Music and musical thought in early India /:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
University of Chicago Press,
1992.
|
| Schriftenreihe: | Chicago studies in ethnomusicology.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource (xvii, 409 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 387-395) and index. |
| ISBN: | 9780226730349 0226730344 |
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| 100 | 1 | |a Rowell, Lewis Eugene, |d 1933- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJdWQvGKQRTtxKQ4dvjQv3 |0 http://id.loc.gov/authorities/names/n82148841 | |
| 245 | 1 | 0 | |a Music and musical thought in early India / |c Lewis Rowell. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c 1992. | |
| 300 | |a 1 online resource (xvii, 409 pages) : |b illustrations | ||
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| 490 | 1 | |a Chicago studies in ethnomusicology | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 387-395) and index. | ||
| 505 | 0 | |a Preface; Acknowledgments; The Sounds of Sanskrit; Abbreviations; About the Frontispiece; 1. Introduction; 1.1 -- Music and Musical Thought in Early India; 1.2 -- The Divisions of Music; 1.3 -- Microcosm and Macrocosm; 1.4 -- Chronology and Sources; 2. Thought; 2.1 -- Introduction; 2.2 -- Continuities of Indian Thought; 2.3 -- Systematic Thinking; 2.4 -- Symbolic Thinking; 3. Sound; 3.1 -- Introduction; 3.2 -- The Divisions of Sound; 3.3 -- The Theory of Sound; 3.4 -- Sound: A Lexicon; 3.5 -- Causal Sound: Nada; 3.6 -- Akaśa, the Medium of Sound; 3.7 -- Sound and the External World. | |
| 505 | 8 | |a 3.8 -- Three Ancient Conceptions of Musical Sound4. Chant; 4.1 -- Introduction; 4.2 -- Samavedic Chant; 4.2.1 -- The Role of Memory; 4.2.2 -- Chironomy; 4.2.3 -- Duration and Tempo; 4.2.4 -- Dynamics; 4.3 -- The Phonetic Treatises; 4.4 -- Some Distinctive Features of Sanskrit and Their Musical Consequences; 4.5 -- Narada's Śiksa and the Organization of Musical Pitch; 4.6 -- Milieu; 5. Theater; 5.1 -- Introduction; 5.2 -- The Natyaśastra; 5.3 -- The Preliminary Rituals; 5.4 -- The Incidental Music; 5.5 -- Instruments; 5.6 -- Epilogue; 6. Śastra; 6.1 -- Introduction; 6.2 -- Musical Scholarship. | |
| 505 | 8 | |a 6.3 -- Musical Discourse6.4 -- The Language of Musical Speculation; 6.5 -- Notations; 7. Pitch; 7.1 -- Introduction; 7.2 -- The Gamut and Its Tuning; 7.3 -- Philosophical Arguments on Śruti and Svara; 7.4 -- The Gamut and Its Variables; 7.5 -- Sonance; 7.6 -- The Tanas; 7.7 -- Melodic Choices; 7.8 -- The Concept of Raga; 8. Time; 8.1 -- Introduction; 8.2 -- The Idea of Time in Ancient India; 8.3 -- Tala; 8.4 -- Chironomy; 8.5 -- Rhythmic Patterns; 8.6 -- The Concept of State; 8.7 -- Timing; 8.8 -- The Deśi Talas; 8.9 -- The Influence of Metrics; 8.10 -- The Rhythms of Indian Music; 9. Form; 9.1 -- Introduction. | |
| 505 | 8 | |a 9.2 -- Formal Archetypes9.2.1 -- The Human Body; 9.2.2 -- Organic Growth; 9.2.3 -- Ritual; 9.2.4 -- Creation; 9.3 -- Formal Components; 9.4 -- Formal Tactics; 9.4.1 -- Upobana; 9.4.2 -- Upauartana; 9.4.3 -- Prastara; 9.5 -- Ritual Forms; 9.6 -- Minor Forms; 10. Song; 10.1 -- Introduction; 10.2 -- The Prabandhas; 10.3 -- Song Forms; 10.4 -- A Garland of Songs; 10.5 -- Expansion of the Genre; 10.6 -- Cultural Mapping; 10.7 -- The Theory and Practice of Song; 11. Style; 11.1 -- Introduction; 11.2 -- Gender; 11.3 -- Qualifications; 11.4 -- Gunas and Dosas; 11.5 -- The Qualities of Musical Sound. | |
| 505 | 8 | |a 11.6 -- Style as a Composite11.7 -- Levels of Ornamentation; 11.8 -- Rasa; 11.9 -- The Values of Indian Music; 12. Afterthoughts; Notes; Glossary of Sanskrit Terms; Bibliography; Index. | |
| 650 | 0 | |a Music theory |z India. |0 http://id.loc.gov/authorities/subjects/sh99000365 | |
| 650 | 6 | |a Théorie musicale |z Inde. | |
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| 655 | 4 | |a Electronic book. | |
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| 776 | 0 | 8 | |i Print version: |a Rowell, Lewis Eugene, 1933- |t Music and musical thought in early India. |d Chicago : University of Chicago Press, 1992 |z 0226730328 |w (DLC) 91038791 |w (OCoLC)24671161 |
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| author | Rowell, Lewis Eugene, 1933- |
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| contents | Preface; Acknowledgments; The Sounds of Sanskrit; Abbreviations; About the Frontispiece; 1. Introduction; 1.1 -- Music and Musical Thought in Early India; 1.2 -- The Divisions of Music; 1.3 -- Microcosm and Macrocosm; 1.4 -- Chronology and Sources; 2. Thought; 2.1 -- Introduction; 2.2 -- Continuities of Indian Thought; 2.3 -- Systematic Thinking; 2.4 -- Symbolic Thinking; 3. Sound; 3.1 -- Introduction; 3.2 -- The Divisions of Sound; 3.3 -- The Theory of Sound; 3.4 -- Sound: A Lexicon; 3.5 -- Causal Sound: Nada; 3.6 -- Akaśa, the Medium of Sound; 3.7 -- Sound and the External World. 3.8 -- Three Ancient Conceptions of Musical Sound4. Chant; 4.1 -- Introduction; 4.2 -- Samavedic Chant; 4.2.1 -- The Role of Memory; 4.2.2 -- Chironomy; 4.2.3 -- Duration and Tempo; 4.2.4 -- Dynamics; 4.3 -- The Phonetic Treatises; 4.4 -- Some Distinctive Features of Sanskrit and Their Musical Consequences; 4.5 -- Narada's Śiksa and the Organization of Musical Pitch; 4.6 -- Milieu; 5. Theater; 5.1 -- Introduction; 5.2 -- The Natyaśastra; 5.3 -- The Preliminary Rituals; 5.4 -- The Incidental Music; 5.5 -- Instruments; 5.6 -- Epilogue; 6. Śastra; 6.1 -- Introduction; 6.2 -- Musical Scholarship. 6.3 -- Musical Discourse6.4 -- The Language of Musical Speculation; 6.5 -- Notations; 7. Pitch; 7.1 -- Introduction; 7.2 -- The Gamut and Its Tuning; 7.3 -- Philosophical Arguments on Śruti and Svara; 7.4 -- The Gamut and Its Variables; 7.5 -- Sonance; 7.6 -- The Tanas; 7.7 -- Melodic Choices; 7.8 -- The Concept of Raga; 8. Time; 8.1 -- Introduction; 8.2 -- The Idea of Time in Ancient India; 8.3 -- Tala; 8.4 -- Chironomy; 8.5 -- Rhythmic Patterns; 8.6 -- The Concept of State; 8.7 -- Timing; 8.8 -- The Deśi Talas; 8.9 -- The Influence of Metrics; 8.10 -- The Rhythms of Indian Music; 9. Form; 9.1 -- Introduction. 9.2 -- Formal Archetypes9.2.1 -- The Human Body; 9.2.2 -- Organic Growth; 9.2.3 -- Ritual; 9.2.4 -- Creation; 9.3 -- Formal Components; 9.4 -- Formal Tactics; 9.4.1 -- Upobana; 9.4.2 -- Upauartana; 9.4.3 -- Prastara; 9.5 -- Ritual Forms; 9.6 -- Minor Forms; 10. Song; 10.1 -- Introduction; 10.2 -- The Prabandhas; 10.3 -- Song Forms; 10.4 -- A Garland of Songs; 10.5 -- Expansion of the Genre; 10.6 -- Cultural Mapping; 10.7 -- The Theory and Practice of Song; 11. Style; 11.1 -- Introduction; 11.2 -- Gender; 11.3 -- Qualifications; 11.4 -- Gunas and Dosas; 11.5 -- The Qualities of Musical Sound. 11.6 -- Style as a Composite11.7 -- Levels of Ornamentation; 11.8 -- Rasa; 11.9 -- The Values of Indian Music; 12. Afterthoughts; Notes; Glossary of Sanskrit Terms; Bibliography; Index. |
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| dewey-ones | 781 - General principles and musical forms |
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| genre | Electronic book. |
| genre_facet | Electronic book. |
| geographic | India fast https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC |
| geographic_facet | India |
| id | ZDB-4-EBA-ocn857143456 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:21:34Z |
| institution | BVB |
| isbn | 9780226730349 0226730344 |
| language | English |
| oclc_num | 857143456 |
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| owner_facet | MAIN |
| physical | 1 online resource (xvii, 409 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| publisher | University of Chicago Press, |
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| series | Chicago studies in ethnomusicology. |
| series2 | Chicago studies in ethnomusicology |
| spelling | Rowell, Lewis Eugene, 1933- author. https://id.oclc.org/worldcat/entity/E39PBJdWQvGKQRTtxKQ4dvjQv3 http://id.loc.gov/authorities/names/n82148841 Music and musical thought in early India / Lewis Rowell. Chicago : University of Chicago Press, 1992. 1 online resource (xvii, 409 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Chicago studies in ethnomusicology Print version record. Includes bibliographical references (pages 387-395) and index. Preface; Acknowledgments; The Sounds of Sanskrit; Abbreviations; About the Frontispiece; 1. Introduction; 1.1 -- Music and Musical Thought in Early India; 1.2 -- The Divisions of Music; 1.3 -- Microcosm and Macrocosm; 1.4 -- Chronology and Sources; 2. Thought; 2.1 -- Introduction; 2.2 -- Continuities of Indian Thought; 2.3 -- Systematic Thinking; 2.4 -- Symbolic Thinking; 3. Sound; 3.1 -- Introduction; 3.2 -- The Divisions of Sound; 3.3 -- The Theory of Sound; 3.4 -- Sound: A Lexicon; 3.5 -- Causal Sound: Nada; 3.6 -- Akaśa, the Medium of Sound; 3.7 -- Sound and the External World. 3.8 -- Three Ancient Conceptions of Musical Sound4. Chant; 4.1 -- Introduction; 4.2 -- Samavedic Chant; 4.2.1 -- The Role of Memory; 4.2.2 -- Chironomy; 4.2.3 -- Duration and Tempo; 4.2.4 -- Dynamics; 4.3 -- The Phonetic Treatises; 4.4 -- Some Distinctive Features of Sanskrit and Their Musical Consequences; 4.5 -- Narada's Śiksa and the Organization of Musical Pitch; 4.6 -- Milieu; 5. Theater; 5.1 -- Introduction; 5.2 -- The Natyaśastra; 5.3 -- The Preliminary Rituals; 5.4 -- The Incidental Music; 5.5 -- Instruments; 5.6 -- Epilogue; 6. Śastra; 6.1 -- Introduction; 6.2 -- Musical Scholarship. 6.3 -- Musical Discourse6.4 -- The Language of Musical Speculation; 6.5 -- Notations; 7. Pitch; 7.1 -- Introduction; 7.2 -- The Gamut and Its Tuning; 7.3 -- Philosophical Arguments on Śruti and Svara; 7.4 -- The Gamut and Its Variables; 7.5 -- Sonance; 7.6 -- The Tanas; 7.7 -- Melodic Choices; 7.8 -- The Concept of Raga; 8. Time; 8.1 -- Introduction; 8.2 -- The Idea of Time in Ancient India; 8.3 -- Tala; 8.4 -- Chironomy; 8.5 -- Rhythmic Patterns; 8.6 -- The Concept of State; 8.7 -- Timing; 8.8 -- The Deśi Talas; 8.9 -- The Influence of Metrics; 8.10 -- The Rhythms of Indian Music; 9. Form; 9.1 -- Introduction. 9.2 -- Formal Archetypes9.2.1 -- The Human Body; 9.2.2 -- Organic Growth; 9.2.3 -- Ritual; 9.2.4 -- Creation; 9.3 -- Formal Components; 9.4 -- Formal Tactics; 9.4.1 -- Upobana; 9.4.2 -- Upauartana; 9.4.3 -- Prastara; 9.5 -- Ritual Forms; 9.6 -- Minor Forms; 10. Song; 10.1 -- Introduction; 10.2 -- The Prabandhas; 10.3 -- Song Forms; 10.4 -- A Garland of Songs; 10.5 -- Expansion of the Genre; 10.6 -- Cultural Mapping; 10.7 -- The Theory and Practice of Song; 11. Style; 11.1 -- Introduction; 11.2 -- Gender; 11.3 -- Qualifications; 11.4 -- Gunas and Dosas; 11.5 -- The Qualities of Musical Sound. 11.6 -- Style as a Composite11.7 -- Levels of Ornamentation; 11.8 -- Rasa; 11.9 -- The Values of Indian Music; 12. Afterthoughts; Notes; Glossary of Sanskrit Terms; Bibliography; Index. Music theory India. http://id.loc.gov/authorities/subjects/sh99000365 Théorie musicale Inde. MUSIC Instruction & Study Theory. bisacsh Music theory fast India fast https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC Electronic book. has work: Music and musical thought in early India (Text) https://id.oclc.org/worldcat/entity/E39PCFDDFkHgHxFggBMtBVwDdP https://id.oclc.org/worldcat/ontology/hasWork Print version: Rowell, Lewis Eugene, 1933- Music and musical thought in early India. Chicago : University of Chicago Press, 1992 0226730328 (DLC) 91038791 (OCoLC)24671161 Chicago studies in ethnomusicology. http://id.loc.gov/authorities/names/n88539613 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1070592 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1070592 Volltext |
| spellingShingle | Rowell, Lewis Eugene, 1933- Music and musical thought in early India / Chicago studies in ethnomusicology. Preface; Acknowledgments; The Sounds of Sanskrit; Abbreviations; About the Frontispiece; 1. Introduction; 1.1 -- Music and Musical Thought in Early India; 1.2 -- The Divisions of Music; 1.3 -- Microcosm and Macrocosm; 1.4 -- Chronology and Sources; 2. Thought; 2.1 -- Introduction; 2.2 -- Continuities of Indian Thought; 2.3 -- Systematic Thinking; 2.4 -- Symbolic Thinking; 3. Sound; 3.1 -- Introduction; 3.2 -- The Divisions of Sound; 3.3 -- The Theory of Sound; 3.4 -- Sound: A Lexicon; 3.5 -- Causal Sound: Nada; 3.6 -- Akaśa, the Medium of Sound; 3.7 -- Sound and the External World. 3.8 -- Three Ancient Conceptions of Musical Sound4. Chant; 4.1 -- Introduction; 4.2 -- Samavedic Chant; 4.2.1 -- The Role of Memory; 4.2.2 -- Chironomy; 4.2.3 -- Duration and Tempo; 4.2.4 -- Dynamics; 4.3 -- The Phonetic Treatises; 4.4 -- Some Distinctive Features of Sanskrit and Their Musical Consequences; 4.5 -- Narada's Śiksa and the Organization of Musical Pitch; 4.6 -- Milieu; 5. Theater; 5.1 -- Introduction; 5.2 -- The Natyaśastra; 5.3 -- The Preliminary Rituals; 5.4 -- The Incidental Music; 5.5 -- Instruments; 5.6 -- Epilogue; 6. Śastra; 6.1 -- Introduction; 6.2 -- Musical Scholarship. 6.3 -- Musical Discourse6.4 -- The Language of Musical Speculation; 6.5 -- Notations; 7. Pitch; 7.1 -- Introduction; 7.2 -- The Gamut and Its Tuning; 7.3 -- Philosophical Arguments on Śruti and Svara; 7.4 -- The Gamut and Its Variables; 7.5 -- Sonance; 7.6 -- The Tanas; 7.7 -- Melodic Choices; 7.8 -- The Concept of Raga; 8. Time; 8.1 -- Introduction; 8.2 -- The Idea of Time in Ancient India; 8.3 -- Tala; 8.4 -- Chironomy; 8.5 -- Rhythmic Patterns; 8.6 -- The Concept of State; 8.7 -- Timing; 8.8 -- The Deśi Talas; 8.9 -- The Influence of Metrics; 8.10 -- The Rhythms of Indian Music; 9. Form; 9.1 -- Introduction. 9.2 -- Formal Archetypes9.2.1 -- The Human Body; 9.2.2 -- Organic Growth; 9.2.3 -- Ritual; 9.2.4 -- Creation; 9.3 -- Formal Components; 9.4 -- Formal Tactics; 9.4.1 -- Upobana; 9.4.2 -- Upauartana; 9.4.3 -- Prastara; 9.5 -- Ritual Forms; 9.6 -- Minor Forms; 10. Song; 10.1 -- Introduction; 10.2 -- The Prabandhas; 10.3 -- Song Forms; 10.4 -- A Garland of Songs; 10.5 -- Expansion of the Genre; 10.6 -- Cultural Mapping; 10.7 -- The Theory and Practice of Song; 11. Style; 11.1 -- Introduction; 11.2 -- Gender; 11.3 -- Qualifications; 11.4 -- Gunas and Dosas; 11.5 -- The Qualities of Musical Sound. 11.6 -- Style as a Composite11.7 -- Levels of Ornamentation; 11.8 -- Rasa; 11.9 -- The Values of Indian Music; 12. Afterthoughts; Notes; Glossary of Sanskrit Terms; Bibliography; Index. Music theory India. http://id.loc.gov/authorities/subjects/sh99000365 Théorie musicale Inde. MUSIC Instruction & Study Theory. bisacsh Music theory fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh99000365 |
| title | Music and musical thought in early India / |
| title_auth | Music and musical thought in early India / |
| title_exact_search | Music and musical thought in early India / |
| title_full | Music and musical thought in early India / Lewis Rowell. |
| title_fullStr | Music and musical thought in early India / Lewis Rowell. |
| title_full_unstemmed | Music and musical thought in early India / Lewis Rowell. |
| title_short | Music and musical thought in early India / |
| title_sort | music and musical thought in early india |
| topic | Music theory India. http://id.loc.gov/authorities/subjects/sh99000365 Théorie musicale Inde. MUSIC Instruction & Study Theory. bisacsh Music theory fast |
| topic_facet | Music theory India. Théorie musicale Inde. MUSIC Instruction & Study Theory. Music theory India Electronic book. |
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| work_keys_str_mv | AT rowelllewiseugene musicandmusicalthoughtinearlyindia |