Between the black box and the white cube :: expanded cinema and postwar art /
Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining tha...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London :
University of Chicago Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Uroskie argues that the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theatre to original spaces and contexts. |
| Beschreibung: | 1 online resource (x, 273 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780226109022 022610902X |
Internformat
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| 245 | 1 | 0 | |a Between the black box and the white cube : |b expanded cinema and postwar art / |c Andrew V. Uroskie. |
| 264 | 1 | |a Chicago ; |a London : |b University of Chicago Press, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (x, 273 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: from medium to site -- Rhetorics of expansion -- Leaving the movie theater -- Moving images in the gallery -- Cinema on stage -- The festival, the factory, and feedback -- Epilogue: the homelessness of the moving image. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Uroskie argues that the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theatre to original spaces and contexts. | |
| 650 | 0 | |a Art and motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85007966 | |
| 650 | 0 | |a Art, Modern. |0 http://id.loc.gov/authorities/subjects/sh85007793 | |
| 650 | 0 | |a Art |y 20th century. | |
| 650 | 6 | |a Art et cinéma. | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
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| 648 | 7 | |a 1900-1999 |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Uroskie, Andrew V. |t Between the black box and the white cube |z 9780226842981 |w (DLC) 2013022931 |w (OCoLC)852488365 |
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Datensatz im Suchindex
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| _version_ | 1816882260389920768 |
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| author | Uroskie, Andrew V. |
| author_GND | http://id.loc.gov/authorities/names/no2013061559 |
| author_facet | Uroskie, Andrew V. |
| author_role | aut |
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| collection | ZDB-4-EBA |
| contents | Introduction: from medium to site -- Rhetorics of expansion -- Leaving the movie theater -- Moving images in the gallery -- Cinema on stage -- The festival, the factory, and feedback -- Epilogue: the homelessness of the moving image. |
| ctrlnum | (OCoLC)870272302 |
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| dewey-raw | 700.9/045 |
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| dewey-sort | 3700.9 245 |
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| discipline | Kunstgeschichte |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn870272302 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:47Z |
| institution | BVB |
| isbn | 9780226109022 022610902X |
| language | English |
| oclc_num | 870272302 |
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| spelling | Uroskie, Andrew V., author. http://id.loc.gov/authorities/names/no2013061559 Between the black box and the white cube : expanded cinema and postwar art / Andrew V. Uroskie. Chicago ; London : University of Chicago Press, 2014. ©2014 1 online resource (x, 273 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction: from medium to site -- Rhetorics of expansion -- Leaving the movie theater -- Moving images in the gallery -- Cinema on stage -- The festival, the factory, and feedback -- Epilogue: the homelessness of the moving image. Print version record. Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Uroskie argues that the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theatre to original spaces and contexts. Art and motion pictures. http://id.loc.gov/authorities/subjects/sh85007966 Art, Modern. http://id.loc.gov/authorities/subjects/sh85007793 Art 20th century. Art et cinéma. ART Performance. bisacsh ART Reference. bisacsh Art fast Art and motion pictures fast Art, Modern fast 1900-1999 fast has work: Between the black box and the white cube (Text) https://id.oclc.org/worldcat/entity/E39PCFvGtPGvP6JpmbWQw44tqP https://id.oclc.org/worldcat/ontology/hasWork Print version: Uroskie, Andrew V. Between the black box and the white cube 9780226842981 (DLC) 2013022931 (OCoLC)852488365 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=663920 Volltext |
| spellingShingle | Uroskie, Andrew V. Between the black box and the white cube : expanded cinema and postwar art / Introduction: from medium to site -- Rhetorics of expansion -- Leaving the movie theater -- Moving images in the gallery -- Cinema on stage -- The festival, the factory, and feedback -- Epilogue: the homelessness of the moving image. Art and motion pictures. http://id.loc.gov/authorities/subjects/sh85007966 Art, Modern. http://id.loc.gov/authorities/subjects/sh85007793 Art 20th century. Art et cinéma. ART Performance. bisacsh ART Reference. bisacsh Art fast Art and motion pictures fast Art, Modern fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007966 http://id.loc.gov/authorities/subjects/sh85007793 |
| title | Between the black box and the white cube : expanded cinema and postwar art / |
| title_auth | Between the black box and the white cube : expanded cinema and postwar art / |
| title_exact_search | Between the black box and the white cube : expanded cinema and postwar art / |
| title_full | Between the black box and the white cube : expanded cinema and postwar art / Andrew V. Uroskie. |
| title_fullStr | Between the black box and the white cube : expanded cinema and postwar art / Andrew V. Uroskie. |
| title_full_unstemmed | Between the black box and the white cube : expanded cinema and postwar art / Andrew V. Uroskie. |
| title_short | Between the black box and the white cube : |
| title_sort | between the black box and the white cube expanded cinema and postwar art |
| title_sub | expanded cinema and postwar art / |
| topic | Art and motion pictures. http://id.loc.gov/authorities/subjects/sh85007966 Art, Modern. http://id.loc.gov/authorities/subjects/sh85007793 Art 20th century. Art et cinéma. ART Performance. bisacsh ART Reference. bisacsh Art fast Art and motion pictures fast Art, Modern fast |
| topic_facet | Art and motion pictures. Art, Modern. Art 20th century. Art et cinéma. ART Performance. ART Reference. Art Art and motion pictures Art, Modern |
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