From Fidelity to History :: Film Adaptations as Cultural Events in the Twentieth Century.
Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational p...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Berghahn Books,
2013.
|
| Schriftenreihe: | Transatlantic perspectives.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and Th. |
| Beschreibung: | 1 online resource (239 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780857457325 0857457322 1299777317 9781299777316 0857457314 9780857457318 |
Internformat
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn855505427 | ||
| 003 | OCoLC | ||
| 005 | 20240705115654.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 130810s2013 nyu ob 001 0 eng d | ||
| 010 | |z 2012012574 | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCO |d YDXCP |d MHW |d N$T |d OCLCO |d OCLCF |d OCLCQ |d JSTOR |d IDEBK |d E7B |d CDX |d OCLCQ |d OCLCO |d OCLCQ |d YDX |d OCLCO |d OCLCQ |d IUL |d COCUF |d STF |d COO |d CUY |d MERUC |d ZCU |d ICG |d NLE |d INT |d K6U |d LOA |d VT2 |d U3W |d OCLCQ |d YOU |d WYU |d LVT |d TKN |d OCLCQ |d UKMGB |d DKC |d OCLCQ |d OCLCA |d OCLCQ |d UKCRE |d MM9 |d OCLCQ |d OCLCO |d DEGRU |d OCLCQ |d OCLCO |d YWS |d OCLCL | ||
| 015 | |a GBB7B7180 |2 bnb | ||
| 016 | 7 | |a 018403507 |2 Uk | |
| 019 | |a 855900820 |a 857444387 |a 961924672 |a 989718521 |a 992505270 |a 1011067137 |a 1031264925 |a 1043241483 |a 1043683341 |a 1066684261 |a 1081274602 |a 1153519517 |a 1228616432 | ||
| 020 | |a 9780857457325 |q (electronic bk.) | ||
| 020 | |a 0857457322 |q (electronic bk.) | ||
| 020 | |a 1299777317 |q (ebk) | ||
| 020 | |a 9781299777316 |q (ebk) | ||
| 020 | |a 0857457314 | ||
| 020 | |a 9780857457318 | ||
| 024 | 8 | |a 40022523873 | |
| 035 | |a (OCoLC)855505427 |z (OCoLC)855900820 |z (OCoLC)857444387 |z (OCoLC)961924672 |z (OCoLC)989718521 |z (OCoLC)992505270 |z (OCoLC)1011067137 |z (OCoLC)1031264925 |z (OCoLC)1043241483 |z (OCoLC)1043683341 |z (OCoLC)1066684261 |z (OCoLC)1081274602 |z (OCoLC)1153519517 |z (OCoLC)1228616432 | ||
| 037 | |a 22573/ctt7j2st4 |b JSTOR | ||
| 050 | 4 | |a PN1995.9.H5 .S384 2013 | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a HIS000000 |2 bisacsh | |
| 072 | 7 | |a PER004000 |2 bisacsh | |
| 072 | 7 | |a HIS054000 |2 bisacsh | |
| 082 | 7 | |a 791.43/6 |2 23 | |
| 084 | |a 24.32 |2 bcl | ||
| 084 | |a AP 47600 |q BVB |2 rvk |0 (DE-625)rvk/7544: | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Scholz, Anne-Marie. | |
| 245 | 1 | 0 | |a From Fidelity to History : |b Film Adaptations as Cultural Events in the Twentieth Century. |
| 260 | |a New York : |b Berghahn Books, |c 2013. | ||
| 300 | |a 1 online resource (239 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Transatlantic Perspectives | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Illustrations; Acknowledgments; Introduction -- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I -- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One -- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two -- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past. | |
| 505 | 8 | |a Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4 -- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5 -- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6 -- Jamesian Proportions: The Henry James Film Boom in the 1990s. | |
| 505 | 8 | |a Conclusion -- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1 -- Mediating Apparent and Latent Content; Appendix 2 -- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index. | |
| 520 | |a Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and Th. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Film adaptations |x History and criticism. | |
| 650 | 0 | |a Motion pictures and literature. |0 http://id.loc.gov/authorities/subjects/sh85088132 | |
| 650 | 0 | |a Motion pictures and history. |0 http://id.loc.gov/authorities/subjects/sh85088131 | |
| 650 | 6 | |a Adaptations cinématographiques |x Histoire et critique. | |
| 650 | 6 | |a Cinéma et littérature. | |
| 650 | 6 | |a Cinéma et histoire. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a HISTORY |x General. |2 bisacsh | |
| 650 | 7 | |a Film adaptations |2 fast | |
| 650 | 7 | |a Motion pictures and history |2 fast | |
| 650 | 7 | |a Motion pictures and literature |2 fast | |
| 650 | 7 | |a Verfilmung |2 gnd |0 http://d-nb.info/gnd/4062809-7 | |
| 650 | 7 | |a Literatur |2 gnd | |
| 651 | 7 | |a USA |2 gnd |0 http://d-nb.info/gnd/4078704-7 | |
| 651 | 7 | |a Deutschland |2 gnd |0 http://d-nb.info/gnd/4011882-4 | |
| 653 | |a Cultural Studies (General), History: 20th Century to Present, Film and Television Studies. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a From fidelity to history (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdfpPp6pkbtbhBjFQtgw3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Scholz, Anne-Marie. |t From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. |d New York : Berghahn Books, ©2013 |z 9780857457318 |
| 830 | 0 | |a Transatlantic perspectives. |0 http://id.loc.gov/authorities/names/n93065517 | |
| 856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630175 |3 Volltext | |
| 856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630175 |3 Volltext | |
| 938 | |a De Gruyter |b DEGR |n 9780857457325 | ||
| 938 | |a Coutts Information Services |b COUT |n 26006885 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1337705 | ||
| 938 | |a ebrary |b EBRY |n ebr10745007 | ||
| 938 | |a EBSCOhost |b EBSC |n 630175 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis26006885 | ||
| 938 | |a YBP Library Services |b YANK |n 11060976 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn855505427 |
|---|---|
| _version_ | 1813903618337669120 |
| adam_text | |
| any_adam_object | |
| author | Scholz, Anne-Marie |
| author_facet | Scholz, Anne-Marie |
| author_role | |
| author_sort | Scholz, Anne-Marie |
| author_variant | a m s ams |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.H5 .S384 2013 |
| callnumber-search | PN1995.9.H5 .S384 2013 |
| callnumber-sort | PN 41995.9 H5 S384 42013 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 47600 |
| collection | ZDB-4-EBA |
| contents | Illustrations; Acknowledgments; Introduction -- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I -- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One -- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two -- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past. Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4 -- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5 -- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6 -- Jamesian Proportions: The Henry James Film Boom in the 1990s. Conclusion -- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1 -- Mediating Apparent and Latent Content; Appendix 2 -- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index. |
| ctrlnum | (OCoLC)855505427 |
| dewey-full | 791.43/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6 |
| dewey-search | 791.43/6 |
| dewey-sort | 3791.43 16 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06158cam a2200901Mi 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn855505427</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">130810s2013 nyu ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2012012574</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDXCP</subfield><subfield code="d">MHW</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JSTOR</subfield><subfield code="d">IDEBK</subfield><subfield code="d">E7B</subfield><subfield code="d">CDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IUL</subfield><subfield code="d">COCUF</subfield><subfield code="d">STF</subfield><subfield code="d">COO</subfield><subfield code="d">CUY</subfield><subfield code="d">MERUC</subfield><subfield code="d">ZCU</subfield><subfield code="d">ICG</subfield><subfield code="d">NLE</subfield><subfield code="d">INT</subfield><subfield code="d">K6U</subfield><subfield code="d">LOA</subfield><subfield code="d">VT2</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YOU</subfield><subfield code="d">WYU</subfield><subfield code="d">LVT</subfield><subfield code="d">TKN</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKMGB</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKCRE</subfield><subfield code="d">MM9</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB7B7180</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">018403507</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">855900820</subfield><subfield code="a">857444387</subfield><subfield code="a">961924672</subfield><subfield code="a">989718521</subfield><subfield code="a">992505270</subfield><subfield code="a">1011067137</subfield><subfield code="a">1031264925</subfield><subfield code="a">1043241483</subfield><subfield code="a">1043683341</subfield><subfield code="a">1066684261</subfield><subfield code="a">1081274602</subfield><subfield code="a">1153519517</subfield><subfield code="a">1228616432</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780857457325</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0857457322</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1299777317</subfield><subfield code="q">(ebk)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781299777316</subfield><subfield code="q">(ebk)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0857457314</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780857457318</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">40022523873</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)855505427</subfield><subfield code="z">(OCoLC)855900820</subfield><subfield code="z">(OCoLC)857444387</subfield><subfield code="z">(OCoLC)961924672</subfield><subfield code="z">(OCoLC)989718521</subfield><subfield code="z">(OCoLC)992505270</subfield><subfield code="z">(OCoLC)1011067137</subfield><subfield code="z">(OCoLC)1031264925</subfield><subfield code="z">(OCoLC)1043241483</subfield><subfield code="z">(OCoLC)1043683341</subfield><subfield code="z">(OCoLC)1066684261</subfield><subfield code="z">(OCoLC)1081274602</subfield><subfield code="z">(OCoLC)1153519517</subfield><subfield code="z">(OCoLC)1228616432</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt7j2st4</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.H5 .S384 2013</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS054000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43/6</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">24.32</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 47600</subfield><subfield code="q">BVB</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/7544:</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Scholz, Anne-Marie.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">From Fidelity to History :</subfield><subfield code="b">Film Adaptations as Cultural Events in the Twentieth Century.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">New York :</subfield><subfield code="b">Berghahn Books,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (239 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Transatlantic Perspectives</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Illustrations; Acknowledgments; Introduction -- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I -- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One -- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two -- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4 -- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5 -- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6 -- Jamesian Proportions: The Henry James Film Boom in the 1990s.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Conclusion -- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1 -- Mediating Apparent and Latent Content; Appendix 2 -- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and Th.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Film adaptations</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088132</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and history.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088131</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Adaptations cinématographiques</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma et littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma et histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film adaptations</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures and history</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures and literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Verfilmung</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4062809-7</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literatur</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4078704-7</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4011882-4</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cultural Studies (General), History: 20th Century to Present, Film and Television Studies.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">From fidelity to history (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGdfpPp6pkbtbhBjFQtgw3</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Scholz, Anne-Marie.</subfield><subfield code="t">From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century.</subfield><subfield code="d">New York : Berghahn Books, ©2013</subfield><subfield code="z">9780857457318</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Transatlantic perspectives.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n93065517</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630175</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630175</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780857457325</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">26006885</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1337705</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10745007</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">630175</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis26006885</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11060976</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | USA gnd http://d-nb.info/gnd/4078704-7 Deutschland gnd http://d-nb.info/gnd/4011882-4 |
| geographic_facet | USA Deutschland |
| id | ZDB-4-EBA-ocn855505427 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T16:21:33Z |
| institution | BVB |
| isbn | 9780857457325 0857457322 1299777317 9781299777316 0857457314 9780857457318 |
| language | English |
| oclc_num | 855505427 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (239 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Berghahn Books, |
| record_format | marc |
| series | Transatlantic perspectives. |
| series2 | Transatlantic Perspectives |
| spelling | Scholz, Anne-Marie. From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. New York : Berghahn Books, 2013. 1 online resource (239 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Transatlantic Perspectives Print version record. Illustrations; Acknowledgments; Introduction -- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I -- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One -- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two -- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past. Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4 -- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5 -- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6 -- Jamesian Proportions: The Henry James Film Boom in the 1990s. Conclusion -- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1 -- Mediating Apparent and Latent Content; Appendix 2 -- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index. Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and Th. Includes bibliographical references and index. Film adaptations History and criticism. Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Cinéma et histoire. PERFORMING ARTS Reference. bisacsh HISTORY General. bisacsh Film adaptations fast Motion pictures and history fast Motion pictures and literature fast Verfilmung gnd http://d-nb.info/gnd/4062809-7 Literatur gnd USA gnd http://d-nb.info/gnd/4078704-7 Deutschland gnd http://d-nb.info/gnd/4011882-4 Cultural Studies (General), History: 20th Century to Present, Film and Television Studies. Criticism, interpretation, etc. fast has work: From fidelity to history (Text) https://id.oclc.org/worldcat/entity/E39PCGdfpPp6pkbtbhBjFQtgw3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Scholz, Anne-Marie. From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. New York : Berghahn Books, ©2013 9780857457318 Transatlantic perspectives. http://id.loc.gov/authorities/names/n93065517 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630175 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630175 Volltext |
| spellingShingle | Scholz, Anne-Marie From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. Transatlantic perspectives. Illustrations; Acknowledgments; Introduction -- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I -- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One -- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two -- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past. Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4 -- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5 -- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6 -- Jamesian Proportions: The Henry James Film Boom in the 1990s. Conclusion -- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1 -- Mediating Apparent and Latent Content; Appendix 2 -- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index. Film adaptations History and criticism. Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Cinéma et histoire. PERFORMING ARTS Reference. bisacsh HISTORY General. bisacsh Film adaptations fast Motion pictures and history fast Motion pictures and literature fast Verfilmung gnd http://d-nb.info/gnd/4062809-7 Literatur gnd |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088132 http://id.loc.gov/authorities/subjects/sh85088131 http://d-nb.info/gnd/4062809-7 http://d-nb.info/gnd/4078704-7 http://d-nb.info/gnd/4011882-4 |
| title | From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. |
| title_auth | From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. |
| title_exact_search | From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. |
| title_full | From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. |
| title_fullStr | From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. |
| title_full_unstemmed | From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century. |
| title_short | From Fidelity to History : |
| title_sort | from fidelity to history film adaptations as cultural events in the twentieth century |
| title_sub | Film Adaptations as Cultural Events in the Twentieth Century. |
| topic | Film adaptations History and criticism. Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Cinéma et histoire. PERFORMING ARTS Reference. bisacsh HISTORY General. bisacsh Film adaptations fast Motion pictures and history fast Motion pictures and literature fast Verfilmung gnd http://d-nb.info/gnd/4062809-7 Literatur gnd |
| topic_facet | Film adaptations History and criticism. Motion pictures and literature. Motion pictures and history. Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Cinéma et histoire. PERFORMING ARTS Reference. HISTORY General. Film adaptations Motion pictures and history Motion pictures and literature Verfilmung Literatur USA Deutschland Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630175 |
| work_keys_str_mv | AT scholzannemarie fromfidelitytohistoryfilmadaptationsasculturaleventsinthetwentiethcentury |