Post-Beur cinema :: North African émigré and Maghrebi-French filmmaking in France since 2000 /
Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2013]
|
| Schriftenreihe: | Traditions in world cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African émigré filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. -- Publisher description. |
| Beschreibung: | 1 online resource (xii, 204 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 192-200) and index. |
| ISBN: | 1299802796 9781299802797 9780748678150 0748678158 9780748678174 0748678174 |
| Zugangseinschränkungen: | Owing to Legal Deposit regulations this resource may only be accessed from within National Library of Scotland. For more information contact enquiries@nls.uk. |
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| 100 | 1 | |a Higbee, Will, |e author. |0 http://id.loc.gov/authorities/names/no2007055753 | |
| 245 | 1 | 0 | |a Post-Beur cinema : |b North African émigré and Maghrebi-French filmmaking in France since 2000 / |c Will Higbee. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (xii, 204 pages) : |b illustrations | ||
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| 490 | 1 | |a Traditions in world cinema | |
| 504 | |a Includes bibliographical references (pages 192-200) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema. | |
| 506 | |a Owing to Legal Deposit regulations this resource may only be accessed from within National Library of Scotland. For more information contact enquiries@nls.uk. |5 StEdNL | ||
| 520 | |a Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African émigré filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. -- Publisher description. | ||
| 650 | 0 | |a Motion pictures |z France |x History |y 21st century. | |
| 650 | 0 | |a Motion picture industry |z France |x History |y 21st century. | |
| 650 | 0 | |a North Africans in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2006001199 | |
| 650 | 0 | |a Immigrants in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2006007862 | |
| 650 | 0 | |a Social integration in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2011001413 | |
| 650 | 6 | |a Cinéma |z France |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Cinéma |x Industrie |z France |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Maghrébins au cinéma. | |
| 650 | 6 | |a Intégration sociale au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh. | |
| 650 | 7 | |a Social integration in motion pictures |2 fast | |
| 650 | 7 | |a Immigrants in motion pictures |2 fast | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a North Africans in motion pictures |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 650 | 7 | |a Maghrebinischer Einwanderer |2 gnd |0 http://d-nb.info/gnd/7718402-6 | |
| 650 | 7 | |a Filmregisseur |2 gnd | |
| 650 | 7 | |a Filmregie |2 gnd |0 http://d-nb.info/gnd/4129888-3 | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Migration |g Motiv |2 gnd |0 http://d-nb.info/gnd/4393588-6 | |
| 651 | 7 | |a Frankreich |2 gnd | |
| 650 | 7 | |a Maghrebinischer Einwanderer |2 gnd. | |
| 650 | 7 | |a Filmregisseur |2 gnd. | |
| 650 | 7 | |a Filmregie |2 gnd. | |
| 650 | 7 | |a Film |2 gnd. | |
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| 758 | |i has work: |a Post-Beur cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFKXmVPqCGd83tmJF39Rrq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn856625607 |
|---|---|
| _version_ | 1816882242010480640 |
| adam_text | |
| any_adam_object | |
| author | Higbee, Will |
| author_GND | http://id.loc.gov/authorities/names/no2007055753 |
| author_facet | Higbee, Will |
| author_role | aut |
| author_sort | Higbee, Will |
| author_variant | w h wh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.F7 H54 2013eb |
| callnumber-search | PN1993.5.F7 H54 2013eb |
| callnumber-sort | PN 41993.5 F7 H54 42013EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema. |
| ctrlnum | (OCoLC)856625607 |
| dewey-full | 791.43094409051 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43094409051 |
| dewey-search | 791.43094409051 |
| dewey-sort | 3791.43094409051 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Frankreich gnd Frankreich gnd. Frankrijk. gtt |
| geographic_facet | France Frankreich Frankrijk. |
| id | ZDB-4-EBA-ocn856625607 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:30Z |
| institution | BVB |
| isbn | 1299802796 9781299802797 9780748678150 0748678158 9780748678174 0748678174 |
| language | English |
| lccn | 2013443698 |
| oclc_num | 856625607 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 204 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Traditions in world cinema. |
| series2 | Traditions in world cinema |
| spelling | Higbee, Will, author. http://id.loc.gov/authorities/names/no2007055753 Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / Will Higbee. Edinburgh : Edinburgh University Press, [2013] ©2013 1 online resource (xii, 204 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in world cinema Includes bibliographical references (pages 192-200) and index. Print version record. 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema. Owing to Legal Deposit regulations this resource may only be accessed from within National Library of Scotland. For more information contact enquiries@nls.uk. StEdNL Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African émigré filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. -- Publisher description. Motion pictures France History 21st century. Motion picture industry France History 21st century. North Africans in motion pictures. http://id.loc.gov/authorities/subjects/sh2006001199 Immigrants in motion pictures. http://id.loc.gov/authorities/subjects/sh2006007862 Social integration in motion pictures. http://id.loc.gov/authorities/subjects/sh2011001413 Cinéma France Histoire 21e siècle. Cinéma Industrie France Histoire 21e siècle. Maghrébins au cinéma. Intégration sociale au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Reference. bisacsh. PERFORMING ARTS Film & Video History & Criticism. bisacsh. Social integration in motion pictures fast Immigrants in motion pictures fast Motion picture industry fast Motion pictures fast North Africans in motion pictures fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Maghrebinischer Einwanderer gnd http://d-nb.info/gnd/7718402-6 Filmregisseur gnd Filmregie gnd http://d-nb.info/gnd/4129888-3 Film gnd Migration Motiv gnd http://d-nb.info/gnd/4393588-6 Frankreich gnd Maghrebinischer Einwanderer gnd. Filmregisseur gnd. Filmregie gnd. Film gnd. Migration Motiv gnd. Frankreich gnd. Frankrijk. gtt 2000-2099 fast History fast has work: Post-Beur cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFKXmVPqCGd83tmJF39Rrq https://id.oclc.org/worldcat/ontology/hasWork Original 9780748640041 0748640045 9780748678174 0748678174 (DLC) 2013443698 (OCoLC)823896752 Traditions in world cinema. http://id.loc.gov/authorities/names/no2005058764 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=632676 Volltext |
| spellingShingle | Higbee, Will Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / Traditions in world cinema. 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema. Motion pictures France History 21st century. Motion picture industry France History 21st century. North Africans in motion pictures. http://id.loc.gov/authorities/subjects/sh2006001199 Immigrants in motion pictures. http://id.loc.gov/authorities/subjects/sh2006007862 Social integration in motion pictures. http://id.loc.gov/authorities/subjects/sh2011001413 Cinéma France Histoire 21e siècle. Cinéma Industrie France Histoire 21e siècle. Maghrébins au cinéma. Intégration sociale au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Reference. bisacsh. PERFORMING ARTS Film & Video History & Criticism. bisacsh. Social integration in motion pictures fast Immigrants in motion pictures fast Motion picture industry fast Motion pictures fast North Africans in motion pictures fast Maghrebinischer Einwanderer gnd http://d-nb.info/gnd/7718402-6 Filmregisseur gnd Filmregie gnd http://d-nb.info/gnd/4129888-3 Film gnd Migration Motiv gnd http://d-nb.info/gnd/4393588-6 Maghrebinischer Einwanderer gnd. Filmregisseur gnd. Filmregie gnd. Film gnd. Migration Motiv gnd. |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2006001199 http://id.loc.gov/authorities/subjects/sh2006007862 http://id.loc.gov/authorities/subjects/sh2011001413 http://d-nb.info/gnd/7718402-6 http://d-nb.info/gnd/4129888-3 http://d-nb.info/gnd/4393588-6 |
| title | Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / |
| title_auth | Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / |
| title_exact_search | Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / |
| title_full | Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / Will Higbee. |
| title_fullStr | Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / Will Higbee. |
| title_full_unstemmed | Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 / Will Higbee. |
| title_short | Post-Beur cinema : |
| title_sort | post beur cinema north african emigre and maghrebi french filmmaking in france since 2000 |
| title_sub | North African émigré and Maghrebi-French filmmaking in France since 2000 / |
| topic | Motion pictures France History 21st century. Motion picture industry France History 21st century. North Africans in motion pictures. http://id.loc.gov/authorities/subjects/sh2006001199 Immigrants in motion pictures. http://id.loc.gov/authorities/subjects/sh2006007862 Social integration in motion pictures. http://id.loc.gov/authorities/subjects/sh2011001413 Cinéma France Histoire 21e siècle. Cinéma Industrie France Histoire 21e siècle. Maghrébins au cinéma. Intégration sociale au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Reference. bisacsh. PERFORMING ARTS Film & Video History & Criticism. bisacsh. Social integration in motion pictures fast Immigrants in motion pictures fast Motion picture industry fast Motion pictures fast North Africans in motion pictures fast Maghrebinischer Einwanderer gnd http://d-nb.info/gnd/7718402-6 Filmregisseur gnd Filmregie gnd http://d-nb.info/gnd/4129888-3 Film gnd Migration Motiv gnd http://d-nb.info/gnd/4393588-6 Maghrebinischer Einwanderer gnd. Filmregisseur gnd. Filmregie gnd. Film gnd. Migration Motiv gnd. |
| topic_facet | Motion pictures France History 21st century. Motion picture industry France History 21st century. North Africans in motion pictures. Immigrants in motion pictures. Social integration in motion pictures. Cinéma France Histoire 21e siècle. Cinéma Industrie France Histoire 21e siècle. Maghrébins au cinéma. Intégration sociale au cinéma. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Social integration in motion pictures Immigrants in motion pictures Motion picture industry Motion pictures North Africans in motion pictures France Maghrebinischer Einwanderer Filmregisseur Filmregie Film Migration Motiv Frankreich Frankrijk. History |
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| work_keys_str_mv | AT higbeewill postbeurcinemanorthafricanemigreandmaghrebifrenchfilmmakinginfrancesince2000 |