The liberation of painting :: modernism and anarchism in avant-guerre Paris /
The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provoca...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
University of Chicago Press,
2013.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists--Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others--for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society--and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism's most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art. |
| Beschreibung: | 1 online resource (xviii, 226 pages, 24 unnumbered pages pf plates) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references (pages 181-222) and index. |
| ISBN: | 9780226002422 022600242X |
Internformat
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| 100 | 1 | |a Leighten, Patricia Dee, |d 1946- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjKFgJYMyf88CMQtKKdVcq |0 http://id.loc.gov/authorities/names/n87823925 | |
| 245 | 1 | 4 | |a The liberation of painting : |b modernism and anarchism in avant-guerre Paris / |c Patricia Leighten. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c 2013. | |
| 300 | |a 1 online resource (xviii, 226 pages, 24 unnumbered pages pf plates) : |b illustrations (some color) | ||
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| 504 | |a Includes bibliographical references (pages 181-222) and index. | ||
| 505 | 0 | |a Introduction : modernist heteroglossia -- Languages of art and politics : salon painting, caricature, modernism -- The white peril : colonialism, L'art nègre, and Les Demoiselles d'Avignon -- A rationale of ugliness : cubism and its critical reception -- Politics and counterpolitics of collage : Picasso, Gris, and the effects of war -- Abstracting anarchism : František Kupka and the project of modernism -- Conclusion : a politics of form. | |
| 520 | |a The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists--Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others--for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society--and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism's most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art. | ||
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| 650 | 0 | |a Anarchism and art |z France |z Paris |x History |y 20th century. | |
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| 650 | 6 | |a Peinture française |z France |z Paris |y 20e siècle. | |
| 650 | 6 | |a Modernisme (Art) |z France |z Paris. | |
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| 650 | 6 | |a Art |x Aspect politique |z France |z Paris |x Histoire |y 20e siècle. | |
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| author | Leighten, Patricia Dee, 1946- |
| author_GND | http://id.loc.gov/authorities/names/n87823925 |
| author_facet | Leighten, Patricia Dee, 1946- |
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| contents | Introduction : modernist heteroglossia -- Languages of art and politics : salon painting, caricature, modernism -- The white peril : colonialism, L'art nègre, and Les Demoiselles d'Avignon -- A rationale of ugliness : cubism and its critical reception -- Politics and counterpolitics of collage : Picasso, Gris, and the effects of war -- Abstracting anarchism : František Kupka and the project of modernism -- Conclusion : a politics of form. |
| ctrlnum | (OCoLC)862614208 |
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| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:25:37Z |
| institution | BVB |
| isbn | 9780226002422 022600242X |
| language | English |
| oclc_num | 862614208 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xviii, 226 pages, 24 unnumbered pages pf plates) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | University of Chicago Press, |
| record_format | marc |
| spelling | Leighten, Patricia Dee, 1946- author. https://id.oclc.org/worldcat/entity/E39PCjKFgJYMyf88CMQtKKdVcq http://id.loc.gov/authorities/names/n87823925 The liberation of painting : modernism and anarchism in avant-guerre Paris / Patricia Leighten. Chicago : University of Chicago Press, 2013. 1 online resource (xviii, 226 pages, 24 unnumbered pages pf plates) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 181-222) and index. Introduction : modernist heteroglossia -- Languages of art and politics : salon painting, caricature, modernism -- The white peril : colonialism, L'art nègre, and Les Demoiselles d'Avignon -- A rationale of ugliness : cubism and its critical reception -- Politics and counterpolitics of collage : Picasso, Gris, and the effects of war -- Abstracting anarchism : František Kupka and the project of modernism -- Conclusion : a politics of form. The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists--Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others--for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society--and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism's most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art. Print version record. Painting, French France Paris 20th century. Modernism (Art) France Paris. Modernism (Aesthetics) France Paris. Anarchism and art France Paris History 20th century. Art Political aspects France Paris History 20th century. Peinture française France Paris 20e siècle. Modernisme (Art) France Paris. Modernisme (Esthétique) France Paris. Anarchisme et art France Paris Histoire 20e siècle. Art Aspect politique France Paris Histoire 20e siècle. ART History General. bisacsh Anarchism and art fast Art Political aspects fast Modernism (Aesthetics) fast Modernism (Art) fast Painting, French fast France Paris fast https://id.oclc.org/worldcat/entity/E39QbtfRkKTXcHQJ477vgbjTxc 1900-1999 fast History fast has work: The liberation of painting (Text) https://id.oclc.org/worldcat/entity/E39PCGQxtrQWGMBYFDfPybX3DC https://id.oclc.org/worldcat/ontology/hasWork Print version: Leighten, Patricia Dee, 1946- Liberation of painting. Chicago ; London : University of Chicago Press, 2013 9780226471389 (DLC) 2012024218 (OCoLC)797969844 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=531846 Volltext |
| spellingShingle | Leighten, Patricia Dee, 1946- The liberation of painting : modernism and anarchism in avant-guerre Paris / Introduction : modernist heteroglossia -- Languages of art and politics : salon painting, caricature, modernism -- The white peril : colonialism, L'art nègre, and Les Demoiselles d'Avignon -- A rationale of ugliness : cubism and its critical reception -- Politics and counterpolitics of collage : Picasso, Gris, and the effects of war -- Abstracting anarchism : František Kupka and the project of modernism -- Conclusion : a politics of form. Painting, French France Paris 20th century. Modernism (Art) France Paris. Modernism (Aesthetics) France Paris. Anarchism and art France Paris History 20th century. Art Political aspects France Paris History 20th century. Peinture française France Paris 20e siècle. Modernisme (Art) France Paris. Modernisme (Esthétique) France Paris. Anarchisme et art France Paris Histoire 20e siècle. Art Aspect politique France Paris Histoire 20e siècle. ART History General. bisacsh Anarchism and art fast Art Political aspects fast Modernism (Aesthetics) fast Modernism (Art) fast Painting, French fast |
| title | The liberation of painting : modernism and anarchism in avant-guerre Paris / |
| title_auth | The liberation of painting : modernism and anarchism in avant-guerre Paris / |
| title_exact_search | The liberation of painting : modernism and anarchism in avant-guerre Paris / |
| title_full | The liberation of painting : modernism and anarchism in avant-guerre Paris / Patricia Leighten. |
| title_fullStr | The liberation of painting : modernism and anarchism in avant-guerre Paris / Patricia Leighten. |
| title_full_unstemmed | The liberation of painting : modernism and anarchism in avant-guerre Paris / Patricia Leighten. |
| title_short | The liberation of painting : |
| title_sort | liberation of painting modernism and anarchism in avant guerre paris |
| title_sub | modernism and anarchism in avant-guerre Paris / |
| topic | Painting, French France Paris 20th century. Modernism (Art) France Paris. Modernism (Aesthetics) France Paris. Anarchism and art France Paris History 20th century. Art Political aspects France Paris History 20th century. Peinture française France Paris 20e siècle. Modernisme (Art) France Paris. Modernisme (Esthétique) France Paris. Anarchisme et art France Paris Histoire 20e siècle. Art Aspect politique France Paris Histoire 20e siècle. ART History General. bisacsh Anarchism and art fast Art Political aspects fast Modernism (Aesthetics) fast Modernism (Art) fast Painting, French fast |
| topic_facet | Painting, French France Paris 20th century. Modernism (Art) France Paris. Modernism (Aesthetics) France Paris. Anarchism and art France Paris History 20th century. Art Political aspects France Paris History 20th century. Peinture française France Paris 20e siècle. Modernisme (Art) France Paris. Modernisme (Esthétique) France Paris. Anarchisme et art France Paris Histoire 20e siècle. Art Aspect politique France Paris Histoire 20e siècle. ART History General. Anarchism and art Art Political aspects Modernism (Aesthetics) Modernism (Art) Painting, French France Paris History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=531846 |
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