The curatorial :: a philosophy of curating /
"Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Bloomsbury Academic,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times"--Provided by publisher. |
| Beschreibung: | 1 online resource (255 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781472523167 1472523164 1306722101 9781306722100 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn860754985 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 131014t20132013enka ob 001 0 eng d | ||
| 040 | |a YDXCP |b eng |e pn |c YDXCP |d OCLCO |d N$T |d CDX |d OCLCQ |d OCLCO |d OCLCQ |d EBLCP |d WAU |d IDEBK |d DEBSZ |d OCLCO |d OCLCQ |d OCLCO |d N15 |d OCLCQ |d BUF |d OCLCF |d UKAHL |d OCLCQ |d UKUAL |d BLOOM |d OCLCO |d K6U |d OCLCQ |d OCLCO |d OCLCQ |d OCLCL |d OCLCQ |d SXB |d OCLCQ | ||
| 019 | |a 861538598 |a 879427825 |a 965409372 |a 1193519060 | ||
| 020 | |a 9781472523167 |q (electronic book) | ||
| 020 | |a 1472523164 |q (electronic book) | ||
| 020 | |a 1306722101 |q (ebk) | ||
| 020 | |a 9781306722100 |q (ebk) | ||
| 020 | |z 9781472525604 |q (hardcover) | ||
| 020 | |z 1472525604 |q (hardcover) | ||
| 035 | |a (OCoLC)860754985 |z (OCoLC)861538598 |z (OCoLC)879427825 |z (OCoLC)965409372 |z (OCoLC)1193519060 | ||
| 037 | |a 603461 |b MIL | ||
| 050 | 4 | |a N410 |b .C8697 2013 | |
| 072 | 7 | |a ARC |x 011000 |2 bisacsh | |
| 082 | 7 | |a 727/.701 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 4 | |a The curatorial : |b a philosophy of curating / |c edited by Jean-Paul Martinon. |
| 264 | 1 | |a London ; |a New York : |b Bloomsbury Academic, |c 2013. | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (255 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 340 | |g polychrome. |2 rdacc | ||
| 347 | |a text file |2 rdaft | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Preface / |r Irit Rogoff and Jean-Paul Martinon -- |g Introduction / |r Jean-Paul Martinon -- |g Part I. |t Send-Offs. |t On the Curatorial, From the Trapeze / |r Raqs Media Collective -- |t Theses in the Philosophy of Curating / |r Jean-Paul Martinon -- |t Whence the Future? / |r Alfredo Cramerotti -- |t The Expanded Field / |r Irit Rogoff -- |t Dear Art, Yours Sincerely / |r Natasa Ilic WHW -- |g Part II. |t Praxeologies. |t The Curator Crosses the River : |t A Fabulation / |r Stefan Nowotny -- |t Becoming-Curator / |r Suzana Milevska -- |t An Exhausted Curating / |r Leire Vergara -- |t Eros, Plague, Olfaction : |t Three Allegories of the Curatorial / |r Jenny Doussan -- |g Part III. |t Moves. |t The Task at Hand : |t Transcending the Clamp of Sovereignty / |r Ariella Azoulay -- |t The Simple Operator / |r Sarah Pierce -- |t Three Short Takes on the Curatorial / |r Doreen Mende -- |t Aku menjadi saksi kepada -- What I am Thinking / |r Roopesh Sitharan -- |t Betrayal and the Curatorial -- a testimony for the committee / |r Joshua Simon -- |g Part IV. |t Heresies. |t A Conspiracy Without a Plot / |r Stefano Harney and Valentina Desideri -- |t What does a Question Do? |t Micropolitics and Art Education / |r Susan Kelly -- |t Being Able to Do Something / |r Nora Sternfeld -- |t The Politics of Residual Fun / |r Valeria Graziano -- |g Part V. |t Refigurations. |t Modern Art : |t Its Very Idea and the time/space of the collection / |r Helmut Draxler -- |t Two Invoking Media : |t Radio and Exhibition / |r Jean-Louis Deotte -- |t In Unfamiliar Terrain preliminary notes towards site-relationality and the curatorial / |r Anshuman Dasgupta -- |t Curating Ghostly Objects : counter-memories in cinematic space / |r Cihat Arinc -- |t Non-Museums / |r Adnan Madani -- |g Part VI. |t Stages. |t Curating, Dramatization, and the Diagram : notes towards a sensible stage / |r Bridget Crone -- |t Curating Context / |r Aneta Szylak -- |t Backstage and Processuality : unfolding the installation sites of curatorial projects / |r Ines Moreira -- |t This is Not About Us / |r Je Yun Moon -- |t Coda: The Curatorial / |r Charles Esche. |
| 520 | |a "Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times"--Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Curatorship |x Philosophy. | |
| 650 | 0 | |a Art museums |x Philosophy. | |
| 650 | 6 | |a Conservation |x Philosophie. | |
| 650 | 7 | |a ARCHITECTURE |x Buildings |x Public, Commercial & Industrial. |2 bisacsh | |
| 650 | 7 | |a Art museums |x Philosophy |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Martinon, Jean-Paul, |e editor. |0 http://id.loc.gov/authorities/names/nr96024692 | |
| 776 | 0 | 8 | |i Print version: |t Curatorial. |d London ; New York : Bloomsbury Academic, 2013 |z 9781472525604 |w (DLC) 2013024805 |w (OCoLC)851175430 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=644367 |3 Volltext |
| 938 | |a Bloomsbury Publishing |b BLOO |n CDCHOCA9781350276444 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH26397483 | ||
| 938 | |a Coutts Information Services |b COUT |n 28280314 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1426801 | ||
| 938 | |a EBSCOhost |b EBSC |n 644367 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis28280314 | ||
| 938 | |a YBP Library Services |b YANK |n 11202447 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn860754985 |
|---|---|
| _version_ | 1816882247540670464 |
| adam_text | |
| any_adam_object | |
| author2 | Martinon, Jean-Paul |
| author2_role | edt |
| author2_variant | j p m jpm |
| author_GND | http://id.loc.gov/authorities/names/nr96024692 |
| author_additional | Irit Rogoff and Jean-Paul Martinon -- Jean-Paul Martinon -- Raqs Media Collective -- Alfredo Cramerotti -- Irit Rogoff -- Natasa Ilic WHW -- Stefan Nowotny -- Suzana Milevska -- Leire Vergara -- Jenny Doussan -- Ariella Azoulay -- Sarah Pierce -- Doreen Mende -- Roopesh Sitharan -- Joshua Simon -- Stefano Harney and Valentina Desideri -- Susan Kelly -- Nora Sternfeld -- Valeria Graziano -- Helmut Draxler -- Jean-Louis Deotte -- Anshuman Dasgupta -- Cihat Arinc -- Adnan Madani -- Bridget Crone -- Aneta Szylak -- Ines Moreira -- Je Yun Moon -- Charles Esche. |
| author_facet | Martinon, Jean-Paul |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N410 |
| callnumber-raw | N410 .C8697 2013 |
| callnumber-search | N410 .C8697 2013 |
| callnumber-sort | N 3410 C8697 42013 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Send-Offs. On the Curatorial, From the Trapeze / Theses in the Philosophy of Curating / Whence the Future? / The Expanded Field / Dear Art, Yours Sincerely / Praxeologies. The Curator Crosses the River : A Fabulation / Becoming-Curator / An Exhausted Curating / Eros, Plague, Olfaction : Three Allegories of the Curatorial / Moves. The Task at Hand : Transcending the Clamp of Sovereignty / The Simple Operator / Three Short Takes on the Curatorial / Aku menjadi saksi kepada -- What I am Thinking / Betrayal and the Curatorial -- a testimony for the committee / Heresies. A Conspiracy Without a Plot / What does a Question Do? Micropolitics and Art Education / Being Able to Do Something / The Politics of Residual Fun / Refigurations. Modern Art : Its Very Idea and the time/space of the collection / Two Invoking Media : Radio and Exhibition / In Unfamiliar Terrain preliminary notes towards site-relationality and the curatorial / Curating Ghostly Objects : counter-memories in cinematic space / Non-Museums / Stages. Curating, Dramatization, and the Diagram : notes towards a sensible stage / Curating Context / Backstage and Processuality : unfolding the installation sites of curatorial projects / This is Not About Us / Coda: The Curatorial / |
| ctrlnum | (OCoLC)860754985 |
| dewey-full | 727/.701 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 727 - Buildings for education & research |
| dewey-raw | 727/.701 |
| dewey-search | 727/.701 |
| dewey-sort | 3727 3701 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06180cam a2200625 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn860754985</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |n|||||||||</controlfield><controlfield tag="008">131014t20132013enka ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">YDXCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">YDXCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N$T</subfield><subfield code="d">CDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">EBLCP</subfield><subfield code="d">WAU</subfield><subfield code="d">IDEBK</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N15</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BUF</subfield><subfield code="d">OCLCF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKUAL</subfield><subfield code="d">BLOOM</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SXB</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">861538598</subfield><subfield code="a">879427825</subfield><subfield code="a">965409372</subfield><subfield code="a">1193519060</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472523167</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1472523164</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1306722101</subfield><subfield code="q">(ebk)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781306722100</subfield><subfield code="q">(ebk)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781472525604</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1472525604</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)860754985</subfield><subfield code="z">(OCoLC)861538598</subfield><subfield code="z">(OCoLC)879427825</subfield><subfield code="z">(OCoLC)965409372</subfield><subfield code="z">(OCoLC)1193519060</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">603461</subfield><subfield code="b">MIL</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N410</subfield><subfield code="b">.C8697 2013</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ARC</subfield><subfield code="x">011000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">727/.701</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="4"><subfield code="a">The curatorial :</subfield><subfield code="b">a philosophy of curating /</subfield><subfield code="c">edited by Jean-Paul Martinon.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Bloomsbury Academic,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (255 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="340" ind1=" " ind2=" "><subfield code="g">polychrome.</subfield><subfield code="2">rdacc</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="2">rdaft</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="g">Preface /</subfield><subfield code="r">Irit Rogoff and Jean-Paul Martinon --</subfield><subfield code="g">Introduction /</subfield><subfield code="r">Jean-Paul Martinon --</subfield><subfield code="g">Part I.</subfield><subfield code="t">Send-Offs.</subfield><subfield code="t">On the Curatorial, From the Trapeze /</subfield><subfield code="r">Raqs Media Collective --</subfield><subfield code="t">Theses in the Philosophy of Curating /</subfield><subfield code="r">Jean-Paul Martinon --</subfield><subfield code="t">Whence the Future? /</subfield><subfield code="r">Alfredo Cramerotti --</subfield><subfield code="t">The Expanded Field /</subfield><subfield code="r">Irit Rogoff --</subfield><subfield code="t">Dear Art, Yours Sincerely /</subfield><subfield code="r">Natasa Ilic WHW --</subfield><subfield code="g">Part II.</subfield><subfield code="t">Praxeologies.</subfield><subfield code="t">The Curator Crosses the River :</subfield><subfield code="t">A Fabulation /</subfield><subfield code="r">Stefan Nowotny --</subfield><subfield code="t">Becoming-Curator /</subfield><subfield code="r">Suzana Milevska --</subfield><subfield code="t">An Exhausted Curating /</subfield><subfield code="r">Leire Vergara --</subfield><subfield code="t">Eros, Plague, Olfaction :</subfield><subfield code="t">Three Allegories of the Curatorial /</subfield><subfield code="r">Jenny Doussan --</subfield><subfield code="g">Part III.</subfield><subfield code="t">Moves.</subfield><subfield code="t">The Task at Hand :</subfield><subfield code="t">Transcending the Clamp of Sovereignty /</subfield><subfield code="r">Ariella Azoulay --</subfield><subfield code="t">The Simple Operator /</subfield><subfield code="r">Sarah Pierce --</subfield><subfield code="t">Three Short Takes on the Curatorial /</subfield><subfield code="r">Doreen Mende --</subfield><subfield code="t">Aku menjadi saksi kepada -- What I am Thinking /</subfield><subfield code="r">Roopesh Sitharan --</subfield><subfield code="t">Betrayal and the Curatorial -- a testimony for the committee /</subfield><subfield code="r">Joshua Simon --</subfield><subfield code="g">Part IV.</subfield><subfield code="t">Heresies.</subfield><subfield code="t">A Conspiracy Without a Plot /</subfield><subfield code="r">Stefano Harney and Valentina Desideri --</subfield><subfield code="t">What does a Question Do?</subfield><subfield code="t">Micropolitics and Art Education /</subfield><subfield code="r">Susan Kelly --</subfield><subfield code="t">Being Able to Do Something /</subfield><subfield code="r">Nora Sternfeld --</subfield><subfield code="t">The Politics of Residual Fun /</subfield><subfield code="r">Valeria Graziano --</subfield><subfield code="g">Part V.</subfield><subfield code="t">Refigurations.</subfield><subfield code="t">Modern Art :</subfield><subfield code="t">Its Very Idea and the time/space of the collection /</subfield><subfield code="r">Helmut Draxler --</subfield><subfield code="t">Two Invoking Media :</subfield><subfield code="t">Radio and Exhibition /</subfield><subfield code="r">Jean-Louis Deotte --</subfield><subfield code="t">In Unfamiliar Terrain preliminary notes towards site-relationality and the curatorial /</subfield><subfield code="r">Anshuman Dasgupta --</subfield><subfield code="t">Curating Ghostly Objects : counter-memories in cinematic space /</subfield><subfield code="r">Cihat Arinc --</subfield><subfield code="t">Non-Museums /</subfield><subfield code="r">Adnan Madani --</subfield><subfield code="g">Part VI.</subfield><subfield code="t">Stages.</subfield><subfield code="t">Curating, Dramatization, and the Diagram : notes towards a sensible stage /</subfield><subfield code="r">Bridget Crone --</subfield><subfield code="t">Curating Context /</subfield><subfield code="r">Aneta Szylak --</subfield><subfield code="t">Backstage and Processuality : unfolding the installation sites of curatorial projects /</subfield><subfield code="r">Ines Moreira --</subfield><subfield code="t">This is Not About Us /</subfield><subfield code="r">Je Yun Moon --</subfield><subfield code="t">Coda: The Curatorial /</subfield><subfield code="r">Charles Esche.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times"--Provided by publisher.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Curatorship</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art museums</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Conservation</subfield><subfield code="x">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ARCHITECTURE</subfield><subfield code="x">Buildings</subfield><subfield code="x">Public, Commercial & Industrial.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art museums</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic book.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Martinon, Jean-Paul,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nr96024692</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Curatorial.</subfield><subfield code="d">London ; New York : Bloomsbury Academic, 2013</subfield><subfield code="z">9781472525604</subfield><subfield code="w">(DLC) 2013024805</subfield><subfield code="w">(OCoLC)851175430</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=644367</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">CDCHOCA9781350276444</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH26397483</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">28280314</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1426801</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">644367</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis28280314</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11202447</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-ocn860754985 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:35Z |
| institution | BVB |
| isbn | 9781472523167 1472523164 1306722101 9781306722100 |
| language | English |
| oclc_num | 860754985 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (255 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | The curatorial : a philosophy of curating / edited by Jean-Paul Martinon. London ; New York : Bloomsbury Academic, 2013. ©2013 1 online resource (255 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier polychrome. rdacc text file rdaft Includes bibliographical references and index. Preface / Irit Rogoff and Jean-Paul Martinon -- Introduction / Jean-Paul Martinon -- Part I. Send-Offs. On the Curatorial, From the Trapeze / Raqs Media Collective -- Theses in the Philosophy of Curating / Jean-Paul Martinon -- Whence the Future? / Alfredo Cramerotti -- The Expanded Field / Irit Rogoff -- Dear Art, Yours Sincerely / Natasa Ilic WHW -- Part II. Praxeologies. The Curator Crosses the River : A Fabulation / Stefan Nowotny -- Becoming-Curator / Suzana Milevska -- An Exhausted Curating / Leire Vergara -- Eros, Plague, Olfaction : Three Allegories of the Curatorial / Jenny Doussan -- Part III. Moves. The Task at Hand : Transcending the Clamp of Sovereignty / Ariella Azoulay -- The Simple Operator / Sarah Pierce -- Three Short Takes on the Curatorial / Doreen Mende -- Aku menjadi saksi kepada -- What I am Thinking / Roopesh Sitharan -- Betrayal and the Curatorial -- a testimony for the committee / Joshua Simon -- Part IV. Heresies. A Conspiracy Without a Plot / Stefano Harney and Valentina Desideri -- What does a Question Do? Micropolitics and Art Education / Susan Kelly -- Being Able to Do Something / Nora Sternfeld -- The Politics of Residual Fun / Valeria Graziano -- Part V. Refigurations. Modern Art : Its Very Idea and the time/space of the collection / Helmut Draxler -- Two Invoking Media : Radio and Exhibition / Jean-Louis Deotte -- In Unfamiliar Terrain preliminary notes towards site-relationality and the curatorial / Anshuman Dasgupta -- Curating Ghostly Objects : counter-memories in cinematic space / Cihat Arinc -- Non-Museums / Adnan Madani -- Part VI. Stages. Curating, Dramatization, and the Diagram : notes towards a sensible stage / Bridget Crone -- Curating Context / Aneta Szylak -- Backstage and Processuality : unfolding the installation sites of curatorial projects / Ines Moreira -- This is Not About Us / Je Yun Moon -- Coda: The Curatorial / Charles Esche. "Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times"--Provided by publisher. Print version record. Curatorship Philosophy. Art museums Philosophy. Conservation Philosophie. ARCHITECTURE Buildings Public, Commercial & Industrial. bisacsh Art museums Philosophy fast Electronic book. Martinon, Jean-Paul, editor. http://id.loc.gov/authorities/names/nr96024692 Print version: Curatorial. London ; New York : Bloomsbury Academic, 2013 9781472525604 (DLC) 2013024805 (OCoLC)851175430 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=644367 Volltext |
| spellingShingle | The curatorial : a philosophy of curating / Send-Offs. On the Curatorial, From the Trapeze / Theses in the Philosophy of Curating / Whence the Future? / The Expanded Field / Dear Art, Yours Sincerely / Praxeologies. The Curator Crosses the River : A Fabulation / Becoming-Curator / An Exhausted Curating / Eros, Plague, Olfaction : Three Allegories of the Curatorial / Moves. The Task at Hand : Transcending the Clamp of Sovereignty / The Simple Operator / Three Short Takes on the Curatorial / Aku menjadi saksi kepada -- What I am Thinking / Betrayal and the Curatorial -- a testimony for the committee / Heresies. A Conspiracy Without a Plot / What does a Question Do? Micropolitics and Art Education / Being Able to Do Something / The Politics of Residual Fun / Refigurations. Modern Art : Its Very Idea and the time/space of the collection / Two Invoking Media : Radio and Exhibition / In Unfamiliar Terrain preliminary notes towards site-relationality and the curatorial / Curating Ghostly Objects : counter-memories in cinematic space / Non-Museums / Stages. Curating, Dramatization, and the Diagram : notes towards a sensible stage / Curating Context / Backstage and Processuality : unfolding the installation sites of curatorial projects / This is Not About Us / Coda: The Curatorial / Curatorship Philosophy. Art museums Philosophy. Conservation Philosophie. ARCHITECTURE Buildings Public, Commercial & Industrial. bisacsh Art museums Philosophy fast |
| title | The curatorial : a philosophy of curating / |
| title_alt | Send-Offs. On the Curatorial, From the Trapeze / Theses in the Philosophy of Curating / Whence the Future? / The Expanded Field / Dear Art, Yours Sincerely / Praxeologies. The Curator Crosses the River : A Fabulation / Becoming-Curator / An Exhausted Curating / Eros, Plague, Olfaction : Three Allegories of the Curatorial / Moves. The Task at Hand : Transcending the Clamp of Sovereignty / The Simple Operator / Three Short Takes on the Curatorial / Aku menjadi saksi kepada -- What I am Thinking / Betrayal and the Curatorial -- a testimony for the committee / Heresies. A Conspiracy Without a Plot / What does a Question Do? Micropolitics and Art Education / Being Able to Do Something / The Politics of Residual Fun / Refigurations. Modern Art : Its Very Idea and the time/space of the collection / Two Invoking Media : Radio and Exhibition / In Unfamiliar Terrain preliminary notes towards site-relationality and the curatorial / Curating Ghostly Objects : counter-memories in cinematic space / Non-Museums / Stages. Curating, Dramatization, and the Diagram : notes towards a sensible stage / Curating Context / Backstage and Processuality : unfolding the installation sites of curatorial projects / This is Not About Us / Coda: The Curatorial / |
| title_auth | The curatorial : a philosophy of curating / |
| title_exact_search | The curatorial : a philosophy of curating / |
| title_full | The curatorial : a philosophy of curating / edited by Jean-Paul Martinon. |
| title_fullStr | The curatorial : a philosophy of curating / edited by Jean-Paul Martinon. |
| title_full_unstemmed | The curatorial : a philosophy of curating / edited by Jean-Paul Martinon. |
| title_short | The curatorial : |
| title_sort | curatorial a philosophy of curating |
| title_sub | a philosophy of curating / |
| topic | Curatorship Philosophy. Art museums Philosophy. Conservation Philosophie. ARCHITECTURE Buildings Public, Commercial & Industrial. bisacsh Art museums Philosophy fast |
| topic_facet | Curatorship Philosophy. Art museums Philosophy. Conservation Philosophie. ARCHITECTURE Buildings Public, Commercial & Industrial. Art museums Philosophy Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=644367 |
| work_keys_str_mv | AT martinonjeanpaul thecuratorialaphilosophyofcurating AT martinonjeanpaul curatorialaphilosophyofcurating |