The place of dance :: a somatic guide to dancing and dance making /
An essential guide to embodied awareness.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Connecticut :
Wesleyan University Press,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | An essential guide to embodied awareness. |
| Beschreibung: | 1 online resource (1 volume) |
| Bibliographie: | Includes bibliographical references (pages 253-254) and indexes. |
| ISBN: | 9780819574060 0819574066 |
Internformat
MARC
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| 049 | |a MAIN | ||
| 100 | 1 | |a Olsen, Andrea. | |
| 245 | 1 | 4 | |a The place of dance : |b a somatic guide to dancing and dance making / |c Andrea Olsen, with Caryn McHose. |
| 264 | 1 | |a Middletown, Connecticut : |b Wesleyan University Press, |c 2013. | |
| 300 | |a 1 online resource (1 volume) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 253-254) and indexes. | ||
| 505 | 0 | |a Cover; THE PLACE OF DANCE; Title; Copyright; Dedication; Contents; Preface; Introduction; About This Book; PART 1 MOVING; DAY 1 Basic Concepts Dance is both universal and highly personal.; To Do: Orientation; To Dance: Familiar-Voice Dancing; To Write: Personal Orientation; About the Tonic System; Studio Notes: Bonnie Bainbridge Cohen; DAY 2 Attitudes People have complex views about the dancing body.; To Do: Finding Your Calcaneus; To Dance: Opposite-Voice Dancing; To Write: Why Dance?; Studio Notes: David Dorfman; DAY 3 Flow Flow is our oceanic heritage.; To Do: Rolling and Pouring. | |
| 505 | 8 | |a To Do: Spherical AwarenessTo Dance: Plumb-Line Falls; To Write: Letting Words Flow; Studio Notes: Kathleen Hermesdorf; DAY 4 Fire Sometimes we need fire.; Bone Marrow; To Do: Vessel Breath; To Dance: Dancing through the Body Systems; To Write: Fire and You; Studio Notes: Caryn McHose; DAY 5 Getting Started You can only dance where you are.; To Do: Three Long Walks; To Dance: Presentations; To Write: Creative Conditions; Studio Notes: Penny Campbell; DAY 6 Training and Technique We train for the unknown.; What I Look for in a Performer (Tamar Rogoff); To Do: Hip Reflex. | |
| 505 | 8 | |a To Dance: Light-Touch DuetsTo Write: Identify Your Strengths and Weaknesses; Studio Notes: Jeanine Durning; DAY 7 Embracing Mystery Dancing involves surrender.; To Do: Breathing Spot; To Do: Three-Part Breath; To Dance: Refreshing What's Needed; To Write: What's Your Experience of Mystery?; Studio Notes: Suprapto Suryodarmo; Being Seen, Being Moved: Authentic Movement and Performance, Part I; DAY 8 Looking Back, Moving Forward Dance history comes in several forms.; To Do: Releasing the Jaw; To Dance: Dance One Artist's Dance; To Write: Your Dance Story; Studio Notes: Nancy Stark Smith. | |
| 505 | 8 | |a Studio Notes: Teena Marie CusterPART 2 MAKING; DAY 9 Improvising Improvising can be experienced on a continuum.; To Do: Freeing the Girdles; To Dance: Dance Your Partner; To Write: Improvisational Mind; Studio Notes: Lisa Gonzales, Pamela Vail, and Michael Chorney; DAY 10 Composing Composition is arranging.; To Do: Four Movement Qualities; To Dance: Framing; To Dance: Composing with a Group; To Do and Write: Dance-a-Day Notebook; Studio Notes: Jim Coleman; DAY 11 Choreographing Choreography involves the why of a thing.; To Do: Contra-lateral Yield and Push; To Dance: Building Trios. | |
| 505 | 8 | |a To Write and Do: Concept-Driven DanceStudio Notes: David Dorfman; Studio Notes: John Elder; DAY 12 Visceral Movement How do you know whether you're moving or still?; To Do: Pelvic Floor; To Dance: The Antidote-to-the-Antidote Dance; To Write: Artist's Statement; Studio Notes: Bebe Miller; DAY 13 Rehearsing The most stunning dancing happens in rehearsals.; To Do: Ball of Energy; To Dance: Body-Parts Duets; To Dance: Declarations; To Write: Reviewing Rehearsing; Studio Notes: Peter Schmitz; DAY 14 Sound and Music Ears are always open.; To Do: Resonance; To Dance: Dancing Twelve. | |
| 520 | |a An essential guide to embodied awareness. | ||
| 650 | 0 | |a Dance |x History. | |
| 650 | 0 | |a Dance |x Psychological aspects. | |
| 650 | 0 | |a Somesthesia. |0 http://id.loc.gov/authorities/subjects/sh88000621 | |
| 650 | 0 | |a Senses and sensation. |0 http://id.loc.gov/authorities/subjects/sh85120047 | |
| 650 | 2 | |a Sensation |0 https://id.nlm.nih.gov/mesh/D012677 | |
| 650 | 6 | |a Danse |x Histoire. | |
| 650 | 6 | |a Danse |x Aspect psychologique. | |
| 650 | 6 | |a Somesthésie. | |
| 650 | 6 | |a Sens et sensations. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Dance |2 fast | |
| 650 | 7 | |a Dance |x Psychological aspects |2 fast | |
| 650 | 7 | |a Senses and sensation |2 fast | |
| 650 | 7 | |a Somesthesia |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a The place of dance (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFwvC7QBx4kfJDRhXhRR8C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Olsen, Andrea. |t Place of dance. |d Middletown, Connecticut : Wesleyan University Press, 2013 |z 9780819574053 |w (DLC) 2013024221 |w (OCoLC)840463197 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn864551458 |
|---|---|
| _version_ | 1816882252202639360 |
| adam_text | |
| any_adam_object | |
| author | Olsen, Andrea |
| author_facet | Olsen, Andrea |
| author_role | |
| author_sort | Olsen, Andrea |
| author_variant | a o ao |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | G - Geography, Anthropology, Recreation |
| callnumber-label | GV1601 |
| callnumber-raw | GV1601 .O57 2013eb |
| callnumber-search | GV1601 .O57 2013eb |
| callnumber-sort | GV 41601 O57 42013EB |
| callnumber-subject | GV - Leisure and Recreation |
| collection | ZDB-4-EBA |
| contents | Cover; THE PLACE OF DANCE; Title; Copyright; Dedication; Contents; Preface; Introduction; About This Book; PART 1 MOVING; DAY 1 Basic Concepts Dance is both universal and highly personal.; To Do: Orientation; To Dance: Familiar-Voice Dancing; To Write: Personal Orientation; About the Tonic System; Studio Notes: Bonnie Bainbridge Cohen; DAY 2 Attitudes People have complex views about the dancing body.; To Do: Finding Your Calcaneus; To Dance: Opposite-Voice Dancing; To Write: Why Dance?; Studio Notes: David Dorfman; DAY 3 Flow Flow is our oceanic heritage.; To Do: Rolling and Pouring. To Do: Spherical AwarenessTo Dance: Plumb-Line Falls; To Write: Letting Words Flow; Studio Notes: Kathleen Hermesdorf; DAY 4 Fire Sometimes we need fire.; Bone Marrow; To Do: Vessel Breath; To Dance: Dancing through the Body Systems; To Write: Fire and You; Studio Notes: Caryn McHose; DAY 5 Getting Started You can only dance where you are.; To Do: Three Long Walks; To Dance: Presentations; To Write: Creative Conditions; Studio Notes: Penny Campbell; DAY 6 Training and Technique We train for the unknown.; What I Look for in a Performer (Tamar Rogoff); To Do: Hip Reflex. To Dance: Light-Touch DuetsTo Write: Identify Your Strengths and Weaknesses; Studio Notes: Jeanine Durning; DAY 7 Embracing Mystery Dancing involves surrender.; To Do: Breathing Spot; To Do: Three-Part Breath; To Dance: Refreshing What's Needed; To Write: What's Your Experience of Mystery?; Studio Notes: Suprapto Suryodarmo; Being Seen, Being Moved: Authentic Movement and Performance, Part I; DAY 8 Looking Back, Moving Forward Dance history comes in several forms.; To Do: Releasing the Jaw; To Dance: Dance One Artist's Dance; To Write: Your Dance Story; Studio Notes: Nancy Stark Smith. Studio Notes: Teena Marie CusterPART 2 MAKING; DAY 9 Improvising Improvising can be experienced on a continuum.; To Do: Freeing the Girdles; To Dance: Dance Your Partner; To Write: Improvisational Mind; Studio Notes: Lisa Gonzales, Pamela Vail, and Michael Chorney; DAY 10 Composing Composition is arranging.; To Do: Four Movement Qualities; To Dance: Framing; To Dance: Composing with a Group; To Do and Write: Dance-a-Day Notebook; Studio Notes: Jim Coleman; DAY 11 Choreographing Choreography involves the why of a thing.; To Do: Contra-lateral Yield and Push; To Dance: Building Trios. To Write and Do: Concept-Driven DanceStudio Notes: David Dorfman; Studio Notes: John Elder; DAY 12 Visceral Movement How do you know whether you're moving or still?; To Do: Pelvic Floor; To Dance: The Antidote-to-the-Antidote Dance; To Write: Artist's Statement; Studio Notes: Bebe Miller; DAY 13 Rehearsing The most stunning dancing happens in rehearsals.; To Do: Ball of Energy; To Dance: Body-Parts Duets; To Dance: Declarations; To Write: Reviewing Rehearsing; Studio Notes: Peter Schmitz; DAY 14 Sound and Music Ears are always open.; To Do: Resonance; To Dance: Dancing Twelve. |
| ctrlnum | (OCoLC)864551458 |
| dewey-full | 792.8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.8 |
| dewey-search | 792.8 |
| dewey-sort | 3792.8 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-ocn864551458 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:39Z |
| institution | BVB |
| isbn | 9780819574060 0819574066 |
| language | English |
| oclc_num | 864551458 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (1 volume) |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Wesleyan University Press, |
| record_format | marc |
| spelling | Olsen, Andrea. The place of dance : a somatic guide to dancing and dance making / Andrea Olsen, with Caryn McHose. Middletown, Connecticut : Wesleyan University Press, 2013. 1 online resource (1 volume) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Includes bibliographical references (pages 253-254) and indexes. Cover; THE PLACE OF DANCE; Title; Copyright; Dedication; Contents; Preface; Introduction; About This Book; PART 1 MOVING; DAY 1 Basic Concepts Dance is both universal and highly personal.; To Do: Orientation; To Dance: Familiar-Voice Dancing; To Write: Personal Orientation; About the Tonic System; Studio Notes: Bonnie Bainbridge Cohen; DAY 2 Attitudes People have complex views about the dancing body.; To Do: Finding Your Calcaneus; To Dance: Opposite-Voice Dancing; To Write: Why Dance?; Studio Notes: David Dorfman; DAY 3 Flow Flow is our oceanic heritage.; To Do: Rolling and Pouring. To Do: Spherical AwarenessTo Dance: Plumb-Line Falls; To Write: Letting Words Flow; Studio Notes: Kathleen Hermesdorf; DAY 4 Fire Sometimes we need fire.; Bone Marrow; To Do: Vessel Breath; To Dance: Dancing through the Body Systems; To Write: Fire and You; Studio Notes: Caryn McHose; DAY 5 Getting Started You can only dance where you are.; To Do: Three Long Walks; To Dance: Presentations; To Write: Creative Conditions; Studio Notes: Penny Campbell; DAY 6 Training and Technique We train for the unknown.; What I Look for in a Performer (Tamar Rogoff); To Do: Hip Reflex. To Dance: Light-Touch DuetsTo Write: Identify Your Strengths and Weaknesses; Studio Notes: Jeanine Durning; DAY 7 Embracing Mystery Dancing involves surrender.; To Do: Breathing Spot; To Do: Three-Part Breath; To Dance: Refreshing What's Needed; To Write: What's Your Experience of Mystery?; Studio Notes: Suprapto Suryodarmo; Being Seen, Being Moved: Authentic Movement and Performance, Part I; DAY 8 Looking Back, Moving Forward Dance history comes in several forms.; To Do: Releasing the Jaw; To Dance: Dance One Artist's Dance; To Write: Your Dance Story; Studio Notes: Nancy Stark Smith. Studio Notes: Teena Marie CusterPART 2 MAKING; DAY 9 Improvising Improvising can be experienced on a continuum.; To Do: Freeing the Girdles; To Dance: Dance Your Partner; To Write: Improvisational Mind; Studio Notes: Lisa Gonzales, Pamela Vail, and Michael Chorney; DAY 10 Composing Composition is arranging.; To Do: Four Movement Qualities; To Dance: Framing; To Dance: Composing with a Group; To Do and Write: Dance-a-Day Notebook; Studio Notes: Jim Coleman; DAY 11 Choreographing Choreography involves the why of a thing.; To Do: Contra-lateral Yield and Push; To Dance: Building Trios. To Write and Do: Concept-Driven DanceStudio Notes: David Dorfman; Studio Notes: John Elder; DAY 12 Visceral Movement How do you know whether you're moving or still?; To Do: Pelvic Floor; To Dance: The Antidote-to-the-Antidote Dance; To Write: Artist's Statement; Studio Notes: Bebe Miller; DAY 13 Rehearsing The most stunning dancing happens in rehearsals.; To Do: Ball of Energy; To Dance: Body-Parts Duets; To Dance: Declarations; To Write: Reviewing Rehearsing; Studio Notes: Peter Schmitz; DAY 14 Sound and Music Ears are always open.; To Do: Resonance; To Dance: Dancing Twelve. An essential guide to embodied awareness. Dance History. Dance Psychological aspects. Somesthesia. http://id.loc.gov/authorities/subjects/sh88000621 Senses and sensation. http://id.loc.gov/authorities/subjects/sh85120047 Sensation https://id.nlm.nih.gov/mesh/D012677 Danse Histoire. Danse Aspect psychologique. Somesthésie. Sens et sensations. PERFORMING ARTS Theater General. bisacsh Dance fast Dance Psychological aspects fast Senses and sensation fast Somesthesia fast History fast has work: The place of dance (Text) https://id.oclc.org/worldcat/entity/E39PCFwvC7QBx4kfJDRhXhRR8C https://id.oclc.org/worldcat/ontology/hasWork Print version: Olsen, Andrea. Place of dance. Middletown, Connecticut : Wesleyan University Press, 2013 9780819574053 (DLC) 2013024221 (OCoLC)840463197 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569855 Volltext |
| spellingShingle | Olsen, Andrea The place of dance : a somatic guide to dancing and dance making / Cover; THE PLACE OF DANCE; Title; Copyright; Dedication; Contents; Preface; Introduction; About This Book; PART 1 MOVING; DAY 1 Basic Concepts Dance is both universal and highly personal.; To Do: Orientation; To Dance: Familiar-Voice Dancing; To Write: Personal Orientation; About the Tonic System; Studio Notes: Bonnie Bainbridge Cohen; DAY 2 Attitudes People have complex views about the dancing body.; To Do: Finding Your Calcaneus; To Dance: Opposite-Voice Dancing; To Write: Why Dance?; Studio Notes: David Dorfman; DAY 3 Flow Flow is our oceanic heritage.; To Do: Rolling and Pouring. To Do: Spherical AwarenessTo Dance: Plumb-Line Falls; To Write: Letting Words Flow; Studio Notes: Kathleen Hermesdorf; DAY 4 Fire Sometimes we need fire.; Bone Marrow; To Do: Vessel Breath; To Dance: Dancing through the Body Systems; To Write: Fire and You; Studio Notes: Caryn McHose; DAY 5 Getting Started You can only dance where you are.; To Do: Three Long Walks; To Dance: Presentations; To Write: Creative Conditions; Studio Notes: Penny Campbell; DAY 6 Training and Technique We train for the unknown.; What I Look for in a Performer (Tamar Rogoff); To Do: Hip Reflex. To Dance: Light-Touch DuetsTo Write: Identify Your Strengths and Weaknesses; Studio Notes: Jeanine Durning; DAY 7 Embracing Mystery Dancing involves surrender.; To Do: Breathing Spot; To Do: Three-Part Breath; To Dance: Refreshing What's Needed; To Write: What's Your Experience of Mystery?; Studio Notes: Suprapto Suryodarmo; Being Seen, Being Moved: Authentic Movement and Performance, Part I; DAY 8 Looking Back, Moving Forward Dance history comes in several forms.; To Do: Releasing the Jaw; To Dance: Dance One Artist's Dance; To Write: Your Dance Story; Studio Notes: Nancy Stark Smith. Studio Notes: Teena Marie CusterPART 2 MAKING; DAY 9 Improvising Improvising can be experienced on a continuum.; To Do: Freeing the Girdles; To Dance: Dance Your Partner; To Write: Improvisational Mind; Studio Notes: Lisa Gonzales, Pamela Vail, and Michael Chorney; DAY 10 Composing Composition is arranging.; To Do: Four Movement Qualities; To Dance: Framing; To Dance: Composing with a Group; To Do and Write: Dance-a-Day Notebook; Studio Notes: Jim Coleman; DAY 11 Choreographing Choreography involves the why of a thing.; To Do: Contra-lateral Yield and Push; To Dance: Building Trios. To Write and Do: Concept-Driven DanceStudio Notes: David Dorfman; Studio Notes: John Elder; DAY 12 Visceral Movement How do you know whether you're moving or still?; To Do: Pelvic Floor; To Dance: The Antidote-to-the-Antidote Dance; To Write: Artist's Statement; Studio Notes: Bebe Miller; DAY 13 Rehearsing The most stunning dancing happens in rehearsals.; To Do: Ball of Energy; To Dance: Body-Parts Duets; To Dance: Declarations; To Write: Reviewing Rehearsing; Studio Notes: Peter Schmitz; DAY 14 Sound and Music Ears are always open.; To Do: Resonance; To Dance: Dancing Twelve. Dance History. Dance Psychological aspects. Somesthesia. http://id.loc.gov/authorities/subjects/sh88000621 Senses and sensation. http://id.loc.gov/authorities/subjects/sh85120047 Sensation https://id.nlm.nih.gov/mesh/D012677 Danse Histoire. Danse Aspect psychologique. Somesthésie. Sens et sensations. PERFORMING ARTS Theater General. bisacsh Dance fast Dance Psychological aspects fast Senses and sensation fast Somesthesia fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh88000621 http://id.loc.gov/authorities/subjects/sh85120047 https://id.nlm.nih.gov/mesh/D012677 |
| title | The place of dance : a somatic guide to dancing and dance making / |
| title_auth | The place of dance : a somatic guide to dancing and dance making / |
| title_exact_search | The place of dance : a somatic guide to dancing and dance making / |
| title_full | The place of dance : a somatic guide to dancing and dance making / Andrea Olsen, with Caryn McHose. |
| title_fullStr | The place of dance : a somatic guide to dancing and dance making / Andrea Olsen, with Caryn McHose. |
| title_full_unstemmed | The place of dance : a somatic guide to dancing and dance making / Andrea Olsen, with Caryn McHose. |
| title_short | The place of dance : |
| title_sort | place of dance a somatic guide to dancing and dance making |
| title_sub | a somatic guide to dancing and dance making / |
| topic | Dance History. Dance Psychological aspects. Somesthesia. http://id.loc.gov/authorities/subjects/sh88000621 Senses and sensation. http://id.loc.gov/authorities/subjects/sh85120047 Sensation https://id.nlm.nih.gov/mesh/D012677 Danse Histoire. Danse Aspect psychologique. Somesthésie. Sens et sensations. PERFORMING ARTS Theater General. bisacsh Dance fast Dance Psychological aspects fast Senses and sensation fast Somesthesia fast |
| topic_facet | Dance History. Dance Psychological aspects. Somesthesia. Senses and sensation. Sensation Danse Histoire. Danse Aspect psychologique. Somesthésie. Sens et sensations. PERFORMING ARTS Theater General. Dance Dance Psychological aspects Senses and sensation Somesthesia History |
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| work_keys_str_mv | AT olsenandrea theplaceofdanceasomaticguidetodancinganddancemaking AT olsenandrea placeofdanceasomaticguidetodancinganddancemaking |