Sublime drama :: British theatre of the 1990s /
This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin :
De Gruyter,
2013.
|
| Schriftenreihe: | CDE studies ;
Bd. 23. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be more fruitful, as it offers more precise tools for the analysis of the audience's aesthetic response than does in-yer-face theatre. |
| Beschreibung: | 1 online resource (x, 270 pages) |
| Bibliographie: | Includes bibliographical references (pages 261-270). |
| ISBN: | 9783110309935 3110309939 3110301156 9783110301151 |
| ISSN: | 2194-9069 ; |
Internformat
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn857080735 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 130719s2013 gw ob 000 0 eng d | ||
| 040 | |a E7B |b eng |e pn |c E7B |d OCLCO |d OCLCF |d OCLCO |d OCLCQ |d HEBIS |d COO |d OCLCO |d EBLCP |d IDEBK |d N$T |d YDXCP |d DEBSZ |d MOZ |d OCLCO |d OCLCQ |d OCLCO |d OCL |d AZK |d LOA |d OCLCO |d AGLDB |d MOR |d CCO |d PIFAG |d ZCU |d MERUC |d OCLCQ |d DEGRU |d DEBBG |d U3W |d OCLCQ |d STF |d WRM |d VTS |d NRAMU |d CRU |d ICG |d OCLCQ |d TKN |d LEAUB |d DKC |d AU@ |d OCLCQ |d M8D |d UKAHL |d OCL |d OCLCQ |d OCLCA |d OCLCQ |d OCL |d OCLCQ |d U9X |d AJS |d UWK |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d NUI |d OCLCQ | ||
| 019 | |a 851972522 |a 961595483 |a 962574768 | ||
| 020 | |a 9783110309935 |q (e-book) | ||
| 020 | |a 3110309939 |q (e-book) | ||
| 020 | |a 3110301156 |q (alk. paper) | ||
| 020 | |a 9783110301151 |q (alk. paper) | ||
| 020 | |z 9783110301151 |q (alk. paper) | ||
| 035 | |a (OCoLC)857080735 |z (OCoLC)851972522 |z (OCoLC)961595483 |z (OCoLC)962574768 | ||
| 043 | |a e-uk--- | ||
| 050 | 4 | |a PR1272 |b .B37 2013eb | |
| 072 | 7 | |a DRA |x 003000 |2 bisacsh | |
| 082 | 7 | |a 822.9109 |2 23 | |
| 084 | |a HN 1220 |2 rvk | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Baraniecka, Elzbieta. | |
| 245 | 1 | 0 | |a Sublime drama : |b British theatre of the 1990s / |c Elżbieta Baraniecka. |
| 260 | |a Berlin : |b De Gruyter, |c 2013. | ||
| 300 | |a 1 online resource (x, 270 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a CDE studies, |x 2194-9069 ; |v v. 23 | |
| 504 | |a Includes bibliographical references (pages 261-270). | ||
| 505 | 0 | |a Acknowledgements; 1 Introduction; 1.1 Thesis; 1.2 Overview of Chapters; 1.3 Previous Research; 2 Theory of the Sublime; 2.1 Longinus; 2.1.1 "The echo of a great soul"; 2.1.2 Sappho and the Threatened Subject; 2.1.3 The Turn of the Sublime; 2.2 Edmund Burke; 2.2.1 Towards an Aesthetic of Shocks: Burke; 2.2.2 The Beautiful and the Sublime; 2.3 Immanuel Kant; 2.3.1 Characteristics of the Aesthetic Feeling; 2.3.2 The Beautiful and the Sublime; 2.4 Jean-François Lyotard; 2.4.1 Lyotard and Kantian Reflective Aesthetic Judgement; 2.4.2 Adjusting Kantian Sublime to the Postmodern Context. | |
| 505 | 8 | |a 2.4.3 Realism2.4.4 The Inhuman; 2.4.5 The Threat of Privation; 2.4.6 The Ungraspable Presence; 2.5 Summary; 2.6 Theorizing the Sublime for Drama Analysis; 3 Case Studies; 3.1 Patrick Marber's Closer; 3.1.1 The Beautiful, the Agreeable and the Sublime; 3.1.2 Synopsis; 3.1.3 Internal Analysis: Moments of (In)Hospitality; 3.1.4 External Analysis: Moments of the (Un)Familiar; 3.2 Anthony Neilson's Normal; 3.2.1 Synopsis; 3.2.2 Bataille, Eros and Thanatos, and the Evil Inside; 3.2.3 Internal Analysis: Wehner's Sublime Encounter with Eros and Thanatos; 3.2.4 The External Level: Ecstasy of Minds. | |
| 505 | 8 | |a 3.3 Mark Ravenhill's Faust Is Dead3.3.1 Synopsis; 3.3.2 Seduction in Realism and in Sublime; 3.3.3 Internal Analysis: Consumerist Seduction of the Characters; 3.3.4 External Analysis: Sublime Seduction of the Audience; 3.4 Sarah Kane's 4.48 Psychosis; 3.4.1 The Impossible Synopsis; 3.4.2 Internal Analysis: Singing on the Boundary; 3.4.3 External Analysis: the Influence of the Parergonal Language on the Audience; 4 Conclusion; 5 Works Cited. | |
| 520 | |a This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be more fruitful, as it offers more precise tools for the analysis of the audience's aesthetic response than does in-yer-face theatre. | ||
| 650 | 0 | |a English drama |y 20th century |x History and criticism. | |
| 650 | 0 | |a Theater |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Sublime, The. |0 http://id.loc.gov/authorities/subjects/sh85129476 | |
| 650 | 6 | |a Théâtre anglais |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Sublime. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English drama |2 fast | |
| 650 | 7 | |a Sublime, The |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
| 650 | 7 | |a Englisch |2 gnd | |
| 650 | 7 | |a Drama |2 gnd | |
| 650 | 7 | |a Das Erhabene |2 gnd |0 http://d-nb.info/gnd/4148823-4 | |
| 650 | 7 | |a Rezeption |2 gnd | |
| 650 | 7 | |a Publikum |2 gnd |0 http://d-nb.info/gnd/4047764-2 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a 20th-Century British Drama. | ||
| 653 | |a In-yer-face. | ||
| 653 | |a Sublime. | ||
| 653 | |a Theatre Studies. | ||
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Baraniecka, Elzbieta. |t Sublime drama. |d Berlin : De Gruyter, 2013 |w (DLC) 2013431469 |
| 830 | 0 | |a CDE studies ; |v Bd. 23. |0 http://id.loc.gov/authorities/names/n97083131 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=604321 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH27198529 | ||
| 938 | |a De Gruyter |b DEGR |n 9783110309935 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1230218 | ||
| 938 | |a ebrary |b EBRY |n ebr10728963 | ||
| 938 | |a EBSCOhost |b EBSC |n 604321 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis25806652 | ||
| 938 | |a YBP Library Services |b YANK |n 10818246 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn857080735 |
|---|---|
| _version_ | 1816882242916450305 |
| adam_text | |
| any_adam_object | |
| author | Baraniecka, Elzbieta |
| author_facet | Baraniecka, Elzbieta |
| author_role | |
| author_sort | Baraniecka, Elzbieta |
| author_variant | e b eb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR1272 |
| callnumber-raw | PR1272 .B37 2013eb |
| callnumber-search | PR1272 .B37 2013eb |
| callnumber-sort | PR 41272 B37 42013EB |
| callnumber-subject | PR - English Literature |
| classification_rvk | HN 1220 |
| collection | ZDB-4-EBA |
| contents | Acknowledgements; 1 Introduction; 1.1 Thesis; 1.2 Overview of Chapters; 1.3 Previous Research; 2 Theory of the Sublime; 2.1 Longinus; 2.1.1 "The echo of a great soul"; 2.1.2 Sappho and the Threatened Subject; 2.1.3 The Turn of the Sublime; 2.2 Edmund Burke; 2.2.1 Towards an Aesthetic of Shocks: Burke; 2.2.2 The Beautiful and the Sublime; 2.3 Immanuel Kant; 2.3.1 Characteristics of the Aesthetic Feeling; 2.3.2 The Beautiful and the Sublime; 2.4 Jean-François Lyotard; 2.4.1 Lyotard and Kantian Reflective Aesthetic Judgement; 2.4.2 Adjusting Kantian Sublime to the Postmodern Context. 2.4.3 Realism2.4.4 The Inhuman; 2.4.5 The Threat of Privation; 2.4.6 The Ungraspable Presence; 2.5 Summary; 2.6 Theorizing the Sublime for Drama Analysis; 3 Case Studies; 3.1 Patrick Marber's Closer; 3.1.1 The Beautiful, the Agreeable and the Sublime; 3.1.2 Synopsis; 3.1.3 Internal Analysis: Moments of (In)Hospitality; 3.1.4 External Analysis: Moments of the (Un)Familiar; 3.2 Anthony Neilson's Normal; 3.2.1 Synopsis; 3.2.2 Bataille, Eros and Thanatos, and the Evil Inside; 3.2.3 Internal Analysis: Wehner's Sublime Encounter with Eros and Thanatos; 3.2.4 The External Level: Ecstasy of Minds. 3.3 Mark Ravenhill's Faust Is Dead3.3.1 Synopsis; 3.3.2 Seduction in Realism and in Sublime; 3.3.3 Internal Analysis: Consumerist Seduction of the Characters; 3.3.4 External Analysis: Sublime Seduction of the Audience; 3.4 Sarah Kane's 4.48 Psychosis; 3.4.1 The Impossible Synopsis; 3.4.2 Internal Analysis: Singing on the Boundary; 3.4.3 External Analysis: the Influence of the Parergonal Language on the Audience; 4 Conclusion; 5 Works Cited. |
| ctrlnum | (OCoLC)857080735 |
| dewey-full | 822.9109 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.9109 |
| dewey-search | 822.9109 |
| dewey-sort | 3822.9109 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05540cam a2200829Ma 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn857080735</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">130719s2013 gw ob 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">E7B</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">E7B</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">HEBIS</subfield><subfield code="d">COO</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">MOZ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">AZK</subfield><subfield code="d">LOA</subfield><subfield code="d">OCLCO</subfield><subfield code="d">AGLDB</subfield><subfield code="d">MOR</subfield><subfield code="d">CCO</subfield><subfield code="d">PIFAG</subfield><subfield code="d">ZCU</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DEGRU</subfield><subfield code="d">DEBBG</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">VTS</subfield><subfield code="d">NRAMU</subfield><subfield code="d">CRU</subfield><subfield code="d">ICG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TKN</subfield><subfield code="d">LEAUB</subfield><subfield code="d">DKC</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">M8D</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">U9X</subfield><subfield code="d">AJS</subfield><subfield code="d">UWK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">NUI</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">851972522</subfield><subfield code="a">961595483</subfield><subfield code="a">962574768</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110309935</subfield><subfield code="q">(e-book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3110309939</subfield><subfield code="q">(e-book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3110301156</subfield><subfield code="q">(alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110301151</subfield><subfield code="q">(alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9783110301151</subfield><subfield code="q">(alk. paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)857080735</subfield><subfield code="z">(OCoLC)851972522</subfield><subfield code="z">(OCoLC)961595483</subfield><subfield code="z">(OCoLC)962574768</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-uk---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR1272</subfield><subfield code="b">.B37 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA</subfield><subfield code="x">003000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">822.9109</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HN 1220</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Baraniecka, Elzbieta.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sublime drama :</subfield><subfield code="b">British theatre of the 1990s /</subfield><subfield code="c">Elżbieta Baraniecka.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Berlin :</subfield><subfield code="b">De Gruyter,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 270 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">CDE studies,</subfield><subfield code="x">2194-9069 ;</subfield><subfield code="v">v. 23</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 261-270).</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Acknowledgements; 1 Introduction; 1.1 Thesis; 1.2 Overview of Chapters; 1.3 Previous Research; 2 Theory of the Sublime; 2.1 Longinus; 2.1.1 "The echo of a great soul"; 2.1.2 Sappho and the Threatened Subject; 2.1.3 The Turn of the Sublime; 2.2 Edmund Burke; 2.2.1 Towards an Aesthetic of Shocks: Burke; 2.2.2 The Beautiful and the Sublime; 2.3 Immanuel Kant; 2.3.1 Characteristics of the Aesthetic Feeling; 2.3.2 The Beautiful and the Sublime; 2.4 Jean-François Lyotard; 2.4.1 Lyotard and Kantian Reflective Aesthetic Judgement; 2.4.2 Adjusting Kantian Sublime to the Postmodern Context.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">2.4.3 Realism2.4.4 The Inhuman; 2.4.5 The Threat of Privation; 2.4.6 The Ungraspable Presence; 2.5 Summary; 2.6 Theorizing the Sublime for Drama Analysis; 3 Case Studies; 3.1 Patrick Marber's Closer; 3.1.1 The Beautiful, the Agreeable and the Sublime; 3.1.2 Synopsis; 3.1.3 Internal Analysis: Moments of (In)Hospitality; 3.1.4 External Analysis: Moments of the (Un)Familiar; 3.2 Anthony Neilson's Normal; 3.2.1 Synopsis; 3.2.2 Bataille, Eros and Thanatos, and the Evil Inside; 3.2.3 Internal Analysis: Wehner's Sublime Encounter with Eros and Thanatos; 3.2.4 The External Level: Ecstasy of Minds.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3.3 Mark Ravenhill's Faust Is Dead3.3.1 Synopsis; 3.3.2 Seduction in Realism and in Sublime; 3.3.3 Internal Analysis: Consumerist Seduction of the Characters; 3.3.4 External Analysis: Sublime Seduction of the Audience; 3.4 Sarah Kane's 4.48 Psychosis; 3.4.1 The Impossible Synopsis; 3.4.2 Internal Analysis: Singing on the Boundary; 3.4.3 External Analysis: the Influence of the Parergonal Language on the Audience; 4 Conclusion; 5 Works Cited.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be more fruitful, as it offers more precise tools for the analysis of the audience's aesthetic response than does in-yer-face theatre.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sublime, The.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85129476</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre anglais</subfield><subfield code="y">20e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre</subfield><subfield code="z">Grande-Bretagne</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Sublime.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DRAMA</subfield><subfield code="x">English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">English drama</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sublime, The</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theater</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Great Britain</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Englisch</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Drama</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Das Erhabene</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4148823-4</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Rezeption</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Publikum</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4047764-2</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">20th-Century British Drama.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">In-yer-face.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sublime.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Theatre Studies.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Baraniecka, Elzbieta.</subfield><subfield code="t">Sublime drama.</subfield><subfield code="d">Berlin : De Gruyter, 2013</subfield><subfield code="w">(DLC) 2013431469</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">CDE studies ;</subfield><subfield code="v">Bd. 23.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n97083131</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=604321</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH27198529</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9783110309935</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1230218</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10728963</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">604321</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis25806652</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">10818246</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast Criticism, interpretation, etc. fast |
| genre_facet | History Criticism, interpretation, etc. |
| geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocn857080735 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:30Z |
| institution | BVB |
| isbn | 9783110309935 3110309939 3110301156 9783110301151 |
| issn | 2194-9069 ; |
| language | English |
| oclc_num | 857080735 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 270 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | De Gruyter, |
| record_format | marc |
| series | CDE studies ; |
| series2 | CDE studies, |
| spelling | Baraniecka, Elzbieta. Sublime drama : British theatre of the 1990s / Elżbieta Baraniecka. Berlin : De Gruyter, 2013. 1 online resource (x, 270 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier CDE studies, 2194-9069 ; v. 23 Includes bibliographical references (pages 261-270). Acknowledgements; 1 Introduction; 1.1 Thesis; 1.2 Overview of Chapters; 1.3 Previous Research; 2 Theory of the Sublime; 2.1 Longinus; 2.1.1 "The echo of a great soul"; 2.1.2 Sappho and the Threatened Subject; 2.1.3 The Turn of the Sublime; 2.2 Edmund Burke; 2.2.1 Towards an Aesthetic of Shocks: Burke; 2.2.2 The Beautiful and the Sublime; 2.3 Immanuel Kant; 2.3.1 Characteristics of the Aesthetic Feeling; 2.3.2 The Beautiful and the Sublime; 2.4 Jean-François Lyotard; 2.4.1 Lyotard and Kantian Reflective Aesthetic Judgement; 2.4.2 Adjusting Kantian Sublime to the Postmodern Context. 2.4.3 Realism2.4.4 The Inhuman; 2.4.5 The Threat of Privation; 2.4.6 The Ungraspable Presence; 2.5 Summary; 2.6 Theorizing the Sublime for Drama Analysis; 3 Case Studies; 3.1 Patrick Marber's Closer; 3.1.1 The Beautiful, the Agreeable and the Sublime; 3.1.2 Synopsis; 3.1.3 Internal Analysis: Moments of (In)Hospitality; 3.1.4 External Analysis: Moments of the (Un)Familiar; 3.2 Anthony Neilson's Normal; 3.2.1 Synopsis; 3.2.2 Bataille, Eros and Thanatos, and the Evil Inside; 3.2.3 Internal Analysis: Wehner's Sublime Encounter with Eros and Thanatos; 3.2.4 The External Level: Ecstasy of Minds. 3.3 Mark Ravenhill's Faust Is Dead3.3.1 Synopsis; 3.3.2 Seduction in Realism and in Sublime; 3.3.3 Internal Analysis: Consumerist Seduction of the Characters; 3.3.4 External Analysis: Sublime Seduction of the Audience; 3.4 Sarah Kane's 4.48 Psychosis; 3.4.1 The Impossible Synopsis; 3.4.2 Internal Analysis: Singing on the Boundary; 3.4.3 External Analysis: the Influence of the Parergonal Language on the Audience; 4 Conclusion; 5 Works Cited. This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be more fruitful, as it offers more precise tools for the analysis of the audience's aesthetic response than does in-yer-face theatre. English drama 20th century History and criticism. Theater Great Britain History 20th century. Sublime, The. http://id.loc.gov/authorities/subjects/sh85129476 Théâtre anglais 20e siècle Histoire et critique. Théâtre Grande-Bretagne Histoire 20e siècle. Sublime. DRAMA English, Irish, Scottish, Welsh. bisacsh English drama fast Sublime, The fast Theater fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Englisch gnd Drama gnd Das Erhabene gnd http://d-nb.info/gnd/4148823-4 Rezeption gnd Publikum gnd http://d-nb.info/gnd/4047764-2 1900-1999 fast 20th-Century British Drama. In-yer-face. Theatre Studies. History fast Criticism, interpretation, etc. fast Print version: Baraniecka, Elzbieta. Sublime drama. Berlin : De Gruyter, 2013 (DLC) 2013431469 CDE studies ; Bd. 23. http://id.loc.gov/authorities/names/n97083131 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=604321 Volltext |
| spellingShingle | Baraniecka, Elzbieta Sublime drama : British theatre of the 1990s / CDE studies ; Acknowledgements; 1 Introduction; 1.1 Thesis; 1.2 Overview of Chapters; 1.3 Previous Research; 2 Theory of the Sublime; 2.1 Longinus; 2.1.1 "The echo of a great soul"; 2.1.2 Sappho and the Threatened Subject; 2.1.3 The Turn of the Sublime; 2.2 Edmund Burke; 2.2.1 Towards an Aesthetic of Shocks: Burke; 2.2.2 The Beautiful and the Sublime; 2.3 Immanuel Kant; 2.3.1 Characteristics of the Aesthetic Feeling; 2.3.2 The Beautiful and the Sublime; 2.4 Jean-François Lyotard; 2.4.1 Lyotard and Kantian Reflective Aesthetic Judgement; 2.4.2 Adjusting Kantian Sublime to the Postmodern Context. 2.4.3 Realism2.4.4 The Inhuman; 2.4.5 The Threat of Privation; 2.4.6 The Ungraspable Presence; 2.5 Summary; 2.6 Theorizing the Sublime for Drama Analysis; 3 Case Studies; 3.1 Patrick Marber's Closer; 3.1.1 The Beautiful, the Agreeable and the Sublime; 3.1.2 Synopsis; 3.1.3 Internal Analysis: Moments of (In)Hospitality; 3.1.4 External Analysis: Moments of the (Un)Familiar; 3.2 Anthony Neilson's Normal; 3.2.1 Synopsis; 3.2.2 Bataille, Eros and Thanatos, and the Evil Inside; 3.2.3 Internal Analysis: Wehner's Sublime Encounter with Eros and Thanatos; 3.2.4 The External Level: Ecstasy of Minds. 3.3 Mark Ravenhill's Faust Is Dead3.3.1 Synopsis; 3.3.2 Seduction in Realism and in Sublime; 3.3.3 Internal Analysis: Consumerist Seduction of the Characters; 3.3.4 External Analysis: Sublime Seduction of the Audience; 3.4 Sarah Kane's 4.48 Psychosis; 3.4.1 The Impossible Synopsis; 3.4.2 Internal Analysis: Singing on the Boundary; 3.4.3 External Analysis: the Influence of the Parergonal Language on the Audience; 4 Conclusion; 5 Works Cited. English drama 20th century History and criticism. Theater Great Britain History 20th century. Sublime, The. http://id.loc.gov/authorities/subjects/sh85129476 Théâtre anglais 20e siècle Histoire et critique. Théâtre Grande-Bretagne Histoire 20e siècle. Sublime. DRAMA English, Irish, Scottish, Welsh. bisacsh English drama fast Sublime, The fast Theater fast Englisch gnd Drama gnd Das Erhabene gnd http://d-nb.info/gnd/4148823-4 Rezeption gnd Publikum gnd http://d-nb.info/gnd/4047764-2 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85129476 http://d-nb.info/gnd/4148823-4 http://d-nb.info/gnd/4047764-2 |
| title | Sublime drama : British theatre of the 1990s / |
| title_auth | Sublime drama : British theatre of the 1990s / |
| title_exact_search | Sublime drama : British theatre of the 1990s / |
| title_full | Sublime drama : British theatre of the 1990s / Elżbieta Baraniecka. |
| title_fullStr | Sublime drama : British theatre of the 1990s / Elżbieta Baraniecka. |
| title_full_unstemmed | Sublime drama : British theatre of the 1990s / Elżbieta Baraniecka. |
| title_short | Sublime drama : |
| title_sort | sublime drama british theatre of the 1990s |
| title_sub | British theatre of the 1990s / |
| topic | English drama 20th century History and criticism. Theater Great Britain History 20th century. Sublime, The. http://id.loc.gov/authorities/subjects/sh85129476 Théâtre anglais 20e siècle Histoire et critique. Théâtre Grande-Bretagne Histoire 20e siècle. Sublime. DRAMA English, Irish, Scottish, Welsh. bisacsh English drama fast Sublime, The fast Theater fast Englisch gnd Drama gnd Das Erhabene gnd http://d-nb.info/gnd/4148823-4 Rezeption gnd Publikum gnd http://d-nb.info/gnd/4047764-2 |
| topic_facet | English drama 20th century History and criticism. Theater Great Britain History 20th century. Sublime, The. Théâtre anglais 20e siècle Histoire et critique. Théâtre Grande-Bretagne Histoire 20e siècle. Sublime. DRAMA English, Irish, Scottish, Welsh. English drama Sublime, The Theater Great Britain Englisch Drama Das Erhabene Rezeption Publikum History Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=604321 |
| work_keys_str_mv | AT baranieckaelzbieta sublimedramabritishtheatreofthe1990s |