Local and global understandings of creativities :: multipart music making and the construction of ideas, contexts and contents /
In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These a...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Pub.,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the ""individuals in company"" leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and lo ... |
| Beschreibung: | Contributions selected from papers presented at the 2nd Symposium of the Study Group for Multipart Music within the International Council for Traditional Music, Tiranë, Albania, 2012. |
| Beschreibung: | 1 online resource (xii, 374 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1443852155 9781443852159 |
Internformat
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn860825737 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 131015s2013 enka ob 001 0 eng d | ||
| 040 | |a YDXCP |b eng |e pn |c YDXCP |d OCLCO |d N$T |d MEAUC |d OCLCO |d OCLCF |d VLB |d EBLCP |d S4S |d OCLCO |d OCLCQ |d OCLCO |d DEBSZ |d OCLCO |d OCLCQ |d OCLCO |d K6U |d OCLCQ |d AGLDB |d OCLCQ |d CCO |d PIFFA |d FVL |d ZCU |d MERUC |d OCLCQ |d U3W |d STF |d VTS |d ICG |d NLE |d VT2 |d REC |d UKMGB |d OCLCQ |d WYU |d TKN |d DKC |d AU@ |d OCLCQ |d M8D |d UKAHL |d OCLCQ |d OCL |d OCLCQ |d ELBRO |d OCLCO |d OCLCQ |d OCLCO | ||
| 016 | 7 | |a 017853315 |2 Uk | |
| 019 | |a 861081575 |a 961601879 |a 962703300 | ||
| 020 | |a 1443852155 |q (electronic bk.) | ||
| 020 | |a 9781443852159 |q (electronic bk.) | ||
| 020 | |z 9781443847414 |q (hardback) | ||
| 020 | |z 1443847410 |q (hardback) | ||
| 035 | |a (OCoLC)860825737 |z (OCoLC)861081575 |z (OCoLC)961601879 |z (OCoLC)962703300 | ||
| 037 | |a 9781443852159 |b Cambridge Scholars Publishing | ||
| 050 | 4 | |a ML3800 |b .L63 2013 | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 082 | 7 | |a 780.1 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Local and global understandings of creativities : |b multipart music making and the construction of ideas, contexts and contents / |c edited by Ardian Ahmedaja. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars Pub., |c 2013. | ||
| 300 | |a 1 online resource (xii, 374 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Contributions selected from papers presented at the 2nd Symposium of the Study Group for Multipart Music within the International Council for Traditional Music, Tiranë, Albania, 2012. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a TABLE OF CONTENTS; ACKNOWLEDGEMENTS; PREFACE; PART I; MULTIPART DRINKING (AND SINGING); PART II; PART II.1; SECONDARY ORALITY AND CREATIVITYPROCESSES IN MULTIPART SINGING; IN QUEST OF COMMUNION; ON MUSICAL CREATIVITYIN "TEXT-ORIENTED" SONG TRADITIONS; PRODUCTION AND PROCESS; MULITPART SINGING, MULTILINGUALISMANDMEDIATIZATION; WAITING FOR THE SEA TO DRY UP; PART II. 2; FEMALE POLYPHONYIN NORTHERN PORTUGAL; CONSTRUCTING COMMUNAL ACTION; FROMMONODY TO POLYPHONY; TWO PART SINGING IN PARALLELIN ROMAGNA; MICROCREATIVITY. | |
| 505 | 8 | |a DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON, AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX. | |
| 520 | |a In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the ""individuals in company"" leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and lo ... | ||
| 650 | 0 | |a Music |x Social aspects. |0 http://id.loc.gov/authorities/subjects/sh85088891 | |
| 650 | 0 | |a Part songs |x History and criticism. | |
| 650 | 0 | |a Folk music |x History and criticism. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 6 | |a Polyphonies |x Histoire et critique. | |
| 650 | 7 | |a Music: styles & genres. |2 bicssc | |
| 650 | 7 | |a Folk & traditional music. |2 bicssc | |
| 650 | 7 | |a Anthropology. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Folk music |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Part songs |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Ahmedaja, Ardian. | |
| 776 | 0 | 8 | |i Print version: |z 9781443847414 |z 1443847410 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=649537 |3 Volltext |
| 938 | |a eLibro |b ELBO |n ELB147970 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH25702728 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1477500 | ||
| 938 | |a EBSCOhost |b EBSC |n 649537 | ||
| 938 | |a YBP Library Services |b YANK |n 11227435 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn860825737 |
|---|---|
| _version_ | 1816882247561641985 |
| adam_text | |
| any_adam_object | |
| author2 | Ahmedaja, Ardian |
| author2_role | |
| author2_variant | a a aa |
| author_facet | Ahmedaja, Ardian |
| author_sort | Ahmedaja, Ardian |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3800 |
| callnumber-raw | ML3800 .L63 2013 |
| callnumber-search | ML3800 .L63 2013 |
| callnumber-sort | ML 43800 L63 42013 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | TABLE OF CONTENTS; ACKNOWLEDGEMENTS; PREFACE; PART I; MULTIPART DRINKING (AND SINGING); PART II; PART II.1; SECONDARY ORALITY AND CREATIVITYPROCESSES IN MULTIPART SINGING; IN QUEST OF COMMUNION; ON MUSICAL CREATIVITYIN "TEXT-ORIENTED" SONG TRADITIONS; PRODUCTION AND PROCESS; MULITPART SINGING, MULTILINGUALISMANDMEDIATIZATION; WAITING FOR THE SEA TO DRY UP; PART II. 2; FEMALE POLYPHONYIN NORTHERN PORTUGAL; CONSTRUCTING COMMUNAL ACTION; FROMMONODY TO POLYPHONY; TWO PART SINGING IN PARALLELIN ROMAGNA; MICROCREATIVITY. DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON, AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX. |
| ctrlnum | (OCoLC)860825737 |
| dewey-full | 780.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.1 |
| dewey-search | 780.1 |
| dewey-sort | 3780.1 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04484cam a2200685Ma 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn860825737</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |n|||||||||</controlfield><controlfield tag="008">131015s2013 enka ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">YDXCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">YDXCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N$T</subfield><subfield code="d">MEAUC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">VLB</subfield><subfield code="d">EBLCP</subfield><subfield code="d">S4S</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CCO</subfield><subfield code="d">PIFFA</subfield><subfield code="d">FVL</subfield><subfield code="d">ZCU</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">U3W</subfield><subfield code="d">STF</subfield><subfield code="d">VTS</subfield><subfield code="d">ICG</subfield><subfield code="d">NLE</subfield><subfield code="d">VT2</subfield><subfield code="d">REC</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">TKN</subfield><subfield code="d">DKC</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">M8D</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ELBRO</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">017853315</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">861081575</subfield><subfield code="a">961601879</subfield><subfield code="a">962703300</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1443852155</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781443852159</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781443847414</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1443847410</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)860825737</subfield><subfield code="z">(OCoLC)861081575</subfield><subfield code="z">(OCoLC)961601879</subfield><subfield code="z">(OCoLC)962703300</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781443852159</subfield><subfield code="b">Cambridge Scholars Publishing</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3800</subfield><subfield code="b">.L63 2013</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">033000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">780.1</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Local and global understandings of creativities :</subfield><subfield code="b">multipart music making and the construction of ideas, contexts and contents /</subfield><subfield code="c">edited by Ardian Ahmedaja.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Newcastle upon Tyne :</subfield><subfield code="b">Cambridge Scholars Pub.,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xii, 374 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Contributions selected from papers presented at the 2nd Symposium of the Study Group for Multipart Music within the International Council for Traditional Music, Tiranë, Albania, 2012.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">TABLE OF CONTENTS; ACKNOWLEDGEMENTS; PREFACE; PART I; MULTIPART DRINKING (AND SINGING); PART II; PART II.1; SECONDARY ORALITY AND CREATIVITYPROCESSES IN MULTIPART SINGING; IN QUEST OF COMMUNION; ON MUSICAL CREATIVITYIN "TEXT-ORIENTED" SONG TRADITIONS; PRODUCTION AND PROCESS; MULITPART SINGING, MULTILINGUALISMANDMEDIATIZATION; WAITING FOR THE SEA TO DRY UP; PART II. 2; FEMALE POLYPHONYIN NORTHERN PORTUGAL; CONSTRUCTING COMMUNAL ACTION; FROMMONODY TO POLYPHONY; TWO PART SINGING IN PARALLELIN ROMAGNA; MICROCREATIVITY.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON, AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the ""individuals in company"" leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and lo ...</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Social aspects.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088891</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Part songs</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Folk music</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="x">Aspect social.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Polyphonies</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music: styles & genres.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Folk & traditional music.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Anthropology.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Folk music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Part songs</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ahmedaja, Ardian.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="z">9781443847414</subfield><subfield code="z">1443847410</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=649537</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">eLibro</subfield><subfield code="b">ELBO</subfield><subfield code="n">ELB147970</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH25702728</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1477500</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">649537</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11227435</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn860825737 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:35Z |
| institution | BVB |
| isbn | 1443852155 9781443852159 |
| language | English |
| oclc_num | 860825737 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 374 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Cambridge Scholars Pub., |
| record_format | marc |
| spelling | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / edited by Ardian Ahmedaja. Newcastle upon Tyne : Cambridge Scholars Pub., 2013. 1 online resource (xii, 374 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Contributions selected from papers presented at the 2nd Symposium of the Study Group for Multipart Music within the International Council for Traditional Music, Tiranë, Albania, 2012. Includes bibliographical references and index. Print version record. TABLE OF CONTENTS; ACKNOWLEDGEMENTS; PREFACE; PART I; MULTIPART DRINKING (AND SINGING); PART II; PART II.1; SECONDARY ORALITY AND CREATIVITYPROCESSES IN MULTIPART SINGING; IN QUEST OF COMMUNION; ON MUSICAL CREATIVITYIN "TEXT-ORIENTED" SONG TRADITIONS; PRODUCTION AND PROCESS; MULITPART SINGING, MULTILINGUALISMANDMEDIATIZATION; WAITING FOR THE SEA TO DRY UP; PART II. 2; FEMALE POLYPHONYIN NORTHERN PORTUGAL; CONSTRUCTING COMMUNAL ACTION; FROMMONODY TO POLYPHONY; TWO PART SINGING IN PARALLELIN ROMAGNA; MICROCREATIVITY. DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON, AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX. In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the ""individuals in company"" leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and lo ... Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Part songs History and criticism. Folk music History and criticism. Musique Aspect social. Polyphonies Histoire et critique. Music: styles & genres. bicssc Folk & traditional music. bicssc Anthropology. bicssc MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Folk music fast Music Social aspects fast Part songs fast Criticism, interpretation, etc. fast Ahmedaja, Ardian. Print version: 9781443847414 1443847410 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=649537 Volltext |
| spellingShingle | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / TABLE OF CONTENTS; ACKNOWLEDGEMENTS; PREFACE; PART I; MULTIPART DRINKING (AND SINGING); PART II; PART II.1; SECONDARY ORALITY AND CREATIVITYPROCESSES IN MULTIPART SINGING; IN QUEST OF COMMUNION; ON MUSICAL CREATIVITYIN "TEXT-ORIENTED" SONG TRADITIONS; PRODUCTION AND PROCESS; MULITPART SINGING, MULTILINGUALISMANDMEDIATIZATION; WAITING FOR THE SEA TO DRY UP; PART II. 2; FEMALE POLYPHONYIN NORTHERN PORTUGAL; CONSTRUCTING COMMUNAL ACTION; FROMMONODY TO POLYPHONY; TWO PART SINGING IN PARALLELIN ROMAGNA; MICROCREATIVITY. DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON, AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX. Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Part songs History and criticism. Folk music History and criticism. Musique Aspect social. Polyphonies Histoire et critique. Music: styles & genres. bicssc Folk & traditional music. bicssc Anthropology. bicssc MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Folk music fast Music Social aspects fast Part songs fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088891 |
| title | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / |
| title_auth | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / |
| title_exact_search | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / |
| title_full | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / edited by Ardian Ahmedaja. |
| title_fullStr | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / edited by Ardian Ahmedaja. |
| title_full_unstemmed | Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents / edited by Ardian Ahmedaja. |
| title_short | Local and global understandings of creativities : |
| title_sort | local and global understandings of creativities multipart music making and the construction of ideas contexts and contents |
| title_sub | multipart music making and the construction of ideas, contexts and contents / |
| topic | Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Part songs History and criticism. Folk music History and criticism. Musique Aspect social. Polyphonies Histoire et critique. Music: styles & genres. bicssc Folk & traditional music. bicssc Anthropology. bicssc MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Folk music fast Music Social aspects fast Part songs fast |
| topic_facet | Music Social aspects. Part songs History and criticism. Folk music History and criticism. Musique Aspect social. Polyphonies Histoire et critique. Music: styles & genres. Folk & traditional music. Anthropology. MUSIC Genres & Styles Classical. MUSIC Reference. Folk music Music Social aspects Part songs Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=649537 |
| work_keys_str_mv | AT ahmedajaardian localandglobalunderstandingsofcreativitiesmultipartmusicmakingandtheconstructionofideascontextsandcontents |