Death and the moving image :: ideology, iconography and I /
Winner of the 2015 Kraszna-Krausz Best Moving Image Book Award. Examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2014]
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Winner of the 2015 Kraszna-Krausz Best Moving Image Book Award. Examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement, between its cold, bodily, realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Key Features. Examines the formal, psychological and political exchange between cinema and death Accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. Considers how filmmaking practice or visual medium affect the representation of death and its cultural significance |
Beschreibung: | 1 online resource (ix, 256 pages) : illustrations (black and white) |
Bibliographie: | Includes bibliographical references (pages 199-244), filmography (pages 245-250) and index. |
ISBN: | 1306465303 9781306465304 9780748630479 0748630473 9780748677764 0748677763 9780748697014 0748697012 |
Internformat
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245 | 1 | 0 | |a Death and the moving image : |b ideology, iconography and I / |c Michele Aaron. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2014] | |
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588 | 0 | |a Print version record. | |
505 | 0 | |a Title Page; Imprint; Contents; Figures; Acknowledgements; Introduction; Part I Before -- Flirting with Death; 1 Self-endangerment and the Subject of Film; 2 Cinema and Suicide; 3 Sacrifice and Spectatorship in Context ; Part II During -- Depicting Death; 4 The Cinematic Language of Dying; 5 Grammar Lessons: Dying and Difference; 6 Watching Others Die: Spectatorship, Vulnerability and the Ethics of Being Moved; Part III After -- Responding to Death; 7 At Last: Towards a Cinema of No Return; Notes; Bibliography; Filmography; Index. | |
520 | |a Winner of the 2015 Kraszna-Krausz Best Moving Image Book Award. Examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement, between its cold, bodily, realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Key Features. Examines the formal, psychological and political exchange between cinema and death Accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. Considers how filmmaking practice or visual medium affect the representation of death and its cultural significance | ||
650 | 0 | |a Death in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85036110 | |
650 | 0 | |a Motion pictures |x History |y 20th century. | |
650 | 0 | |a Motion pictures |x History |y 21st century. | |
650 | 6 | |a Mort au cinéma. | |
650 | 6 | |a Cinéma |x Histoire |y 20e siècle. | |
650 | 6 | |a Cinéma |x Histoire |y 21e siècle. | |
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650 | 7 | |a Motion pictures |2 fast | |
648 | 7 | |a 1900-2099 |2 fast | |
655 | 0 | |a Electronic books. | |
655 | 7 | |a History |2 fast | |
776 | 0 | 8 | |i Print version: |a Aaron, Michele. |t Death and the moving image. |d Edinburgh : Edinburgh University Press, [2014] |z 0748624430 |w (OCoLC)794902884 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn871642342 |
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adam_text | |
any_adam_object | |
author | Aaron, Michele |
author_GND | http://id.loc.gov/authorities/names/no99030657 |
author_facet | Aaron, Michele |
author_role | aut |
author_sort | Aaron, Michele |
author_variant | m a ma |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.D37 A27 2014eb |
callnumber-search | PN1995.9.D37 A27 2014eb |
callnumber-sort | PN 41995.9 D37 A27 42014EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Title Page; Imprint; Contents; Figures; Acknowledgements; Introduction; Part I Before -- Flirting with Death; 1 Self-endangerment and the Subject of Film; 2 Cinema and Suicide; 3 Sacrifice and Spectatorship in Context ; Part II During -- Depicting Death; 4 The Cinematic Language of Dying; 5 Grammar Lessons: Dying and Difference; 6 Watching Others Die: Spectatorship, Vulnerability and the Ethics of Being Moved; Part III After -- Responding to Death; 7 At Last: Towards a Cinema of No Return; Notes; Bibliography; Filmography; Index. |
ctrlnum | (OCoLC)871642342 |
dewey-full | 791.4/36548 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4/36548 |
dewey-search | 791.4/36548 |
dewey-sort | 3791.4 536548 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | 1900-2099 fast |
era_facet | 1900-2099 |
format | Electronic eBook |
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genre | Electronic books. History fast |
genre_facet | Electronic books. History |
id | ZDB-4-EBA-ocn871642342 |
illustrated | Illustrated |
indexdate | 2024-10-25T16:21:52Z |
institution | BVB |
isbn | 1306465303 9781306465304 9780748630479 0748630473 9780748677764 0748677763 9780748697014 0748697012 |
language | English |
oclc_num | 871642342 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource (ix, 256 pages) : illustrations (black and white) |
psigel | ZDB-4-EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Edinburgh University Press, |
record_format | marc |
spelling | Aaron, Michele, author. http://id.loc.gov/authorities/names/no99030657 Death and the moving image : ideology, iconography and I / Michele Aaron. Edinburgh : Edinburgh University Press, [2014] ©2014 1 online resource (ix, 256 pages) : illustrations (black and white) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 199-244), filmography (pages 245-250) and index. Print version record. Title Page; Imprint; Contents; Figures; Acknowledgements; Introduction; Part I Before -- Flirting with Death; 1 Self-endangerment and the Subject of Film; 2 Cinema and Suicide; 3 Sacrifice and Spectatorship in Context ; Part II During -- Depicting Death; 4 The Cinematic Language of Dying; 5 Grammar Lessons: Dying and Difference; 6 Watching Others Die: Spectatorship, Vulnerability and the Ethics of Being Moved; Part III After -- Responding to Death; 7 At Last: Towards a Cinema of No Return; Notes; Bibliography; Filmography; Index. Winner of the 2015 Kraszna-Krausz Best Moving Image Book Award. Examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement, between its cold, bodily, realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Key Features. Examines the formal, psychological and political exchange between cinema and death Accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. Considers how filmmaking practice or visual medium affect the representation of death and its cultural significance Death in motion pictures. http://id.loc.gov/authorities/subjects/sh85036110 Motion pictures History 20th century. Motion pictures History 21st century. Mort au cinéma. Cinéma Histoire 20e siècle. Cinéma Histoire 21e siècle. Films, cinema. bicssc PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Death in motion pictures fast Motion pictures fast 1900-2099 fast Electronic books. History fast Print version: Aaron, Michele. Death and the moving image. Edinburgh : Edinburgh University Press, [2014] 0748624430 (OCoLC)794902884 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=709226 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=709226 Volltext |
spellingShingle | Aaron, Michele Death and the moving image : ideology, iconography and I / Title Page; Imprint; Contents; Figures; Acknowledgements; Introduction; Part I Before -- Flirting with Death; 1 Self-endangerment and the Subject of Film; 2 Cinema and Suicide; 3 Sacrifice and Spectatorship in Context ; Part II During -- Depicting Death; 4 The Cinematic Language of Dying; 5 Grammar Lessons: Dying and Difference; 6 Watching Others Die: Spectatorship, Vulnerability and the Ethics of Being Moved; Part III After -- Responding to Death; 7 At Last: Towards a Cinema of No Return; Notes; Bibliography; Filmography; Index. Death in motion pictures. http://id.loc.gov/authorities/subjects/sh85036110 Motion pictures History 20th century. Motion pictures History 21st century. Mort au cinéma. Cinéma Histoire 20e siècle. Cinéma Histoire 21e siècle. Films, cinema. bicssc PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Death in motion pictures fast Motion pictures fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85036110 |
title | Death and the moving image : ideology, iconography and I / |
title_auth | Death and the moving image : ideology, iconography and I / |
title_exact_search | Death and the moving image : ideology, iconography and I / |
title_full | Death and the moving image : ideology, iconography and I / Michele Aaron. |
title_fullStr | Death and the moving image : ideology, iconography and I / Michele Aaron. |
title_full_unstemmed | Death and the moving image : ideology, iconography and I / Michele Aaron. |
title_short | Death and the moving image : |
title_sort | death and the moving image ideology iconography and i |
title_sub | ideology, iconography and I / |
topic | Death in motion pictures. http://id.loc.gov/authorities/subjects/sh85036110 Motion pictures History 20th century. Motion pictures History 21st century. Mort au cinéma. Cinéma Histoire 20e siècle. Cinéma Histoire 21e siècle. Films, cinema. bicssc PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Death in motion pictures fast Motion pictures fast |
topic_facet | Death in motion pictures. Motion pictures History 20th century. Motion pictures History 21st century. Mort au cinéma. Cinéma Histoire 20e siècle. Cinéma Histoire 21e siècle. Films, cinema. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Death in motion pictures Motion pictures Electronic books. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=709226 |
work_keys_str_mv | AT aaronmichele deathandthemovingimageideologyiconographyandi |