Unfinished business :: screening the Italian Mafia in the new millennium /
"Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gende...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto [Ontario] :
University of Toronto Press,
[2013]
|
Schriftenreihe: | Toronto Italian studies.
|
Schlagworte: | |
Online-Zugang: | DE-862 DE-863 |
Zusammenfassung: | "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc |
Beschreibung: | 1 online resource (viii, 256 pages) |
Bibliographie: | Includes bibliographical references (pages 223-243) and index. |
ISBN: | 9781442668317 1442668318 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn863054083 | ||
003 | OCoLC | ||
005 | 20250103110447.0 | ||
006 | m o d | ||
007 | cr cn||||||a|| | ||
008 | 130522t20132013onc ob 001 0 eng d | ||
040 | |a CELBN |b eng |e rda |e pn |c CELBN |d OCLCO |d IAL |d N$T |d YDXCP |d JSTOR |d E7B |d OCLCQ |d JSTOR |d OCLCA |d OCLCF |d OCLCO |d OCLCQ |d OCLCO |d YDX |d OCLCO |d AGLDB |d OCLCA |d EBLCP |d OCLCA |d OCLCQ |d MERUC |d STF |d OCLCA |d VTS |d AU@ |d OCLCQ |d EZ9 |d LVT |d UKAHL |d OCLCQ |d AJS |d OCLCO |d OCLCQ |d P@U |d OCLCO |d OCLCQ |d OCLCL |d CLOUD |d OCLCO | ||
019 | |a 893922067 |a 1058166525 | ||
020 | |a 9781442668317 |q (electronic bk.) | ||
020 | |a 1442668318 |q (electronic bk.) | ||
035 | |a (OCoLC)863054083 |z (OCoLC)893922067 |z (OCoLC)1058166525 | ||
037 | |a 22573/ctt4c92rq |b JSTOR | ||
043 | |a e-it--- | ||
050 | 4 | |a PN1995.9.M23 |b R454 2013eb | |
055 | 8 | |a PN1995.9 M23 |b R454 2013 | |
072 | 7 | |a PER |x 009000 |2 bisacsh | |
072 | 7 | |a PER004030 |2 bisacsh | |
082 | 7 | |a 791.43/6556 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Renga, Dana, |d 1971- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjBHwPhBVDHKFPhX47wGMd |0 http://id.loc.gov/authorities/names/no2003072978 | |
245 | 1 | 0 | |a Unfinished business : |b screening the Italian Mafia in the new millennium / |c Dana Renga. |
264 | 1 | |a Toronto [Ontario] : |b University of Toronto Press, |c [2013] | |
264 | 4 | |c ©2013 | |
300 | |a 1 online resource (viii, 256 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Toronto Italian studies | |
504 | |a Includes bibliographical references (pages 223-243) and index. | ||
505 | 0 | |a Introduction: Trauma, gender, and recent Italian Mafia cinema -- Oedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die? | |
520 | |a "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy | ||
520 | |a Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc | ||
650 | 0 | |a Gangster films |z Italy |x History and criticism. | |
650 | 0 | |a Mafia in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh97000707 | |
650 | 0 | |a Psychic trauma in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2004007750 | |
650 | 0 | |a Motion pictures and women. |0 http://id.loc.gov/authorities/subjects/sh97002393 | |
650 | 0 | |a Gangster films |z Italy. | |
650 | 6 | |a Films de gangsters |z Italie |x Histoire et critique. | |
650 | 6 | |a Mafia au cinéma. | |
650 | 6 | |a Traumatisme psychique au cinéma. | |
650 | 6 | |a Cinéma et femmes. | |
650 | 6 | |a Films de gangsters |z Italie. | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
650 | 7 | |a Gangster films |2 fast | |
650 | 7 | |a Mafia in motion pictures |2 fast | |
650 | 7 | |a Motion pictures and women |2 fast | |
650 | 7 | |a Psychic trauma in motion pictures |2 fast | |
651 | 7 | |a Italy |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP | |
650 | 7 | |a Mafia |g Motiv |2 gnd |0 http://d-nb.info/gnd/4406818-9 | |
650 | 7 | |a Film |2 gnd | |
651 | 7 | |a Italien |2 gnd | |
655 | 0 | |a Electronic books. | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
830 | 0 | |a Toronto Italian studies. |0 http://id.loc.gov/authorities/names/n95026425 | |
966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=660256 |3 Volltext |
966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=660256 |3 Volltext |
936 | |a BATCHLOAD | ||
938 | |a cloudLibrary |b CLDL |n 9781442668324 | ||
938 | |a Project MUSE |b MUSE |n musev2_106489 | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH35089903 | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH35089902 | ||
938 | |a Canadian Electronic Library |b CELB |n 10781773 | ||
938 | |a EBL - Ebook Library |b EBLB |n EBL4669252 | ||
938 | |a ebrary |b EBRY |n ebr10781773 | ||
938 | |a EBSCOhost |b EBSC |n 660256 | ||
938 | |a YBP Library Services |b YANK |n 11307835 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-862 | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn863054083 |
---|---|
_version_ | 1829094976053575680 |
adam_text | |
any_adam_object | |
author | Renga, Dana, 1971- |
author_GND | http://id.loc.gov/authorities/names/no2003072978 |
author_facet | Renga, Dana, 1971- |
author_role | aut |
author_sort | Renga, Dana, 1971- |
author_variant | d r dr |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.M23 R454 2013eb |
callnumber-search | PN1995.9.M23 R454 2013eb |
callnumber-sort | PN 41995.9 M23 R454 42013EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction: Trauma, gender, and recent Italian Mafia cinema -- Oedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die? |
ctrlnum | (OCoLC)863054083 |
dewey-full | 791.43/6556 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/6556 |
dewey-search | 791.43/6556 |
dewey-sort | 3791.43 46556 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05234cam a2200829 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn863054083</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20250103110447.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn||||||a||</controlfield><controlfield tag="008">130522t20132013onc ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">CELBN</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">CELBN</subfield><subfield code="d">OCLCO</subfield><subfield code="d">IAL</subfield><subfield code="d">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">JSTOR</subfield><subfield code="d">E7B</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCA</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MERUC</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCA</subfield><subfield code="d">VTS</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">EZ9</subfield><subfield code="d">LVT</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCL</subfield><subfield code="d">CLOUD</subfield><subfield code="d">OCLCO</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">893922067</subfield><subfield code="a">1058166525</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442668317</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1442668318</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)863054083</subfield><subfield code="z">(OCoLC)893922067</subfield><subfield code="z">(OCoLC)1058166525</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt4c92rq</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-it---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.M23</subfield><subfield code="b">R454 2013eb</subfield></datafield><datafield tag="055" ind1=" " ind2="8"><subfield code="a">PN1995.9 M23</subfield><subfield code="b">R454 2013</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43/6556</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Renga, Dana,</subfield><subfield code="d">1971-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjBHwPhBVDHKFPhX47wGMd</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2003072978</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Unfinished business :</subfield><subfield code="b">screening the Italian Mafia in the new millennium /</subfield><subfield code="c">Dana Renga.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto [Ontario] :</subfield><subfield code="b">University of Toronto Press,</subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 256 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Toronto Italian studies</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 223-243) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Trauma, gender, and recent Italian Mafia cinema -- Oedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Gangster films</subfield><subfield code="z">Italy</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Mafia in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh97000707</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Psychic trauma in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2004007750</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and women.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh97002393</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Gangster films</subfield><subfield code="z">Italy.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Films de gangsters</subfield><subfield code="z">Italie</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Mafia au cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Traumatisme psychique au cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma et femmes.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Films de gangsters</subfield><subfield code="z">Italie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Gangster films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mafia in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures and women</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Psychic trauma in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italy</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mafia</subfield><subfield code="g">Motiv</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4406818-9</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="655" ind1=" " ind2="0"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Toronto Italian studies.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n95026425</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=660256</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=660256</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">cloudLibrary</subfield><subfield code="b">CLDL</subfield><subfield code="n">9781442668324</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">musev2_106489</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH35089903</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH35089902</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Canadian Electronic Library</subfield><subfield code="b">CELB</subfield><subfield code="n">10781773</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4669252</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10781773</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">660256</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11307835</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Electronic books. Criticism, interpretation, etc. fast |
genre_facet | Electronic books. Criticism, interpretation, etc. |
geographic | Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Italien gnd |
geographic_facet | Italy Italien |
id | ZDB-4-EBA-ocn863054083 |
illustrated | Not Illustrated |
indexdate | 2025-04-11T08:41:40Z |
institution | BVB |
isbn | 9781442668317 1442668318 |
language | English |
oclc_num | 863054083 |
open_access_boolean | |
owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
physical | 1 online resource (viii, 256 pages) |
psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | University of Toronto Press, |
record_format | marc |
series | Toronto Italian studies. |
series2 | Toronto Italian studies |
spelling | Renga, Dana, 1971- author. https://id.oclc.org/worldcat/entity/E39PCjBHwPhBVDHKFPhX47wGMd http://id.loc.gov/authorities/names/no2003072978 Unfinished business : screening the Italian Mafia in the new millennium / Dana Renga. Toronto [Ontario] : University of Toronto Press, [2013] ©2013 1 online resource (viii, 256 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Toronto Italian studies Includes bibliographical references (pages 223-243) and index. Introduction: Trauma, gender, and recent Italian Mafia cinema -- Oedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die? "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc Gangster films Italy History and criticism. Mafia in motion pictures. http://id.loc.gov/authorities/subjects/sh97000707 Psychic trauma in motion pictures. http://id.loc.gov/authorities/subjects/sh2004007750 Motion pictures and women. http://id.loc.gov/authorities/subjects/sh97002393 Gangster films Italy. Films de gangsters Italie Histoire et critique. Mafia au cinéma. Traumatisme psychique au cinéma. Cinéma et femmes. Films de gangsters Italie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Gangster films fast Mafia in motion pictures fast Motion pictures and women fast Psychic trauma in motion pictures fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Mafia Motiv gnd http://d-nb.info/gnd/4406818-9 Film gnd Italien gnd Electronic books. Criticism, interpretation, etc. fast Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 |
spellingShingle | Renga, Dana, 1971- Unfinished business : screening the Italian Mafia in the new millennium / Toronto Italian studies. Introduction: Trauma, gender, and recent Italian Mafia cinema -- Oedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die? Gangster films Italy History and criticism. Mafia in motion pictures. http://id.loc.gov/authorities/subjects/sh97000707 Psychic trauma in motion pictures. http://id.loc.gov/authorities/subjects/sh2004007750 Motion pictures and women. http://id.loc.gov/authorities/subjects/sh97002393 Gangster films Italy. Films de gangsters Italie Histoire et critique. Mafia au cinéma. Traumatisme psychique au cinéma. Cinéma et femmes. Films de gangsters Italie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Gangster films fast Mafia in motion pictures fast Motion pictures and women fast Psychic trauma in motion pictures fast Mafia Motiv gnd http://d-nb.info/gnd/4406818-9 Film gnd |
subject_GND | http://id.loc.gov/authorities/subjects/sh97000707 http://id.loc.gov/authorities/subjects/sh2004007750 http://id.loc.gov/authorities/subjects/sh97002393 http://d-nb.info/gnd/4406818-9 |
title | Unfinished business : screening the Italian Mafia in the new millennium / |
title_auth | Unfinished business : screening the Italian Mafia in the new millennium / |
title_exact_search | Unfinished business : screening the Italian Mafia in the new millennium / |
title_full | Unfinished business : screening the Italian Mafia in the new millennium / Dana Renga. |
title_fullStr | Unfinished business : screening the Italian Mafia in the new millennium / Dana Renga. |
title_full_unstemmed | Unfinished business : screening the Italian Mafia in the new millennium / Dana Renga. |
title_short | Unfinished business : |
title_sort | unfinished business screening the italian mafia in the new millennium |
title_sub | screening the Italian Mafia in the new millennium / |
topic | Gangster films Italy History and criticism. Mafia in motion pictures. http://id.loc.gov/authorities/subjects/sh97000707 Psychic trauma in motion pictures. http://id.loc.gov/authorities/subjects/sh2004007750 Motion pictures and women. http://id.loc.gov/authorities/subjects/sh97002393 Gangster films Italy. Films de gangsters Italie Histoire et critique. Mafia au cinéma. Traumatisme psychique au cinéma. Cinéma et femmes. Films de gangsters Italie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Gangster films fast Mafia in motion pictures fast Motion pictures and women fast Psychic trauma in motion pictures fast Mafia Motiv gnd http://d-nb.info/gnd/4406818-9 Film gnd |
topic_facet | Gangster films Italy History and criticism. Mafia in motion pictures. Psychic trauma in motion pictures. Motion pictures and women. Gangster films Italy. Films de gangsters Italie Histoire et critique. Mafia au cinéma. Traumatisme psychique au cinéma. Cinéma et femmes. Films de gangsters Italie. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Gangster films Mafia in motion pictures Motion pictures and women Psychic trauma in motion pictures Italy Mafia Motiv Film Italien Electronic books. Criticism, interpretation, etc. |
work_keys_str_mv | AT rengadana unfinishedbusinessscreeningtheitalianmafiainthenewmillennium |