Scottish theatre :: diversity, language, continuity /
Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nationś performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatrica...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; New York, N.Y. :
Rodopi,
2013.
|
| Schriftenreihe: | Scottish cultural review of language and literature ;
v. 22. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nationś performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of. |
| Beschreibung: | 1 online resource (260 pages) |
| Bibliographie: | Includes bibliographical references and inde. |
| ISBN: | 9401209944 9789401209946 |
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| 260 | |a Amsterdam ; |a New York, N.Y. : |b Rodopi, |c 2013. | ||
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| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; Acknowledgements; Chapter One Literary tradition and diversity of language; Chapter Two Hybridity and cultural gravity: crossing boundaries in Scottish cultures; Chapter Three Scots language: personal, political, social and commercial; Chapter Four The historiography of Scottish drama and public performance; Chapter Five Public enactments, gender, community and language; Chapter Six Twentieth-century drama, innovation and the Scots leid; Chapter Seven Border-crossing, popular theatre and performative modes. | |
| 505 | 8 | |a Chapter Eight Diversification, language, gender and sexualityChapter Nine Rethinking dramaturgy; Appendix The box-office appeal of new plays in Scots -- some reflections; Index. | |
| 520 | |a Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nationś performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of. | ||
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| author | Brown, Ian, 1945 February 28- |
| author_GND | http://id.loc.gov/authorities/names/nr2001031656 |
| author_facet | Brown, Ian, 1945 February 28- |
| author_role | |
| author_sort | Brown, Ian, 1945 February 28- |
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| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
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| contents | Cover; Title Page; Copyright Page; Contents; Acknowledgements; Chapter One Literary tradition and diversity of language; Chapter Two Hybridity and cultural gravity: crossing boundaries in Scottish cultures; Chapter Three Scots language: personal, political, social and commercial; Chapter Four The historiography of Scottish drama and public performance; Chapter Five Public enactments, gender, community and language; Chapter Six Twentieth-century drama, innovation and the Scots leid; Chapter Seven Border-crossing, popular theatre and performative modes. Chapter Eight Diversification, language, gender and sexualityChapter Nine Rethinking dramaturgy; Appendix The box-office appeal of new plays in Scots -- some reflections; Index. |
| ctrlnum | (OCoLC)868126275 |
| dewey-full | 792.09411 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.09411 |
| dewey-search | 792.09411 |
| dewey-sort | 3792.09411 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Scotland fast https://id.oclc.org/worldcat/entity/E39QbtfRx4M4xHbtFTRj7p6BmM |
| geographic_facet | Scotland |
| id | ZDB-4-EBA-ocn868126275 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:43Z |
| institution | BVB |
| isbn | 9401209944 9789401209946 |
| language | English |
| oclc_num | 868126275 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (260 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Rodopi, |
| record_format | marc |
| series | Scottish cultural review of language and literature ; |
| series2 | Scottish cultural review of language and literature ; |
| spelling | Brown, Ian, 1945 February 28- https://id.oclc.org/worldcat/entity/E39PCjt4dyvVvhXDWPyxKWyWXd http://id.loc.gov/authorities/names/nr2001031656 Scottish theatre : diversity, language, continuity / Ian Brown. Amsterdam ; New York, N.Y. : Rodopi, 2013. 1 online resource (260 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Scottish cultural review of language and literature ; v. 22 Includes bibliographical references and inde. Print version record. Cover; Title Page; Copyright Page; Contents; Acknowledgements; Chapter One Literary tradition and diversity of language; Chapter Two Hybridity and cultural gravity: crossing boundaries in Scottish cultures; Chapter Three Scots language: personal, political, social and commercial; Chapter Four The historiography of Scottish drama and public performance; Chapter Five Public enactments, gender, community and language; Chapter Six Twentieth-century drama, innovation and the Scots leid; Chapter Seven Border-crossing, popular theatre and performative modes. Chapter Eight Diversification, language, gender and sexualityChapter Nine Rethinking dramaturgy; Appendix The box-office appeal of new plays in Scots -- some reflections; Index. Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nationś performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of. Theater Scotland History. Multiculturalism in the theater Scotland. Théâtre Écosse Histoire. Multiculturalisme au théâtre Écosse. PERFORMING ARTS Theater General. bisacsh Multiculturalism in the theater fast Theater fast Scotland fast https://id.oclc.org/worldcat/entity/E39QbtfRx4M4xHbtFTRj7p6BmM History fast Print version: Brown, Ian, 1945 February 28- Scottish theatre. Amsterdam ; New York, N.Y. : Rodopi, 2013 9789042037434 Scottish cultural review of language and literature ; v. 22. http://id.loc.gov/authorities/names/no2004030426 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=679902 Volltext |
| spellingShingle | Brown, Ian, 1945 February 28- Scottish theatre : diversity, language, continuity / Scottish cultural review of language and literature ; Cover; Title Page; Copyright Page; Contents; Acknowledgements; Chapter One Literary tradition and diversity of language; Chapter Two Hybridity and cultural gravity: crossing boundaries in Scottish cultures; Chapter Three Scots language: personal, political, social and commercial; Chapter Four The historiography of Scottish drama and public performance; Chapter Five Public enactments, gender, community and language; Chapter Six Twentieth-century drama, innovation and the Scots leid; Chapter Seven Border-crossing, popular theatre and performative modes. Chapter Eight Diversification, language, gender and sexualityChapter Nine Rethinking dramaturgy; Appendix The box-office appeal of new plays in Scots -- some reflections; Index. Theater Scotland History. Multiculturalism in the theater Scotland. Théâtre Écosse Histoire. Multiculturalisme au théâtre Écosse. PERFORMING ARTS Theater General. bisacsh Multiculturalism in the theater fast Theater fast |
| title | Scottish theatre : diversity, language, continuity / |
| title_auth | Scottish theatre : diversity, language, continuity / |
| title_exact_search | Scottish theatre : diversity, language, continuity / |
| title_full | Scottish theatre : diversity, language, continuity / Ian Brown. |
| title_fullStr | Scottish theatre : diversity, language, continuity / Ian Brown. |
| title_full_unstemmed | Scottish theatre : diversity, language, continuity / Ian Brown. |
| title_short | Scottish theatre : |
| title_sort | scottish theatre diversity language continuity |
| title_sub | diversity, language, continuity / |
| topic | Theater Scotland History. Multiculturalism in the theater Scotland. Théâtre Écosse Histoire. Multiculturalisme au théâtre Écosse. PERFORMING ARTS Theater General. bisacsh Multiculturalism in the theater fast Theater fast |
| topic_facet | Theater Scotland History. Multiculturalism in the theater Scotland. Théâtre Écosse Histoire. Multiculturalisme au théâtre Écosse. PERFORMING ARTS Theater General. Multiculturalism in the theater Theater Scotland History |
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