Unconscious in Shakespeare's Plays.:
Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner conflicts in their works. They leave residues in the...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Karnac Books,
2013.
©2013 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner conflicts in their works. They leave residues in their works that, if we pay attention, can become building blocks that reveal aspects of the unconscious. It is my hope that readers may find that the questions raised add to the pleasure of reading Shakespeare and that they deepens their understanding of his plays. Topics covered include the pivotal p. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages 253-257) and index. |
| ISBN: | 1299847846 9781299847842 9781782411239 1782411232 1780491565 9781780491561 9781781812549 1781812543 |
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| 520 | |a Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner conflicts in their works. They leave residues in their works that, if we pay attention, can become building blocks that reveal aspects of the unconscious. It is my hope that readers may find that the questions raised add to the pleasure of reading Shakespeare and that they deepens their understanding of his plays. Topics covered include the pivotal p. | ||
| 505 | 0 | |a COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; PREFACE Why this book was written; PART I THE PIVOTAL POSITION OF HAMLET; HAMLET'S ENIGMAS; CHAPTER ONE 'Hamlet': the inability to mourn and the inability to love; PART II THE POET AND HIS CALLING; CHAPTER TWO 'A Midsummer Night's Dream': how Shakespeare won the right to write plays; CHAPTER THREE 'The Tempest': the abdication of creativity; CHAPTER FOUR 'Timon of Athens': the loss of creativity; PART III THE OEDIPUS COMPLEX; CHAPTER FIVE 'Richard III': the Oedipus complex and the villain. | |
| 505 | 8 | |a CHAPTER SIX 'Julius Caesar' and Freud's 'Totem and Taboo'CHAPTER SEVEN 'Macbeth': an audacious variant on the oedipal theme; CHAPTER EIGHT 'Antony and Cleopatra': dangerous dotage; CHAPTER NINE 'Coriolanus': an astounding description of a destructive mother-child relationship; CHAPTER TEN 'King Lear': the daughter as a replacement for the mother; CHAPTER ELEVEN 'Richard II': abdication as a father's reaction to the Oedipus complex; PART IV INTRAPSYCHIC CONFLICT; CHAPTER TWELVE 'Measure for Measure': the disintegration of a harsh superego; PART V THE BATTLE AGAINST PARANOIA. | |
| 505 | 8 | |a CHAPTER THIRTEEN 'Othello': motiveless malignity or latent homosexuality?CHAPTER FOURTEEN 'The Winter's Tale': latent homosexuality and paranoia; PART VI THE HOMOSEXUAL COMPROMISE; CHAPTER FIFTEEN 'The Merchant of Venice': a portrayal of masochistic homosexuality; CHAPTER SIXTEEN 'Twelfth Night': a sublimation of bisexuality in homosexuality; REFERENCES; INDEX. | |
| 504 | |a Includes bibliographical references (pages 253-257) and index. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |0 http://id.loc.gov/authorities/subjects/sh85120926 |
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| adam_text | |
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| author | Bergmann, Martin S. |
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| contents | COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; PREFACE Why this book was written; PART I THE PIVOTAL POSITION OF HAMLET; HAMLET'S ENIGMAS; CHAPTER ONE 'Hamlet': the inability to mourn and the inability to love; PART II THE POET AND HIS CALLING; CHAPTER TWO 'A Midsummer Night's Dream': how Shakespeare won the right to write plays; CHAPTER THREE 'The Tempest': the abdication of creativity; CHAPTER FOUR 'Timon of Athens': the loss of creativity; PART III THE OEDIPUS COMPLEX; CHAPTER FIVE 'Richard III': the Oedipus complex and the villain. CHAPTER SIX 'Julius Caesar' and Freud's 'Totem and Taboo'CHAPTER SEVEN 'Macbeth': an audacious variant on the oedipal theme; CHAPTER EIGHT 'Antony and Cleopatra': dangerous dotage; CHAPTER NINE 'Coriolanus': an astounding description of a destructive mother-child relationship; CHAPTER TEN 'King Lear': the daughter as a replacement for the mother; CHAPTER ELEVEN 'Richard II': abdication as a father's reaction to the Oedipus complex; PART IV INTRAPSYCHIC CONFLICT; CHAPTER TWELVE 'Measure for Measure': the disintegration of a harsh superego; PART V THE BATTLE AGAINST PARANOIA. CHAPTER THIRTEEN 'Othello': motiveless malignity or latent homosexuality?CHAPTER FOURTEEN 'The Winter's Tale': latent homosexuality and paranoia; PART VI THE HOMOSEXUAL COMPROMISE; CHAPTER FIFTEEN 'The Merchant of Venice': a portrayal of masochistic homosexuality; CHAPTER SIXTEEN 'Twelfth Night': a sublimation of bisexuality in homosexuality; REFERENCES; INDEX. |
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| dewey-search | 822.3 822.334 |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn857969591 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:32Z |
| institution | BVB |
| isbn | 1299847846 9781299847842 9781782411239 1782411232 1780491565 9781780491561 9781781812549 1781812543 |
| language | English |
| oclc_num | 857969591 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Karnac Books, |
| record_format | marc |
| spelling | Bergmann, Martin S. Unconscious in Shakespeare's Plays. Karnac Books, 2013. ©2013 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner conflicts in their works. They leave residues in their works that, if we pay attention, can become building blocks that reveal aspects of the unconscious. It is my hope that readers may find that the questions raised add to the pleasure of reading Shakespeare and that they deepens their understanding of his plays. Topics covered include the pivotal p. COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; PREFACE Why this book was written; PART I THE PIVOTAL POSITION OF HAMLET; HAMLET'S ENIGMAS; CHAPTER ONE 'Hamlet': the inability to mourn and the inability to love; PART II THE POET AND HIS CALLING; CHAPTER TWO 'A Midsummer Night's Dream': how Shakespeare won the right to write plays; CHAPTER THREE 'The Tempest': the abdication of creativity; CHAPTER FOUR 'Timon of Athens': the loss of creativity; PART III THE OEDIPUS COMPLEX; CHAPTER FIVE 'Richard III': the Oedipus complex and the villain. CHAPTER SIX 'Julius Caesar' and Freud's 'Totem and Taboo'CHAPTER SEVEN 'Macbeth': an audacious variant on the oedipal theme; CHAPTER EIGHT 'Antony and Cleopatra': dangerous dotage; CHAPTER NINE 'Coriolanus': an astounding description of a destructive mother-child relationship; CHAPTER TEN 'King Lear': the daughter as a replacement for the mother; CHAPTER ELEVEN 'Richard II': abdication as a father's reaction to the Oedipus complex; PART IV INTRAPSYCHIC CONFLICT; CHAPTER TWELVE 'Measure for Measure': the disintegration of a harsh superego; PART V THE BATTLE AGAINST PARANOIA. CHAPTER THIRTEEN 'Othello': motiveless malignity or latent homosexuality?CHAPTER FOURTEEN 'The Winter's Tale': latent homosexuality and paranoia; PART VI THE HOMOSEXUAL COMPROMISE; CHAPTER FIFTEEN 'The Merchant of Venice': a portrayal of masochistic homosexuality; CHAPTER SIXTEEN 'Twelfth Night': a sublimation of bisexuality in homosexuality; REFERENCES; INDEX. Includes bibliographical references (pages 253-257) and index. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Psychology. http://id.loc.gov/authorities/subjects/sh85120858 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Subconsciousness in literature. http://id.loc.gov/authorities/subjects/sh94009094 Psychology in literature. http://id.loc.gov/authorities/subjects/sh85108489 Inconscient dans la littérature. Psychologie dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Psychology fast Psychology in literature fast Subconsciousness in literature fast Criticism, interpretation, etc. fast has work: The unconscious in Shakespeare's plays (Text) https://id.oclc.org/worldcat/entity/E39PCH4gRpfrKy4dGjGqbMrcyd https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781299847842 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=638710 Volltext |
| spellingShingle | Bergmann, Martin S. Unconscious in Shakespeare's Plays. COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; PREFACE Why this book was written; PART I THE PIVOTAL POSITION OF HAMLET; HAMLET'S ENIGMAS; CHAPTER ONE 'Hamlet': the inability to mourn and the inability to love; PART II THE POET AND HIS CALLING; CHAPTER TWO 'A Midsummer Night's Dream': how Shakespeare won the right to write plays; CHAPTER THREE 'The Tempest': the abdication of creativity; CHAPTER FOUR 'Timon of Athens': the loss of creativity; PART III THE OEDIPUS COMPLEX; CHAPTER FIVE 'Richard III': the Oedipus complex and the villain. CHAPTER SIX 'Julius Caesar' and Freud's 'Totem and Taboo'CHAPTER SEVEN 'Macbeth': an audacious variant on the oedipal theme; CHAPTER EIGHT 'Antony and Cleopatra': dangerous dotage; CHAPTER NINE 'Coriolanus': an astounding description of a destructive mother-child relationship; CHAPTER TEN 'King Lear': the daughter as a replacement for the mother; CHAPTER ELEVEN 'Richard II': abdication as a father's reaction to the Oedipus complex; PART IV INTRAPSYCHIC CONFLICT; CHAPTER TWELVE 'Measure for Measure': the disintegration of a harsh superego; PART V THE BATTLE AGAINST PARANOIA. CHAPTER THIRTEEN 'Othello': motiveless malignity or latent homosexuality?CHAPTER FOURTEEN 'The Winter's Tale': latent homosexuality and paranoia; PART VI THE HOMOSEXUAL COMPROMISE; CHAPTER FIFTEEN 'The Merchant of Venice': a portrayal of masochistic homosexuality; CHAPTER SIXTEEN 'Twelfth Night': a sublimation of bisexuality in homosexuality; REFERENCES; INDEX. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Psychology. http://id.loc.gov/authorities/subjects/sh85120858 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Subconsciousness in literature. http://id.loc.gov/authorities/subjects/sh94009094 Psychology in literature. http://id.loc.gov/authorities/subjects/sh85108489 Inconscient dans la littérature. Psychologie dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Psychology fast Psychology in literature fast Subconsciousness in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120926 http://id.loc.gov/authorities/subjects/sh85120858 http://id.loc.gov/authorities/subjects/sh94009094 http://id.loc.gov/authorities/subjects/sh85108489 |
| title | Unconscious in Shakespeare's Plays. |
| title_auth | Unconscious in Shakespeare's Plays. |
| title_exact_search | Unconscious in Shakespeare's Plays. |
| title_full | Unconscious in Shakespeare's Plays. |
| title_fullStr | Unconscious in Shakespeare's Plays. |
| title_full_unstemmed | Unconscious in Shakespeare's Plays. |
| title_short | Unconscious in Shakespeare's Plays. |
| title_sort | unconscious in shakespeare s plays |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Psychology. http://id.loc.gov/authorities/subjects/sh85120858 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Subconsciousness in literature. http://id.loc.gov/authorities/subjects/sh94009094 Psychology in literature. http://id.loc.gov/authorities/subjects/sh85108489 Inconscient dans la littérature. Psychologie dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Psychology fast Psychology in literature fast Subconsciousness in literature fast |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 Psychology. Shakespeare, William, 1564-1616 Subconsciousness in literature. Psychology in literature. Inconscient dans la littérature. Psychologie dans la littérature. DRAMA English, Irish, Scottish, Welsh. Psychology Psychology in literature Subconsciousness in literature Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=638710 |
| work_keys_str_mv | AT bergmannmartins unconsciousinshakespearesplays |