B is for bad cinema :: aesthetics, politics, and cultural value /
B Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these orig...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
2014.
|
| Schriftenreihe: | SUNY series, horizons of cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | B Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad"--that is, aesthetically, morally, or commercially disreputable--cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach bad cinema in terms of aesthetics, politics, and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic affect, and on to the broader moral and ethical implications of the material. As a result, B Is for Bad Cinema takes an interest in a variety of film examples--overblown Hollywood blockbusters, faux pornographic works, and European art house films--to consider those that lurk on the boundaries of acceptability. |
| Beschreibung: | 1 online resource : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438449975 1438449976 |
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| 505 | 0 | |a B for bad cinema / Claire Perkins and Constantine Verevis -- pt. 1. Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton -- pt. 2. Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis. | |
| 520 | |a B Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad"--that is, aesthetically, morally, or commercially disreputable--cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach bad cinema in terms of aesthetics, politics, and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic affect, and on to the broader moral and ethical implications of the material. As a result, B Is for Bad Cinema takes an interest in a variety of film examples--overblown Hollywood blockbusters, faux pornographic works, and European art house films--to consider those that lurk on the boundaries of acceptability. | ||
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| contents | B for bad cinema / Claire Perkins and Constantine Verevis -- pt. 1. Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton -- pt. 2. Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis. |
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| indexdate | 2024-11-27T13:25:49Z |
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| language | English |
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| series2 | SUNY series, horizons of cinema |
| spelling | B is for bad cinema : aesthetics, politics, and cultural value / edited by Claire Perkins and Constantine Verevis. Albany : State University of New York Press, 2014. 1 online resource : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series, horizons of cinema Print version record. Includes bibliographical references and index. B for bad cinema / Claire Perkins and Constantine Verevis -- pt. 1. Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton -- pt. 2. Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis. B Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad"--that is, aesthetically, morally, or commercially disreputable--cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach bad cinema in terms of aesthetics, politics, and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic affect, and on to the broader moral and ethical implications of the material. As a result, B Is for Bad Cinema takes an interest in a variety of film examples--overblown Hollywood blockbusters, faux pornographic works, and European art house films--to consider those that lurk on the boundaries of acceptability. Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Cinéma Esthétique. PERFORMING ARTS Reference. bisacsh Motion pictures Aesthetics fast Kultfilm gnd http://d-nb.info/gnd/4347836-0 Das Hässliche gnd http://d-nb.info/gnd/4128301-6 Filmästhetik gnd http://d-nb.info/gnd/4140881-0 B-Film gnd http://d-nb.info/gnd/4359958-8 Perkins, Claire (Claire Elizabeth), editor. https://id.oclc.org/worldcat/entity/E39PCjy8G6DbR4VtdTc36pPjkC http://id.loc.gov/authorities/names/no2012006669 Verevis, Constantine, editor. has work: B is for bad cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFQXYFPgvFBGMtXRKDBHG3 https://id.oclc.org/worldcat/ontology/hasWork Print version: B is for bad cinema 9781438449951 (DLC) 2013012454 (OCoLC)841212209 SUNY series, horizons of cinema. http://id.loc.gov/authorities/names/n2004039992 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=706809 Volltext |
| spellingShingle | B is for bad cinema : aesthetics, politics, and cultural value / SUNY series, horizons of cinema. B for bad cinema / Claire Perkins and Constantine Verevis -- pt. 1. Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton -- pt. 2. Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis. Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Cinéma Esthétique. PERFORMING ARTS Reference. bisacsh Motion pictures Aesthetics fast Kultfilm gnd http://d-nb.info/gnd/4347836-0 Das Hässliche gnd http://d-nb.info/gnd/4128301-6 Filmästhetik gnd http://d-nb.info/gnd/4140881-0 B-Film gnd http://d-nb.info/gnd/4359958-8 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088085 http://d-nb.info/gnd/4347836-0 http://d-nb.info/gnd/4128301-6 http://d-nb.info/gnd/4140881-0 http://d-nb.info/gnd/4359958-8 |
| title | B is for bad cinema : aesthetics, politics, and cultural value / |
| title_auth | B is for bad cinema : aesthetics, politics, and cultural value / |
| title_exact_search | B is for bad cinema : aesthetics, politics, and cultural value / |
| title_full | B is for bad cinema : aesthetics, politics, and cultural value / edited by Claire Perkins and Constantine Verevis. |
| title_fullStr | B is for bad cinema : aesthetics, politics, and cultural value / edited by Claire Perkins and Constantine Verevis. |
| title_full_unstemmed | B is for bad cinema : aesthetics, politics, and cultural value / edited by Claire Perkins and Constantine Verevis. |
| title_short | B is for bad cinema : |
| title_sort | b is for bad cinema aesthetics politics and cultural value |
| title_sub | aesthetics, politics, and cultural value / |
| topic | Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Cinéma Esthétique. PERFORMING ARTS Reference. bisacsh Motion pictures Aesthetics fast Kultfilm gnd http://d-nb.info/gnd/4347836-0 Das Hässliche gnd http://d-nb.info/gnd/4128301-6 Filmästhetik gnd http://d-nb.info/gnd/4140881-0 B-Film gnd http://d-nb.info/gnd/4359958-8 |
| topic_facet | Motion pictures Aesthetics. Cinéma Esthétique. PERFORMING ARTS Reference. Motion pictures Aesthetics Kultfilm Das Hässliche Filmästhetik B-Film |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=706809 |
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