Verfügbarkeit: Cinematic Appeals :

Cinematic Appeals :: the Experience of New Movie Technologies /

Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator i...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Rogers, Ariel (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	New York : Columbia University Press, [2013]
Schriftenreihe:	Film and culture.
Schlagworte:	Motion picture audiences. Technology in motion pictures. Cinematography > Technological innovations. Digital cinematography. Cinéma > Publics. Technologie au cinéma. Cinéma > Innovations. Cinéma numérique. PERFORMING ARTS > Film & Video > Direction & Production. PSYCHOLOGY > Social Psychology. Cinematography > Technological innovations Digital cinematography Motion picture audiences Technology in motion pictures Digitale Filmtechnik Technischer Fortschritt Technologie Zuschauer Film Filmtechnik Multi-User.
Online-Zugang:	Volltext
Zusammenfassung:	Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. The technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with manipulating the viewer's physical ...
Beschreibung:	1 online resource (xv, 330 pages) : illustrations
Bibliographie:	Includes bibliographical references and index.
ISBN:	0231535783 9780231535786

Internformat

MARC


LEADER	00000cam a2200000 a 4500
001	ZDB-4-EBA-ocn870891155
003	OCoLC
005	20241004212047.0
006	m o d
007	cr \|n\|\|\|\|\|\|\|\|\|
008	140221s2013 nyua ob 001 0 eng d
040			\|a CDX \|b eng \|e pn \|c CDX \|d OCLCQ \|d JSTOR \|d OCLCF \|d N$T \|d OCLCQ \|d TEFOD \|d DEBBG \|d OCLCQ \|d IOG \|d VTS \|d ASC \|d EBLCP \|d YDXCP \|d IDEBK \|d OSU \|d CN8ML \|d DEBSZ \|d RECBK \|d STBDS \|d COCUF \|d AGLDB \|d DGU \|d MOR \|d PIFAG \|d ZCU \|d MERUC \|d DEGRU \|d U3W \|d KIJ \|d STF \|d ICG \|d INT \|d OTZ \|d VT2 \|d OCLCQ \|d WYU \|d LVT \|d TKN \|d OCLCQ \|d LEAUB \|d DKC \|d OCLCQ \|d M8D \|d OCLCQ \|d YDX \|d OCLCQ \|d AJS \|d OCLCO \|d SFB \|d OCLCO \|d OCLCQ \|d DGITA \|d OCLCQ \|d OCLCO \|d OCLCL \|d SXB \|d OCLCQ \|d HOPLA \|d OCLCQ
019			\|a 862940454 \|a 866799568 \|a 884002138 \|a 1290098641 \|a 1300469397
020			\|a 0231535783 \|q (electronic bk.)
020			\|a 9780231535786 \|q (electronic bk.)
020			\|z 0231159161
020			\|z 9780231159166
020			\|z 023115917X
020			\|z 9780231159173
020			\|z 9781306311298
020			\|z 1306311292
024	7		\|a 10.7312/roge15916 \|2 doi
035			\|a (OCoLC)870891155 \|z (OCoLC)862940454 \|z (OCoLC)866799568 \|z (OCoLC)884002138 \|z (OCoLC)1290098641 \|z (OCoLC)1300469397
037			\|a 562380 \|b MIL
037			\|a 22573/ctt5m988n \|b JSTOR
037			\|a 0EBA708D-3F0B-4967-B6E0-B78EF58CE8DC \|b OverDrive, Inc. \|n http://www.overdrive.com
050		4	\|a PN1995.9.A8
072		7	\|a PER004010 \|2 bisacsh
072		7	\|a PER004030 \|2 bisacsh
072		7	\|a ART046000 \|2 bisacsh
072		7	\|a TEC008060 \|2 bisacsh
072		7	\|a ART057000 \|2 bisacsh
072		7	\|a PSY \|x 031000 \|2 bisacsh
082	7		\|a 302.2 \|b 23
049			\|a MAIN
100	1		\|a Rogers, Ariel, \|e author.
245	1	0	\|a Cinematic Appeals : \|b the Experience of New Movie Technologies / \|c Ariel Rogers.
260			\|a New York : \|b Columbia University Press, \|c [2013]
300			\|a 1 online resource (xv, 330 pages) : \|b illustrations
336			\|a text \|b txt \|2 rdacontent
337			\|a computer \|b c \|2 rdamedia
338			\|a online resource \|b cr \|2 rdacarrier
490	1		\|a Film and culture
588	0		\|a Print version record.
504			\|a Includes bibliographical references and index.
505	0		\|a Introduction: Moving Machines -- "Smothered In Baked Alaska" The Anxious Appeal of Widescreen Cinema -- East of Eden in Cinemascope: Intimacy Writ Large -- DIgital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now.
520			\|a Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. The technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with manipulating the viewer's physical ...
546			\|a In English.
650		0	\|a Motion picture audiences. \|0 http://id.loc.gov/authorities/subjects/sh85088029
650		0	\|a Technology in motion pictures. \|0 http://id.loc.gov/authorities/subjects/sh91004501
650		0	\|a Cinematography \|x Technological innovations.
650		0	\|a Digital cinematography. \|0 http://id.loc.gov/authorities/subjects/sh2001001797
650		6	\|a Cinéma \|x Publics.
650		6	\|a Technologie au cinéma.
650		6	\|a Cinéma \|x Innovations.
650		6	\|a Cinéma numérique.
650		7	\|a PERFORMING ARTS \|x Film & Video \|x Direction & Production. \|2 bisacsh
650		7	\|a PSYCHOLOGY \|x Social Psychology. \|2 bisacsh
650		7	\|a Cinematography \|x Technological innovations \|2 fast
650		7	\|a Digital cinematography \|2 fast
650		7	\|a Motion picture audiences \|2 fast
650		7	\|a Technology in motion pictures \|2 fast
650		7	\|a Digitale Filmtechnik \|2 gnd \|0 http://d-nb.info/gnd/4763566-6
650		7	\|a Technischer Fortschritt \|2 gnd \|0 http://d-nb.info/gnd/4059252-2
650		7	\|a Technologie \|2 gnd \|0 http://d-nb.info/gnd/4059276-5
650		7	\|a Zuschauer \|2 gnd \|0 http://d-nb.info/gnd/4127324-2
650		7	\|a Film \|2 gnd \|0 http://d-nb.info/gnd/4017102-4
650		7	\|a Filmtechnik \|2 gnd \|0 http://d-nb.info/gnd/4017144-9
653			\|a Multi-User.
776	0	8	\|i Print version: \|a Rogers, Ariel. \|t Cinematic appeals. \|d New York : Columbia University Press, [2013] \|z 9780231159166 \|w (DLC) 2013008591 \|w (OCoLC)841039486
830		0	\|a Film and culture. \|0 http://id.loc.gov/authorities/names/n92059833
856	4	0	\|l FWS01 \|p ZDB-4-EBA \|q FWS_PDA_EBA \|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=663353 \|3 Volltext
936			\|a BATCHLOAD
938			\|a hoopla Digital \|b HOPL \|n MWT11861660
938			\|a Digitalia Publishing \|b DGIT \|n DIGCOLUP1344
938			\|a Coutts Information Services \|b COUT \|n 27325535
938			\|a De Gruyter \|b DEGR \|n 9780231535786
938			\|a EBL - Ebook Library \|b EBLB \|n EBL1321265
938			\|a EBSCOhost \|b EBSC \|n 663353
938			\|a ProQuest MyiLibrary Digital eBook Collection \|b IDEB \|n cis27325535
938			\|a Oxford University Press USA \|b OUPR \|n EDZ0000744852
938			\|a Recorded Books, LLC \|b RECE \|n rbeEB00662777
938			\|a YBP Library Services \|b YANK \|n 11318817
994			\|a 92 \|b GEBAY
912			\|a ZDB-4-EBA
049			\|a DE-863

Datensatz im Suchindex

DE-BY-FWS_katkey	ZDB-4-EBA-ocn870891155
_version_	1816882261440593920
adam_text
any_adam_object
author	Rogers, Ariel
author_facet	Rogers, Ariel
author_role	aut
author_sort	Rogers, Ariel
author_variant	a r ar
building	Verbundindex
bvnumber	localFWS
callnumber-first	P - Language and Literature
callnumber-label	PN1995
callnumber-raw	PN1995.9.A8
callnumber-search	PN1995.9.A8
callnumber-sort	PN 41995.9 A8
callnumber-subject	PN - General Literature
collection	ZDB-4-EBA
contents	Introduction: Moving Machines -- "Smothered In Baked Alaska" The Anxious Appeal of Widescreen Cinema -- East of Eden in Cinemascope: Intimacy Writ Large -- DIgital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now.
ctrlnum	(OCoLC)870891155
dewey-full	302.2
dewey-hundreds	300 - Social sciences
dewey-ones	302 - Social interaction
dewey-raw	302.2
dewey-search	302.2
dewey-sort	3302.2
dewey-tens	300 - Social sciences
discipline	Soziologie
format	Electronic eBook
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05392cam a2200973 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn870891155</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr \|n\|\|\|\|\|\|\|\|\|</controlfield><controlfield tag="008">140221s2013 nyua ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">CDX</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">CDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TEFOD</subfield><subfield code="d">DEBBG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">VTS</subfield><subfield code="d">ASC</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDXCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">OSU</subfield><subfield code="d">CN8ML</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">RECBK</subfield><subfield code="d">STBDS</subfield><subfield code="d">COCUF</subfield><subfield code="d">AGLDB</subfield><subfield code="d">DGU</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">ZCU</subfield><subfield code="d">MERUC</subfield><subfield code="d">DEGRU</subfield><subfield code="d">U3W</subfield><subfield code="d">KIJ</subfield><subfield code="d">STF</subfield><subfield code="d">ICG</subfield><subfield code="d">INT</subfield><subfield code="d">OTZ</subfield><subfield code="d">VT2</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">LVT</subfield><subfield code="d">TKN</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LEAUB</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">M8D</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DGITA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">SXB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">HOPLA</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">862940454</subfield><subfield code="a">866799568</subfield><subfield code="a">884002138</subfield><subfield code="a">1290098641</subfield><subfield code="a">1300469397</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231535783</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231535786</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0231159161</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780231159166</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">023115917X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780231159173</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781306311298</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1306311292</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/roge15916</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)870891155</subfield><subfield code="z">(OCoLC)862940454</subfield><subfield code="z">(OCoLC)866799568</subfield><subfield code="z">(OCoLC)884002138</subfield><subfield code="z">(OCoLC)1290098641</subfield><subfield code="z">(OCoLC)1300469397</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">562380</subfield><subfield code="b">MIL</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt5m988n</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">0EBA708D-3F0B-4967-B6E0-B78EF58CE8DC</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.A8</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART046000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">TEC008060</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART057000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PSY</subfield><subfield code="x">031000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">302.2</subfield><subfield code="b">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rogers, Ariel,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cinematic Appeals :</subfield><subfield code="b">the Experience of New Movie Technologies /</subfield><subfield code="c">Ariel Rogers.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">New York :</subfield><subfield code="b">Columbia University Press,</subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xv, 330 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film and culture</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Moving Machines -- "Smothered In Baked Alaska" The Anxious Appeal of Widescreen Cinema -- East of Eden in Cinemascope: Intimacy Writ Large -- DIgital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. The technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with manipulating the viewer's physical ...</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture audiences.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088029</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Technology in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh91004501</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cinematography</subfield><subfield code="x">Technological innovations.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Digital cinematography.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2001001797</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Publics.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Technologie au cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Innovations.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma numérique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Direction & Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PSYCHOLOGY</subfield><subfield code="x">Social Psychology.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cinematography</subfield><subfield code="x">Technological innovations</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Digital cinematography</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture audiences</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Technology in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Digitale Filmtechnik</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4763566-6</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Technischer Fortschritt</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4059252-2</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Technologie</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4059276-5</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Zuschauer</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4127324-2</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4017102-4</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmtechnik</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4017144-9</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Multi-User.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Rogers, Ariel.</subfield><subfield code="t">Cinematic appeals.</subfield><subfield code="d">New York : Columbia University Press, [2013]</subfield><subfield code="z">9780231159166</subfield><subfield code="w">(DLC) 2013008591</subfield><subfield code="w">(OCoLC)841039486</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film and culture.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n92059833</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=663353</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">hoopla Digital</subfield><subfield code="b">HOPL</subfield><subfield code="n">MWT11861660</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Digitalia Publishing</subfield><subfield code="b">DGIT</subfield><subfield code="n">DIGCOLUP1344</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">27325535</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780231535786</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1321265</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">663353</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis27325535</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Oxford University Press USA</subfield><subfield code="b">OUPR</subfield><subfield code="n">EDZ0000744852</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Recorded Books, LLC</subfield><subfield code="b">RECE</subfield><subfield code="n">rbeEB00662777</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11318817</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection>
id	ZDB-4-EBA-ocn870891155
illustrated	Illustrated
indexdate	2024-11-27T13:25:48Z
institution	BVB
isbn	0231535783 9780231535786
language	English
oclc_num	870891155
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (xv, 330 pages) : illustrations
psigel	ZDB-4-EBA
publishDate	2013
publishDateSearch	2013
publishDateSort	2013
publisher	Columbia University Press,
record_format	marc
series	Film and culture.
series2	Film and culture
spelling	Rogers, Ariel, author. Cinematic Appeals : the Experience of New Movie Technologies / Ariel Rogers. New York : Columbia University Press, [2013] 1 online resource (xv, 330 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and culture Print version record. Includes bibliographical references and index. Introduction: Moving Machines -- "Smothered In Baked Alaska" The Anxious Appeal of Widescreen Cinema -- East of Eden in Cinemascope: Intimacy Writ Large -- DIgital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now. Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. The technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with manipulating the viewer's physical ... In English. Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Technology in motion pictures. http://id.loc.gov/authorities/subjects/sh91004501 Cinematography Technological innovations. Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Cinéma Publics. Technologie au cinéma. Cinéma Innovations. Cinéma numérique. PERFORMING ARTS Film & Video Direction & Production. bisacsh PSYCHOLOGY Social Psychology. bisacsh Cinematography Technological innovations fast Digital cinematography fast Motion picture audiences fast Technology in motion pictures fast Digitale Filmtechnik gnd http://d-nb.info/gnd/4763566-6 Technischer Fortschritt gnd http://d-nb.info/gnd/4059252-2 Technologie gnd http://d-nb.info/gnd/4059276-5 Zuschauer gnd http://d-nb.info/gnd/4127324-2 Film gnd http://d-nb.info/gnd/4017102-4 Filmtechnik gnd http://d-nb.info/gnd/4017144-9 Multi-User. Print version: Rogers, Ariel. Cinematic appeals. New York : Columbia University Press, [2013] 9780231159166 (DLC) 2013008591 (OCoLC)841039486 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=663353 Volltext
spellingShingle	Rogers, Ariel Cinematic Appeals : the Experience of New Movie Technologies / Film and culture. Introduction: Moving Machines -- "Smothered In Baked Alaska" The Anxious Appeal of Widescreen Cinema -- East of Eden in Cinemascope: Intimacy Writ Large -- DIgital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now. Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Technology in motion pictures. http://id.loc.gov/authorities/subjects/sh91004501 Cinematography Technological innovations. Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Cinéma Publics. Technologie au cinéma. Cinéma Innovations. Cinéma numérique. PERFORMING ARTS Film & Video Direction & Production. bisacsh PSYCHOLOGY Social Psychology. bisacsh Cinematography Technological innovations fast Digital cinematography fast Motion picture audiences fast Technology in motion pictures fast Digitale Filmtechnik gnd http://d-nb.info/gnd/4763566-6 Technischer Fortschritt gnd http://d-nb.info/gnd/4059252-2 Technologie gnd http://d-nb.info/gnd/4059276-5 Zuschauer gnd http://d-nb.info/gnd/4127324-2 Film gnd http://d-nb.info/gnd/4017102-4 Filmtechnik gnd http://d-nb.info/gnd/4017144-9
subject_GND	http://id.loc.gov/authorities/subjects/sh85088029 http://id.loc.gov/authorities/subjects/sh91004501 http://id.loc.gov/authorities/subjects/sh2001001797 http://d-nb.info/gnd/4763566-6 http://d-nb.info/gnd/4059252-2 http://d-nb.info/gnd/4059276-5 http://d-nb.info/gnd/4127324-2 http://d-nb.info/gnd/4017102-4 http://d-nb.info/gnd/4017144-9
title	Cinematic Appeals : the Experience of New Movie Technologies /
title_auth	Cinematic Appeals : the Experience of New Movie Technologies /
title_exact_search	Cinematic Appeals : the Experience of New Movie Technologies /
title_full	Cinematic Appeals : the Experience of New Movie Technologies / Ariel Rogers.
title_fullStr	Cinematic Appeals : the Experience of New Movie Technologies / Ariel Rogers.
title_full_unstemmed	Cinematic Appeals : the Experience of New Movie Technologies / Ariel Rogers.
title_short	Cinematic Appeals :
title_sort	cinematic appeals the experience of new movie technologies
title_sub	the Experience of New Movie Technologies /
topic	Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Technology in motion pictures. http://id.loc.gov/authorities/subjects/sh91004501 Cinematography Technological innovations. Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Cinéma Publics. Technologie au cinéma. Cinéma Innovations. Cinéma numérique. PERFORMING ARTS Film & Video Direction & Production. bisacsh PSYCHOLOGY Social Psychology. bisacsh Cinematography Technological innovations fast Digital cinematography fast Motion picture audiences fast Technology in motion pictures fast Digitale Filmtechnik gnd http://d-nb.info/gnd/4763566-6 Technischer Fortschritt gnd http://d-nb.info/gnd/4059252-2 Technologie gnd http://d-nb.info/gnd/4059276-5 Zuschauer gnd http://d-nb.info/gnd/4127324-2 Film gnd http://d-nb.info/gnd/4017102-4 Filmtechnik gnd http://d-nb.info/gnd/4017144-9
topic_facet	Motion picture audiences. Technology in motion pictures. Cinematography Technological innovations. Digital cinematography. Cinéma Publics. Technologie au cinéma. Cinéma Innovations. Cinéma numérique. PERFORMING ARTS Film & Video Direction & Production. PSYCHOLOGY Social Psychology. Cinematography Technological innovations Digital cinematography Motion picture audiences Technology in motion pictures Digitale Filmtechnik Technischer Fortschritt Technologie Zuschauer Film Filmtechnik
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=663353
work_keys_str_mv	AT rogersariel cinematicappealstheexperienceofnewmovietechnologies

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Volltext öffnen

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge