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabaté, and Mark Nixon, a. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Beckett, Samuel, |d 1906-1989 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Beckett, Samuel, |d 1906-1989 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC |
| 600 | 1 | 7 | |a Beckett, Samuel |d 1906-1989 |2 gnd |0 http://d-nb.info/gnd/118508172 |
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| 650 | 6 | |a Arts |y 20e siècle. | |
| 650 | 7 | |a Plays, playscripts. |2 bicssc | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY COLLECTIONS / European / English, Irish, Scottish, Welsh |2 bisacsh | |
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| contents | Introduction: Towards a Minoritarian Criticism -- The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context. 8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin. 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism. 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude -- Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett. 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index. |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn875820162 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:53Z |
| institution | BVB |
| isbn | 9780748675708 0748675701 1306538556 9781306538558 1784025380 9781784025380 9780748675692 0748675698 |
| language | English |
| oclc_num | 875820162 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (521 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
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| publisher | Edinburgh University Press, |
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| spelling | Gontarski, S. E. The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh : Edinburgh University Press, 2014. 1 online resource (521 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Introduction: Towards a Minoritarian Criticism -- The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context. 8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin. 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism. 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude -- Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett. 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index. The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabaté, and Mark Nixon, a. Includes bibliographical references and index. English. Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 fast https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC Beckett, Samuel 1906-1989 gnd http://d-nb.info/gnd/118508172 Arts, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85008419 Arts 20e siècle. Plays, playscripts. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh LITERARY COLLECTIONS / European / English, Irish, Scottish, Welsh bisacsh Arts, Modern fast Künste gnd http://d-nb.info/gnd/4033422-3 Modern konst. sao Teater. sao 1900-1999 fast Criticism, interpretation, etc. fast has work: The Edinburgh companion to Samuel Beckett and the arts (Text) https://id.oclc.org/worldcat/entity/E39PCH7qYWyVv8GCMy3QXpFGBP https://id.oclc.org/worldcat/ontology/hasWork Print version: Gontarski, S.E. Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh : Edinburgh University Press, ©2014 9780748675685 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=746535 Volltext |
| spellingShingle | Gontarski, S. E. The Edinburgh Companion to Samuel Beckett and the Arts. Introduction: Towards a Minoritarian Criticism -- The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context. 8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin. 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism. 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude -- Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett. 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index. Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 fast https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC Beckett, Samuel 1906-1989 gnd http://d-nb.info/gnd/118508172 Arts, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85008419 Arts 20e siècle. Plays, playscripts. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh LITERARY COLLECTIONS / European / English, Irish, Scottish, Welsh bisacsh Arts, Modern fast Künste gnd http://d-nb.info/gnd/4033422-3 Modern konst. sao Teater. sao |
| subject_GND | http://d-nb.info/gnd/118508172 http://id.loc.gov/authorities/subjects/sh85008419 http://d-nb.info/gnd/4033422-3 |
| title | The Edinburgh Companion to Samuel Beckett and the Arts. |
| title_auth | The Edinburgh Companion to Samuel Beckett and the Arts. |
| title_exact_search | The Edinburgh Companion to Samuel Beckett and the Arts. |
| title_full | The Edinburgh Companion to Samuel Beckett and the Arts. |
| title_fullStr | The Edinburgh Companion to Samuel Beckett and the Arts. |
| title_full_unstemmed | The Edinburgh Companion to Samuel Beckett and the Arts. |
| title_short | The Edinburgh Companion to Samuel Beckett and the Arts. |
| title_sort | edinburgh companion to samuel beckett and the arts |
| topic | Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 fast https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC Beckett, Samuel 1906-1989 gnd http://d-nb.info/gnd/118508172 Arts, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85008419 Arts 20e siècle. Plays, playscripts. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh LITERARY COLLECTIONS / European / English, Irish, Scottish, Welsh bisacsh Arts, Modern fast Künste gnd http://d-nb.info/gnd/4033422-3 Modern konst. sao Teater. sao |
| topic_facet | Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 Beckett, Samuel 1906-1989 Arts, Modern 20th century. Arts 20e siècle. Plays, playscripts. LITERARY CRITICISM European English, Irish, Scottish, Welsh. LITERARY COLLECTIONS / European / English, Irish, Scottish, Welsh Arts, Modern Künste Modern konst. Teater. Criticism, interpretation, etc. |
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