The Orchestral Music of Michael Tippett :: Creative Development and the Compositional Process.
Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2014.
|
| Schriftenreihe: | Music since 1900.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music. |
| Beschreibung: | 1 online resource (342 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139864947 1139864947 9781139034944 1139034944 9781139870658 1139870653 9781107000247 1107000246 9781139862806 1139862804 1139698540 9781139698542 1139861549 9781139861540 1139860666 9781139860666 1139868527 9781139868525 |
Internformat
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn874321572 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 140322s2014 enk ob 001 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCO |d N15 |d OCLCO |d E7B |d OCLCQ |d OCLCO |d OCLCF |d N$T |d IDEBK |d CAMBR |d UKMGB |d YDXCP |d NLGGC |d OTZ |d OCLCQ |d OCLCO |d CNCGM |d OCLCA |d OCLCQ |d SWESH |d INT |d OCLCQ |d OCLCO |d YOU |d OCLCQ |d OCLCO |d UKAHL |d OCLCQ |d OCLCO |d OCLCQ |d YDX |d OCLCA |d SFB |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 016 | 7 | |a 016685153 |2 Uk | |
| 019 | |a 872392334 |a 874719387 |a 875255651 |a 1117902372 |a 1129721621 |a 1167517885 |a 1274014069 |a 1292400118 |a 1300602343 |a 1433228488 | ||
| 020 | |a 9781139864947 | ||
| 020 | |a 1139864947 | ||
| 020 | |a 9781139034944 |q (electronic bk.) | ||
| 020 | |a 1139034944 |q (electronic bk.) | ||
| 020 | |a 9781139870658 |q (electronic bk.) | ||
| 020 | |a 1139870653 |q (electronic bk.) | ||
| 020 | |a 9781107000247 |q (hardback) | ||
| 020 | |a 1107000246 |q (hardback) | ||
| 020 | |a 9781139862806 |q (electronic bk.) | ||
| 020 | |a 1139862804 |q (electronic bk.) | ||
| 020 | |a 1139698540 | ||
| 020 | |a 9781139698542 | ||
| 020 | |a 1139861549 | ||
| 020 | |a 9781139861540 | ||
| 020 | |a 1139860666 | ||
| 020 | |a 9781139860666 | ||
| 020 | |a 1139868527 | ||
| 020 | |a 9781139868525 | ||
| 035 | |a (OCoLC)874321572 |z (OCoLC)872392334 |z (OCoLC)874719387 |z (OCoLC)875255651 |z (OCoLC)1117902372 |z (OCoLC)1129721621 |z (OCoLC)1167517885 |z (OCoLC)1274014069 |z (OCoLC)1292400118 |z (OCoLC)1300602343 |z (OCoLC)1433228488 | ||
| 043 | |a e-uk--- | ||
| 050 | 4 | |a ML410.T467 .S384 2014 | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 082 | 7 | |a 780.92 | |
| 084 | |a 9,2 |2 ssgn | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Schuttenhelm, Thomas. | |
| 245 | 1 | 4 | |a The Orchestral Music of Michael Tippett : |b Creative Development and the Compositional Process. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2014. | ||
| 300 | |a 1 online resource (342 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Music Since 1900 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title page; Series page; Title page; Copyright page; Contents; Figures; Acknowledgements; Abbreviations; Introduction; The creative condition; The creative cycle; Interpreting Tippett; 1 Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4); Symphonic prologues; Becoming a composer; Symphonic Movement (1930-1); Symphony in B-flat (1933-4); 2 Concerto for Double String Orchestra (1938-9); A 'new Einstellung'; Sonata and syzygy: first movement; Separation and estrangement: second movement; Vision -- revision and a new-found confidence: third movement. | |
| 505 | 8 | |a Performance and publication3 Fantasia on a Theme of Handel (1939-41); 'A gay and gaudy work'; A 'continental' fantasia; 4 Symphony No. 1 (1944-5); 'A real symphony . . .'; Absolute conventions and conceptual dimensions: first movement; Love and loss: second movement; The pasts and the present: third movement; A first attempt at the 'finale' problem: fourth movement; 5 Little Music for String Orchestra (1946); Re-prosecution and commissions; Precedents and paradigms; 6 Suite in D (for the Birthday of Prince Charles) (1948); Transcending an occasion; Composition as interpretation: the Suite. | |
| 505 | 8 | |a 7 Fantasia Concertante on a Theme of Corelli (1953)Omaggio al Italia; Composing with essence; 8 Divertimento on 'Sellinger's Round' (1953-4); Constructing conceptual dimensions; Gibbons, Purcell, Bartók, Britten and Sacher: compiling the Divertimento; 9 Piano Concerto (1953-5); A 'poetic work'; An abstracted Marriage: first movement; A posthumous tribute for Newton-Wood: second movement; Vision and revision: third movement; 10 Symphony No. 2 (1956-7); A 'new marriage between conciseness and imagination'; A breakthrough and a breakdown: first movement; New poeticisms: second movement. | |
| 505 | 8 | |a A Stravinskian scherzo: third movementConciseness and imagination: fourth movement; 11 Praeludium for Brass, Bells and Percussion (1962); 'What's past is prologue'; A pièce d'occasion or a necessary prelude?; 12 Concerto for Orchestra (1962-3); Conceptual collage: constructing a new archetype; An experiment in temporalities: first movement; A song for the 'hidden' gods: second movement; Conceptual confrontations: third movement; 13 Symphony No. 3 (1970-2); Spontaneity and measurement; Space and time: Part I; Blues and break: Part II; 14 Symphony No. 4 (1976-7); A birth-to-death experience. | |
| 505 | 8 | |a Attention and antiqueA 'compact' development; A second development; Scherzo and trio; A third development; Recapitulation and Coda; 15 Triple Concerto (1978-9); Lyrical re-awakenings; Echoes and amplifications; Non-music?; Night music; Jazz break; Fifth movement; 16 The Rose Lake (1991-3); Le Lac Rose: a song without words for orchestra; The Lake Song and its frames; Bibliography; Index. | |
| 520 | |a Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Tippett, Michael, |d 1905-1998 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Tippett, Michael, |d 1905-1998 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJckJQwMYGGxtcTvHkJCcP |
| 600 | 1 | 7 | |a Tippett, Michael |d 1905-1998 |2 gnd |
| 650 | 0 | |a Orchestral music |z Great Britain |x History and criticism. | |
| 650 | 6 | |a Orchestre, Musique d' |z Grande-Bretagne |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Orchestral music |2 fast | |
| 651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
| 650 | 7 | |a Orchestermusik |2 gnd |0 http://d-nb.info/gnd/4131523-6 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Schuttenhelm, Thomas. |t Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |d Cambridge : Cambridge University Press, ©2014 |z 9781107000247 |
| 830 | 0 | |a Music since 1900. |0 http://id.loc.gov/authorities/names/no2011071702 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696301 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37563347 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33351555 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH26209724 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1650926 | ||
| 938 | |a ebrary |b EBRY |n ebr10843190 | ||
| 938 | |a EBSCOhost |b EBSC |n 696301 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis27624078 | ||
| 938 | |a YBP Library Services |b YANK |n 11715782 | ||
| 938 | |a YBP Library Services |b YANK |n 11683515 | ||
| 938 | |a YBP Library Services |b YANK |n 11706238 | ||
| 938 | |a YBP Library Services |b YANK |n 11771465 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn874321572 |
|---|---|
| _version_ | 1816882265386385408 |
| adam_text | |
| any_adam_object | |
| author | Schuttenhelm, Thomas |
| author_facet | Schuttenhelm, Thomas |
| author_role | |
| author_sort | Schuttenhelm, Thomas |
| author_variant | t s ts |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.T467 .S384 2014 |
| callnumber-search | ML410.T467 .S384 2014 |
| callnumber-sort | ML 3410 T467 S384 42014 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Half-title page; Series page; Title page; Copyright page; Contents; Figures; Acknowledgements; Abbreviations; Introduction; The creative condition; The creative cycle; Interpreting Tippett; 1 Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4); Symphonic prologues; Becoming a composer; Symphonic Movement (1930-1); Symphony in B-flat (1933-4); 2 Concerto for Double String Orchestra (1938-9); A 'new Einstellung'; Sonata and syzygy: first movement; Separation and estrangement: second movement; Vision -- revision and a new-found confidence: third movement. Performance and publication3 Fantasia on a Theme of Handel (1939-41); 'A gay and gaudy work'; A 'continental' fantasia; 4 Symphony No. 1 (1944-5); 'A real symphony . . .'; Absolute conventions and conceptual dimensions: first movement; Love and loss: second movement; The pasts and the present: third movement; A first attempt at the 'finale' problem: fourth movement; 5 Little Music for String Orchestra (1946); Re-prosecution and commissions; Precedents and paradigms; 6 Suite in D (for the Birthday of Prince Charles) (1948); Transcending an occasion; Composition as interpretation: the Suite. 7 Fantasia Concertante on a Theme of Corelli (1953)Omaggio al Italia; Composing with essence; 8 Divertimento on 'Sellinger's Round' (1953-4); Constructing conceptual dimensions; Gibbons, Purcell, Bartók, Britten and Sacher: compiling the Divertimento; 9 Piano Concerto (1953-5); A 'poetic work'; An abstracted Marriage: first movement; A posthumous tribute for Newton-Wood: second movement; Vision and revision: third movement; 10 Symphony No. 2 (1956-7); A 'new marriage between conciseness and imagination'; A breakthrough and a breakdown: first movement; New poeticisms: second movement. A Stravinskian scherzo: third movementConciseness and imagination: fourth movement; 11 Praeludium for Brass, Bells and Percussion (1962); 'What's past is prologue'; A pièce d'occasion or a necessary prelude?; 12 Concerto for Orchestra (1962-3); Conceptual collage: constructing a new archetype; An experiment in temporalities: first movement; A song for the 'hidden' gods: second movement; Conceptual confrontations: third movement; 13 Symphony No. 3 (1970-2); Spontaneity and measurement; Space and time: Part I; Blues and break: Part II; 14 Symphony No. 4 (1976-7); A birth-to-death experience. Attention and antiqueA 'compact' development; A second development; Scherzo and trio; A third development; Recapitulation and Coda; 15 Triple Concerto (1978-9); Lyrical re-awakenings; Echoes and amplifications; Non-music?; Night music; Jazz break; Fifth movement; 16 The Rose Lake (1991-3); Le Lac Rose: a song without words for orchestra; The Lake Song and its frames; Bibliography; Index. |
| ctrlnum | (OCoLC)874321572 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07079cam a2200961Mi 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn874321572</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |n|||||||||</controlfield><controlfield tag="008">140322s2014 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N15</subfield><subfield code="d">OCLCO</subfield><subfield code="d">E7B</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">IDEBK</subfield><subfield code="d">CAMBR</subfield><subfield code="d">UKMGB</subfield><subfield code="d">YDXCP</subfield><subfield code="d">NLGGC</subfield><subfield code="d">OTZ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">CNCGM</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SWESH</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YOU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCA</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">016685153</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">872392334</subfield><subfield code="a">874719387</subfield><subfield code="a">875255651</subfield><subfield code="a">1117902372</subfield><subfield code="a">1129721621</subfield><subfield code="a">1167517885</subfield><subfield code="a">1274014069</subfield><subfield code="a">1292400118</subfield><subfield code="a">1300602343</subfield><subfield code="a">1433228488</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139864947</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139864947</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139034944</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139034944</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139870658</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139870653</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107000247</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1107000246</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139862806</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139862804</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139698540</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139698542</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139861549</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139861540</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139860666</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139860666</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139868527</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139868525</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)874321572</subfield><subfield code="z">(OCoLC)872392334</subfield><subfield code="z">(OCoLC)874719387</subfield><subfield code="z">(OCoLC)875255651</subfield><subfield code="z">(OCoLC)1117902372</subfield><subfield code="z">(OCoLC)1129721621</subfield><subfield code="z">(OCoLC)1167517885</subfield><subfield code="z">(OCoLC)1274014069</subfield><subfield code="z">(OCoLC)1292400118</subfield><subfield code="z">(OCoLC)1300602343</subfield><subfield code="z">(OCoLC)1433228488</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-uk---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML410.T467 .S384 2014</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">033000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">780.92</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schuttenhelm, Thomas.</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Orchestral Music of Michael Tippett :</subfield><subfield code="b">Creative Development and the Compositional Process.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Cambridge :</subfield><subfield code="b">Cambridge University Press,</subfield><subfield code="c">2014.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (342 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Music Since 1900</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Half-title page; Series page; Title page; Copyright page; Contents; Figures; Acknowledgements; Abbreviations; Introduction; The creative condition; The creative cycle; Interpreting Tippett; 1 Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4); Symphonic prologues; Becoming a composer; Symphonic Movement (1930-1); Symphony in B-flat (1933-4); 2 Concerto for Double String Orchestra (1938-9); A 'new Einstellung'; Sonata and syzygy: first movement; Separation and estrangement: second movement; Vision -- revision and a new-found confidence: third movement.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Performance and publication3 Fantasia on a Theme of Handel (1939-41); 'A gay and gaudy work'; A 'continental' fantasia; 4 Symphony No. 1 (1944-5); 'A real symphony . . .'; Absolute conventions and conceptual dimensions: first movement; Love and loss: second movement; The pasts and the present: third movement; A first attempt at the 'finale' problem: fourth movement; 5 Little Music for String Orchestra (1946); Re-prosecution and commissions; Precedents and paradigms; 6 Suite in D (for the Birthday of Prince Charles) (1948); Transcending an occasion; Composition as interpretation: the Suite.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">7 Fantasia Concertante on a Theme of Corelli (1953)Omaggio al Italia; Composing with essence; 8 Divertimento on 'Sellinger's Round' (1953-4); Constructing conceptual dimensions; Gibbons, Purcell, Bartók, Britten and Sacher: compiling the Divertimento; 9 Piano Concerto (1953-5); A 'poetic work'; An abstracted Marriage: first movement; A posthumous tribute for Newton-Wood: second movement; Vision and revision: third movement; 10 Symphony No. 2 (1956-7); A 'new marriage between conciseness and imagination'; A breakthrough and a breakdown: first movement; New poeticisms: second movement.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">A Stravinskian scherzo: third movementConciseness and imagination: fourth movement; 11 Praeludium for Brass, Bells and Percussion (1962); 'What's past is prologue'; A pièce d'occasion or a necessary prelude?; 12 Concerto for Orchestra (1962-3); Conceptual collage: constructing a new archetype; An experiment in temporalities: first movement; A song for the 'hidden' gods: second movement; Conceptual confrontations: third movement; 13 Symphony No. 3 (1970-2); Spontaneity and measurement; Space and time: Part I; Blues and break: Part II; 14 Symphony No. 4 (1976-7); A birth-to-death experience.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Attention and antiqueA 'compact' development; A second development; Scherzo and trio; A third development; Recapitulation and Coda; 15 Triple Concerto (1978-9); Lyrical re-awakenings; Echoes and amplifications; Non-music?; Night music; Jazz break; Fifth movement; 16 The Rose Lake (1991-3); Le Lac Rose: a song without words for orchestra; The Lake Song and its frames; Bibliography; Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Tippett, Michael,</subfield><subfield code="d">1905-1998</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Tippett, Michael,</subfield><subfield code="d">1905-1998</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJckJQwMYGGxtcTvHkJCcP</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Tippett, Michael</subfield><subfield code="d">1905-1998</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Orchestral music</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Orchestre, Musique d'</subfield><subfield code="z">Grande-Bretagne</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Orchestral music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Great Britain</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Orchestermusik</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4131523-6</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Schuttenhelm, Thomas.</subfield><subfield code="t">Orchestral Music of Michael Tippett : Creative Development and the Compositional Process.</subfield><subfield code="d">Cambridge : Cambridge University Press, ©2014</subfield><subfield code="z">9781107000247</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Music since 1900.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2011071702</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696301</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH37563347</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33351555</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH26209724</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1650926</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10843190</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">696301</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis27624078</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11715782</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11683515</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11706238</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11771465</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocn874321572 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:52Z |
| institution | BVB |
| isbn | 9781139864947 1139864947 9781139034944 1139034944 9781139870658 1139870653 9781107000247 1107000246 9781139862806 1139862804 1139698540 9781139698542 1139861549 9781139861540 1139860666 9781139860666 1139868527 9781139868525 |
| language | English |
| oclc_num | 874321572 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (342 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press, |
| record_format | marc |
| series | Music since 1900. |
| series2 | Music Since 1900 |
| spelling | Schuttenhelm, Thomas. The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. Cambridge : Cambridge University Press, 2014. 1 online resource (342 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Music Since 1900 Print version record. Cover; Half-title page; Series page; Title page; Copyright page; Contents; Figures; Acknowledgements; Abbreviations; Introduction; The creative condition; The creative cycle; Interpreting Tippett; 1 Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4); Symphonic prologues; Becoming a composer; Symphonic Movement (1930-1); Symphony in B-flat (1933-4); 2 Concerto for Double String Orchestra (1938-9); A 'new Einstellung'; Sonata and syzygy: first movement; Separation and estrangement: second movement; Vision -- revision and a new-found confidence: third movement. Performance and publication3 Fantasia on a Theme of Handel (1939-41); 'A gay and gaudy work'; A 'continental' fantasia; 4 Symphony No. 1 (1944-5); 'A real symphony . . .'; Absolute conventions and conceptual dimensions: first movement; Love and loss: second movement; The pasts and the present: third movement; A first attempt at the 'finale' problem: fourth movement; 5 Little Music for String Orchestra (1946); Re-prosecution and commissions; Precedents and paradigms; 6 Suite in D (for the Birthday of Prince Charles) (1948); Transcending an occasion; Composition as interpretation: the Suite. 7 Fantasia Concertante on a Theme of Corelli (1953)Omaggio al Italia; Composing with essence; 8 Divertimento on 'Sellinger's Round' (1953-4); Constructing conceptual dimensions; Gibbons, Purcell, Bartók, Britten and Sacher: compiling the Divertimento; 9 Piano Concerto (1953-5); A 'poetic work'; An abstracted Marriage: first movement; A posthumous tribute for Newton-Wood: second movement; Vision and revision: third movement; 10 Symphony No. 2 (1956-7); A 'new marriage between conciseness and imagination'; A breakthrough and a breakdown: first movement; New poeticisms: second movement. A Stravinskian scherzo: third movementConciseness and imagination: fourth movement; 11 Praeludium for Brass, Bells and Percussion (1962); 'What's past is prologue'; A pièce d'occasion or a necessary prelude?; 12 Concerto for Orchestra (1962-3); Conceptual collage: constructing a new archetype; An experiment in temporalities: first movement; A song for the 'hidden' gods: second movement; Conceptual confrontations: third movement; 13 Symphony No. 3 (1970-2); Spontaneity and measurement; Space and time: Part I; Blues and break: Part II; 14 Symphony No. 4 (1976-7); A birth-to-death experience. Attention and antiqueA 'compact' development; A second development; Scherzo and trio; A third development; Recapitulation and Coda; 15 Triple Concerto (1978-9); Lyrical re-awakenings; Echoes and amplifications; Non-music?; Night music; Jazz break; Fifth movement; 16 The Rose Lake (1991-3); Le Lac Rose: a song without words for orchestra; The Lake Song and its frames; Bibliography; Index. Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music. Includes bibliographical references and index. English. Tippett, Michael, 1905-1998 Criticism and interpretation. Tippett, Michael, 1905-1998 fast https://id.oclc.org/worldcat/entity/E39PBJckJQwMYGGxtcTvHkJCcP Tippett, Michael 1905-1998 gnd Orchestral music Great Britain History and criticism. Orchestre, Musique d' Grande-Bretagne Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Orchestral music fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Orchestermusik gnd http://d-nb.info/gnd/4131523-6 Criticism, interpretation, etc. fast Print version: Schuttenhelm, Thomas. Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. Cambridge : Cambridge University Press, ©2014 9781107000247 Music since 1900. http://id.loc.gov/authorities/names/no2011071702 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696301 Volltext |
| spellingShingle | Schuttenhelm, Thomas The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. Music since 1900. Cover; Half-title page; Series page; Title page; Copyright page; Contents; Figures; Acknowledgements; Abbreviations; Introduction; The creative condition; The creative cycle; Interpreting Tippett; 1 Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4); Symphonic prologues; Becoming a composer; Symphonic Movement (1930-1); Symphony in B-flat (1933-4); 2 Concerto for Double String Orchestra (1938-9); A 'new Einstellung'; Sonata and syzygy: first movement; Separation and estrangement: second movement; Vision -- revision and a new-found confidence: third movement. Performance and publication3 Fantasia on a Theme of Handel (1939-41); 'A gay and gaudy work'; A 'continental' fantasia; 4 Symphony No. 1 (1944-5); 'A real symphony . . .'; Absolute conventions and conceptual dimensions: first movement; Love and loss: second movement; The pasts and the present: third movement; A first attempt at the 'finale' problem: fourth movement; 5 Little Music for String Orchestra (1946); Re-prosecution and commissions; Precedents and paradigms; 6 Suite in D (for the Birthday of Prince Charles) (1948); Transcending an occasion; Composition as interpretation: the Suite. 7 Fantasia Concertante on a Theme of Corelli (1953)Omaggio al Italia; Composing with essence; 8 Divertimento on 'Sellinger's Round' (1953-4); Constructing conceptual dimensions; Gibbons, Purcell, Bartók, Britten and Sacher: compiling the Divertimento; 9 Piano Concerto (1953-5); A 'poetic work'; An abstracted Marriage: first movement; A posthumous tribute for Newton-Wood: second movement; Vision and revision: third movement; 10 Symphony No. 2 (1956-7); A 'new marriage between conciseness and imagination'; A breakthrough and a breakdown: first movement; New poeticisms: second movement. A Stravinskian scherzo: third movementConciseness and imagination: fourth movement; 11 Praeludium for Brass, Bells and Percussion (1962); 'What's past is prologue'; A pièce d'occasion or a necessary prelude?; 12 Concerto for Orchestra (1962-3); Conceptual collage: constructing a new archetype; An experiment in temporalities: first movement; A song for the 'hidden' gods: second movement; Conceptual confrontations: third movement; 13 Symphony No. 3 (1970-2); Spontaneity and measurement; Space and time: Part I; Blues and break: Part II; 14 Symphony No. 4 (1976-7); A birth-to-death experience. Attention and antiqueA 'compact' development; A second development; Scherzo and trio; A third development; Recapitulation and Coda; 15 Triple Concerto (1978-9); Lyrical re-awakenings; Echoes and amplifications; Non-music?; Night music; Jazz break; Fifth movement; 16 The Rose Lake (1991-3); Le Lac Rose: a song without words for orchestra; The Lake Song and its frames; Bibliography; Index. Tippett, Michael, 1905-1998 Criticism and interpretation. Tippett, Michael, 1905-1998 fast https://id.oclc.org/worldcat/entity/E39PBJckJQwMYGGxtcTvHkJCcP Tippett, Michael 1905-1998 gnd Orchestral music Great Britain History and criticism. Orchestre, Musique d' Grande-Bretagne Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Orchestral music fast Orchestermusik gnd http://d-nb.info/gnd/4131523-6 |
| subject_GND | http://d-nb.info/gnd/4131523-6 |
| title | The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |
| title_auth | The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |
| title_exact_search | The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |
| title_full | The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |
| title_fullStr | The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |
| title_full_unstemmed | The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |
| title_short | The Orchestral Music of Michael Tippett : |
| title_sort | orchestral music of michael tippett creative development and the compositional process |
| title_sub | Creative Development and the Compositional Process. |
| topic | Tippett, Michael, 1905-1998 Criticism and interpretation. Tippett, Michael, 1905-1998 fast https://id.oclc.org/worldcat/entity/E39PBJckJQwMYGGxtcTvHkJCcP Tippett, Michael 1905-1998 gnd Orchestral music Great Britain History and criticism. Orchestre, Musique d' Grande-Bretagne Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Orchestral music fast Orchestermusik gnd http://d-nb.info/gnd/4131523-6 |
| topic_facet | Tippett, Michael, 1905-1998 Criticism and interpretation. Tippett, Michael, 1905-1998 Tippett, Michael 1905-1998 Orchestral music Great Britain History and criticism. Orchestre, Musique d' Grande-Bretagne Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. Orchestral music Great Britain Orchestermusik Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696301 |
| work_keys_str_mv | AT schuttenhelmthomas theorchestralmusicofmichaeltippettcreativedevelopmentandthecompositionalprocess AT schuttenhelmthomas orchestralmusicofmichaeltippettcreativedevelopmentandthecompositionalprocess |