Stuff theory :: everyday objects, radical materialism /
"Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Bloomsbury Academic,
2014.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object. Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"-- "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"-- |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781623560577 1623560578 9781623566302 1623566304 9781628927092 1628927097 |
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520 | |a "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object. Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"-- |c Provided by publisher | ||
520 | |a "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"-- |c Provided by publisher | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Cover page; Halftitle page; Title page; Copyright page; Dedication page; Contents; Introduction Of Jena Glassware and Potatoes: Matter in the Moment; I. Critical Stuff; II. Object, Thing, Hybrid: The Case of the New Materialisms; III. Tchotchke Overflow: Materiality in the Twentieth Century; 1 Homeopathic Benjamin: A Flexible Poetics of Matter; I. Homeopathic Fetishism; II. Fetishism, Contradiction, and the Desiring Subject: The Problem of Gender; III. The Erotics of the Encounter: Hysterical Contact and the Ascetic Swerve; IV. Modernist Gender, Modernist Objects. | |
505 | 8 | |a v. The Striking of the Match: Benjamin on Fire2 For the Unnatural Use of Clothes: Fashion as Cultural Assault; I. Spectacle, Aura, Fashion; II. What Gerty Knew (or, Philosophy in the Outhouse); III. Fashion, Tactility, and the "Carnal Density of the Image"; IV. Love in Vienna; V. Ornamentality (is an Austrian Thing); VI. Glum Glam; VII. Sadomasochism, Television, Script; 3 Paris circa 1968: Cool Space, Decoration, Revolution; I. Paris Circa 1958; II. Materiality and Modernization I: Roland Barthes' Rib; III. Materiality and Modernization II: Jean Baudrillard. | |
505 | 8 | |a IV. Materiality and Modernization III: Guy DebordV. Modernism, Function, and the High Fordist Unmodern; VI. Jacques Tati, the Door Handle, and the Film of Glass Architecture; VII. "Tiny Little Things, Tiny Little Bits of Happiness": Décor and Desire in Georges Perec's Les Choses; VIII. Clutter, Sex, and Revolution: Unhomely Objects in Bertolucci's The Dreamers; 4 "You Must Remember This": Memory Objects in the Age of Erasable Memory; I. Modern Amnesia; II. Bodies without Objects: Benjamin's Proust (or Teatime in the Land of the Real). | |
505 | 8 | |a III. Objects without Bodies: Your Clothes WhenYou Are Not ThereIV. War Memorabilia; V. The Present as Future Past: Time Capsules; VI. One Hundred Objects to Represent the World; 5 Garbage in Theory: Waste Aesthetics; I. The Beauty of Trash; II. The Opposite of Junk: Rem Koolhaas' Viscous Modernity; III. Extreme Recycling: The Plastic Bag as Portent; IV. Of Sprouted Potatoes and Other Trouvailles : The Politics of Gleaning; Envoi: What Should We Do with Our Stuff?; Index. | |
546 | |a English. | ||
650 | 0 | |a Material culture in literature. |0 http://id.loc.gov/authorities/subjects/sh94006175 | |
650 | 0 | |a Personal belongings in literature. |0 http://id.loc.gov/authorities/subjects/sh2007006557 | |
650 | 0 | |a Personal belongings in art. |0 http://id.loc.gov/authorities/subjects/sh2013001315 | |
650 | 0 | |a Property in literature. |0 http://id.loc.gov/authorities/subjects/sh85107513 | |
650 | 6 | |a Culture matérielle dans la littérature. | |
650 | 6 | |a Objets personnels dans la littérature. | |
650 | 6 | |a Objets personnels dans l'art. | |
650 | 7 | |a Philosophy: metaphysics & ontology. |2 bicssc | |
650 | 7 | |a Literary theory. |2 bicssc | |
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650 | 7 | |a PHILOSOPHY |x Metaphysics. |2 bisacsh | |
650 | 7 | |a Material culture in literature |2 fast | |
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adam_text | |
any_adam_object | |
author | Boscagli, Maurizia |
author_facet | Boscagli, Maurizia |
author_role | aut |
author_sort | Boscagli, Maurizia |
author_variant | m b mb |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN56 |
callnumber-raw | PN56.M35 B67 2014eb |
callnumber-search | PN56.M35 B67 2014eb |
callnumber-sort | PN 256 M35 B67 42014EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Cover page; Halftitle page; Title page; Copyright page; Dedication page; Contents; Introduction Of Jena Glassware and Potatoes: Matter in the Moment; I. Critical Stuff; II. Object, Thing, Hybrid: The Case of the New Materialisms; III. Tchotchke Overflow: Materiality in the Twentieth Century; 1 Homeopathic Benjamin: A Flexible Poetics of Matter; I. Homeopathic Fetishism; II. Fetishism, Contradiction, and the Desiring Subject: The Problem of Gender; III. The Erotics of the Encounter: Hysterical Contact and the Ascetic Swerve; IV. Modernist Gender, Modernist Objects. v. The Striking of the Match: Benjamin on Fire2 For the Unnatural Use of Clothes: Fashion as Cultural Assault; I. Spectacle, Aura, Fashion; II. What Gerty Knew (or, Philosophy in the Outhouse); III. Fashion, Tactility, and the "Carnal Density of the Image"; IV. Love in Vienna; V. Ornamentality (is an Austrian Thing); VI. Glum Glam; VII. Sadomasochism, Television, Script; 3 Paris circa 1968: Cool Space, Decoration, Revolution; I. Paris Circa 1958; II. Materiality and Modernization I: Roland Barthes' Rib; III. Materiality and Modernization II: Jean Baudrillard. IV. Materiality and Modernization III: Guy DebordV. Modernism, Function, and the High Fordist Unmodern; VI. Jacques Tati, the Door Handle, and the Film of Glass Architecture; VII. "Tiny Little Things, Tiny Little Bits of Happiness": Décor and Desire in Georges Perec's Les Choses; VIII. Clutter, Sex, and Revolution: Unhomely Objects in Bertolucci's The Dreamers; 4 "You Must Remember This": Memory Objects in the Age of Erasable Memory; I. Modern Amnesia; II. Bodies without Objects: Benjamin's Proust (or Teatime in the Land of the Real). III. Objects without Bodies: Your Clothes WhenYou Are Not ThereIV. War Memorabilia; V. The Present as Future Past: Time Capsules; VI. One Hundred Objects to Represent the World; 5 Garbage in Theory: Waste Aesthetics; I. The Beauty of Trash; II. The Opposite of Junk: Rem Koolhaas' Viscous Modernity; III. Extreme Recycling: The Plastic Bag as Portent; IV. Of Sprouted Potatoes and Other Trouvailles : The Politics of Gleaning; Envoi: What Should We Do with Our Stuff?; Index. |
ctrlnum | (OCoLC)873805822 |
dewey-full | 801 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 801 - Philosophy and theory |
dewey-raw | 801 |
dewey-search | 801 |
dewey-sort | 3801 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Electronic eBook |
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id | ZDB-4-EBA-ocn873805822 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:25:51Z |
institution | BVB |
isbn | 9781623560577 1623560578 9781623566302 1623566304 9781628927092 1628927097 |
language | English |
oclc_num | 873805822 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Bloomsbury Academic, |
record_format | marc |
spelling | Boscagli, Maurizia, author. Stuff theory : everyday objects, radical materialism / Maurizia Boscagli. New York : Bloomsbury Academic, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object. Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"-- Provided by publisher "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"-- Provided by publisher Includes bibliographical references and index. Print version record. Cover page; Halftitle page; Title page; Copyright page; Dedication page; Contents; Introduction Of Jena Glassware and Potatoes: Matter in the Moment; I. Critical Stuff; II. Object, Thing, Hybrid: The Case of the New Materialisms; III. Tchotchke Overflow: Materiality in the Twentieth Century; 1 Homeopathic Benjamin: A Flexible Poetics of Matter; I. Homeopathic Fetishism; II. Fetishism, Contradiction, and the Desiring Subject: The Problem of Gender; III. The Erotics of the Encounter: Hysterical Contact and the Ascetic Swerve; IV. Modernist Gender, Modernist Objects. v. The Striking of the Match: Benjamin on Fire2 For the Unnatural Use of Clothes: Fashion as Cultural Assault; I. Spectacle, Aura, Fashion; II. What Gerty Knew (or, Philosophy in the Outhouse); III. Fashion, Tactility, and the "Carnal Density of the Image"; IV. Love in Vienna; V. Ornamentality (is an Austrian Thing); VI. Glum Glam; VII. Sadomasochism, Television, Script; 3 Paris circa 1968: Cool Space, Decoration, Revolution; I. Paris Circa 1958; II. Materiality and Modernization I: Roland Barthes' Rib; III. Materiality and Modernization II: Jean Baudrillard. IV. Materiality and Modernization III: Guy DebordV. Modernism, Function, and the High Fordist Unmodern; VI. Jacques Tati, the Door Handle, and the Film of Glass Architecture; VII. "Tiny Little Things, Tiny Little Bits of Happiness": Décor and Desire in Georges Perec's Les Choses; VIII. Clutter, Sex, and Revolution: Unhomely Objects in Bertolucci's The Dreamers; 4 "You Must Remember This": Memory Objects in the Age of Erasable Memory; I. Modern Amnesia; II. Bodies without Objects: Benjamin's Proust (or Teatime in the Land of the Real). III. Objects without Bodies: Your Clothes WhenYou Are Not ThereIV. War Memorabilia; V. The Present as Future Past: Time Capsules; VI. One Hundred Objects to Represent the World; 5 Garbage in Theory: Waste Aesthetics; I. The Beauty of Trash; II. The Opposite of Junk: Rem Koolhaas' Viscous Modernity; III. Extreme Recycling: The Plastic Bag as Portent; IV. Of Sprouted Potatoes and Other Trouvailles : The Politics of Gleaning; Envoi: What Should We Do with Our Stuff?; Index. English. Material culture in literature. http://id.loc.gov/authorities/subjects/sh94006175 Personal belongings in literature. http://id.loc.gov/authorities/subjects/sh2007006557 Personal belongings in art. http://id.loc.gov/authorities/subjects/sh2013001315 Property in literature. http://id.loc.gov/authorities/subjects/sh85107513 Culture matérielle dans la littérature. Objets personnels dans la littérature. Objets personnels dans l'art. Philosophy: metaphysics & ontology. bicssc Literary theory. bicssc LITERARY CRITICISM Semiotics & Theory. bisacsh PHILOSOPHY Metaphysics. bisacsh Material culture in literature fast Personal belongings in art fast Personal belongings in literature fast Property in literature fast has work: Stuff theory (Text) https://id.oclc.org/worldcat/entity/E39PCFFJyJXTWTMjTQbt4VyMrq https://id.oclc.org/worldcat/ontology/hasWork Print version: Boscagli, Maurizia. Stuff theory 9781623562687 (DLC) 2013045861 (OCoLC)857981592 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=716594 Volltext |
spellingShingle | Boscagli, Maurizia Stuff theory : everyday objects, radical materialism / Cover page; Halftitle page; Title page; Copyright page; Dedication page; Contents; Introduction Of Jena Glassware and Potatoes: Matter in the Moment; I. Critical Stuff; II. Object, Thing, Hybrid: The Case of the New Materialisms; III. Tchotchke Overflow: Materiality in the Twentieth Century; 1 Homeopathic Benjamin: A Flexible Poetics of Matter; I. Homeopathic Fetishism; II. Fetishism, Contradiction, and the Desiring Subject: The Problem of Gender; III. The Erotics of the Encounter: Hysterical Contact and the Ascetic Swerve; IV. Modernist Gender, Modernist Objects. v. The Striking of the Match: Benjamin on Fire2 For the Unnatural Use of Clothes: Fashion as Cultural Assault; I. Spectacle, Aura, Fashion; II. What Gerty Knew (or, Philosophy in the Outhouse); III. Fashion, Tactility, and the "Carnal Density of the Image"; IV. Love in Vienna; V. Ornamentality (is an Austrian Thing); VI. Glum Glam; VII. Sadomasochism, Television, Script; 3 Paris circa 1968: Cool Space, Decoration, Revolution; I. Paris Circa 1958; II. Materiality and Modernization I: Roland Barthes' Rib; III. Materiality and Modernization II: Jean Baudrillard. IV. Materiality and Modernization III: Guy DebordV. Modernism, Function, and the High Fordist Unmodern; VI. Jacques Tati, the Door Handle, and the Film of Glass Architecture; VII. "Tiny Little Things, Tiny Little Bits of Happiness": Décor and Desire in Georges Perec's Les Choses; VIII. Clutter, Sex, and Revolution: Unhomely Objects in Bertolucci's The Dreamers; 4 "You Must Remember This": Memory Objects in the Age of Erasable Memory; I. Modern Amnesia; II. Bodies without Objects: Benjamin's Proust (or Teatime in the Land of the Real). III. Objects without Bodies: Your Clothes WhenYou Are Not ThereIV. War Memorabilia; V. The Present as Future Past: Time Capsules; VI. One Hundred Objects to Represent the World; 5 Garbage in Theory: Waste Aesthetics; I. The Beauty of Trash; II. The Opposite of Junk: Rem Koolhaas' Viscous Modernity; III. Extreme Recycling: The Plastic Bag as Portent; IV. Of Sprouted Potatoes and Other Trouvailles : The Politics of Gleaning; Envoi: What Should We Do with Our Stuff?; Index. Material culture in literature. http://id.loc.gov/authorities/subjects/sh94006175 Personal belongings in literature. http://id.loc.gov/authorities/subjects/sh2007006557 Personal belongings in art. http://id.loc.gov/authorities/subjects/sh2013001315 Property in literature. http://id.loc.gov/authorities/subjects/sh85107513 Culture matérielle dans la littérature. Objets personnels dans la littérature. Objets personnels dans l'art. Philosophy: metaphysics & ontology. bicssc Literary theory. bicssc LITERARY CRITICISM Semiotics & Theory. bisacsh PHILOSOPHY Metaphysics. bisacsh Material culture in literature fast Personal belongings in art fast Personal belongings in literature fast Property in literature fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh94006175 http://id.loc.gov/authorities/subjects/sh2007006557 http://id.loc.gov/authorities/subjects/sh2013001315 http://id.loc.gov/authorities/subjects/sh85107513 |
title | Stuff theory : everyday objects, radical materialism / |
title_auth | Stuff theory : everyday objects, radical materialism / |
title_exact_search | Stuff theory : everyday objects, radical materialism / |
title_full | Stuff theory : everyday objects, radical materialism / Maurizia Boscagli. |
title_fullStr | Stuff theory : everyday objects, radical materialism / Maurizia Boscagli. |
title_full_unstemmed | Stuff theory : everyday objects, radical materialism / Maurizia Boscagli. |
title_short | Stuff theory : |
title_sort | stuff theory everyday objects radical materialism |
title_sub | everyday objects, radical materialism / |
topic | Material culture in literature. http://id.loc.gov/authorities/subjects/sh94006175 Personal belongings in literature. http://id.loc.gov/authorities/subjects/sh2007006557 Personal belongings in art. http://id.loc.gov/authorities/subjects/sh2013001315 Property in literature. http://id.loc.gov/authorities/subjects/sh85107513 Culture matérielle dans la littérature. Objets personnels dans la littérature. Objets personnels dans l'art. Philosophy: metaphysics & ontology. bicssc Literary theory. bicssc LITERARY CRITICISM Semiotics & Theory. bisacsh PHILOSOPHY Metaphysics. bisacsh Material culture in literature fast Personal belongings in art fast Personal belongings in literature fast Property in literature fast |
topic_facet | Material culture in literature. Personal belongings in literature. Personal belongings in art. Property in literature. Culture matérielle dans la littérature. Objets personnels dans la littérature. Objets personnels dans l'art. Philosophy: metaphysics & ontology. Literary theory. LITERARY CRITICISM Semiotics & Theory. PHILOSOPHY Metaphysics. Material culture in literature Personal belongings in art Personal belongings in literature Property in literature |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=716594 |
work_keys_str_mv | AT boscaglimaurizia stufftheoryeverydayobjectsradicalmaterialism |