Archaeology and the senses :: human experience, memory, and affect /
"This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of th...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Cambridge University Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritizing isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Tracing the emergence of palaces in Bronze Age Crete as a celebration of the long-term, sensuous history and memory of their localities, Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice. At the same time, he proposes a new framework on the interaction between bodily senses, things, and environments, which will be relevant to scholars in other fields"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781107731745 1107731747 9781139024655 1139024655 9781107728233 1107728231 9781306376303 1306376300 |
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| 245 | 1 | 0 | |a Archaeology and the senses : |b human experience, memory, and affect / |c Yannis Hamilakis. |
| 264 | 1 | |a New York, NY : |b Cambridge University Press, |c 2014. | |
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| 520 | |a "This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritizing isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Tracing the emergence of palaces in Bronze Age Crete as a celebration of the long-term, sensuous history and memory of their localities, Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice. At the same time, he proposes a new framework on the interaction between bodily senses, things, and environments, which will be relevant to scholars in other fields"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Archaeology and the senses; Title page; Copyright page; Dedication; Contents; Figures; Preface; 1 Demolishing the museum of sensory ab/sense; 2 Western modernity, archaeology, and the senses; Cesspools and bourgeois experience; Class, race, and the construction of modernist sensorial regimes; The senses in early philosophical thought and social theory: A brief excursus; Sensorial clashes: Archaeology and the sensorial regimes of modernity; Archaeology as an 'exhibitionary' discipline; The photographic and the archaeological. | |
| 505 | 8 | |a Sacred antiquities: The dialectic between sensorial intimacy and distanceThe silence of the museum; Archaeological paradigms and sensoriality; A ghost is haunting archaeology. . .; 3 Recapturing sensorial and affective experience; A new era for sensoriality?; New multi-sensorial arenas, new sensorial fields? The cinema and the museum; Philosophies of sensoriality; How many senses are there?; Corporeal visuality?; Food/senses/memories; Sensoriality as bio-politics; Eating and sensoriality: a gustemology or a new ontology?; Archaeologies of the senses. | |
| 505 | 8 | |a Landscape phenomenology as archaeology of the senses?Spatial technologies, virtual realities, archaeologies of the senses?; Conclusions; 4 Senses, materiality, time: A New Ontology; The senses are about the nature and status of being; The senses are infinite; Archaeology can explore that sensorial infinity; From the body and the thing, to the field and the flow; Sensorial flows are risky and unpredictable; The senses are political; The senses are historical; Every sensorial perception is full of memories; Sensorial reflexivity should be the starting point of any sensorial analysis. | |
| 505 | 8 | |a The senses are multi-temporal -- they activate the multi-temporality of matter: a Bergsonian ontologyArchaeologies of the senses are also archaeologies of affect; Sensorial assemblages; From ontology to ontogeny; 5 Sensorial necro-politics: The Mortuary Mnemoscapes of Bronze Age Crete; The Smell of Death; Diverse sensorialities in the burial arena; The emergence of the 'individual'?; Individuals and personhood in archaeology; From individuals to trans-corporeality; The dialectic between sensorial remembering and forgetting; The mortuary landscape as a chronotopic map; Sensorial necro-politics. | |
| 505 | 8 | |a 6 Why 'palaces'?Crete of a hundred palaces? Court-centred buildings as arenas of sensoriality; Palaces as celebrations of sensorial and mnemonic history; (1) Sense of Place; (2) Sense of Embodied Commensality; (3) Sense of Ancestral Lineage and Continuity; Regimenting and regulating sensorial experience: the production of a mnemonic record; Smashing pots; Performative audio-vision: experiencing wall paintings; Archaeology as sensorial and mnemonic history: conclusion; 7 From corporeality to sensoriality, from things to flows; Notes; 1 Demolishing the museum of sensory ab/sense. | |
| 650 | 0 | |a Archaeology |x Methodology. |0 http://id.loc.gov/authorities/subjects/sh85006509 | |
| 650 | 0 | |a Senses and sensation. |0 http://id.loc.gov/authorities/subjects/sh85120047 | |
| 651 | 0 | |a Crete (Greece) |x Antiquities. |0 http://id.loc.gov/authorities/subjects/sh85033942 | |
| 650 | 0 | |a Material culture |x Psychological aspects. | |
| 650 | 2 | |a Sensation |0 https://id.nlm.nih.gov/mesh/D012677 | |
| 650 | 6 | |a Archéologie |x Méthodologie. | |
| 650 | 6 | |a Sens et sensations. | |
| 651 | 6 | |a Crète (Grèce) |x Antiquités. | |
| 650 | 6 | |a Culture matérielle |x Aspect psychologique. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Archaeology. |2 bisacsh | |
| 650 | 7 | |a HISTORY |x Ancient |x General. |2 bisacsh | |
| 650 | 7 | |a Antiquities |2 fast | |
| 650 | 7 | |a Archaeology |x Methodology |2 fast | |
| 650 | 7 | |a Senses and sensation |2 fast | |
| 651 | 7 | |a Greece |z Crete |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRBKr3fKPRjrf7mvYHbM | |
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| 655 | 7 | |a Academic theses. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026039 | |
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|---|---|
| _version_ | 1829094980968251392 |
| adam_text | |
| any_adam_object | |
| author | Hamilakis, Yannis, 1966- |
| author_GND | http://id.loc.gov/authorities/names/n2001042320 |
| author_facet | Hamilakis, Yannis, 1966- |
| author_role | |
| author_sort | Hamilakis, Yannis, 1966- |
| author_variant | y h yh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | C - Historical Sciences |
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| callnumber-search | CC75.7 .H37 2014eb |
| callnumber-sort | CC 275.7 H37 42014EB |
| callnumber-subject | CC - Archaeology |
| collection | ZDB-4-EBA |
| contents | Cover; Archaeology and the senses; Title page; Copyright page; Dedication; Contents; Figures; Preface; 1 Demolishing the museum of sensory ab/sense; 2 Western modernity, archaeology, and the senses; Cesspools and bourgeois experience; Class, race, and the construction of modernist sensorial regimes; The senses in early philosophical thought and social theory: A brief excursus; Sensorial clashes: Archaeology and the sensorial regimes of modernity; Archaeology as an 'exhibitionary' discipline; The photographic and the archaeological. Sacred antiquities: The dialectic between sensorial intimacy and distanceThe silence of the museum; Archaeological paradigms and sensoriality; A ghost is haunting archaeology. . .; 3 Recapturing sensorial and affective experience; A new era for sensoriality?; New multi-sensorial arenas, new sensorial fields? The cinema and the museum; Philosophies of sensoriality; How many senses are there?; Corporeal visuality?; Food/senses/memories; Sensoriality as bio-politics; Eating and sensoriality: a gustemology or a new ontology?; Archaeologies of the senses. Landscape phenomenology as archaeology of the senses?Spatial technologies, virtual realities, archaeologies of the senses?; Conclusions; 4 Senses, materiality, time: A New Ontology; The senses are about the nature and status of being; The senses are infinite; Archaeology can explore that sensorial infinity; From the body and the thing, to the field and the flow; Sensorial flows are risky and unpredictable; The senses are political; The senses are historical; Every sensorial perception is full of memories; Sensorial reflexivity should be the starting point of any sensorial analysis. The senses are multi-temporal -- they activate the multi-temporality of matter: a Bergsonian ontologyArchaeologies of the senses are also archaeologies of affect; Sensorial assemblages; From ontology to ontogeny; 5 Sensorial necro-politics: The Mortuary Mnemoscapes of Bronze Age Crete; The Smell of Death; Diverse sensorialities in the burial arena; The emergence of the 'individual'?; Individuals and personhood in archaeology; From individuals to trans-corporeality; The dialectic between sensorial remembering and forgetting; The mortuary landscape as a chronotopic map; Sensorial necro-politics. 6 Why 'palaces'?Crete of a hundred palaces? Court-centred buildings as arenas of sensoriality; Palaces as celebrations of sensorial and mnemonic history; (1) Sense of Place; (2) Sense of Embodied Commensality; (3) Sense of Ancestral Lineage and Continuity; Regimenting and regulating sensorial experience: the production of a mnemonic record; Smashing pots; Performative audio-vision: experiencing wall paintings; Archaeology as sensorial and mnemonic history: conclusion; 7 From corporeality to sensoriality, from things to flows; Notes; 1 Demolishing the museum of sensory ab/sense. |
| ctrlnum | (OCoLC)868068310 |
| dewey-full | 930.1028 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 930 - History of ancient world to ca. 499 |
| dewey-raw | 930.1028 |
| dewey-search | 930.1028 |
| dewey-sort | 3930.1028 |
| dewey-tens | 930 - History of ancient world to ca. 499 |
| discipline | Geschichte Klassische Archäologie |
| format | Electronic eBook |
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| geographic | Crete (Greece) Antiquities. http://id.loc.gov/authorities/subjects/sh85033942 Crète (Grèce) Antiquités. Greece Crete fast https://id.oclc.org/worldcat/entity/E39QbtfRBKr3fKPRjrf7mvYHbM Kreta gnd |
| geographic_facet | Crete (Greece) Antiquities. Crète (Grèce) Antiquités. Greece Crete Kreta |
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| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:41:45Z |
| institution | BVB |
| isbn | 9781107731745 1107731747 9781139024655 1139024655 9781107728233 1107728231 9781306376303 1306376300 |
| language | English |
| oclc_num | 868068310 |
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| publishDate | 2014 |
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| publishDateSort | 2014 |
| publisher | Cambridge University Press, |
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| spelling | Hamilakis, Yannis, 1966- https://id.oclc.org/worldcat/entity/E39PBJkHrVBJ88JQc7ybfbFtKd http://id.loc.gov/authorities/names/n2001042320 Archaeology and the senses : human experience, memory, and affect / Yannis Hamilakis. New York, NY : Cambridge University Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritizing isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Tracing the emergence of palaces in Bronze Age Crete as a celebration of the long-term, sensuous history and memory of their localities, Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice. At the same time, he proposes a new framework on the interaction between bodily senses, things, and environments, which will be relevant to scholars in other fields"-- Provided by publisher Includes bibliographical references and index. Print version record. Cover; Archaeology and the senses; Title page; Copyright page; Dedication; Contents; Figures; Preface; 1 Demolishing the museum of sensory ab/sense; 2 Western modernity, archaeology, and the senses; Cesspools and bourgeois experience; Class, race, and the construction of modernist sensorial regimes; The senses in early philosophical thought and social theory: A brief excursus; Sensorial clashes: Archaeology and the sensorial regimes of modernity; Archaeology as an 'exhibitionary' discipline; The photographic and the archaeological. Sacred antiquities: The dialectic between sensorial intimacy and distanceThe silence of the museum; Archaeological paradigms and sensoriality; A ghost is haunting archaeology. . .; 3 Recapturing sensorial and affective experience; A new era for sensoriality?; New multi-sensorial arenas, new sensorial fields? The cinema and the museum; Philosophies of sensoriality; How many senses are there?; Corporeal visuality?; Food/senses/memories; Sensoriality as bio-politics; Eating and sensoriality: a gustemology or a new ontology?; Archaeologies of the senses. Landscape phenomenology as archaeology of the senses?Spatial technologies, virtual realities, archaeologies of the senses?; Conclusions; 4 Senses, materiality, time: A New Ontology; The senses are about the nature and status of being; The senses are infinite; Archaeology can explore that sensorial infinity; From the body and the thing, to the field and the flow; Sensorial flows are risky and unpredictable; The senses are political; The senses are historical; Every sensorial perception is full of memories; Sensorial reflexivity should be the starting point of any sensorial analysis. The senses are multi-temporal -- they activate the multi-temporality of matter: a Bergsonian ontologyArchaeologies of the senses are also archaeologies of affect; Sensorial assemblages; From ontology to ontogeny; 5 Sensorial necro-politics: The Mortuary Mnemoscapes of Bronze Age Crete; The Smell of Death; Diverse sensorialities in the burial arena; The emergence of the 'individual'?; Individuals and personhood in archaeology; From individuals to trans-corporeality; The dialectic between sensorial remembering and forgetting; The mortuary landscape as a chronotopic map; Sensorial necro-politics. 6 Why 'palaces'?Crete of a hundred palaces? Court-centred buildings as arenas of sensoriality; Palaces as celebrations of sensorial and mnemonic history; (1) Sense of Place; (2) Sense of Embodied Commensality; (3) Sense of Ancestral Lineage and Continuity; Regimenting and regulating sensorial experience: the production of a mnemonic record; Smashing pots; Performative audio-vision: experiencing wall paintings; Archaeology as sensorial and mnemonic history: conclusion; 7 From corporeality to sensoriality, from things to flows; Notes; 1 Demolishing the museum of sensory ab/sense. Archaeology Methodology. http://id.loc.gov/authorities/subjects/sh85006509 Senses and sensation. http://id.loc.gov/authorities/subjects/sh85120047 Crete (Greece) Antiquities. http://id.loc.gov/authorities/subjects/sh85033942 Material culture Psychological aspects. Sensation https://id.nlm.nih.gov/mesh/D012677 Archéologie Méthodologie. Sens et sensations. Crète (Grèce) Antiquités. Culture matérielle Aspect psychologique. SOCIAL SCIENCE Archaeology. bisacsh HISTORY Ancient General. bisacsh Antiquities fast Archaeology Methodology fast Senses and sensation fast Greece Crete fast https://id.oclc.org/worldcat/entity/E39QbtfRBKr3fKPRjrf7mvYHbM Archäologie gnd Empfindung gnd Kreta gnd dissertations. aat Academic theses fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf Print version: Hamilakis, Yannis, 1966- Archaeology and the senses 9780521837286 (DLC) 2013028541 (OCoLC)859745264 |
| spellingShingle | Hamilakis, Yannis, 1966- Archaeology and the senses : human experience, memory, and affect / Cover; Archaeology and the senses; Title page; Copyright page; Dedication; Contents; Figures; Preface; 1 Demolishing the museum of sensory ab/sense; 2 Western modernity, archaeology, and the senses; Cesspools and bourgeois experience; Class, race, and the construction of modernist sensorial regimes; The senses in early philosophical thought and social theory: A brief excursus; Sensorial clashes: Archaeology and the sensorial regimes of modernity; Archaeology as an 'exhibitionary' discipline; The photographic and the archaeological. Sacred antiquities: The dialectic between sensorial intimacy and distanceThe silence of the museum; Archaeological paradigms and sensoriality; A ghost is haunting archaeology. . .; 3 Recapturing sensorial and affective experience; A new era for sensoriality?; New multi-sensorial arenas, new sensorial fields? The cinema and the museum; Philosophies of sensoriality; How many senses are there?; Corporeal visuality?; Food/senses/memories; Sensoriality as bio-politics; Eating and sensoriality: a gustemology or a new ontology?; Archaeologies of the senses. Landscape phenomenology as archaeology of the senses?Spatial technologies, virtual realities, archaeologies of the senses?; Conclusions; 4 Senses, materiality, time: A New Ontology; The senses are about the nature and status of being; The senses are infinite; Archaeology can explore that sensorial infinity; From the body and the thing, to the field and the flow; Sensorial flows are risky and unpredictable; The senses are political; The senses are historical; Every sensorial perception is full of memories; Sensorial reflexivity should be the starting point of any sensorial analysis. The senses are multi-temporal -- they activate the multi-temporality of matter: a Bergsonian ontologyArchaeologies of the senses are also archaeologies of affect; Sensorial assemblages; From ontology to ontogeny; 5 Sensorial necro-politics: The Mortuary Mnemoscapes of Bronze Age Crete; The Smell of Death; Diverse sensorialities in the burial arena; The emergence of the 'individual'?; Individuals and personhood in archaeology; From individuals to trans-corporeality; The dialectic between sensorial remembering and forgetting; The mortuary landscape as a chronotopic map; Sensorial necro-politics. 6 Why 'palaces'?Crete of a hundred palaces? Court-centred buildings as arenas of sensoriality; Palaces as celebrations of sensorial and mnemonic history; (1) Sense of Place; (2) Sense of Embodied Commensality; (3) Sense of Ancestral Lineage and Continuity; Regimenting and regulating sensorial experience: the production of a mnemonic record; Smashing pots; Performative audio-vision: experiencing wall paintings; Archaeology as sensorial and mnemonic history: conclusion; 7 From corporeality to sensoriality, from things to flows; Notes; 1 Demolishing the museum of sensory ab/sense. Archaeology Methodology. http://id.loc.gov/authorities/subjects/sh85006509 Senses and sensation. http://id.loc.gov/authorities/subjects/sh85120047 Material culture Psychological aspects. Sensation https://id.nlm.nih.gov/mesh/D012677 Archéologie Méthodologie. Sens et sensations. Culture matérielle Aspect psychologique. SOCIAL SCIENCE Archaeology. bisacsh HISTORY Ancient General. bisacsh Antiquities fast Archaeology Methodology fast Senses and sensation fast Archäologie gnd Empfindung gnd |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85006509 http://id.loc.gov/authorities/subjects/sh85120047 http://id.loc.gov/authorities/subjects/sh85033942 https://id.nlm.nih.gov/mesh/D012677 http://id.loc.gov/authorities/genreForms/gf2014026039 |
| title | Archaeology and the senses : human experience, memory, and affect / |
| title_auth | Archaeology and the senses : human experience, memory, and affect / |
| title_exact_search | Archaeology and the senses : human experience, memory, and affect / |
| title_full | Archaeology and the senses : human experience, memory, and affect / Yannis Hamilakis. |
| title_fullStr | Archaeology and the senses : human experience, memory, and affect / Yannis Hamilakis. |
| title_full_unstemmed | Archaeology and the senses : human experience, memory, and affect / Yannis Hamilakis. |
| title_short | Archaeology and the senses : |
| title_sort | archaeology and the senses human experience memory and affect |
| title_sub | human experience, memory, and affect / |
| topic | Archaeology Methodology. http://id.loc.gov/authorities/subjects/sh85006509 Senses and sensation. http://id.loc.gov/authorities/subjects/sh85120047 Material culture Psychological aspects. Sensation https://id.nlm.nih.gov/mesh/D012677 Archéologie Méthodologie. Sens et sensations. Culture matérielle Aspect psychologique. SOCIAL SCIENCE Archaeology. bisacsh HISTORY Ancient General. bisacsh Antiquities fast Archaeology Methodology fast Senses and sensation fast Archäologie gnd Empfindung gnd |
| topic_facet | Archaeology Methodology. Senses and sensation. Crete (Greece) Antiquities. Material culture Psychological aspects. Sensation Archéologie Méthodologie. Sens et sensations. Crète (Grèce) Antiquités. Culture matérielle Aspect psychologique. SOCIAL SCIENCE Archaeology. HISTORY Ancient General. Antiquities Archaeology Methodology Senses and sensation Greece Crete Archäologie Empfindung Kreta dissertations. Academic theses Academic theses. Thèses et écrits académiques. |
| work_keys_str_mv | AT hamilakisyannis archaeologyandthesenseshumanexperiencememoryandaffect |