Hollywood's Africa after 1994 /:
Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the postapartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploit...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Athens :
Ohio University Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the postapartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation-within the contexts of celebrity humanitarianism, "new" military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamo. |
| Beschreibung: | 1 online resource (288 pages). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780821444337 0821444336 |
Internformat
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| 245 | 0 | 0 | |a Hollywood's Africa after 1994 / |c edited by MaryEllen Higgins. |
| 260 | |a Athens : |b Ohio University Press, |c 2012. | ||
| 300 | |a 1 online resource (288 pages). | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the postapartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation-within the contexts of celebrity humanitarianism, "new" military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamo. | ||
| 651 | 0 | |a Africa |x In motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85001716 | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 21st century. | |
| 650 | 0 | |a Culture conflict in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2003010131 | |
| 650 | 0 | |a Imperialism in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh95009400 | |
| 650 | 0 | |a Human rights in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2006007302 | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Impérialisme au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
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| 650 | 7 | |a Human rights in motion pictures |2 fast | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn859674286 |
|---|---|
| _version_ | 1816882247022673922 |
| adam_text | |
| any_adam_object | |
| author2 | Higgins, MaryEllen, 1967- |
| author2_role | edt |
| author2_variant | m h mh |
| author_GND | http://id.loc.gov/authorities/names/n2006078028 |
| author_facet | Higgins, MaryEllen, 1967- |
| building | Verbundindex |
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| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.A43 H65 2012 |
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| contents | Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. |
| ctrlnum | (OCoLC)859674286 |
| dewey-full | 791.43/651 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/651 |
| dewey-search | 791.43/651 |
| dewey-sort | 3791.43 3651 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Africa In motion pictures. http://id.loc.gov/authorities/subjects/sh85001716 Africa fast https://id.oclc.org/worldcat/entity/E39PBJkHrMyfHC67yqRTycbrv3 United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | Africa In motion pictures. Africa United States |
| id | ZDB-4-EBA-ocn859674286 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:34Z |
| institution | BVB |
| isbn | 9780821444337 0821444336 |
| language | English |
| oclc_num | 859674286 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (288 pages). |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Ohio University Press, |
| record_format | marc |
| spelling | Hollywood's Africa after 1994 / edited by MaryEllen Higgins. Athens : Ohio University Press, 2012. 1 online resource (288 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. Print version record. Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the postapartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation-within the contexts of celebrity humanitarianism, "new" military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamo. Africa In motion pictures. http://id.loc.gov/authorities/subjects/sh85001716 Motion pictures United States History 21st century. Culture conflict in motion pictures. http://id.loc.gov/authorities/subjects/sh2003010131 Imperialism in motion pictures. http://id.loc.gov/authorities/subjects/sh95009400 Human rights in motion pictures. http://id.loc.gov/authorities/subjects/sh2006007302 Cinéma États-Unis Histoire 21e siècle. Impérialisme au cinéma. PERFORMING ARTS Reference. bisacsh Culture conflict in motion pictures fast Human rights in motion pictures fast Imperialism in motion pictures fast Motion pictures fast Africa fast https://id.oclc.org/worldcat/entity/E39PBJkHrMyfHC67yqRTycbrv3 United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 2000-2099 fast History fast Higgins, MaryEllen, 1967- editor. https://id.oclc.org/worldcat/entity/E39PCjtC4ydDCYCVK4rMyD3KQy http://id.loc.gov/authorities/names/n2006078028 Print version: Hollywood's Africa after 1994. Athens : Ohio University Press, 2012 9780821420157 0821420151 (DLC) 2012032543 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=818166 Volltext |
| spellingShingle | Hollywood's Africa after 1994 / Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. Motion pictures United States History 21st century. Culture conflict in motion pictures. http://id.loc.gov/authorities/subjects/sh2003010131 Imperialism in motion pictures. http://id.loc.gov/authorities/subjects/sh95009400 Human rights in motion pictures. http://id.loc.gov/authorities/subjects/sh2006007302 Cinéma États-Unis Histoire 21e siècle. Impérialisme au cinéma. PERFORMING ARTS Reference. bisacsh Culture conflict in motion pictures fast Human rights in motion pictures fast Imperialism in motion pictures fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85001716 http://id.loc.gov/authorities/subjects/sh2003010131 http://id.loc.gov/authorities/subjects/sh95009400 http://id.loc.gov/authorities/subjects/sh2006007302 |
| title | Hollywood's Africa after 1994 / |
| title_auth | Hollywood's Africa after 1994 / |
| title_exact_search | Hollywood's Africa after 1994 / |
| title_full | Hollywood's Africa after 1994 / edited by MaryEllen Higgins. |
| title_fullStr | Hollywood's Africa after 1994 / edited by MaryEllen Higgins. |
| title_full_unstemmed | Hollywood's Africa after 1994 / edited by MaryEllen Higgins. |
| title_short | Hollywood's Africa after 1994 / |
| title_sort | hollywood s africa after 1994 |
| topic | Motion pictures United States History 21st century. Culture conflict in motion pictures. http://id.loc.gov/authorities/subjects/sh2003010131 Imperialism in motion pictures. http://id.loc.gov/authorities/subjects/sh95009400 Human rights in motion pictures. http://id.loc.gov/authorities/subjects/sh2006007302 Cinéma États-Unis Histoire 21e siècle. Impérialisme au cinéma. PERFORMING ARTS Reference. bisacsh Culture conflict in motion pictures fast Human rights in motion pictures fast Imperialism in motion pictures fast Motion pictures fast |
| topic_facet | Africa In motion pictures. Motion pictures United States History 21st century. Culture conflict in motion pictures. Imperialism in motion pictures. Human rights in motion pictures. Cinéma États-Unis Histoire 21e siècle. Impérialisme au cinéma. PERFORMING ARTS Reference. Culture conflict in motion pictures Human rights in motion pictures Imperialism in motion pictures Motion pictures Africa United States History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=818166 |
| work_keys_str_mv | AT higginsmaryellen hollywoodsafricaafter1994 |