Vision, devotion, and self-representation in late medieval art /:
"This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Cambridge University Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781107731950 110773195X 9781139424769 1139424769 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn869735803 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
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| 008 | 140203s2014 nyu ob 001 0 eng d | ||
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| 100 | 1 | |a Sand, Alexa Kristen. | |
| 245 | 1 | 0 | |a Vision, devotion, and self-representation in late medieval art / |c Alexa Sand. |
| 264 | 1 | |a New York : |b Cambridge University Press, |c 2014. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 520 | |a "This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Vision, Devotion, and Self-Representation in Late Medieval Art; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; Chapter One Saving Face: The Veronica and the Visio Dei; The Veronica and Matthew Paris; Visual Prayers: Uses of the Veronica; Portrait as Proof: The Holy Face and the Visio Dei Controversy; Appendix: The Text of the "Office of Innocent III" and Ave facies praeclara; Chapter Two From Memoria to Visio: Revising the Donor. | |
| 505 | 8 | |a Patrons, Authors, Scribes: The Visual Vocabulary of Portraiture before 1200From Authentication to Reflection: Author and Owner in the Context of Devotion; Envisioning David, Embodying Prayer; Conclusions; Chapter Three Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Intimate Spectacle: The Rise of Reflexive Imagery in the Book of Hours; From the Margins to the Center: Staging Visual Devotion in the Full-Page Owner Portrait; Reflexive Portraits and Aristocratic Identity; Chapter Four Domesticating Devotion: Body, Space, and Self. | |
| 505 | 8 | |a Spiritual Places: Portability and VisibilityBlazons: Identity, the Body, and Space; Situating the Book Owner; Conclusion: Power and the Portrait: Negotiating Gender; A Distant Mirror of Devotion; Visible Invisibility -- the Problem of Gender; Notes; Introduction Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; One. Saving Face: The Veronica and the Visio Dei; Two. From Memoria to Visio: Revising the Donor; Three. Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Four. Domesticating Devotion: Body, Space, and Self. | |
| 505 | 8 | |a Conclusion. Power and the Portrait: Negotiating GenderBibliography; Manuscripts Cited; Admont, Austria; Amiens; Baltimore; Bamberg; Besançon; Brussels; Cambrai; Cambridge, England; Cologne; Darmstadt; Evreux; Lisbon; London; Longleat House, Wiltshire, England; Marseille; Metz; Munich; New Haven, Connecticut; New York; Nuremberg; Oxford; Paris; Prague; San Marino; Santa Monica; Trier; Venice; Vienna; Primary Sources; Secondary Sources; Index; Plates. | |
| 650 | 0 | |a Portraits, Medieval |z England. | |
| 650 | 0 | |a Portraits, Medieval |z France. | |
| 650 | 0 | |a Women |z England |v Portraits. | |
| 650 | 0 | |a Women |z France |v Portraits. | |
| 650 | 0 | |a Illumination of books and manuscripts, Medieval |z England. | |
| 650 | 0 | |a Illumination of books and manuscripts, Medieval |z France. | |
| 650 | 0 | |a Prayer books |z England. | |
| 650 | 0 | |a Prayer books |z France. | |
| 650 | 6 | |a Portraits médiévaux |z Angleterre. | |
| 650 | 6 | |a Portraits médiévaux |z France. | |
| 650 | 6 | |a Enluminure médiévale |z Angleterre. | |
| 650 | 6 | |a Enluminure médiévale |z France. | |
| 650 | 6 | |a Livres de prières |z Angleterre. | |
| 650 | 6 | |a Livres de prières |z France. | |
| 650 | 7 | |a HISTORY |z Europe |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x Folk & Outsider Art. |2 bisacsh | |
| 650 | 7 | |a CRAFTS & HOBBIES |x Folkcrafts. |2 bisacsh | |
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| 650 | 7 | |a Portraits, Medieval |2 fast | |
| 650 | 7 | |a Prayer books |2 fast | |
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| 655 | 7 | |a Portraits |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Sand, Alexa Kristen. |t Vision, devotion, and self-representation in late medieval art |z 9781107032224 |w (DLC) 2013027299 |w (OCoLC)854512624 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn869735803 |
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| _version_ | 1816882259894992896 |
| adam_text | |
| any_adam_object | |
| author | Sand, Alexa Kristen |
| author_facet | Sand, Alexa Kristen |
| author_role | |
| author_sort | Sand, Alexa Kristen |
| author_variant | a k s ak aks |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND3337 |
| callnumber-raw | ND3337 .S26 2014eb |
| callnumber-search | ND3337 .S26 2014eb |
| callnumber-sort | ND 43337 S26 42014EB |
| callnumber-subject | ND - Painting |
| collection | ZDB-4-EBA |
| contents | Cover; Vision, Devotion, and Self-Representation in Late Medieval Art; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; Chapter One Saving Face: The Veronica and the Visio Dei; The Veronica and Matthew Paris; Visual Prayers: Uses of the Veronica; Portrait as Proof: The Holy Face and the Visio Dei Controversy; Appendix: The Text of the "Office of Innocent III" and Ave facies praeclara; Chapter Two From Memoria to Visio: Revising the Donor. Patrons, Authors, Scribes: The Visual Vocabulary of Portraiture before 1200From Authentication to Reflection: Author and Owner in the Context of Devotion; Envisioning David, Embodying Prayer; Conclusions; Chapter Three Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Intimate Spectacle: The Rise of Reflexive Imagery in the Book of Hours; From the Margins to the Center: Staging Visual Devotion in the Full-Page Owner Portrait; Reflexive Portraits and Aristocratic Identity; Chapter Four Domesticating Devotion: Body, Space, and Self. Spiritual Places: Portability and VisibilityBlazons: Identity, the Body, and Space; Situating the Book Owner; Conclusion: Power and the Portrait: Negotiating Gender; A Distant Mirror of Devotion; Visible Invisibility -- the Problem of Gender; Notes; Introduction Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; One. Saving Face: The Veronica and the Visio Dei; Two. From Memoria to Visio: Revising the Donor; Three. Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Four. Domesticating Devotion: Body, Space, and Self. Conclusion. Power and the Portrait: Negotiating GenderBibliography; Manuscripts Cited; Admont, Austria; Amiens; Baltimore; Bamberg; Besançon; Brussels; Cambrai; Cambridge, England; Cologne; Darmstadt; Evreux; Lisbon; London; Longleat House, Wiltshire, England; Marseille; Metz; Munich; New Haven, Connecticut; New York; Nuremberg; Oxford; Paris; Prague; San Marino; Santa Monica; Trier; Venice; Vienna; Primary Sources; Secondary Sources; Index; Plates. |
| ctrlnum | (OCoLC)869735803 |
| dewey-full | 745.6/7094 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.6/7094 |
| dewey-search | 745.6/7094 |
| dewey-sort | 3745.6 47094 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Portraits fast |
| genre_facet | Portraits |
| geographic | England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP |
| geographic_facet | England France |
| id | ZDB-4-EBA-ocn869735803 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:47Z |
| institution | BVB |
| isbn | 9781107731950 110773195X 9781139424769 1139424769 |
| language | English |
| oclc_num | 869735803 |
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| physical | 1 online resource |
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| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Sand, Alexa Kristen. Vision, devotion, and self-representation in late medieval art / Alexa Sand. New York : Cambridge University Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book"-- Provided by publisher Includes bibliographical references and index. Print version record. Cover; Vision, Devotion, and Self-Representation in Late Medieval Art; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; Chapter One Saving Face: The Veronica and the Visio Dei; The Veronica and Matthew Paris; Visual Prayers: Uses of the Veronica; Portrait as Proof: The Holy Face and the Visio Dei Controversy; Appendix: The Text of the "Office of Innocent III" and Ave facies praeclara; Chapter Two From Memoria to Visio: Revising the Donor. Patrons, Authors, Scribes: The Visual Vocabulary of Portraiture before 1200From Authentication to Reflection: Author and Owner in the Context of Devotion; Envisioning David, Embodying Prayer; Conclusions; Chapter Three Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Intimate Spectacle: The Rise of Reflexive Imagery in the Book of Hours; From the Margins to the Center: Staging Visual Devotion in the Full-Page Owner Portrait; Reflexive Portraits and Aristocratic Identity; Chapter Four Domesticating Devotion: Body, Space, and Self. Spiritual Places: Portability and VisibilityBlazons: Identity, the Body, and Space; Situating the Book Owner; Conclusion: Power and the Portrait: Negotiating Gender; A Distant Mirror of Devotion; Visible Invisibility -- the Problem of Gender; Notes; Introduction Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; One. Saving Face: The Veronica and the Visio Dei; Two. From Memoria to Visio: Revising the Donor; Three. Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Four. Domesticating Devotion: Body, Space, and Self. Conclusion. Power and the Portrait: Negotiating GenderBibliography; Manuscripts Cited; Admont, Austria; Amiens; Baltimore; Bamberg; Besançon; Brussels; Cambrai; Cambridge, England; Cologne; Darmstadt; Evreux; Lisbon; London; Longleat House, Wiltshire, England; Marseille; Metz; Munich; New Haven, Connecticut; New York; Nuremberg; Oxford; Paris; Prague; San Marino; Santa Monica; Trier; Venice; Vienna; Primary Sources; Secondary Sources; Index; Plates. Portraits, Medieval England. Portraits, Medieval France. Women England Portraits. Women France Portraits. Illumination of books and manuscripts, Medieval England. Illumination of books and manuscripts, Medieval France. Prayer books England. Prayer books France. Portraits médiévaux Angleterre. Portraits médiévaux France. Enluminure médiévale Angleterre. Enluminure médiévale France. Livres de prières Angleterre. Livres de prières France. HISTORY Europe General. bisacsh ART Folk & Outsider Art. bisacsh CRAFTS & HOBBIES Folkcrafts. bisacsh Illumination of books and manuscripts, Medieval fast Portraits, Medieval fast Prayer books fast Women fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Portraits fast Print version: Sand, Alexa Kristen. Vision, devotion, and self-representation in late medieval art 9781107032224 (DLC) 2013027299 (OCoLC)854512624 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=685243 Volltext |
| spellingShingle | Sand, Alexa Kristen Vision, devotion, and self-representation in late medieval art / Cover; Vision, Devotion, and Self-Representation in Late Medieval Art; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; Chapter One Saving Face: The Veronica and the Visio Dei; The Veronica and Matthew Paris; Visual Prayers: Uses of the Veronica; Portrait as Proof: The Holy Face and the Visio Dei Controversy; Appendix: The Text of the "Office of Innocent III" and Ave facies praeclara; Chapter Two From Memoria to Visio: Revising the Donor. Patrons, Authors, Scribes: The Visual Vocabulary of Portraiture before 1200From Authentication to Reflection: Author and Owner in the Context of Devotion; Envisioning David, Embodying Prayer; Conclusions; Chapter Three Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Intimate Spectacle: The Rise of Reflexive Imagery in the Book of Hours; From the Margins to the Center: Staging Visual Devotion in the Full-Page Owner Portrait; Reflexive Portraits and Aristocratic Identity; Chapter Four Domesticating Devotion: Body, Space, and Self. Spiritual Places: Portability and VisibilityBlazons: Identity, the Body, and Space; Situating the Book Owner; Conclusion: Power and the Portrait: Negotiating Gender; A Distant Mirror of Devotion; Visible Invisibility -- the Problem of Gender; Notes; Introduction Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; One. Saving Face: The Veronica and the Visio Dei; Two. From Memoria to Visio: Revising the Donor; Three. Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Four. Domesticating Devotion: Body, Space, and Self. Conclusion. Power and the Portrait: Negotiating GenderBibliography; Manuscripts Cited; Admont, Austria; Amiens; Baltimore; Bamberg; Besançon; Brussels; Cambrai; Cambridge, England; Cologne; Darmstadt; Evreux; Lisbon; London; Longleat House, Wiltshire, England; Marseille; Metz; Munich; New Haven, Connecticut; New York; Nuremberg; Oxford; Paris; Prague; San Marino; Santa Monica; Trier; Venice; Vienna; Primary Sources; Secondary Sources; Index; Plates. Portraits, Medieval England. Portraits, Medieval France. Women England Portraits. Women France Portraits. Illumination of books and manuscripts, Medieval England. Illumination of books and manuscripts, Medieval France. Prayer books England. Prayer books France. Portraits médiévaux Angleterre. Portraits médiévaux France. Enluminure médiévale Angleterre. Enluminure médiévale France. Livres de prières Angleterre. Livres de prières France. HISTORY Europe General. bisacsh ART Folk & Outsider Art. bisacsh CRAFTS & HOBBIES Folkcrafts. bisacsh Illumination of books and manuscripts, Medieval fast Portraits, Medieval fast Prayer books fast Women fast |
| title | Vision, devotion, and self-representation in late medieval art / |
| title_auth | Vision, devotion, and self-representation in late medieval art / |
| title_exact_search | Vision, devotion, and self-representation in late medieval art / |
| title_full | Vision, devotion, and self-representation in late medieval art / Alexa Sand. |
| title_fullStr | Vision, devotion, and self-representation in late medieval art / Alexa Sand. |
| title_full_unstemmed | Vision, devotion, and self-representation in late medieval art / Alexa Sand. |
| title_short | Vision, devotion, and self-representation in late medieval art / |
| title_sort | vision devotion and self representation in late medieval art |
| topic | Portraits, Medieval England. Portraits, Medieval France. Women England Portraits. Women France Portraits. Illumination of books and manuscripts, Medieval England. Illumination of books and manuscripts, Medieval France. Prayer books England. Prayer books France. Portraits médiévaux Angleterre. Portraits médiévaux France. Enluminure médiévale Angleterre. Enluminure médiévale France. Livres de prières Angleterre. Livres de prières France. HISTORY Europe General. bisacsh ART Folk & Outsider Art. bisacsh CRAFTS & HOBBIES Folkcrafts. bisacsh Illumination of books and manuscripts, Medieval fast Portraits, Medieval fast Prayer books fast Women fast |
| topic_facet | Portraits, Medieval England. Portraits, Medieval France. Women England Portraits. Women France Portraits. Illumination of books and manuscripts, Medieval England. Illumination of books and manuscripts, Medieval France. Prayer books England. Prayer books France. Portraits médiévaux Angleterre. Portraits médiévaux France. Enluminure médiévale Angleterre. Enluminure médiévale France. Livres de prières Angleterre. Livres de prières France. HISTORY Europe General. ART Folk & Outsider Art. CRAFTS & HOBBIES Folkcrafts. Illumination of books and manuscripts, Medieval Portraits, Medieval Prayer books Women England France Portraits |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=685243 |
| work_keys_str_mv | AT sandalexakristen visiondevotionandselfrepresentationinlatemedievalart |