How the materiality of paint is intrinsic to the work of art :: an explanation of the meaningful placement of the medium of painting in contemporary art theory /
With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lewiston, New York :
Edwin Mellen Press,
[2013]
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon. |
| Beschreibung: | 1 online resource (ix, 288 pages .) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773407381 0773407383 |
Internformat
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| 245 | 1 | 0 | |a How the materiality of paint is intrinsic to the work of art : |b an explanation of the meaningful placement of the medium of painting in contemporary art theory / |c Sharon Orleans Lawrence ; with foreword by George Bauer. |
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| 300 | |a 1 online resource (ix, 288 pages .) | ||
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking. | |
| 505 | 8 | |a Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index. | |
| 520 | |a With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon. | ||
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| adam_text | |
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| author | Lawrence, Sharon Orleans |
| author_facet | Lawrence, Sharon Orleans |
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| contents | HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking. Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index. |
| ctrlnum | (OCoLC)859581884 |
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| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759 |
| dewey-search | 759 |
| dewey-sort | 3759 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn859581884 |
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| indexdate | 2025-04-11T08:41:36Z |
| institution | BVB |
| isbn | 9780773407381 0773407383 |
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| spelling | Lawrence, Sharon Orleans. How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / Sharon Orleans Lawrence ; with foreword by George Bauer. Lewiston, New York : Edwin Mellen Press, [2013] 1 online resource (ix, 288 pages .) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking. Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index. With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon. English. Painting History. http://id.loc.gov/authorities/subjects/sh85096669 Peinture Histoire. ART History General. bisacsh Painting fast Visual Arts. hilcc Art, Architecture & Applied Arts. hilcc Painting. hilcc History fast George Bauer, writer of foreword. has work: How the materiality of paint is intrinsic to the work of art (Text) https://id.oclc.org/worldcat/entity/E39PCFJcPCMTrdTrF4ft8m76jy https://id.oclc.org/worldcat/ontology/hasWork Print version: 9780773444638 0773444637 |
| spellingShingle | Lawrence, Sharon Orleans How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking. Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index. Painting History. http://id.loc.gov/authorities/subjects/sh85096669 Peinture Histoire. ART History General. bisacsh Painting fast Visual Arts. hilcc Art, Architecture & Applied Arts. hilcc Painting. hilcc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85096669 |
| title | How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / |
| title_auth | How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / |
| title_exact_search | How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / |
| title_full | How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / Sharon Orleans Lawrence ; with foreword by George Bauer. |
| title_fullStr | How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / Sharon Orleans Lawrence ; with foreword by George Bauer. |
| title_full_unstemmed | How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory / Sharon Orleans Lawrence ; with foreword by George Bauer. |
| title_short | How the materiality of paint is intrinsic to the work of art : |
| title_sort | how the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory |
| title_sub | an explanation of the meaningful placement of the medium of painting in contemporary art theory / |
| topic | Painting History. http://id.loc.gov/authorities/subjects/sh85096669 Peinture Histoire. ART History General. bisacsh Painting fast Visual Arts. hilcc Art, Architecture & Applied Arts. hilcc Painting. hilcc |
| topic_facet | Painting History. Peinture Histoire. ART History General. Painting Visual Arts. Art, Architecture & Applied Arts. Painting. History |
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