Media, technology and the imagination /:
The dynamic, precarious relationship between technology and imagination, or more broadly, between the sciences and the humanities, is a thrilling crux, offering possibilities scholars and artists of previous generations might have only hoped for in the most abstract way. No longer is technological a...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2013.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The dynamic, precarious relationship between technology and imagination, or more broadly, between the sciences and the humanities, is a thrilling crux, offering possibilities scholars and artists of previous generations might have only hoped for in the most abstract way. No longer is technological advancement confined to the laboratory or to the pages of speculative fiction; it is an accepted, expected aspect of modern existence, including contemporary art, performance and literature. From the ways we communicate to the ways we create, technology has become a conduit as well as an inspiration for imaginative innovation. |
Beschreibung: | 1 online resource (viii, 149 pages) |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9781443852074 1443852074 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
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245 | 0 | 0 | |a Media, technology and the imagination / |c edited by Marie Hendry and Jennifer Page. |
260 | |a Newcastle upon Tyne : |b Cambridge Scholars Publishing, |c 2013. | ||
300 | |a 1 online resource (viii, 149 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a On the design of mental organisms -- The aggregate spectator : 125 years of sights, sounds and moving pictures -- Dante, damnation, and the undead : how the conception of hell has changed in literature from the Inferno to the zombie apocalypse -- Nomina nuda tenemus : Jonathan Safran Foer, finding meaning within empty names or (re)construction of deconstruction -- Sucker Punch : a carnivalesque steampunk fairy tale -- The graphic novel : teaching and producing texts -- Genre fiction and the academy : interview with author Michael Arnzen by Chun Lee -- Milton Tube : theoretical implications and practical uses of Paradise Lost web adaptations -- The Frenchman at the kitchen table : the influence of Jean Baudrillard, Roland Barthes and Jacques Derrida on Bachelder's modern American literary family -- Chris Bachelder's consumers and corporations : Bear v. Shark and the price of technology -- "Not a man among us can remember" : societal warnings of Frankenstein in Buffy, the Vampire Slayer. | |
520 | |a The dynamic, precarious relationship between technology and imagination, or more broadly, between the sciences and the humanities, is a thrilling crux, offering possibilities scholars and artists of previous generations might have only hoped for in the most abstract way. No longer is technological advancement confined to the laboratory or to the pages of speculative fiction; it is an accepted, expected aspect of modern existence, including contemporary art, performance and literature. From the ways we communicate to the ways we create, technology has become a conduit as well as an inspiration for imaginative innovation. | ||
504 | |a Includes bibliographical references. | ||
650 | 0 | |a Mass media |x Technological innovations. | |
650 | 0 | |a Communication. |0 http://id.loc.gov/authorities/subjects/sh85029027 | |
650 | 6 | |a Médias |x Innovations. | |
650 | 6 | |a Information. | |
650 | 7 | |a Literature: history & criticism. |2 bicssc | |
650 | 7 | |a Film theory & criticism. |2 bicssc | |
650 | 7 | |a Television. |2 bicssc | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a Communication |2 fast | |
650 | 7 | |a Mass media |x Technological innovations |2 fast | |
655 | 4 | |a Electronic book. | |
700 | 1 | |a Hendry, Marie, |e editor. | |
700 | 1 | |a Page, J. |q (Jennifer), |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjx7VbGHR7vRV4vRxYCd43 |0 http://id.loc.gov/authorities/names/n85254006 | |
758 | |i has work: |a Media, technology and the imagination (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH9kPFGyKcwXWrrjt9mwFq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |t Media, technology and the imagination. |d Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2013 |z 1443848506 |w (OCoLC)854749352 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=649530 |3 Volltext |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn861081566 |
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adam_text | |
any_adam_object | |
author2 | Hendry, Marie Page, J. (Jennifer) |
author2_role | edt edt |
author2_variant | m h mh j p jp |
author_GND | http://id.loc.gov/authorities/names/n85254006 |
author_facet | Hendry, Marie Page, J. (Jennifer) |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | P92 |
callnumber-raw | P92.U5 .H384 2013 |
callnumber-search | P92.U5 .H384 2013 |
callnumber-sort | P 292 U5 H384 42013 |
callnumber-subject | P - Philology and Linguistics |
collection | ZDB-4-EBA |
contents | On the design of mental organisms -- The aggregate spectator : 125 years of sights, sounds and moving pictures -- Dante, damnation, and the undead : how the conception of hell has changed in literature from the Inferno to the zombie apocalypse -- Nomina nuda tenemus : Jonathan Safran Foer, finding meaning within empty names or (re)construction of deconstruction -- Sucker Punch : a carnivalesque steampunk fairy tale -- The graphic novel : teaching and producing texts -- Genre fiction and the academy : interview with author Michael Arnzen by Chun Lee -- Milton Tube : theoretical implications and practical uses of Paradise Lost web adaptations -- The Frenchman at the kitchen table : the influence of Jean Baudrillard, Roland Barthes and Jacques Derrida on Bachelder's modern American literary family -- Chris Bachelder's consumers and corporations : Bear v. Shark and the price of technology -- "Not a man among us can remember" : societal warnings of Frankenstein in Buffy, the Vampire Slayer. |
ctrlnum | (OCoLC)861081566 |
dewey-full | 791.456 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.456 |
dewey-search | 791.456 |
dewey-sort | 3791.456 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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spelling | Media, technology and the imagination / edited by Marie Hendry and Jennifer Page. Newcastle upon Tyne : Cambridge Scholars Publishing, 2013. 1 online resource (viii, 149 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. On the design of mental organisms -- The aggregate spectator : 125 years of sights, sounds and moving pictures -- Dante, damnation, and the undead : how the conception of hell has changed in literature from the Inferno to the zombie apocalypse -- Nomina nuda tenemus : Jonathan Safran Foer, finding meaning within empty names or (re)construction of deconstruction -- Sucker Punch : a carnivalesque steampunk fairy tale -- The graphic novel : teaching and producing texts -- Genre fiction and the academy : interview with author Michael Arnzen by Chun Lee -- Milton Tube : theoretical implications and practical uses of Paradise Lost web adaptations -- The Frenchman at the kitchen table : the influence of Jean Baudrillard, Roland Barthes and Jacques Derrida on Bachelder's modern American literary family -- Chris Bachelder's consumers and corporations : Bear v. Shark and the price of technology -- "Not a man among us can remember" : societal warnings of Frankenstein in Buffy, the Vampire Slayer. The dynamic, precarious relationship between technology and imagination, or more broadly, between the sciences and the humanities, is a thrilling crux, offering possibilities scholars and artists of previous generations might have only hoped for in the most abstract way. No longer is technological advancement confined to the laboratory or to the pages of speculative fiction; it is an accepted, expected aspect of modern existence, including contemporary art, performance and literature. From the ways we communicate to the ways we create, technology has become a conduit as well as an inspiration for imaginative innovation. Includes bibliographical references. Mass media Technological innovations. Communication. http://id.loc.gov/authorities/subjects/sh85029027 Médias Innovations. Information. Literature: history & criticism. bicssc Film theory & criticism. bicssc Television. bicssc PERFORMING ARTS Reference. bisacsh Communication fast Mass media Technological innovations fast Electronic book. Hendry, Marie, editor. Page, J. (Jennifer), editor. https://id.oclc.org/worldcat/entity/E39PCjx7VbGHR7vRV4vRxYCd43 http://id.loc.gov/authorities/names/n85254006 has work: Media, technology and the imagination (Text) https://id.oclc.org/worldcat/entity/E39PCH9kPFGyKcwXWrrjt9mwFq https://id.oclc.org/worldcat/ontology/hasWork Print version: Media, technology and the imagination. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2013 1443848506 (OCoLC)854749352 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=649530 Volltext |
spellingShingle | Media, technology and the imagination / On the design of mental organisms -- The aggregate spectator : 125 years of sights, sounds and moving pictures -- Dante, damnation, and the undead : how the conception of hell has changed in literature from the Inferno to the zombie apocalypse -- Nomina nuda tenemus : Jonathan Safran Foer, finding meaning within empty names or (re)construction of deconstruction -- Sucker Punch : a carnivalesque steampunk fairy tale -- The graphic novel : teaching and producing texts -- Genre fiction and the academy : interview with author Michael Arnzen by Chun Lee -- Milton Tube : theoretical implications and practical uses of Paradise Lost web adaptations -- The Frenchman at the kitchen table : the influence of Jean Baudrillard, Roland Barthes and Jacques Derrida on Bachelder's modern American literary family -- Chris Bachelder's consumers and corporations : Bear v. Shark and the price of technology -- "Not a man among us can remember" : societal warnings of Frankenstein in Buffy, the Vampire Slayer. Mass media Technological innovations. Communication. http://id.loc.gov/authorities/subjects/sh85029027 Médias Innovations. Information. Literature: history & criticism. bicssc Film theory & criticism. bicssc Television. bicssc PERFORMING ARTS Reference. bisacsh Communication fast Mass media Technological innovations fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85029027 |
title | Media, technology and the imagination / |
title_auth | Media, technology and the imagination / |
title_exact_search | Media, technology and the imagination / |
title_full | Media, technology and the imagination / edited by Marie Hendry and Jennifer Page. |
title_fullStr | Media, technology and the imagination / edited by Marie Hendry and Jennifer Page. |
title_full_unstemmed | Media, technology and the imagination / edited by Marie Hendry and Jennifer Page. |
title_short | Media, technology and the imagination / |
title_sort | media technology and the imagination |
topic | Mass media Technological innovations. Communication. http://id.loc.gov/authorities/subjects/sh85029027 Médias Innovations. Information. Literature: history & criticism. bicssc Film theory & criticism. bicssc Television. bicssc PERFORMING ARTS Reference. bisacsh Communication fast Mass media Technological innovations fast |
topic_facet | Mass media Technological innovations. Communication. Médias Innovations. Information. Literature: history & criticism. Film theory & criticism. Television. PERFORMING ARTS Reference. Communication Mass media Technological innovations Electronic book. |
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