Pro Tools HD :: Advanced Techniques and Workflows.
Annotation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Packt Publishing,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Annotation |
| Beschreibung: | 1 online resource |
| ISBN: | 9781461949411 1461949416 1306065097 9781306065092 9781849698177 1849698171 |
Internformat
MARC
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| 520 | 8 | |a Annotation |b Pro Tools HD is a digital audio workstation platform for Microsoft Windows and Mac OS X operating systems. It is the leading audio software when it comes to professional audio work. Working effectively with audio and producing professional music with Pro Tools HD is not an easy task. Beginning with what the software is about, we will take you all the way through to the steps required to efficiently record your audio. You will discover how to improve the workflow of Pro Tools software and receive innovative tips to enable flawless editing in music production, film scoring, film, and television post-production. Packed with concise and clear instructions on using Pro Tools HD: Advanced Techniques and Workflows, this book starts with different possible hardware and software combinations to help you understand the strengths and limitations of each, before taking you through powerful editing and advanced mixing techniques. When it comes to choosing a ProTools HD system there are different technologies available and therefore, many ways to use the system optimally so, you will learn about some digital audio concepts for better software optimisation. You will then learn editing using Beat detective, as well as covering excellent workflow and routing concepts to take full advantage of ProTools mixing capabilities, integrating both hardware analogue units with your favorite plugins. Finally, you will see how you can export your project safer, faster and better. This guide shows you the framework to enable you to take your usage of ProTools to the next level by explaining and discussing new and advanced features to achieve industry standard techniques. | |
| 505 | 0 | |a Cover -- Copyright -- Credits -- About the Author -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: System Optimization -- The Pro Tools range -- Hardware solutions -- Pro Tools HD Accel -- Pro Tools HDX -- Pro Tools HD Native -- Software options -- Pro Tools HD 10/Pro Tools 10 with Complete Production Toolkit using third-party interfaces -- Pro Tools HD 10 or Pro Tools 10 with Complete Production Toolkit using Avid interfaces -- Pro Tools HD 11 update -- Choosing the most adapted system | |
| 505 | 8 | |a Recording and mixing considerationsDSP or no DSP? -- Playback engine optimizations -- Pro Tools HD 10 Playback Engine -- H/W Buffer Size -- Host Processors and CPU Usage Limit -- Delay Compensation engine -- Disk Playback -- Voice allocation -- Pro Tools 11 Playback Engine -- Automatic Delay Compensation (ADC) -- A bit more about the Pro Tools mixer -- Voices and time slots -- Low latency monitoring (LLM) and cue mixes -- Pro Tools version summary -- Customizing MIDI -- Organizing external MIDI devices -- Controlling MIDI hardware on instrument tracks | |
| 505 | 8 | |a Plugin mapping and MIDI learnSummary -- Chapter 2: Editing Techniques -- Vocal editing preparations -- Zero crossing -- Relative grid -- Finding clicks -- Cuts and fades -- The Fades window -- Clip gain -- Elastic Audio -- Using AudioSuite -- Take comping -- Drum editing -- Edit and Mix groups -- A bit of navigation -- Clip groups -- Selection techniques -- Beat Detective -- Normal mode -- Collection mode -- Elastic Audio for drums -- Elastic Audio as an effect -- The vinyl stopping effect using Elastic Audio -- Summary | |
| 505 | 8 | |a Chapter 3: Advanced MixingGetting organized with colors -- Inserting analog hardware into the mix -- Measuring hardware insert latency -- Using hardware sends across different I/O -- Nudging -- Routing and grouping techniques -- Easy audio grouping -- Multiple track outputs -- Stemming with multiple outputs -- Stemming with Pro Tools 11 -- Increasing mixing complexity -- Default output bus options -- Greater control over parallel processing -- Advanced side chain -- For bass -- For vocals -- Using automatic delay compensation creatively | |
| 505 | 8 | |a The Avid Channel Strip pluginMaster faders -- Pro Tools and analog console integration -- Starting with Pro Tools automations -- Automation modes -- More automation options -- Use of an MIDI controller with Latch Prime -- Summary -- Chapter 4: Importing and Exporting Options -- Importing audio -- Importing session data -- Creating stems and exporting clips -- Saving a session copy -- Exporting over the Internet -- Missing audio files -- Disk allocation -- Pro Tools autobackup -- Summary -- Index | |
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| adam_text | |
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| author_role | |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML74 |
| callnumber-raw | ML74.4.P76 |
| callnumber-search | ML74.4.P76 |
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| contents | Cover -- Copyright -- Credits -- About the Author -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: System Optimization -- The Pro Tools range -- Hardware solutions -- Pro Tools HD Accel -- Pro Tools HDX -- Pro Tools HD Native -- Software options -- Pro Tools HD 10/Pro Tools 10 with Complete Production Toolkit using third-party interfaces -- Pro Tools HD 10 or Pro Tools 10 with Complete Production Toolkit using Avid interfaces -- Pro Tools HD 11 update -- Choosing the most adapted system Recording and mixing considerationsDSP or no DSP? -- Playback engine optimizations -- Pro Tools HD 10 Playback Engine -- H/W Buffer Size -- Host Processors and CPU Usage Limit -- Delay Compensation engine -- Disk Playback -- Voice allocation -- Pro Tools 11 Playback Engine -- Automatic Delay Compensation (ADC) -- A bit more about the Pro Tools mixer -- Voices and time slots -- Low latency monitoring (LLM) and cue mixes -- Pro Tools version summary -- Customizing MIDI -- Organizing external MIDI devices -- Controlling MIDI hardware on instrument tracks Plugin mapping and MIDI learnSummary -- Chapter 2: Editing Techniques -- Vocal editing preparations -- Zero crossing -- Relative grid -- Finding clicks -- Cuts and fades -- The Fades window -- Clip gain -- Elastic Audio -- Using AudioSuite -- Take comping -- Drum editing -- Edit and Mix groups -- A bit of navigation -- Clip groups -- Selection techniques -- Beat Detective -- Normal mode -- Collection mode -- Elastic Audio for drums -- Elastic Audio as an effect -- The vinyl stopping effect using Elastic Audio -- Summary Chapter 3: Advanced MixingGetting organized with colors -- Inserting analog hardware into the mix -- Measuring hardware insert latency -- Using hardware sends across different I/O -- Nudging -- Routing and grouping techniques -- Easy audio grouping -- Multiple track outputs -- Stemming with multiple outputs -- Stemming with Pro Tools 11 -- Increasing mixing complexity -- Default output bus options -- Greater control over parallel processing -- Advanced side chain -- For bass -- For vocals -- Using automatic delay compensation creatively The Avid Channel Strip pluginMaster faders -- Pro Tools and analog console integration -- Starting with Pro Tools automations -- Automation modes -- More automation options -- Use of an MIDI controller with Latch Prime -- Summary -- Chapter 4: Importing and Exporting Options -- Importing audio -- Importing session data -- Creating stems and exporting clips -- Saving a session copy -- Exporting over the Internet -- Missing audio files -- Disk allocation -- Pro Tools autobackup -- Summary -- Index |
| ctrlnum | (OCoLC)862375152 |
| dewey-full | 781.34536 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.34536 |
| dewey-search | 781.34536 |
| dewey-sort | 3781.34536 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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This guide shows you the framework to enable you to take your usage of ProTools to the next level by explaining and discussing new and advanced features to achieve industry standard techniques.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Copyright -- Credits -- About the Author -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: System Optimization -- The Pro Tools range -- Hardware solutions -- Pro Tools HD Accel -- Pro Tools HDX -- Pro Tools HD Native -- Software options -- Pro Tools HD 10/Pro Tools 10 with Complete Production Toolkit using third-party interfaces -- Pro Tools HD 10 or Pro Tools 10 with Complete Production Toolkit using Avid interfaces -- Pro Tools HD 11 update -- Choosing the most adapted system</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Recording and mixing considerationsDSP or no DSP? -- Playback engine optimizations -- Pro Tools HD 10 Playback 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vinyl stopping effect using Elastic Audio -- Summary</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 3: Advanced MixingGetting organized with colors -- Inserting analog hardware into the mix -- Measuring hardware insert latency -- Using hardware sends across different I/O -- Nudging -- Routing and grouping techniques -- Easy audio grouping -- Multiple track outputs -- Stemming with multiple outputs -- Stemming with Pro Tools 11 -- Increasing mixing complexity -- Default output bus options -- Greater control over parallel processing -- Advanced side chain -- For bass -- For vocals -- Using automatic delay compensation creatively</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Avid Channel Strip pluginMaster faders -- Pro Tools and analog console integration -- Starting with Pro Tools automations -- Automation modes -- More automation options -- Use of an MIDI controller with Latch Prime -- Summary -- Chapter 4: 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| id | ZDB-4-EBA-ocn862375152 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:37Z |
| institution | BVB |
| isbn | 9781461949411 1461949416 1306065097 9781306065092 9781849698177 1849698171 |
| language | English |
| oclc_num | 862375152 |
| open_access_boolean | |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Packt Publishing, |
| record_format | marc |
| spelling | Camou, Edouard. Pro Tools HD : Advanced Techniques and Workflows. Packt Publishing, 2013. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Print version record. Annotation Pro Tools HD is a digital audio workstation platform for Microsoft Windows and Mac OS X operating systems. It is the leading audio software when it comes to professional audio work. Working effectively with audio and producing professional music with Pro Tools HD is not an easy task. Beginning with what the software is about, we will take you all the way through to the steps required to efficiently record your audio. You will discover how to improve the workflow of Pro Tools software and receive innovative tips to enable flawless editing in music production, film scoring, film, and television post-production. Packed with concise and clear instructions on using Pro Tools HD: Advanced Techniques and Workflows, this book starts with different possible hardware and software combinations to help you understand the strengths and limitations of each, before taking you through powerful editing and advanced mixing techniques. When it comes to choosing a ProTools HD system there are different technologies available and therefore, many ways to use the system optimally so, you will learn about some digital audio concepts for better software optimisation. You will then learn editing using Beat detective, as well as covering excellent workflow and routing concepts to take full advantage of ProTools mixing capabilities, integrating both hardware analogue units with your favorite plugins. Finally, you will see how you can export your project safer, faster and better. This guide shows you the framework to enable you to take your usage of ProTools to the next level by explaining and discussing new and advanced features to achieve industry standard techniques. Cover -- Copyright -- Credits -- About the Author -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: System Optimization -- The Pro Tools range -- Hardware solutions -- Pro Tools HD Accel -- Pro Tools HDX -- Pro Tools HD Native -- Software options -- Pro Tools HD 10/Pro Tools 10 with Complete Production Toolkit using third-party interfaces -- Pro Tools HD 10 or Pro Tools 10 with Complete Production Toolkit using Avid interfaces -- Pro Tools HD 11 update -- Choosing the most adapted system Recording and mixing considerationsDSP or no DSP? -- Playback engine optimizations -- Pro Tools HD 10 Playback Engine -- H/W Buffer Size -- Host Processors and CPU Usage Limit -- Delay Compensation engine -- Disk Playback -- Voice allocation -- Pro Tools 11 Playback Engine -- Automatic Delay Compensation (ADC) -- A bit more about the Pro Tools mixer -- Voices and time slots -- Low latency monitoring (LLM) and cue mixes -- Pro Tools version summary -- Customizing MIDI -- Organizing external MIDI devices -- Controlling MIDI hardware on instrument tracks Plugin mapping and MIDI learnSummary -- Chapter 2: Editing Techniques -- Vocal editing preparations -- Zero crossing -- Relative grid -- Finding clicks -- Cuts and fades -- The Fades window -- Clip gain -- Elastic Audio -- Using AudioSuite -- Take comping -- Drum editing -- Edit and Mix groups -- A bit of navigation -- Clip groups -- Selection techniques -- Beat Detective -- Normal mode -- Collection mode -- Elastic Audio for drums -- Elastic Audio as an effect -- The vinyl stopping effect using Elastic Audio -- Summary Chapter 3: Advanced MixingGetting organized with colors -- Inserting analog hardware into the mix -- Measuring hardware insert latency -- Using hardware sends across different I/O -- Nudging -- Routing and grouping techniques -- Easy audio grouping -- Multiple track outputs -- Stemming with multiple outputs -- Stemming with Pro Tools 11 -- Increasing mixing complexity -- Default output bus options -- Greater control over parallel processing -- Advanced side chain -- For bass -- For vocals -- Using automatic delay compensation creatively The Avid Channel Strip pluginMaster faders -- Pro Tools and analog console integration -- Starting with Pro Tools automations -- Automation modes -- More automation options -- Use of an MIDI controller with Latch Prime -- Summary -- Chapter 4: Importing and Exporting Options -- Importing audio -- Importing session data -- Creating stems and exporting clips -- Saving a session copy -- Exporting over the Internet -- Missing audio files -- Disk allocation -- Pro Tools autobackup -- Summary -- Index English. Pro Tools. http://id.loc.gov/authorities/names/no2002110921 Pro Tools. blmlsh Pro Tools fast Digital audio editors. http://id.loc.gov/authorities/subjects/sh2004002280 Éditeurs audionumériques. MUSIC Instruction & Study Theory. bisacsh Digital audio editors fast has work: Pro Tools HD (Text) https://id.oclc.org/worldcat/entity/E39PCY8KdCBWCfGQjwX4mW6f9C https://id.oclc.org/worldcat/ontology/hasWork 1849698163 1306065097 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=655576 Volltext |
| spellingShingle | Camou, Edouard Pro Tools HD : Advanced Techniques and Workflows. Cover -- Copyright -- Credits -- About the Author -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: System Optimization -- The Pro Tools range -- Hardware solutions -- Pro Tools HD Accel -- Pro Tools HDX -- Pro Tools HD Native -- Software options -- Pro Tools HD 10/Pro Tools 10 with Complete Production Toolkit using third-party interfaces -- Pro Tools HD 10 or Pro Tools 10 with Complete Production Toolkit using Avid interfaces -- Pro Tools HD 11 update -- Choosing the most adapted system Recording and mixing considerationsDSP or no DSP? -- Playback engine optimizations -- Pro Tools HD 10 Playback Engine -- H/W Buffer Size -- Host Processors and CPU Usage Limit -- Delay Compensation engine -- Disk Playback -- Voice allocation -- Pro Tools 11 Playback Engine -- Automatic Delay Compensation (ADC) -- A bit more about the Pro Tools mixer -- Voices and time slots -- Low latency monitoring (LLM) and cue mixes -- Pro Tools version summary -- Customizing MIDI -- Organizing external MIDI devices -- Controlling MIDI hardware on instrument tracks Plugin mapping and MIDI learnSummary -- Chapter 2: Editing Techniques -- Vocal editing preparations -- Zero crossing -- Relative grid -- Finding clicks -- Cuts and fades -- The Fades window -- Clip gain -- Elastic Audio -- Using AudioSuite -- Take comping -- Drum editing -- Edit and Mix groups -- A bit of navigation -- Clip groups -- Selection techniques -- Beat Detective -- Normal mode -- Collection mode -- Elastic Audio for drums -- Elastic Audio as an effect -- The vinyl stopping effect using Elastic Audio -- Summary Chapter 3: Advanced MixingGetting organized with colors -- Inserting analog hardware into the mix -- Measuring hardware insert latency -- Using hardware sends across different I/O -- Nudging -- Routing and grouping techniques -- Easy audio grouping -- Multiple track outputs -- Stemming with multiple outputs -- Stemming with Pro Tools 11 -- Increasing mixing complexity -- Default output bus options -- Greater control over parallel processing -- Advanced side chain -- For bass -- For vocals -- Using automatic delay compensation creatively The Avid Channel Strip pluginMaster faders -- Pro Tools and analog console integration -- Starting with Pro Tools automations -- Automation modes -- More automation options -- Use of an MIDI controller with Latch Prime -- Summary -- Chapter 4: Importing and Exporting Options -- Importing audio -- Importing session data -- Creating stems and exporting clips -- Saving a session copy -- Exporting over the Internet -- Missing audio files -- Disk allocation -- Pro Tools autobackup -- Summary -- Index Pro Tools. http://id.loc.gov/authorities/names/no2002110921 Pro Tools. blmlsh Pro Tools fast Digital audio editors. http://id.loc.gov/authorities/subjects/sh2004002280 Éditeurs audionumériques. MUSIC Instruction & Study Theory. bisacsh Digital audio editors fast |
| subject_GND | http://id.loc.gov/authorities/names/no2002110921 http://id.loc.gov/authorities/subjects/sh2004002280 |
| title | Pro Tools HD : Advanced Techniques and Workflows. |
| title_auth | Pro Tools HD : Advanced Techniques and Workflows. |
| title_exact_search | Pro Tools HD : Advanced Techniques and Workflows. |
| title_full | Pro Tools HD : Advanced Techniques and Workflows. |
| title_fullStr | Pro Tools HD : Advanced Techniques and Workflows. |
| title_full_unstemmed | Pro Tools HD : Advanced Techniques and Workflows. |
| title_short | Pro Tools HD : |
| title_sort | pro tools hd advanced techniques and workflows |
| title_sub | Advanced Techniques and Workflows. |
| topic | Pro Tools. http://id.loc.gov/authorities/names/no2002110921 Pro Tools. blmlsh Pro Tools fast Digital audio editors. http://id.loc.gov/authorities/subjects/sh2004002280 Éditeurs audionumériques. MUSIC Instruction & Study Theory. bisacsh Digital audio editors fast |
| topic_facet | Pro Tools. Pro Tools Digital audio editors. Éditeurs audionumériques. MUSIC Instruction & Study Theory. Digital audio editors |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=655576 |
| work_keys_str_mv | AT camouedouard protoolshdadvancedtechniquesandworkflows |