This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of min...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Groth, Helen (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Edinburgh : Edinburgh University Press, 2013.
Schriftenreihe:	Edinburgh critical studies in Victorian culture.
Schlagworte:	Motion pictures. Cinéma. LITERARY CRITICISM > European > English, Irish, Scottish, Welsh. PERFORMING ARTS > Film & Video > History & Criticism. Motion pictures Electronic books. Criticism, interpretation, etc. History
Online-Zugang:	Volltext
Zusammenfassung:	This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind. Key Features. Considers the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George Sims Provides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema
Beschreibung:	1 online resource (225 pages)
Bibliographie:	Includes bibliographical references and index.
ISBN:	9780748669493 0748669493 1299964001 9781299964006 9780748669509 0748669507 0748695176 9780748695171