Yōgaku :: Japanese music in the twentieth century /
Yogaku discusses over a century of musical activity in Japan, detailing, in particular, the music that was inspired by Western music after the Meiji Restoration in the 19th century, and its development through the end of the 20th century. The book not only examines the infiltration of Western music...
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| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English Italian |
| Veröffentlicht: |
Lanham :
Scarecrow Press,
2002.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Yogaku discusses over a century of musical activity in Japan, detailing, in particular, the music that was inspired by Western music after the Meiji Restoration in the 19th century, and its development through the end of the 20th century. The book not only examines the infiltration of Western music into Japan, but it also provides insight into the aesthetical and theoretical aspects of Japanese musical thought. |
| Beschreibung: | 1 online resource (382 pages) |
| Bibliographie: | Includes bibliographical references (pages 327-334) and index. |
| ISBN: | 9781461674559 1461674557 |
Internformat
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| 100 | 1 | |a Galliano, Luciana, |d 1953- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjvXwDBv6q6kRqkYtr7kfy |0 http://id.loc.gov/authorities/names/n2002069601 | |
| 240 | 1 | 0 | |a Yōgaku. |l English |
| 245 | 1 | 0 | |a Yōgaku : |b Japanese music in the twentieth century / |c Luciana Galliano ; translated by Martin Mayes. |
| 264 | 1 | |a Lanham : |b Scarecrow Press, |c 2002. | |
| 300 | |a 1 online resource (382 pages) | ||
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| 505 | 0 | |a Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Foreword to the Italian Edition; Foreword to the English Edition; Acknowledgments; Note on the Transliteration of Japanese Terms and Names; Part I; Introduction Traditional Japanese Cultural Values and Japan's Transition into the Twentieth Century; 0.1. The Historical and Cultural Background: Considerations on the Theory and Aesthetics of Traditional Japanese Music; 0.2. The Concept of Time in Japanese Music; 0.3. The Stratification and Conservation of Traditional Forms of Music; 1. The Introduction of Western Music. | |
| 505 | 8 | |a 1.1. The Role of Western Music in the Program of Modernization: Modernization through Westernization?1.2. Travels and Musical Exchange: The First Foreign Musicians in Japan and the First Japanese Abroad; 1.3. The Traditional and the New in Japanese Music; 2. The Evolution of a Western-Style Musical Language in the First Half of the Twentieth Century; 2.1. The Influence of French and German Music on Japanese Composers; 2.2. The Avant-Garde and Shinkō; 3. A New Musical World; 3.1. Music Schools and the First Symphony Orchestras; 3.2. Music Journals; 3.3. The Birth of Opera. | |
| 505 | 8 | |a 3.4. Japanese Society and the Influence of Broadcasting and Recording4. Nationalism and Music; 4.1. Political Movements and the Proletarian Music League; 4.2. Propaganda and Censorship; Part II; 5. The Cultural and Social Situation in the Postwar Period; 5.1. Similarities and Differences with Europe; 5.2. Continuity and Change on the Postwar Music Scene; 6. The Postwar Avant-Garde; 6.1. Jikkenkōbō; 6.2. Electronic Music; 6.3. The Twentieth-Century Music Laboratory; 6.4. Composer's Associations; 7. The 1960s. | |
| 505 | 8 | |a 7.1. The Impact of Cage. Happening and Performance. The New Direction Group and Its Activities7.2. The Boom in Traditional Music; 8. The Closing Decades of the Twentieth Century; 8.1. The Leading Composers: Matsudaira, Yuasa, Takemitsu, Ishii, and Ichiyanagi; 8.2. An Overview of the Musical Situation in Japan in the Closing Decade of the Twentieth Century; 8.3. Hōgaku; 8.4. Other Composers; 8.5. The Next Generation; Appendix A: List of Japanese Names; Appendix B: List of Aesthetic and Musical Terms; Bibliography; Index; About the Author. | |
| 520 | |a Yogaku discusses over a century of musical activity in Japan, detailing, in particular, the music that was inspired by Western music after the Meiji Restoration in the 19th century, and its development through the end of the 20th century. The book not only examines the infiltration of Western music into Japan, but it also provides insight into the aesthetical and theoretical aspects of Japanese musical thought. | ||
| 504 | |a Includes bibliographical references (pages 327-334) and index. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (viewed February 22, 2021). | |
| 650 | 0 | |a Music |z Japan |y 20th century |x History and criticism. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 651 | 7 | |a Japan |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq | |
| 650 | 7 | |a Musik |2 gnd | |
| 651 | 7 | |a Japan |2 gnd |0 http://d-nb.info/gnd/4028495-5 | |
| 650 | 1 | 7 | |a Muziek. |2 gtt |
| 650 | 1 | 7 | |a Muziekwerken. |2 gtt |
| 650 | 0 | 7 | |a Geschichte 1900-2000. |2 swd |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Mayes, Martin. | |
| 758 | |i has work: |a Yōgaku (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFRKRgT68XcGGrfGCDVcj3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Galliano, Luciana. |t Yogaku : Japanese Music in the 20th Century. |d Lanham : Scarecrow Press, ©2002 |z 9780810843257 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn855969741 |
|---|---|
| _version_ | 1816882241630896128 |
| adam_text | |
| any_adam_object | |
| author | Galliano, Luciana, 1953- |
| author2 | Mayes, Martin |
| author2_role | |
| author2_variant | m m mm |
| author_GND | http://id.loc.gov/authorities/names/n2002069601 |
| author_facet | Galliano, Luciana, 1953- Mayes, Martin |
| author_role | aut |
| author_sort | Galliano, Luciana, 1953- |
| author_variant | l g lg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML340 |
| callnumber-raw | ML340.5 .G3513 2002 |
| callnumber-search | ML340.5 .G3513 2002 |
| callnumber-sort | ML 3340.5 G3513 42002 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Foreword to the Italian Edition; Foreword to the English Edition; Acknowledgments; Note on the Transliteration of Japanese Terms and Names; Part I; Introduction Traditional Japanese Cultural Values and Japan's Transition into the Twentieth Century; 0.1. The Historical and Cultural Background: Considerations on the Theory and Aesthetics of Traditional Japanese Music; 0.2. The Concept of Time in Japanese Music; 0.3. The Stratification and Conservation of Traditional Forms of Music; 1. The Introduction of Western Music. 1.1. The Role of Western Music in the Program of Modernization: Modernization through Westernization?1.2. Travels and Musical Exchange: The First Foreign Musicians in Japan and the First Japanese Abroad; 1.3. The Traditional and the New in Japanese Music; 2. The Evolution of a Western-Style Musical Language in the First Half of the Twentieth Century; 2.1. The Influence of French and German Music on Japanese Composers; 2.2. The Avant-Garde and Shinkō; 3. A New Musical World; 3.1. Music Schools and the First Symphony Orchestras; 3.2. Music Journals; 3.3. The Birth of Opera. 3.4. Japanese Society and the Influence of Broadcasting and Recording4. Nationalism and Music; 4.1. Political Movements and the Proletarian Music League; 4.2. Propaganda and Censorship; Part II; 5. The Cultural and Social Situation in the Postwar Period; 5.1. Similarities and Differences with Europe; 5.2. Continuity and Change on the Postwar Music Scene; 6. The Postwar Avant-Garde; 6.1. Jikkenkōbō; 6.2. Electronic Music; 6.3. The Twentieth-Century Music Laboratory; 6.4. Composer's Associations; 7. The 1960s. 7.1. The Impact of Cage. Happening and Performance. The New Direction Group and Its Activities7.2. The Boom in Traditional Music; 8. The Closing Decades of the Twentieth Century; 8.1. The Leading Composers: Matsudaira, Yuasa, Takemitsu, Ishii, and Ichiyanagi; 8.2. An Overview of the Musical Situation in Japan in the Closing Decade of the Twentieth Century; 8.3. Hōgaku; 8.4. Other Composers; 8.5. The Next Generation; Appendix A: List of Japanese Names; Appendix B: List of Aesthetic and Musical Terms; Bibliography; Index; About the Author. |
| ctrlnum | (OCoLC)855969741 |
| dewey-full | 780/.952/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.952/0904 |
| dewey-search | 780/.952/0904 |
| dewey-sort | 3780 3952 3904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq Japan gnd http://d-nb.info/gnd/4028495-5 |
| geographic_facet | Japan |
| id | ZDB-4-EBA-ocn855969741 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:29Z |
| institution | BVB |
| isbn | 9781461674559 1461674557 |
| language | English Italian |
| lccn | 2021697650 |
| oclc_num | 855969741 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (382 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2002 |
| publishDateSearch | 2002 |
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| publisher | Scarecrow Press, |
| record_format | marc |
| spelling | Galliano, Luciana, 1953- author. https://id.oclc.org/worldcat/entity/E39PCjvXwDBv6q6kRqkYtr7kfy http://id.loc.gov/authorities/names/n2002069601 Yōgaku. English Yōgaku : Japanese music in the twentieth century / Luciana Galliano ; translated by Martin Mayes. Lanham : Scarecrow Press, 2002. 1 online resource (382 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Foreword to the Italian Edition; Foreword to the English Edition; Acknowledgments; Note on the Transliteration of Japanese Terms and Names; Part I; Introduction Traditional Japanese Cultural Values and Japan's Transition into the Twentieth Century; 0.1. The Historical and Cultural Background: Considerations on the Theory and Aesthetics of Traditional Japanese Music; 0.2. The Concept of Time in Japanese Music; 0.3. The Stratification and Conservation of Traditional Forms of Music; 1. The Introduction of Western Music. 1.1. The Role of Western Music in the Program of Modernization: Modernization through Westernization?1.2. Travels and Musical Exchange: The First Foreign Musicians in Japan and the First Japanese Abroad; 1.3. The Traditional and the New in Japanese Music; 2. The Evolution of a Western-Style Musical Language in the First Half of the Twentieth Century; 2.1. The Influence of French and German Music on Japanese Composers; 2.2. The Avant-Garde and Shinkō; 3. A New Musical World; 3.1. Music Schools and the First Symphony Orchestras; 3.2. Music Journals; 3.3. The Birth of Opera. 3.4. Japanese Society and the Influence of Broadcasting and Recording4. Nationalism and Music; 4.1. Political Movements and the Proletarian Music League; 4.2. Propaganda and Censorship; Part II; 5. The Cultural and Social Situation in the Postwar Period; 5.1. Similarities and Differences with Europe; 5.2. Continuity and Change on the Postwar Music Scene; 6. The Postwar Avant-Garde; 6.1. Jikkenkōbō; 6.2. Electronic Music; 6.3. The Twentieth-Century Music Laboratory; 6.4. Composer's Associations; 7. The 1960s. 7.1. The Impact of Cage. Happening and Performance. The New Direction Group and Its Activities7.2. The Boom in Traditional Music; 8. The Closing Decades of the Twentieth Century; 8.1. The Leading Composers: Matsudaira, Yuasa, Takemitsu, Ishii, and Ichiyanagi; 8.2. An Overview of the Musical Situation in Japan in the Closing Decade of the Twentieth Century; 8.3. Hōgaku; 8.4. Other Composers; 8.5. The Next Generation; Appendix A: List of Japanese Names; Appendix B: List of Aesthetic and Musical Terms; Bibliography; Index; About the Author. Yogaku discusses over a century of musical activity in Japan, detailing, in particular, the music that was inspired by Western music after the Meiji Restoration in the 19th century, and its development through the end of the 20th century. The book not only examines the infiltration of Western music into Japan, but it also provides insight into the aesthetical and theoretical aspects of Japanese musical thought. Includes bibliographical references (pages 327-334) and index. English. Description based on online resource; title from PDF title page (viewed February 22, 2021). Music Japan 20th century History and criticism. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq Musik gnd Japan gnd http://d-nb.info/gnd/4028495-5 Muziek. gtt Muziekwerken. gtt Geschichte 1900-2000. swd 1900-1999 fast Criticism, interpretation, etc. fast Mayes, Martin. has work: Yōgaku (Text) https://id.oclc.org/worldcat/entity/E39PCFRKRgT68XcGGrfGCDVcj3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Galliano, Luciana. Yogaku : Japanese Music in the 20th Century. Lanham : Scarecrow Press, ©2002 9780810843257 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630895 Volltext |
| spellingShingle | Galliano, Luciana, 1953- Yōgaku : Japanese music in the twentieth century / Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Foreword to the Italian Edition; Foreword to the English Edition; Acknowledgments; Note on the Transliteration of Japanese Terms and Names; Part I; Introduction Traditional Japanese Cultural Values and Japan's Transition into the Twentieth Century; 0.1. The Historical and Cultural Background: Considerations on the Theory and Aesthetics of Traditional Japanese Music; 0.2. The Concept of Time in Japanese Music; 0.3. The Stratification and Conservation of Traditional Forms of Music; 1. The Introduction of Western Music. 1.1. The Role of Western Music in the Program of Modernization: Modernization through Westernization?1.2. Travels and Musical Exchange: The First Foreign Musicians in Japan and the First Japanese Abroad; 1.3. The Traditional and the New in Japanese Music; 2. The Evolution of a Western-Style Musical Language in the First Half of the Twentieth Century; 2.1. The Influence of French and German Music on Japanese Composers; 2.2. The Avant-Garde and Shinkō; 3. A New Musical World; 3.1. Music Schools and the First Symphony Orchestras; 3.2. Music Journals; 3.3. The Birth of Opera. 3.4. Japanese Society and the Influence of Broadcasting and Recording4. Nationalism and Music; 4.1. Political Movements and the Proletarian Music League; 4.2. Propaganda and Censorship; Part II; 5. The Cultural and Social Situation in the Postwar Period; 5.1. Similarities and Differences with Europe; 5.2. Continuity and Change on the Postwar Music Scene; 6. The Postwar Avant-Garde; 6.1. Jikkenkōbō; 6.2. Electronic Music; 6.3. The Twentieth-Century Music Laboratory; 6.4. Composer's Associations; 7. The 1960s. 7.1. The Impact of Cage. Happening and Performance. The New Direction Group and Its Activities7.2. The Boom in Traditional Music; 8. The Closing Decades of the Twentieth Century; 8.1. The Leading Composers: Matsudaira, Yuasa, Takemitsu, Ishii, and Ichiyanagi; 8.2. An Overview of the Musical Situation in Japan in the Closing Decade of the Twentieth Century; 8.3. Hōgaku; 8.4. Other Composers; 8.5. The Next Generation; Appendix A: List of Japanese Names; Appendix B: List of Aesthetic and Musical Terms; Bibliography; Index; About the Author. Music Japan 20th century History and criticism. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Musik gnd Muziek. gtt Muziekwerken. gtt Geschichte 1900-2000. swd |
| subject_GND | http://d-nb.info/gnd/4028495-5 |
| title | Yōgaku : Japanese music in the twentieth century / |
| title_alt | Yōgaku. |
| title_auth | Yōgaku : Japanese music in the twentieth century / |
| title_exact_search | Yōgaku : Japanese music in the twentieth century / |
| title_full | Yōgaku : Japanese music in the twentieth century / Luciana Galliano ; translated by Martin Mayes. |
| title_fullStr | Yōgaku : Japanese music in the twentieth century / Luciana Galliano ; translated by Martin Mayes. |
| title_full_unstemmed | Yōgaku : Japanese music in the twentieth century / Luciana Galliano ; translated by Martin Mayes. |
| title_short | Yōgaku : |
| title_sort | yogaku japanese music in the twentieth century |
| title_sub | Japanese music in the twentieth century / |
| topic | Music Japan 20th century History and criticism. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Musik gnd Muziek. gtt Muziekwerken. gtt Geschichte 1900-2000. swd |
| topic_facet | Music Japan 20th century History and criticism. MUSIC Genres & Styles Classical. MUSIC Reference. Music Japan Musik Muziek. Muziekwerken. Geschichte 1900-2000. Criticism, interpretation, etc. |
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