Renaissance Shakespeare/Shakespeare Renaissances :: Proceedings of the Ninth World Shakespeare Congress /
Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Na...
Gespeichert in:
| Körperschaft: | |
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| Weitere Verfasser: | , , , |
| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newark :
University of Delaware Press,
[2014]
|
| Schriftenreihe: | World Shakespeare Congress Proceedings.
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Native Americans to China and Japan. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1611494613 9781611494617 9781644530597 1644530597 |
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| 245 | 1 | 0 | |a Renaissance Shakespeare/Shakespeare Renaissances : |b Proceedings of the Ninth World Shakespeare Congress / |c edited by Martin Procházka, Andreas Hoefele, Hanna Scolnicov, and Michael Dobson. |
| 264 | 1 | |a Newark : |b University of Delaware Press, |c [2014] | |
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| 490 | 1 | |a The World Shakespeare Congress Proceedings | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Foreword; PART I. RENAISSANCE SHAKESPEARE: INTERPRETATIONS, PERFORMANCE, AND CONTEXTS; Chapter 1. Shakespeare: Man of the European Renaissance; INTERPRETATIONS; Chapter 2. Talbot, Incorporated; Chapter 3. Hamlet and the French Wars of Religion; Chapter 4. Ecology, Evolution, and Hamlet; Chapter 5. The Anticipatory Premise of History in the Reception of Shakespeare's Sonnets; Chapter 6. The Balance of Power in King Lear's Kingdoms; Chapter 7. "Here's a Strange Alteration": Contagion and the Mutable Mind in Coriolanus; Chapter 8. Making Visible: Afterlives in Shakespeare's Pericles. | |
| 505 | 8 | |a Chapter 9. A Legal Assessment of the Circumstantial Evidence in The Winter's TaleChapter 10. Shakespeare's Lost Pastorals; PERFORMANCE; Chapter 11. Shakespeare and Festival; Chapter 12. Using On-Screen Modeling to Examine Shakespearean Stage Performance; Chapter 13. What Are We Doing When We're "Doing Shakespeare"? The Embodied Brain in Theatrical Experience; CONTEXTS; Chapter 14. The Queen of Bohemia's Wedding; Chapter 15. The Puritan Widow and London Parishes; Chapter 16. Old Repertory, New Theatre: Expectation and Experience in Christopher Beeston's Cockpit. | |
| 505 | 8 | |a Chapter 17. "A Plague o' These Pickle Herring": From London Drinkers to European Stage ClownPART II. SHAKESPEARE RENAISSANCES: APPROPRIATIONS, ADAPTATIONS, AND AFTERLIVES; Chapter 18. Shakespeare's Theatre of Language: Czech Experience; Chapter 19. Directing Shakespeare: The Cold War Years; APPROPRIATIONS; Chapter 20. Shakespeare's Undiplomatic Readers; Chapter 21. Shakespeare: The Unmaking of a National Poet; Chapter 22. Shakespeare in Habsburg Transylvania; Chapter 23. Between the East and the West: Tsubouchi Shoyo's Production of Hamlet in 1911. | |
| 505 | 8 | |a Chapter 24. "The Chap That Writes Like Synge": Shakespeare at the Abbey TheatreChapter 25. "Ease and Deliciousness": The Merchant of Venice and the Performance of Ethical Continuity in National Socialist Germany; Chapter 26. The Staging of The Merchant of Venice and Othello by Greek Political Exiles (1951-1953): Shakespeare in Extremis; Chapter 27. Reasoning the Need: Shakespeare Performance in Reunified Berlin; Chapter 28. An Anthropology of Italian Theory: Hamlet in Venice; Chapter 29. Robert Lepage among the Huron-Wendat: An(other) Aboriginal Treatment of La Tempête. | |
| 505 | 8 | |a Chapter 30. Shakespeare and American Bilingualism: Borderland Productions of Romeo y JulietaChapter 31. The Brazilian Accent of Othello; Chapter 32. Tragedy's Honor, and Ours; ADAPTATIONS; Chapter 33. The Politics of Rape in Nahum Tate's The History of King Lear, 1681; Chapter 34. (Re)Touching: Shakespeare and Cinematic War Narratives; Chapter 35. Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Chapter 36. Singing to Shakespeare in Omkara; Chapter 37. Renegotiating Female Power: Shakespearean Productions in Taiwan, 2000-2010; Chapter 38. Stratford Revisited. | |
| 520 | |a Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Native Americans to China and Japan. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation |x History |y 20th century |v Congresses. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |y 1800-1950 |v Congresses. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |y 1950- |v Congresses. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
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| 650 | 0 | |a Theater |x History |y 20th century |v Congresses. | |
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| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
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| 648 | 7 | |a Since 1800 |2 fast | |
| 655 | 7 | |a Conference papers and proceedings |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Procházka, Martin, |e editor. | |
| 700 | 1 | |a Hoefele, Andreas, |e editor. | |
| 700 | 1 | |a Scolnicov, Hanna, |e editor. | |
| 700 | 1 | |a Dobson, Michael, |d 1960- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJcwFx6qkWCQk9FrtFtxjC |0 http://id.loc.gov/authorities/names/nb91326373 | |
| 758 | |i has work: |a Renaissance Shakespeare: Shakespeare Renaissances (Text) |1 https://id.oclc.org/worldcat/entity/E39PCXFwv69hHj9m88x3TcXY8C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a World Shakespeare Congress (9th : 2011 : Prague, Czech Republic). |t Renaissance Shakespeare/Shakespeare Renaissances. |d Newark : University of Delaware Press, [2014] |z 1611494613 |w (DLC) 2013030707 |
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| author2 | Procházka, Martin Hoefele, Andreas Scolnicov, Hanna Dobson, Michael, 1960- |
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| author_corporate | World Shakespeare Congress Prague, Czech Republic |
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| contents | Foreword; PART I. RENAISSANCE SHAKESPEARE: INTERPRETATIONS, PERFORMANCE, AND CONTEXTS; Chapter 1. Shakespeare: Man of the European Renaissance; INTERPRETATIONS; Chapter 2. Talbot, Incorporated; Chapter 3. Hamlet and the French Wars of Religion; Chapter 4. Ecology, Evolution, and Hamlet; Chapter 5. The Anticipatory Premise of History in the Reception of Shakespeare's Sonnets; Chapter 6. The Balance of Power in King Lear's Kingdoms; Chapter 7. "Here's a Strange Alteration": Contagion and the Mutable Mind in Coriolanus; Chapter 8. Making Visible: Afterlives in Shakespeare's Pericles. Chapter 9. A Legal Assessment of the Circumstantial Evidence in The Winter's TaleChapter 10. Shakespeare's Lost Pastorals; PERFORMANCE; Chapter 11. Shakespeare and Festival; Chapter 12. Using On-Screen Modeling to Examine Shakespearean Stage Performance; Chapter 13. What Are We Doing When We're "Doing Shakespeare"? The Embodied Brain in Theatrical Experience; CONTEXTS; Chapter 14. The Queen of Bohemia's Wedding; Chapter 15. The Puritan Widow and London Parishes; Chapter 16. Old Repertory, New Theatre: Expectation and Experience in Christopher Beeston's Cockpit. Chapter 17. "A Plague o' These Pickle Herring": From London Drinkers to European Stage ClownPART II. SHAKESPEARE RENAISSANCES: APPROPRIATIONS, ADAPTATIONS, AND AFTERLIVES; Chapter 18. Shakespeare's Theatre of Language: Czech Experience; Chapter 19. Directing Shakespeare: The Cold War Years; APPROPRIATIONS; Chapter 20. Shakespeare's Undiplomatic Readers; Chapter 21. Shakespeare: The Unmaking of a National Poet; Chapter 22. Shakespeare in Habsburg Transylvania; Chapter 23. Between the East and the West: Tsubouchi Shoyo's Production of Hamlet in 1911. Chapter 24. "The Chap That Writes Like Synge": Shakespeare at the Abbey TheatreChapter 25. "Ease and Deliciousness": The Merchant of Venice and the Performance of Ethical Continuity in National Socialist Germany; Chapter 26. The Staging of The Merchant of Venice and Othello by Greek Political Exiles (1951-1953): Shakespeare in Extremis; Chapter 27. Reasoning the Need: Shakespeare Performance in Reunified Berlin; Chapter 28. An Anthropology of Italian Theory: Hamlet in Venice; Chapter 29. Robert Lepage among the Huron-Wendat: An(other) Aboriginal Treatment of La Tempête. Chapter 30. Shakespeare and American Bilingualism: Borderland Productions of Romeo y JulietaChapter 31. The Brazilian Accent of Othello; Chapter 32. Tragedy's Honor, and Ours; ADAPTATIONS; Chapter 33. The Politics of Rape in Nahum Tate's The History of King Lear, 1681; Chapter 34. (Re)Touching: Shakespeare and Cinematic War Narratives; Chapter 35. Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Chapter 36. Singing to Shakespeare in Omkara; Chapter 37. Renegotiating Female Power: Shakespearean Productions in Taiwan, 2000-2010; Chapter 38. Stratford Revisited. |
| ctrlnum | (OCoLC)870835618 |
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| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
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| genre | Conference papers and proceedings fast Criticism, interpretation, etc. fast History fast |
| genre_facet | Conference papers and proceedings Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn870835618 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:48Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n2013054648 |
| isbn | 1611494613 9781611494617 9781644530597 1644530597 |
| language | English |
| lccn | 2013030707 |
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| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | University of Delaware Press, |
| record_format | marc |
| series | World Shakespeare Congress Proceedings. |
| series2 | The World Shakespeare Congress Proceedings |
| spelling | World Shakespeare Congress (9th : 2011 : Prague, Czech Republic) http://id.loc.gov/authorities/names/n2013054648 Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / edited by Martin Procházka, Andreas Hoefele, Hanna Scolnicov, and Michael Dobson. Newark : University of Delaware Press, [2014] 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier The World Shakespeare Congress Proceedings Includes bibliographical references and index. Print version record. Foreword; PART I. RENAISSANCE SHAKESPEARE: INTERPRETATIONS, PERFORMANCE, AND CONTEXTS; Chapter 1. Shakespeare: Man of the European Renaissance; INTERPRETATIONS; Chapter 2. Talbot, Incorporated; Chapter 3. Hamlet and the French Wars of Religion; Chapter 4. Ecology, Evolution, and Hamlet; Chapter 5. The Anticipatory Premise of History in the Reception of Shakespeare's Sonnets; Chapter 6. The Balance of Power in King Lear's Kingdoms; Chapter 7. "Here's a Strange Alteration": Contagion and the Mutable Mind in Coriolanus; Chapter 8. Making Visible: Afterlives in Shakespeare's Pericles. Chapter 9. A Legal Assessment of the Circumstantial Evidence in The Winter's TaleChapter 10. Shakespeare's Lost Pastorals; PERFORMANCE; Chapter 11. Shakespeare and Festival; Chapter 12. Using On-Screen Modeling to Examine Shakespearean Stage Performance; Chapter 13. What Are We Doing When We're "Doing Shakespeare"? The Embodied Brain in Theatrical Experience; CONTEXTS; Chapter 14. The Queen of Bohemia's Wedding; Chapter 15. The Puritan Widow and London Parishes; Chapter 16. Old Repertory, New Theatre: Expectation and Experience in Christopher Beeston's Cockpit. Chapter 17. "A Plague o' These Pickle Herring": From London Drinkers to European Stage ClownPART II. SHAKESPEARE RENAISSANCES: APPROPRIATIONS, ADAPTATIONS, AND AFTERLIVES; Chapter 18. Shakespeare's Theatre of Language: Czech Experience; Chapter 19. Directing Shakespeare: The Cold War Years; APPROPRIATIONS; Chapter 20. Shakespeare's Undiplomatic Readers; Chapter 21. Shakespeare: The Unmaking of a National Poet; Chapter 22. Shakespeare in Habsburg Transylvania; Chapter 23. Between the East and the West: Tsubouchi Shoyo's Production of Hamlet in 1911. Chapter 24. "The Chap That Writes Like Synge": Shakespeare at the Abbey TheatreChapter 25. "Ease and Deliciousness": The Merchant of Venice and the Performance of Ethical Continuity in National Socialist Germany; Chapter 26. The Staging of The Merchant of Venice and Othello by Greek Political Exiles (1951-1953): Shakespeare in Extremis; Chapter 27. Reasoning the Need: Shakespeare Performance in Reunified Berlin; Chapter 28. An Anthropology of Italian Theory: Hamlet in Venice; Chapter 29. Robert Lepage among the Huron-Wendat: An(other) Aboriginal Treatment of La Tempête. Chapter 30. Shakespeare and American Bilingualism: Borderland Productions of Romeo y JulietaChapter 31. The Brazilian Accent of Othello; Chapter 32. Tragedy's Honor, and Ours; ADAPTATIONS; Chapter 33. The Politics of Rape in Nahum Tate's The History of King Lear, 1681; Chapter 34. (Re)Touching: Shakespeare and Cinematic War Narratives; Chapter 35. Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Chapter 36. Singing to Shakespeare in Omkara; Chapter 37. Renegotiating Female Power: Shakespearean Productions in Taiwan, 2000-2010; Chapter 38. Stratford Revisited. Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Native Americans to China and Japan. Shakespeare, William, 1564-1616 Criticism and interpretation History 20th century Congresses. Shakespeare, William, 1564-1616 Stage history 1800-1950 Congresses. Shakespeare, William, 1564-1616 Stage history 1950- Congresses. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Theater History 20th century Congresses. Théâtre Histoire 20e siècle Congrès. DRAMA English, Irish, Scottish, Welsh. bisacsh Theater fast Since 1800 fast Conference papers and proceedings fast Criticism, interpretation, etc. fast History fast Procházka, Martin, editor. Hoefele, Andreas, editor. Scolnicov, Hanna, editor. Dobson, Michael, 1960- editor. https://id.oclc.org/worldcat/entity/E39PBJcwFx6qkWCQk9FrtFtxjC http://id.loc.gov/authorities/names/nb91326373 has work: Renaissance Shakespeare: Shakespeare Renaissances (Text) https://id.oclc.org/worldcat/entity/E39PCXFwv69hHj9m88x3TcXY8C https://id.oclc.org/worldcat/ontology/hasWork Print version: World Shakespeare Congress (9th : 2011 : Prague, Czech Republic). Renaissance Shakespeare/Shakespeare Renaissances. Newark : University of Delaware Press, [2014] 1611494613 (DLC) 2013030707 World Shakespeare Congress Proceedings. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3333990 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=680717 Volltext |
| spellingShingle | Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / World Shakespeare Congress Proceedings. Foreword; PART I. RENAISSANCE SHAKESPEARE: INTERPRETATIONS, PERFORMANCE, AND CONTEXTS; Chapter 1. Shakespeare: Man of the European Renaissance; INTERPRETATIONS; Chapter 2. Talbot, Incorporated; Chapter 3. Hamlet and the French Wars of Religion; Chapter 4. Ecology, Evolution, and Hamlet; Chapter 5. The Anticipatory Premise of History in the Reception of Shakespeare's Sonnets; Chapter 6. The Balance of Power in King Lear's Kingdoms; Chapter 7. "Here's a Strange Alteration": Contagion and the Mutable Mind in Coriolanus; Chapter 8. Making Visible: Afterlives in Shakespeare's Pericles. Chapter 9. A Legal Assessment of the Circumstantial Evidence in The Winter's TaleChapter 10. Shakespeare's Lost Pastorals; PERFORMANCE; Chapter 11. Shakespeare and Festival; Chapter 12. Using On-Screen Modeling to Examine Shakespearean Stage Performance; Chapter 13. What Are We Doing When We're "Doing Shakespeare"? The Embodied Brain in Theatrical Experience; CONTEXTS; Chapter 14. The Queen of Bohemia's Wedding; Chapter 15. The Puritan Widow and London Parishes; Chapter 16. Old Repertory, New Theatre: Expectation and Experience in Christopher Beeston's Cockpit. Chapter 17. "A Plague o' These Pickle Herring": From London Drinkers to European Stage ClownPART II. SHAKESPEARE RENAISSANCES: APPROPRIATIONS, ADAPTATIONS, AND AFTERLIVES; Chapter 18. Shakespeare's Theatre of Language: Czech Experience; Chapter 19. Directing Shakespeare: The Cold War Years; APPROPRIATIONS; Chapter 20. Shakespeare's Undiplomatic Readers; Chapter 21. Shakespeare: The Unmaking of a National Poet; Chapter 22. Shakespeare in Habsburg Transylvania; Chapter 23. Between the East and the West: Tsubouchi Shoyo's Production of Hamlet in 1911. Chapter 24. "The Chap That Writes Like Synge": Shakespeare at the Abbey TheatreChapter 25. "Ease and Deliciousness": The Merchant of Venice and the Performance of Ethical Continuity in National Socialist Germany; Chapter 26. The Staging of The Merchant of Venice and Othello by Greek Political Exiles (1951-1953): Shakespeare in Extremis; Chapter 27. Reasoning the Need: Shakespeare Performance in Reunified Berlin; Chapter 28. An Anthropology of Italian Theory: Hamlet in Venice; Chapter 29. Robert Lepage among the Huron-Wendat: An(other) Aboriginal Treatment of La Tempête. Chapter 30. Shakespeare and American Bilingualism: Borderland Productions of Romeo y JulietaChapter 31. The Brazilian Accent of Othello; Chapter 32. Tragedy's Honor, and Ours; ADAPTATIONS; Chapter 33. The Politics of Rape in Nahum Tate's The History of King Lear, 1681; Chapter 34. (Re)Touching: Shakespeare and Cinematic War Narratives; Chapter 35. Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Chapter 36. Singing to Shakespeare in Omkara; Chapter 37. Renegotiating Female Power: Shakespearean Productions in Taiwan, 2000-2010; Chapter 38. Stratford Revisited. Shakespeare, William, 1564-1616 Criticism and interpretation History 20th century Congresses. Shakespeare, William, 1564-1616 Stage history 1800-1950 Congresses. Shakespeare, William, 1564-1616 Stage history 1950- Congresses. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Theater History 20th century Congresses. Théâtre Histoire 20e siècle Congrès. DRAMA English, Irish, Scottish, Welsh. bisacsh Theater fast |
| title | Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / |
| title_auth | Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / |
| title_exact_search | Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / |
| title_full | Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / edited by Martin Procházka, Andreas Hoefele, Hanna Scolnicov, and Michael Dobson. |
| title_fullStr | Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / edited by Martin Procházka, Andreas Hoefele, Hanna Scolnicov, and Michael Dobson. |
| title_full_unstemmed | Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress / edited by Martin Procházka, Andreas Hoefele, Hanna Scolnicov, and Michael Dobson. |
| title_short | Renaissance Shakespeare/Shakespeare Renaissances : |
| title_sort | renaissance shakespeare shakespeare renaissances proceedings of the ninth world shakespeare congress |
| title_sub | Proceedings of the Ninth World Shakespeare Congress / |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation History 20th century Congresses. Shakespeare, William, 1564-1616 Stage history 1800-1950 Congresses. Shakespeare, William, 1564-1616 Stage history 1950- Congresses. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Theater History 20th century Congresses. Théâtre Histoire 20e siècle Congrès. DRAMA English, Irish, Scottish, Welsh. bisacsh Theater fast |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation History 20th century Congresses. Shakespeare, William, 1564-1616 Stage history 1800-1950 Congresses. Shakespeare, William, 1564-1616 Stage history 1950- Congresses. Shakespeare, William, 1564-1616 Shakespeare, William 1564-1616 Theater History 20th century Congresses. Théâtre Histoire 20e siècle Congrès. DRAMA English, Irish, Scottish, Welsh. Theater Conference papers and proceedings Criticism, interpretation, etc. History |
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