We'll meet again :: musical design in the films of Stanley Kubrick /
Though the films of Stanley Kubrick have long been recognized for their innovation, visual impact, and challenging subject matter, they also feature unique and provocative uses of music that define Kubrick's work and that have made a lasting impact on filmmaking and multimedia more broadly. �...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Oxford University Press,
[2013]
|
| Schriftenreihe: | Oxford music/media series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Though the films of Stanley Kubrick have long been recognized for their innovation, visual impact, and challenging subject matter, they also feature unique and provocative uses of music that define Kubrick's work and that have made a lasting impact on filmmaking and multimedia more broadly. 'We'll Meet Again' takes the position that, for Kubrick, music is absolutely central to the themes, visual designs, and meanings in the films. 'We'll Meet Again' traces ways in which music assumes an important place for Kubrick throughout the working process and in the reception of the films as well. |
| Beschreibung: | 1 online resource (xiv, 235 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references (pages 221-225) and index. |
| ISBN: | 9780199331987 0199331987 9780199369492 0199369496 |
Internformat
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| 300 | |a 1 online resource (xiv, 235 pages) : |b illustrations, music | ||
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| 520 | 8 | |a Though the films of Stanley Kubrick have long been recognized for their innovation, visual impact, and challenging subject matter, they also feature unique and provocative uses of music that define Kubrick's work and that have made a lasting impact on filmmaking and multimedia more broadly. 'We'll Meet Again' takes the position that, for Kubrick, music is absolutely central to the themes, visual designs, and meanings in the films. 'We'll Meet Again' traces ways in which music assumes an important place for Kubrick throughout the working process and in the reception of the films as well. | |
| 505 | 0 | |a Part I, The anatomy of the Kubrick soundscape. Language, lyrics, voice and sound ; Drawing lines and crossing borders : musical climates, the diegetic-nondiegetic border and voice-over narration -- Part II, Music-cinematic topics. Mysterious music with invisible edges and the emergence of musical form in The shining ; Reimagining music in Barry Lyndon -- Part III, We've met before : familiar pieces and their histories. The mutual inscription of music and drama ; Evolution and amnesia in the soundtrack of 2001: a space odyssey ; Musical dialectics and the more troublesome Beethoven ; Kubrick's spin on Max Ophüls and the ineluctable waltz. | |
| 600 | 1 | 0 | |a Kubrick, Stanley |x Criticism and interpretation. |
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| author | McQuiston, Kate |
| author_facet | McQuiston, Kate |
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| contents | Part I, The anatomy of the Kubrick soundscape. Language, lyrics, voice and sound ; Drawing lines and crossing borders : musical climates, the diegetic-nondiegetic border and voice-over narration -- Part II, Music-cinematic topics. Mysterious music with invisible edges and the emergence of musical form in The shining ; Reimagining music in Barry Lyndon -- Part III, We've met before : familiar pieces and their histories. The mutual inscription of music and drama ; Evolution and amnesia in the soundtrack of 2001: a space odyssey ; Musical dialectics and the more troublesome Beethoven ; Kubrick's spin on Max Ophüls and the ineluctable waltz. |
| ctrlnum | (OCoLC)864139732 |
| dewey-full | 781.5/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42 |
| dewey-search | 781.5/42 |
| dewey-sort | 3781.5 242 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn864139732 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:39Z |
| institution | BVB |
| isbn | 9780199331987 0199331987 9780199369492 0199369496 |
| language | English |
| oclc_num | 864139732 |
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| physical | 1 online resource (xiv, 235 pages) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Oxford University Press, |
| record_format | marc |
| series | Oxford music/media series. |
| series2 | The Oxford music/media series |
| spelling | McQuiston, Kate. We'll meet again : musical design in the films of Stanley Kubrick / Kate McQuiston. New York : Oxford University Press, [2013] 1 online resource (xiv, 235 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier The Oxford music/media series Includes bibliographical references (pages 221-225) and index. Print version record. Though the films of Stanley Kubrick have long been recognized for their innovation, visual impact, and challenging subject matter, they also feature unique and provocative uses of music that define Kubrick's work and that have made a lasting impact on filmmaking and multimedia more broadly. 'We'll Meet Again' takes the position that, for Kubrick, music is absolutely central to the themes, visual designs, and meanings in the films. 'We'll Meet Again' traces ways in which music assumes an important place for Kubrick throughout the working process and in the reception of the films as well. Part I, The anatomy of the Kubrick soundscape. Language, lyrics, voice and sound ; Drawing lines and crossing borders : musical climates, the diegetic-nondiegetic border and voice-over narration -- Part II, Music-cinematic topics. Mysterious music with invisible edges and the emergence of musical form in The shining ; Reimagining music in Barry Lyndon -- Part III, We've met before : familiar pieces and their histories. The mutual inscription of music and drama ; Evolution and amnesia in the soundtrack of 2001: a space odyssey ; Musical dialectics and the more troublesome Beethoven ; Kubrick's spin on Max Ophüls and the ineluctable waltz. Kubrick, Stanley Criticism and interpretation. Kubrick, Stanley fast https://id.oclc.org/worldcat/entity/E39PBJpYrQdxJkMDBXqdY6vyh3 Kubrick, Stanley 1928-1999 gnd http://d-nb.info/gnd/11856739X Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Motion picture music fast Filmmusik gnd http://d-nb.info/gnd/4017129-2 Filmmusik. sfit Criticism, interpretation, etc. fast has work: We'll meet again (Text) https://id.oclc.org/worldcat/entity/E39PCGYBhDVbwVBjxpRHCmr7RC https://id.oclc.org/worldcat/ontology/hasWork Print version: McQuiston, Kate. We'll meet again 9780199767656 (DLC) 2013006822 (OCoLC)829239600 Oxford music/media series. http://id.loc.gov/authorities/names/no2009184448 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=667813 Volltext |
| spellingShingle | McQuiston, Kate We'll meet again : musical design in the films of Stanley Kubrick / Oxford music/media series. Part I, The anatomy of the Kubrick soundscape. Language, lyrics, voice and sound ; Drawing lines and crossing borders : musical climates, the diegetic-nondiegetic border and voice-over narration -- Part II, Music-cinematic topics. Mysterious music with invisible edges and the emergence of musical form in The shining ; Reimagining music in Barry Lyndon -- Part III, We've met before : familiar pieces and their histories. The mutual inscription of music and drama ; Evolution and amnesia in the soundtrack of 2001: a space odyssey ; Musical dialectics and the more troublesome Beethoven ; Kubrick's spin on Max Ophüls and the ineluctable waltz. Kubrick, Stanley Criticism and interpretation. Kubrick, Stanley fast https://id.oclc.org/worldcat/entity/E39PBJpYrQdxJkMDBXqdY6vyh3 Kubrick, Stanley 1928-1999 gnd http://d-nb.info/gnd/11856739X Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Motion picture music fast Filmmusik gnd http://d-nb.info/gnd/4017129-2 Filmmusik. sfit |
| subject_GND | http://d-nb.info/gnd/11856739X http://d-nb.info/gnd/4075950-7 http://d-nb.info/gnd/4017129-2 |
| title | We'll meet again : musical design in the films of Stanley Kubrick / |
| title_auth | We'll meet again : musical design in the films of Stanley Kubrick / |
| title_exact_search | We'll meet again : musical design in the films of Stanley Kubrick / |
| title_full | We'll meet again : musical design in the films of Stanley Kubrick / Kate McQuiston. |
| title_fullStr | We'll meet again : musical design in the films of Stanley Kubrick / Kate McQuiston. |
| title_full_unstemmed | We'll meet again : musical design in the films of Stanley Kubrick / Kate McQuiston. |
| title_short | We'll meet again : |
| title_sort | we ll meet again musical design in the films of stanley kubrick |
| title_sub | musical design in the films of Stanley Kubrick / |
| topic | Kubrick, Stanley Criticism and interpretation. Kubrick, Stanley fast https://id.oclc.org/worldcat/entity/E39PBJpYrQdxJkMDBXqdY6vyh3 Kubrick, Stanley 1928-1999 gnd http://d-nb.info/gnd/11856739X Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Motion picture music fast Filmmusik gnd http://d-nb.info/gnd/4017129-2 Filmmusik. sfit |
| topic_facet | Kubrick, Stanley Criticism and interpretation. Kubrick, Stanley Kubrick, Stanley 1928-1999 Bibel Philemonbrief Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. Motion picture music Filmmusik Filmmusik. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT mcquistonkate wellmeetagainmusicaldesigninthefilmsofstanleykubrick |