Music in Germany since 1968 /:
Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2013.
|
| Schriftenreihe: | Music since 1900.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany. |
| Beschreibung: | 1 online resource (294 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781107057524 1107057523 9781107055292 1107055296 9781107058767 1107058767 9781139034081 1139034081 9780521877596 0521877598 |
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| 300 | |a 1 online resource (294 pages) | ||
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| 505 | 0 | |a Cover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell. | |
| 505 | 8 | |a Tanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works -- and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation. | |
| 505 | 8 | |a Refusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index. | |
| 520 | |a Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany. | ||
| 504 | |a Includes bibliographical references and index. | ||
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|---|---|
| _version_ | 1816882240176521216 |
| adam_text | |
| any_adam_object | |
| author | Williams, Alastair |
| author_facet | Williams, Alastair |
| author_role | |
| author_sort | Williams, Alastair |
| author_variant | a w aw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML275 |
| callnumber-raw | ML275.5 .W55 2013 |
| callnumber-search | ML275.5 .W55 2013 |
| callnumber-sort | ML 3275.5 W55 42013 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell. Tanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works -- and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation. Refusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index. |
| ctrlnum | (OCoLC)854971704 |
| dewey-full | 780.9309045 780.943/09045 780.94309045 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
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| dewey-search | 780.9309045 780.943/09045 780.94309045 |
| dewey-sort | 3780.9309045 |
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| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn854971704 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:28Z |
| institution | BVB |
| isbn | 9781107057524 1107057523 9781107055292 1107055296 9781107058767 1107058767 9781139034081 1139034081 9780521877596 0521877598 |
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| publishDate | 2013 |
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| publisher | Cambridge University Press, |
| record_format | marc |
| series | Music since 1900. |
| series2 | Music Since 1900 |
| spelling | Williams, Alastair. Music in Germany since 1968 / Alastair Williams. Cambridge : Cambridge University Press, 2013. 1 online resource (294 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Music Since 1900 Cover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell. Tanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works -- and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation. Refusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index. Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany. Includes bibliographical references and index. Print version record. Music Germany 20th century History and criticism. MUSIC Genres & Styles International. bisacsh MUSIC History & Criticism. bisacsh Music fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Musik gnd Deutschland gnd 1900-1999 fast Criticism, interpretation, etc. fast has work: Music in Germany since 1968 (Text) https://id.oclc.org/worldcat/entity/E39PCGFDcGjPHWCP9w9bPKTrMd https://id.oclc.org/worldcat/ontology/hasWork Print version: Williams, Alastair. Music in Germany since 1968. Cambridge : Cambridge University Press, 2013 9780521877596 Music since 1900. http://id.loc.gov/authorities/names/no2011071702 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569186 Volltext |
| spellingShingle | Williams, Alastair Music in Germany since 1968 / Music since 1900. Cover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell. Tanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works -- and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation. Refusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index. Music Germany 20th century History and criticism. MUSIC Genres & Styles International. bisacsh MUSIC History & Criticism. bisacsh Music fast Musik gnd |
| title | Music in Germany since 1968 / |
| title_auth | Music in Germany since 1968 / |
| title_exact_search | Music in Germany since 1968 / |
| title_full | Music in Germany since 1968 / Alastair Williams. |
| title_fullStr | Music in Germany since 1968 / Alastair Williams. |
| title_full_unstemmed | Music in Germany since 1968 / Alastair Williams. |
| title_short | Music in Germany since 1968 / |
| title_sort | music in germany since 1968 |
| topic | Music Germany 20th century History and criticism. MUSIC Genres & Styles International. bisacsh MUSIC History & Criticism. bisacsh Music fast Musik gnd |
| topic_facet | Music Germany 20th century History and criticism. MUSIC Genres & Styles International. MUSIC History & Criticism. Music Germany Musik Deutschland Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569186 |
| work_keys_str_mv | AT williamsalastair musicingermanysince1968 |