Shakespeare and the confines of art /:
First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and trage...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London :
Routledge,
1968.
|
Schriftenreihe: | Routledge library editions. Shakespeare ;
11. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic. |
Beschreibung: | Originally published in 1968 by Methuen & Co. Ltd. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781136559853 113655985X 9781315018348 1315018349 |
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245 | 1 | 0 | |a Shakespeare and the confines of art / |c Philip Edwards. |
264 | 1 | |a London : |b Routledge, |c 1968. | |
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490 | 1 | |a Routledge library editions. Shakespeare. Critical studies ; |v XI | |
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500 | |a Originally published in 1968 by Methuen & Co. Ltd. | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed November 14, 2013). | |
505 | 0 | |a Cover; Shakespeare and the Confines of Art; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; 1 The Contrary Valuations; 2 The Sonnets to the Dark Woman; 3 Love's Labour's Lost; 4 The Abandon'd Cave; 5 Romeo and Juliet; 6 Hamlet; 7 The Problem Plays (i); 8 The Problem Plays (ii); 9 The Jacobean Tragedies; 10 Last Plays; Conclusion; Notes; Index. | |
520 | |a First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic. | ||
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650 | 0 | |a Art, Abstract, in literature. |0 http://id.loc.gov/authorities/subjects/sh93008517 | |
650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
650 | 7 | |a Art, Abstract, in literature |2 fast | |
650 | 7 | |a Technique |2 fast | |
655 | 4 | |a Electronic book. | |
776 | 0 | 8 | |i Print version: |a Edwards, Philip. |t Shakespeare and the Confines of Art. |d Hoboken : Taylor and Francis, ©2013 |z 9780415352826 |
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author | Edwards, Philip, 1923- |
author_facet | Edwards, Philip, 1923- |
author_role | |
author_sort | Edwards, Philip, 1923- |
author_variant | p e pe |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR2995 |
callnumber-raw | PR2995 .E39 2005eb |
callnumber-search | PR2995 .E39 2005eb |
callnumber-sort | PR 42995 E39 42005EB |
callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Cover; Shakespeare and the Confines of Art; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; 1 The Contrary Valuations; 2 The Sonnets to the Dark Woman; 3 Love's Labour's Lost; 4 The Abandon'd Cave; 5 Romeo and Juliet; 6 Hamlet; 7 The Problem Plays (i); 8 The Problem Plays (ii); 9 The Jacobean Tragedies; 10 Last Plays; Conclusion; Notes; Index. |
ctrlnum | (OCoLC)868972407 |
dewey-full | 822.33 179 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric 100 - Philosophy & psychology |
dewey-ones | 822 - English drama 179 - Other ethical norms |
dewey-raw | 822.33 179 |
dewey-search | 822.33 179 |
dewey-sort | 3822.33 |
dewey-tens | 820 - English & Old English literatures 170 - Ethics (Moral philosophy) |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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genre | Electronic book. |
genre_facet | Electronic book. |
id | ZDB-4-EBA-ocn868972407 |
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indexdate | 2024-11-27T13:25:45Z |
institution | BVB |
isbn | 9781136559853 113655985X 9781315018348 1315018349 |
language | English |
oclc_num | 868972407 |
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publishDate | 1968 |
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publisher | Routledge, |
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series | Routledge library editions. Shakespeare ; |
series2 | Routledge library editions. Shakespeare. Critical studies ; |
spelling | Edwards, Philip, 1923- https://id.oclc.org/worldcat/entity/E39PBJmdqB3KPjJJcyqWT8GCQq Shakespeare and the confines of art / Philip Edwards. London : Routledge, 1968. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Routledge library editions. Shakespeare. Critical studies ; XI Print version record. Originally published in 1968 by Methuen & Co. Ltd. Includes bibliographical references and index. Online resource; title from PDF title page (ebrary, viewed November 14, 2013). Cover; Shakespeare and the Confines of Art; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; 1 The Contrary Valuations; 2 The Sonnets to the Dark Woman; 3 Love's Labour's Lost; 4 The Abandon'd Cave; 5 Romeo and Juliet; 6 Hamlet; 7 The Problem Plays (i); 8 The Problem Plays (ii); 9 The Jacobean Tragedies; 10 Last Plays; Conclusion; Notes; Index. First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic. Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Art, Abstract, in literature. http://id.loc.gov/authorities/subjects/sh93008517 DRAMA English, Irish, Scottish, Welsh. bisacsh Art, Abstract, in literature fast Technique fast Electronic book. Print version: Edwards, Philip. Shakespeare and the Confines of Art. Hoboken : Taylor and Francis, ©2013 9780415352826 Routledge library editions. Shakespeare ; 11. http://id.loc.gov/authorities/names/nr2005026165 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=650850 Volltext |
spellingShingle | Edwards, Philip, 1923- Shakespeare and the confines of art / Routledge library editions. Shakespeare ; Cover; Shakespeare and the Confines of Art; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; 1 The Contrary Valuations; 2 The Sonnets to the Dark Woman; 3 Love's Labour's Lost; 4 The Abandon'd Cave; 5 Romeo and Juliet; 6 Hamlet; 7 The Problem Plays (i); 8 The Problem Plays (ii); 9 The Jacobean Tragedies; 10 Last Plays; Conclusion; Notes; Index. Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Art, Abstract, in literature. http://id.loc.gov/authorities/subjects/sh93008517 DRAMA English, Irish, Scottish, Welsh. bisacsh Art, Abstract, in literature fast Technique fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85121051 http://id.loc.gov/authorities/subjects/sh93008517 |
title | Shakespeare and the confines of art / |
title_auth | Shakespeare and the confines of art / |
title_exact_search | Shakespeare and the confines of art / |
title_full | Shakespeare and the confines of art / Philip Edwards. |
title_fullStr | Shakespeare and the confines of art / Philip Edwards. |
title_full_unstemmed | Shakespeare and the confines of art / Philip Edwards. |
title_short | Shakespeare and the confines of art / |
title_sort | shakespeare and the confines of art |
topic | Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Art, Abstract, in literature. http://id.loc.gov/authorities/subjects/sh93008517 DRAMA English, Irish, Scottish, Welsh. bisacsh Art, Abstract, in literature fast Technique fast |
topic_facet | Shakespeare, William, 1564-1616 Technique. Shakespeare, William, 1564-1616 Art, Abstract, in literature. DRAMA English, Irish, Scottish, Welsh. Art, Abstract, in literature Technique Electronic book. |
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work_keys_str_mv | AT edwardsphilip shakespeareandtheconfinesofart |