Dance on its own terms :: histories and methodologies /
Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Oxford University Press,
[2013]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. |
| Beschreibung: | 1 online resource (vi, 448 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780199939992 0199939993 0199333130 9780199333134 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn858861485 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 130924s2013 nyua ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d IDEBK |d YDXCP |d CDX |d CAUOI |d DEBBG |d OCLCO |d EBLCP |d OCLCO |d OCLCQ |d OCLCO |d STBDS |d OCLCQ |d CSAIL |d OCLCQ |d OCL |d INT |d OCLCQ |d WYU |d YOU |d OCLCQ |d VT2 |d OCLCQ |d NLE |d UKAHL |d INARC |d OCLCQ |d OCLCO |d SFB |d OCLCO |d K6U |d OCLCQ |d OCLCO |d OCLCL |d ELBRO | ||
| 019 | |a 847125586 |a 922972645 |a 1065651514 |a 1111212644 |a 1228536655 |a 1285467865 |a 1298450582 |a 1327749955 | ||
| 020 | |a 9780199939992 |q (electronic bk.) | ||
| 020 | |a 0199939993 |q (electronic bk.) | ||
| 020 | |a 0199333130 |q (electronic bk.) | ||
| 020 | |a 9780199333134 |q (electronic bk.) | ||
| 020 | |z 9780199939985 | ||
| 020 | |z 0199939985 | ||
| 020 | |z 9780199940004 | ||
| 020 | |z 0199940002 | ||
| 024 | 8 | |a 40022471605 | |
| 024 | 8 | |a 99954020971 | |
| 035 | |a (OCoLC)858861485 |z (OCoLC)847125586 |z (OCoLC)922972645 |z (OCoLC)1065651514 |z (OCoLC)1111212644 |z (OCoLC)1228536655 |z (OCoLC)1285467865 |z (OCoLC)1298450582 |z (OCoLC)1327749955 | ||
| 050 | 4 | |a GV1601 |b .D38 2013eb | |
| 072 | 7 | |a GAM |x 009000 |2 bisacsh | |
| 072 | 7 | |a GAM |x 011000 |2 bisacsh | |
| 082 | 7 | |a 793.309/012 |2 23 | |
| 084 | |a J709 |2 clc | ||
| 084 | |a Iky:d |2 kssb/8 | ||
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Dance on its own terms : |b histories and methodologies / |c edited by Melanie Bales and Karen Eliot. |
| 264 | 1 | |a New York : |b Oxford University Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (vi, 448 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. | |
| 505 | 0 | |a ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" | |
| 505 | 8 | |a ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" | |
| 505 | 8 | |a ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanov�s Notation""; ""13. Musical Expression in the Bournonville-L�venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morris� Dido and Aeneas""; ""16. What�s in a Dance? The Complexity of Information in Writings about Dance"" | |
| 505 | 8 | |a Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z | |
| 650 | 0 | |a Dance |x History. | |
| 650 | 0 | |a Dance |x Research. | |
| 650 | 0 | |a Dance |x Methodology. | |
| 650 | 6 | |a Danse |x Histoire. | |
| 650 | 6 | |a Danse |x Recherche. | |
| 650 | 6 | |a Danse |x Méthodologie. | |
| 650 | 7 | |a GAMES |x Reference. |2 bisacsh | |
| 650 | 7 | |a GAMES |x Travel Games. |2 bisacsh | |
| 650 | 7 | |a Dance |x Research |2 fast | |
| 650 | 7 | |a Dance |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Bales, Melanie. | |
| 700 | 1 | |a Eliot, Karen. | |
| 758 | |i has work: |a Dance on its own terms (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGXdjRFhhXRYCmRRxKBK8d |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Dance on its own terms |z 9780199939985 |w (DLC) 2012029766 |w (OCoLC)805831481 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=642183 |3 Volltext |
| 938 | |a eLibro |b ELBO |n ELB163401 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH25701497 | ||
| 938 | |a Coutts Information Services |b COUT |n 26246555 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL3055619 | ||
| 938 | |a EBSCOhost |b EBSC |n 642183 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis26246555 | ||
| 938 | |a Internet Archive |b INAR |n danceonitsownter0000unse | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0000126825 | ||
| 938 | |a YBP Library Services |b YANK |n 10690345 | ||
| 938 | |a YBP Library Services |b YANK |n 11157401 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn858861485 |
|---|---|
| _version_ | 1816882245058691072 |
| adam_text | |
| any_adam_object | |
| author2 | Bales, Melanie Eliot, Karen |
| author2_role | |
| author2_variant | m b mb k e ke |
| author_facet | Bales, Melanie Eliot, Karen |
| author_sort | Bales, Melanie |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | G - Geography, Anthropology, Recreation |
| callnumber-label | GV1601 |
| callnumber-raw | GV1601 .D38 2013eb |
| callnumber-search | GV1601 .D38 2013eb |
| callnumber-sort | GV 41601 D38 42013EB |
| callnumber-subject | GV - Leisure and Recreation |
| collection | ZDB-4-EBA |
| contents | ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance"" Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z |
| ctrlnum | (OCoLC)858861485 |
| dewey-full | 793.309/012 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 793 - Indoor games and amusements |
| dewey-raw | 793.309/012 |
| dewey-search | 793.309/012 |
| dewey-sort | 3793.309 212 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Sport |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05695cam a2200829 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn858861485</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">130924s2013 nyua ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">IDEBK</subfield><subfield code="d">YDXCP</subfield><subfield code="d">CDX</subfield><subfield code="d">CAUOI</subfield><subfield code="d">DEBBG</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">STBDS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CSAIL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">YOU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VT2</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">NLE</subfield><subfield code="d">UKAHL</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">ELBRO</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">847125586</subfield><subfield code="a">922972645</subfield><subfield code="a">1065651514</subfield><subfield code="a">1111212644</subfield><subfield code="a">1228536655</subfield><subfield code="a">1285467865</subfield><subfield code="a">1298450582</subfield><subfield code="a">1327749955</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199939992</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199939993</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199333130</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199333134</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780199939985</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0199939985</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780199940004</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0199940002</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">40022471605</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">99954020971</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)858861485</subfield><subfield code="z">(OCoLC)847125586</subfield><subfield code="z">(OCoLC)922972645</subfield><subfield code="z">(OCoLC)1065651514</subfield><subfield code="z">(OCoLC)1111212644</subfield><subfield code="z">(OCoLC)1228536655</subfield><subfield code="z">(OCoLC)1285467865</subfield><subfield code="z">(OCoLC)1298450582</subfield><subfield code="z">(OCoLC)1327749955</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">GV1601</subfield><subfield code="b">.D38 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">GAM</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">GAM</subfield><subfield code="x">011000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">793.309/012</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">J709</subfield><subfield code="2">clc</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">Iky:d</subfield><subfield code="2">kssb/8</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Dance on its own terms :</subfield><subfield code="b">histories and methodologies /</subfield><subfield code="c">edited by Melanie Bales and Karen Eliot.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Oxford University Press,</subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (vi, 448 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube""</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?""</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance""</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Dance</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Dance</subfield><subfield code="x">Research.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Dance</subfield><subfield code="x">Methodology.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Danse</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Danse</subfield><subfield code="x">Recherche.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Danse</subfield><subfield code="x">Méthodologie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">GAMES</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">GAMES</subfield><subfield code="x">Travel Games.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Dance</subfield><subfield code="x">Research</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Dance</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bales, Melanie.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Eliot, Karen.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Dance on its own terms (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGXdjRFhhXRYCmRRxKBK8d</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Dance on its own terms</subfield><subfield code="z">9780199939985</subfield><subfield code="w">(DLC) 2012029766</subfield><subfield code="w">(OCoLC)805831481</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=642183</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">eLibro</subfield><subfield code="b">ELBO</subfield><subfield code="n">ELB163401</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH25701497</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">26246555</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL3055619</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">642183</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis26246555</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">danceonitsownter0000unse</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Oxford University Press USA</subfield><subfield code="b">OUPR</subfield><subfield code="n">EDZ0000126825</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">10690345</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11157401</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-ocn858861485 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:32Z |
| institution | BVB |
| isbn | 9780199939992 0199939993 0199333130 9780199333134 |
| language | English |
| oclc_num | 858861485 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vi, 448 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. New York : Oxford University Press, [2013] ©2013 1 online resource (vi, 448 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance"" Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. bisacsh GAMES Travel Games. bisacsh Dance Research fast Dance fast History fast Bales, Melanie. Eliot, Karen. has work: Dance on its own terms (Text) https://id.oclc.org/worldcat/entity/E39PCGXdjRFhhXRYCmRRxKBK8d https://id.oclc.org/worldcat/ontology/hasWork Print version: Dance on its own terms 9780199939985 (DLC) 2012029766 (OCoLC)805831481 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=642183 Volltext |
| spellingShingle | Dance on its own terms : histories and methodologies / ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. â€Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s â€Prayer for the Deadâ€?"" ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance"" Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. bisacsh GAMES Travel Games. bisacsh Dance Research fast Dance fast |
| title | Dance on its own terms : histories and methodologies / |
| title_auth | Dance on its own terms : histories and methodologies / |
| title_exact_search | Dance on its own terms : histories and methodologies / |
| title_full | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. |
| title_fullStr | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. |
| title_full_unstemmed | Dance on its own terms : histories and methodologies / edited by Melanie Bales and Karen Eliot. |
| title_short | Dance on its own terms : |
| title_sort | dance on its own terms histories and methodologies |
| title_sub | histories and methodologies / |
| topic | Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. bisacsh GAMES Travel Games. bisacsh Dance Research fast Dance fast |
| topic_facet | Dance History. Dance Research. Dance Methodology. Danse Histoire. Danse Recherche. Danse Méthodologie. GAMES Reference. GAMES Travel Games. Dance Research Dance History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=642183 |
| work_keys_str_mv | AT balesmelanie danceonitsowntermshistoriesandmethodologies AT eliotkaren danceonitsowntermshistoriesandmethodologies |