Interpreting Historical Keyboard Music :: Sources, Contexts and Performance /
In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together cont...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Farnham :
Ashgate Publishing Ltd,
2013.
©2013 |
| Schriftenreihe: | Ashgate historical keyboard series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, covering the mid-sixteenth to early twentieth century. |
| Beschreibung: | 1 online resource (328 pages) |
| Bibliographie: | Includes bibliographical references (pages 271-294) and index. |
| ISBN: | 9781409464273 140946427X 1306169739 9781306169738 9781409464266 1409464261 1317113551 9781317113553 |
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| 245 | 0 | 0 | |a Interpreting Historical Keyboard Music : |b Sources, Contexts and Performance / |c edited by Andrew Woolley, John Kitchen. |
| 260 | |a Farnham : |b Ashgate Publishing Ltd, |c 2013. | ||
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (328 pages) | ||
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| 490 | 1 | |a Ashgate Historical Keyboard Series | |
| 505 | 0 | |a Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Preface; List of Abbreviations; Introduction; Part I Renaissance Keyboard Music; 1 Some Aspects of P-Cug, MM 242: António Carreira's Keyboard tentos and fantasias and their Close Relationship with Jacques Buus's ricercari; 2 Making Connections: William Byrd, 'Virtual' Networks and the English Keyboard Dance; 3 William Byrd's My Ladye Nevells booke (1591): Negotiating between the stile antico and stile moderno in the Solo Keyboard Repertory. | |
| 505 | 8 | |a Part II Seventeenth-Century Keyboard Music4 Giovanni Maria Trabaci and the New Manner of Inganni: A Musical Mockery in The Early Seicento Ricercare; 5 Places of Memory and Invention: The Compositional Process in Frescobaldi's Manuscripts; 6 The Libro di Fra Gioseffo da Ravenna: A Little Light on a Seventeenth-Century Italian Keyboard Collection; 7 A Discourse of Styles: Contrasting Gigue Types in the A Minor Jig from The Purcell Partial Autograph, GB-Lbl, MS Mus. 1; Part III Performance Practice; 8 Questions of Keyboard Temperament in the Sixteenth Century. | |
| 505 | 8 | |a 9 Seventeenth-Century Harpsichords: Playing the Four-Foot Stop10 'In playing those bells, his amazing dexterity raised my wonder much higher': Carillon Performance Practice in the Seventeenth and Eighteenth Centuries; 11 Dynamics and Orchestral Effects in Late Eighteenth-Century Portuguese Organ Music; 12 Czerny and the Organ: Pragmatism, Prestige and Performance Practice; Part IV Perspectives on Eighteenth-Century Repertoire; 13 Some Reflections on François Couperin's 'New and diversified character'; 14 Music for Connoisseurs and Amateurs: C.P.E. Bach and the Keyboard. | |
| 505 | 8 | |a 15 João Cordeiro da Silva (1735-1808?): A Portuguese Galant Keyboard ComposerPart V The Nineteenth-Century Piano and Repertoire; 16 Grand and Grander: Economic Sidelights on Piano Design and Piano Salesmanship in Early Nineteenth-Century Vienna; 17 Left-Hand Techniques in Carl Czerny's Pedagogical Piano Works and Nineteenth-Century Pianism; 18 In the Footsteps of Jean Paul: Sonority and Pedalling in Robert Schumann's Papillons, Op. 2; 19 A Forgotten Repertoire: The Emergence of Female Piano Composers in Nineteenth-Century Portugal; Bibliography; Index. | |
| 520 | |a In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, covering the mid-sixteenth to early twentieth century. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 271-294) and index. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Keyboard instrument music |x History and criticism. | |
| 650 | 0 | |a Keyboard instrument music |x Interpretation (Phrasing, dynamics, etc.) | |
| 650 | 0 | |a Performance practice (Music) |0 http://id.loc.gov/authorities/subjects/sh89003980 | |
| 650 | 6 | |a Instrument à clavier, Musique d' |x Histoire et critique. | |
| 650 | 6 | |a Instrument à clavier, Musique d' |x Interprétation. | |
| 650 | 6 | |a Pratique de l'exécution (Musique) | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
| 650 | 7 | |a Keyboard instrument music |2 fast | |
| 650 | 7 | |a Performance practice (Music) |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Woolley, Andrew. | |
| 700 | 1 | |a Kitchen, John, |d 1950- |0 http://id.loc.gov/authorities/names/n94089428 | |
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| 776 | 0 | 8 | |i Print version: |a Woolley, Andrew. |t Interpreting Historical Keyboard Music. |d Farnham : Ashgate Publishing Ltd, 2013 |z 9781409464266 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn858763027 |
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| _version_ | 1816882244850024448 |
| adam_text | |
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| author2 | Woolley, Andrew Kitchen, John, 1950- |
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| author_GND | http://id.loc.gov/authorities/names/n94089428 |
| author_facet | Woolley, Andrew Kitchen, John, 1950- |
| author_sort | Woolley, Andrew |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML549 |
| callnumber-raw | ML549 .I58 2013 |
| callnumber-search | ML549 .I58 2013 |
| callnumber-sort | ML 3549 I58 42013 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Preface; List of Abbreviations; Introduction; Part I Renaissance Keyboard Music; 1 Some Aspects of P-Cug, MM 242: António Carreira's Keyboard tentos and fantasias and their Close Relationship with Jacques Buus's ricercari; 2 Making Connections: William Byrd, 'Virtual' Networks and the English Keyboard Dance; 3 William Byrd's My Ladye Nevells booke (1591): Negotiating between the stile antico and stile moderno in the Solo Keyboard Repertory. Part II Seventeenth-Century Keyboard Music4 Giovanni Maria Trabaci and the New Manner of Inganni: A Musical Mockery in The Early Seicento Ricercare; 5 Places of Memory and Invention: The Compositional Process in Frescobaldi's Manuscripts; 6 The Libro di Fra Gioseffo da Ravenna: A Little Light on a Seventeenth-Century Italian Keyboard Collection; 7 A Discourse of Styles: Contrasting Gigue Types in the A Minor Jig from The Purcell Partial Autograph, GB-Lbl, MS Mus. 1; Part III Performance Practice; 8 Questions of Keyboard Temperament in the Sixteenth Century. 9 Seventeenth-Century Harpsichords: Playing the Four-Foot Stop10 'In playing those bells, his amazing dexterity raised my wonder much higher': Carillon Performance Practice in the Seventeenth and Eighteenth Centuries; 11 Dynamics and Orchestral Effects in Late Eighteenth-Century Portuguese Organ Music; 12 Czerny and the Organ: Pragmatism, Prestige and Performance Practice; Part IV Perspectives on Eighteenth-Century Repertoire; 13 Some Reflections on François Couperin's 'New and diversified character'; 14 Music for Connoisseurs and Amateurs: C.P.E. Bach and the Keyboard. 15 João Cordeiro da Silva (1735-1808?): A Portuguese Galant Keyboard ComposerPart V The Nineteenth-Century Piano and Repertoire; 16 Grand and Grander: Economic Sidelights on Piano Design and Piano Salesmanship in Early Nineteenth-Century Vienna; 17 Left-Hand Techniques in Carl Czerny's Pedagogical Piano Works and Nineteenth-Century Pianism; 18 In the Footsteps of Jean Paul: Sonority and Pedalling in Robert Schumann's Papillons, Op. 2; 19 A Forgotten Repertoire: The Emergence of Female Piano Composers in Nineteenth-Century Portugal; Bibliography; Index. |
| ctrlnum | (OCoLC)858763027 |
| dewey-full | 786 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786 |
| dewey-search | 786 |
| dewey-sort | 3786 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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Seventeenth-Century Keyboard Music4 Giovanni Maria Trabaci and the New Manner of Inganni: A Musical Mockery in The Early Seicento Ricercare; 5 Places of Memory and Invention: The Compositional Process in Frescobaldi's Manuscripts; 6 The Libro di Fra Gioseffo da Ravenna: A Little Light on a Seventeenth-Century Italian Keyboard Collection; 7 A Discourse of Styles: Contrasting Gigue Types in the A Minor Jig from The Purcell Partial Autograph, GB-Lbl, MS Mus. 1; Part III Performance Practice; 8 Questions of Keyboard Temperament in the Sixteenth Century.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">9 Seventeenth-Century Harpsichords: Playing the Four-Foot Stop10 'In playing those bells, his amazing dexterity raised my wonder much higher': Carillon Performance Practice in the Seventeenth and Eighteenth Centuries; 11 Dynamics and Orchestral Effects in Late Eighteenth-Century Portuguese Organ Music; 12 Czerny and the Organ: Pragmatism, Prestige and 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn858763027 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:32Z |
| institution | BVB |
| isbn | 9781409464273 140946427X 1306169739 9781306169738 9781409464266 1409464261 1317113551 9781317113553 |
| language | English |
| lccn | 2013010552 |
| oclc_num | 858763027 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (328 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Ashgate Publishing Ltd, |
| record_format | marc |
| series | Ashgate historical keyboard series. |
| series2 | Ashgate Historical Keyboard Series |
| spelling | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / edited by Andrew Woolley, John Kitchen. Farnham : Ashgate Publishing Ltd, 2013. ©2013 1 online resource (328 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Ashgate Historical Keyboard Series Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Preface; List of Abbreviations; Introduction; Part I Renaissance Keyboard Music; 1 Some Aspects of P-Cug, MM 242: António Carreira's Keyboard tentos and fantasias and their Close Relationship with Jacques Buus's ricercari; 2 Making Connections: William Byrd, 'Virtual' Networks and the English Keyboard Dance; 3 William Byrd's My Ladye Nevells booke (1591): Negotiating between the stile antico and stile moderno in the Solo Keyboard Repertory. Part II Seventeenth-Century Keyboard Music4 Giovanni Maria Trabaci and the New Manner of Inganni: A Musical Mockery in The Early Seicento Ricercare; 5 Places of Memory and Invention: The Compositional Process in Frescobaldi's Manuscripts; 6 The Libro di Fra Gioseffo da Ravenna: A Little Light on a Seventeenth-Century Italian Keyboard Collection; 7 A Discourse of Styles: Contrasting Gigue Types in the A Minor Jig from The Purcell Partial Autograph, GB-Lbl, MS Mus. 1; Part III Performance Practice; 8 Questions of Keyboard Temperament in the Sixteenth Century. 9 Seventeenth-Century Harpsichords: Playing the Four-Foot Stop10 'In playing those bells, his amazing dexterity raised my wonder much higher': Carillon Performance Practice in the Seventeenth and Eighteenth Centuries; 11 Dynamics and Orchestral Effects in Late Eighteenth-Century Portuguese Organ Music; 12 Czerny and the Organ: Pragmatism, Prestige and Performance Practice; Part IV Perspectives on Eighteenth-Century Repertoire; 13 Some Reflections on François Couperin's 'New and diversified character'; 14 Music for Connoisseurs and Amateurs: C.P.E. Bach and the Keyboard. 15 João Cordeiro da Silva (1735-1808?): A Portuguese Galant Keyboard ComposerPart V The Nineteenth-Century Piano and Repertoire; 16 Grand and Grander: Economic Sidelights on Piano Design and Piano Salesmanship in Early Nineteenth-Century Vienna; 17 Left-Hand Techniques in Carl Czerny's Pedagogical Piano Works and Nineteenth-Century Pianism; 18 In the Footsteps of Jean Paul: Sonority and Pedalling in Robert Schumann's Papillons, Op. 2; 19 A Forgotten Repertoire: The Emergence of Female Piano Composers in Nineteenth-Century Portugal; Bibliography; Index. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, covering the mid-sixteenth to early twentieth century. Print version record. Includes bibliographical references (pages 271-294) and index. English. Keyboard instrument music History and criticism. Keyboard instrument music Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) http://id.loc.gov/authorities/subjects/sh89003980 Instrument à clavier, Musique d' Histoire et critique. Instrument à clavier, Musique d' Interprétation. Pratique de l'exécution (Musique) MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Keyboard instrument music fast Performance practice (Music) fast Criticism, interpretation, etc. fast Woolley, Andrew. Kitchen, John, 1950- http://id.loc.gov/authorities/names/n94089428 has work: Interpreting Historical Keyboard Music (Text) https://id.oclc.org/worldcat/entity/E39PCFVK6TQXv3CRjvpyX8rtYX https://id.oclc.org/worldcat/ontology/hasWork Print version: Woolley, Andrew. Interpreting Historical Keyboard Music. Farnham : Ashgate Publishing Ltd, 2013 9781409464266 Ashgate historical keyboard series. http://id.loc.gov/authorities/names/no2014094826 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=640100 Volltext |
| spellingShingle | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / Ashgate historical keyboard series. Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Preface; List of Abbreviations; Introduction; Part I Renaissance Keyboard Music; 1 Some Aspects of P-Cug, MM 242: António Carreira's Keyboard tentos and fantasias and their Close Relationship with Jacques Buus's ricercari; 2 Making Connections: William Byrd, 'Virtual' Networks and the English Keyboard Dance; 3 William Byrd's My Ladye Nevells booke (1591): Negotiating between the stile antico and stile moderno in the Solo Keyboard Repertory. Part II Seventeenth-Century Keyboard Music4 Giovanni Maria Trabaci and the New Manner of Inganni: A Musical Mockery in The Early Seicento Ricercare; 5 Places of Memory and Invention: The Compositional Process in Frescobaldi's Manuscripts; 6 The Libro di Fra Gioseffo da Ravenna: A Little Light on a Seventeenth-Century Italian Keyboard Collection; 7 A Discourse of Styles: Contrasting Gigue Types in the A Minor Jig from The Purcell Partial Autograph, GB-Lbl, MS Mus. 1; Part III Performance Practice; 8 Questions of Keyboard Temperament in the Sixteenth Century. 9 Seventeenth-Century Harpsichords: Playing the Four-Foot Stop10 'In playing those bells, his amazing dexterity raised my wonder much higher': Carillon Performance Practice in the Seventeenth and Eighteenth Centuries; 11 Dynamics and Orchestral Effects in Late Eighteenth-Century Portuguese Organ Music; 12 Czerny and the Organ: Pragmatism, Prestige and Performance Practice; Part IV Perspectives on Eighteenth-Century Repertoire; 13 Some Reflections on François Couperin's 'New and diversified character'; 14 Music for Connoisseurs and Amateurs: C.P.E. Bach and the Keyboard. 15 João Cordeiro da Silva (1735-1808?): A Portuguese Galant Keyboard ComposerPart V The Nineteenth-Century Piano and Repertoire; 16 Grand and Grander: Economic Sidelights on Piano Design and Piano Salesmanship in Early Nineteenth-Century Vienna; 17 Left-Hand Techniques in Carl Czerny's Pedagogical Piano Works and Nineteenth-Century Pianism; 18 In the Footsteps of Jean Paul: Sonority and Pedalling in Robert Schumann's Papillons, Op. 2; 19 A Forgotten Repertoire: The Emergence of Female Piano Composers in Nineteenth-Century Portugal; Bibliography; Index. Keyboard instrument music History and criticism. Keyboard instrument music Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) http://id.loc.gov/authorities/subjects/sh89003980 Instrument à clavier, Musique d' Histoire et critique. Instrument à clavier, Musique d' Interprétation. Pratique de l'exécution (Musique) MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Keyboard instrument music fast Performance practice (Music) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh89003980 |
| title | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / |
| title_auth | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / |
| title_exact_search | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / |
| title_full | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / edited by Andrew Woolley, John Kitchen. |
| title_fullStr | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / edited by Andrew Woolley, John Kitchen. |
| title_full_unstemmed | Interpreting Historical Keyboard Music : Sources, Contexts and Performance / edited by Andrew Woolley, John Kitchen. |
| title_short | Interpreting Historical Keyboard Music : |
| title_sort | interpreting historical keyboard music sources contexts and performance |
| title_sub | Sources, Contexts and Performance / |
| topic | Keyboard instrument music History and criticism. Keyboard instrument music Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) http://id.loc.gov/authorities/subjects/sh89003980 Instrument à clavier, Musique d' Histoire et critique. Instrument à clavier, Musique d' Interprétation. Pratique de l'exécution (Musique) MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Keyboard instrument music fast Performance practice (Music) fast |
| topic_facet | Keyboard instrument music History and criticism. Keyboard instrument music Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) Instrument à clavier, Musique d' Histoire et critique. Instrument à clavier, Musique d' Interprétation. Pratique de l'exécution (Musique) MUSIC Musical Instruments Piano & Keyboard. MUSIC Printed Music Percussion. Keyboard instrument music Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=640100 |
| work_keys_str_mv | AT woolleyandrew interpretinghistoricalkeyboardmusicsourcescontextsandperformance AT kitchenjohn interpretinghistoricalkeyboardmusicsourcescontextsandperformance |