Dance on its own terms :: histories and methodologies /
Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Oxford University Press,
[2013]
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. |
| Physical Description: | 1 online resource (vi, 448 pages) : illustrations |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9780199939992 0199939993 0199333130 9780199333134 |
Staff View
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| 245 | 0 | 0 | |a Dance on its own terms : |b histories and methodologies / |c edited by Melanie Bales and Karen Eliot. |
| 264 | 1 | |a New York : |b Oxford University Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (vi, 448 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. | |
| 505 | 0 | |a ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" | |
| 505 | 8 | |a ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" | |
| 505 | 8 | |a ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanov�s Notation""; ""13. Musical Expression in the Bournonville-L�venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morris� Dido and Aeneas""; ""16. What�s in a Dance? The Complexity of Information in Writings about Dance"" | |
| 505 | 8 | |a Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z | |
| 650 | 0 | |a Dance |x History. | |
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| 650 | 0 | |a Dance |x Methodology. | |
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| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Bales, Melanie. | |
| 700 | 1 | |a Eliot, Karen. | |
| 758 | |i has work: |a Dance on its own terms (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGXdjRFhhXRYCmRRxKBK8d |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| author2 | Bales, Melanie Eliot, Karen |
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| author_facet | Bales, Melanie Eliot, Karen |
| author_sort | Bales, Melanie |
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| contents | ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance"" Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z |
| ctrlnum | (OCoLC)858861485 |
| dewey-full | 793.309/012 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 793 - Indoor games and amusements |
| dewey-raw | 793.309/012 |
| dewey-search | 793.309/012 |
| dewey-sort | 3793.309 212 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Sport |
| format | Electronic eBook |
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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| id | ZDB-4-EBA-ocn858861485 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:41:35Z |
| institution | BVB |
| isbn | 9780199939992 0199939993 0199333130 9780199333134 |
| language | English |
| oclc_num | 858861485 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (vi, 448 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. New York : Oxford University Press, [2013] ©2013 1 online resource (vi, 448 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance"" Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. bisacsh GAMES Travel Games. bisacsh Dance Research fast Dance fast Electronic books. History fast Bales, Melanie. Eliot, Karen. has work: Dance on its own terms (Text) https://id.oclc.org/worldcat/entity/E39PCGXdjRFhhXRYCmRRxKBK8d https://id.oclc.org/worldcat/ontology/hasWork Print version: Dance on its own terms 9780199939985 (DLC) 2012029766 (OCoLC)805831481 |
| spellingShingle | Dance on its own terms : histories and methodologies / ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance"" Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. bisacsh GAMES Travel Games. bisacsh Dance Research fast Dance fast |
| title | Dance on its own terms : histories and methodologies / |
| title_auth | Dance on its own terms : histories and methodologies / |
| title_exact_search | Dance on its own terms : histories and methodologies / |
| title_full | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. |
| title_fullStr | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. |
| title_full_unstemmed | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. |
| title_short | Dance on its own terms : |
| title_sort | dance on its own terms histories and methodologies |
| title_sub | histories and methodologies / |
| topic | Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. bisacsh GAMES Travel Games. bisacsh Dance Research fast Dance fast |
| topic_facet | Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. GAMES Travel Games. Dance Research Dance Electronic books. History |
| work_keys_str_mv | AT balesmelanie danceonitsowntermshistoriesandmethodologies AT eliotkaren danceonitsowntermshistoriesandmethodologies |