Faithful labourers :: a reception history of Paradise lost, 1667-1970 /
A two-volume history of the criticism of John Milton's epic 'Paradise Lost', tracing the major debates as they have unfolded over the past three centuries.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom :
Oxford University Press,
2013.
|
| Ausgabe: | First edition. |
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | A two-volume history of the criticism of John Milton's epic 'Paradise Lost', tracing the major debates as they have unfolded over the past three centuries. |
| Beschreibung: | Title from PDF title page (viewed on July 31, 2013). |
| Beschreibung: | 1 online resource (2 volumes (xv, 847 pages)) |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9780191644634 0191644633 9780191748967 019174896X 0199666555 9780199666553 9781299746206 1299746209 |
Internformat
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| 100 | 1 | |a Leonard, John, |d 1940- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjt9hH84yXYkCRgfFBWkpd |0 http://id.loc.gov/authorities/names/nr88011519 | |
| 245 | 1 | 0 | |a Faithful labourers : |b a reception history of Paradise lost, 1667-1970 / |c John Leonard. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Oxford, United Kingdom : |b Oxford University Press, |c 2013. | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (2 volumes (xv, 847 pages)) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Title from PDF title page (viewed on July 31, 2013). | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a Cover; Contents; List of Illustrations; List of Abbreviations and a Note on Editions Used; VOLUME I. STYLE AND GENRE; I. Sound and Sense: 1667-1800; 1.1 Prefatory Remarks; 1.2 "Words of such a compass" (1674-1712); 1.3 "Our language sunk under him" (1712-1734); 1.4 "Doing what he Describes" (1734-1762); 1.5 "Rising gradually, like the swell of an organ" (1762-1800); 2. The Grand Style: 1800-1900; 2.1 Prefatory Remarks; 2.2 "He makes words tell as pictures" (1800-1819) | |
| 505 | 8 | |a 2.3 "English ought to be kept up" (1819-1846) 2.4 "Somewhat more solid and of better taste" (1846-1859); 2.5 "An ascetic nature in a sheath of poetry" (1859-1863); 2.6 "God-gifted organ-voice of England" (1863-1877); 2.7 "We catch ourselves admiring things not altogether worthy of admiration" (1877-1900); 3. The Milton Controversy: 1900-1970; 3.1 Prefatory Remarks; 3.2 Prosodic Bickerings (1900-1916); 3.3 Dissociation (1916-1933); 3.4 Dislodgment (1933-1935); 3.5 Initial Defences (1935-1939) | |
| 505 | 8 | |a 3.6 "Vigilant surrender" (1940-1947) 3.7 "Commanding voices": Scholars versus Critics (1947-1952); 3.8 "We must find other methods" (1953-1963); 3.9 Routing the Leavisites (1963-1970); 4. Paradise Lost and Epic; 4.1 Prefatory Remarks; 4.2 "Something like an Epick Poem" (1667-1733); 4.3 "Imitations of the Ancients" (1734-1801); 4.4 "The Laws of Epic Truth" (1801-1900); 4.5 "What is an Epic?" (1900-1950); 4.6 "Covert Allusions" (1950-1962); 4.7 Epic or Anti-Epic? (1963-1970); 4.8 Conclusions | |
| 505 | 8 | |a 5. Epic Similes 5.1 Prefatory Remarks; 5.2 "Unresembling Circumstances" : the Digressive Simile (1667-1740); 5.3 "Propriety of Circumstances" : the Relevant Simile (1741-1815); 5.4 "So many repelling poles" : Discordant Similes (1815-1900); 5.5 Homologation Emergent (1900-1935); 5.6 "Implied Comparisons" (1935-1954); 5.7 "Relevance is better than irrelevance" : Homologation Triumphant (1954-1963); 5.8 Startling by Otherness: the Negative Simile (1963-1970); 5.9 Conclusions; Contents; VOLUME II. INTERPRETATIVE ISSUES | |
| 505 | 8 | |a 6. Satan 6.1 Prefatory Remarks; 6.2 "Horrible Blasphemyes" (1667-1734); 6.3 The Bright Sublime (1734-1757); 6.4 The Dark Sublime (1757-1790); 6.5 "The Devils Party" (1790-1852); 6.6 "A person in process of degrading" (1852-1900); 6.7 Begetting and Exalting (1900-1940); 6.8 "A good morning-s hate of Satan" (1940-1947); 6.9 "He does not degenerate, he is degraded" (1947-1961); 6.10 Satan and "the guilty reader" (1962-1970); 6.11 Conclusions; 7. God; 7.1 Prefatory Remarks: the Three Traditions | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on July 23, 2020). | |
| 520 | 8 | |a A two-volume history of the criticism of John Milton's epic 'Paradise Lost', tracing the major debates as they have unfolded over the past three centuries. | |
| 600 | 1 | 0 | |a Milton, John, |d 1608-1674. |t Paradise lost. |0 http://id.loc.gov/authorities/names/n85227530 |
| 630 | 0 | 7 | |a Paradise lost (Milton, John) |2 fast |
| 650 | 0 | |a Epic poetry, English |x History and criticism. | |
| 650 | 0 | |a Fall of man in literature. |0 http://id.loc.gov/authorities/subjects/sh85046972 | |
| 650 | 6 | |a Poésie épique anglaise |x Histoire et critique. | |
| 650 | 6 | |a Chute de l'homme dans la littérature. | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Fall of man in literature |2 fast | |
| 650 | 7 | |a Epic poetry, English |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Faithful labourers (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG3CX4YXp6gjbp9Tpf9ygq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Leonard, John. |t Faithful Labourers : a Reception History of Paradise Lost, 1667-1970,Volume I : Style and Genre; Volume II : Interpretative Issues. |d Oxford : OUP Oxford, ©2013 |z 9780199666553 |
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Datensatz im Suchindex
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| _version_ | 1829094965989343232 |
| adam_text | |
| any_adam_object | |
| author | Leonard, John, 1940- |
| author_GND | http://id.loc.gov/authorities/names/nr88011519 |
| author_facet | Leonard, John, 1940- |
| author_role | aut |
| author_sort | Leonard, John, 1940- |
| author_variant | j l jl |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3562 |
| callnumber-raw | PR3562 .L36 2013 |
| callnumber-search | PR3562 .L36 2013 |
| callnumber-sort | PR 43562 L36 42013 |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; List of Illustrations; List of Abbreviations and a Note on Editions Used; VOLUME I. STYLE AND GENRE; I. Sound and Sense: 1667-1800; 1.1 Prefatory Remarks; 1.2 "Words of such a compass" (1674-1712); 1.3 "Our language sunk under him" (1712-1734); 1.4 "Doing what he Describes" (1734-1762); 1.5 "Rising gradually, like the swell of an organ" (1762-1800); 2. The Grand Style: 1800-1900; 2.1 Prefatory Remarks; 2.2 "He makes words tell as pictures" (1800-1819) 2.3 "English ought to be kept up" (1819-1846) 2.4 "Somewhat more solid and of better taste" (1846-1859); 2.5 "An ascetic nature in a sheath of poetry" (1859-1863); 2.6 "God-gifted organ-voice of England" (1863-1877); 2.7 "We catch ourselves admiring things not altogether worthy of admiration" (1877-1900); 3. The Milton Controversy: 1900-1970; 3.1 Prefatory Remarks; 3.2 Prosodic Bickerings (1900-1916); 3.3 Dissociation (1916-1933); 3.4 Dislodgment (1933-1935); 3.5 Initial Defences (1935-1939) 3.6 "Vigilant surrender" (1940-1947) 3.7 "Commanding voices": Scholars versus Critics (1947-1952); 3.8 "We must find other methods" (1953-1963); 3.9 Routing the Leavisites (1963-1970); 4. Paradise Lost and Epic; 4.1 Prefatory Remarks; 4.2 "Something like an Epick Poem" (1667-1733); 4.3 "Imitations of the Ancients" (1734-1801); 4.4 "The Laws of Epic Truth" (1801-1900); 4.5 "What is an Epic?" (1900-1950); 4.6 "Covert Allusions" (1950-1962); 4.7 Epic or Anti-Epic? (1963-1970); 4.8 Conclusions 5. Epic Similes 5.1 Prefatory Remarks; 5.2 "Unresembling Circumstances" : the Digressive Simile (1667-1740); 5.3 "Propriety of Circumstances" : the Relevant Simile (1741-1815); 5.4 "So many repelling poles" : Discordant Similes (1815-1900); 5.5 Homologation Emergent (1900-1935); 5.6 "Implied Comparisons" (1935-1954); 5.7 "Relevance is better than irrelevance" : Homologation Triumphant (1954-1963); 5.8 Startling by Otherness: the Negative Simile (1963-1970); 5.9 Conclusions; Contents; VOLUME II. INTERPRETATIVE ISSUES 6. Satan 6.1 Prefatory Remarks; 6.2 "Horrible Blasphemyes" (1667-1734); 6.3 The Bright Sublime (1734-1757); 6.4 The Dark Sublime (1757-1790); 6.5 "The Devils Party" (1790-1852); 6.6 "A person in process of degrading" (1852-1900); 6.7 Begetting and Exalting (1900-1940); 6.8 "A good morning-s hate of Satan" (1940-1947); 6.9 "He does not degenerate, he is degraded" (1947-1961); 6.10 Satan and "the guilty reader" (1962-1970); 6.11 Conclusions; 7. God; 7.1 Prefatory Remarks: the Three Traditions |
| ctrlnum | (OCoLC)854754371 |
| dewey-full | 821/.4 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821/.4 |
| dewey-search | 821/.4 |
| dewey-sort | 3821 14 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | First edition. |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn854754371 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:41:31Z |
| institution | BVB |
| isbn | 9780191644634 0191644633 9780191748967 019174896X 0199666555 9780199666553 9781299746206 1299746209 |
| language | English |
| oclc_num | 854754371 |
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| physical | 1 online resource (2 volumes (xv, 847 pages)) |
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| publishDate | 2013 |
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| spelling | Leonard, John, 1940- author. https://id.oclc.org/worldcat/entity/E39PCjt9hH84yXYkCRgfFBWkpd http://id.loc.gov/authorities/names/nr88011519 Faithful labourers : a reception history of Paradise lost, 1667-1970 / John Leonard. First edition. Oxford, United Kingdom : Oxford University Press, 2013. ©2013 1 online resource (2 volumes (xv, 847 pages)) text txt rdacontent computer c rdamedia online resource cr rdacarrier Title from PDF title page (viewed on July 31, 2013). Includes bibliographical references and indexes. Cover; Contents; List of Illustrations; List of Abbreviations and a Note on Editions Used; VOLUME I. STYLE AND GENRE; I. Sound and Sense: 1667-1800; 1.1 Prefatory Remarks; 1.2 "Words of such a compass" (1674-1712); 1.3 "Our language sunk under him" (1712-1734); 1.4 "Doing what he Describes" (1734-1762); 1.5 "Rising gradually, like the swell of an organ" (1762-1800); 2. The Grand Style: 1800-1900; 2.1 Prefatory Remarks; 2.2 "He makes words tell as pictures" (1800-1819) 2.3 "English ought to be kept up" (1819-1846) 2.4 "Somewhat more solid and of better taste" (1846-1859); 2.5 "An ascetic nature in a sheath of poetry" (1859-1863); 2.6 "God-gifted organ-voice of England" (1863-1877); 2.7 "We catch ourselves admiring things not altogether worthy of admiration" (1877-1900); 3. The Milton Controversy: 1900-1970; 3.1 Prefatory Remarks; 3.2 Prosodic Bickerings (1900-1916); 3.3 Dissociation (1916-1933); 3.4 Dislodgment (1933-1935); 3.5 Initial Defences (1935-1939) 3.6 "Vigilant surrender" (1940-1947) 3.7 "Commanding voices": Scholars versus Critics (1947-1952); 3.8 "We must find other methods" (1953-1963); 3.9 Routing the Leavisites (1963-1970); 4. Paradise Lost and Epic; 4.1 Prefatory Remarks; 4.2 "Something like an Epick Poem" (1667-1733); 4.3 "Imitations of the Ancients" (1734-1801); 4.4 "The Laws of Epic Truth" (1801-1900); 4.5 "What is an Epic?" (1900-1950); 4.6 "Covert Allusions" (1950-1962); 4.7 Epic or Anti-Epic? (1963-1970); 4.8 Conclusions 5. Epic Similes 5.1 Prefatory Remarks; 5.2 "Unresembling Circumstances" : the Digressive Simile (1667-1740); 5.3 "Propriety of Circumstances" : the Relevant Simile (1741-1815); 5.4 "So many repelling poles" : Discordant Similes (1815-1900); 5.5 Homologation Emergent (1900-1935); 5.6 "Implied Comparisons" (1935-1954); 5.7 "Relevance is better than irrelevance" : Homologation Triumphant (1954-1963); 5.8 Startling by Otherness: the Negative Simile (1963-1970); 5.9 Conclusions; Contents; VOLUME II. INTERPRETATIVE ISSUES 6. Satan 6.1 Prefatory Remarks; 6.2 "Horrible Blasphemyes" (1667-1734); 6.3 The Bright Sublime (1734-1757); 6.4 The Dark Sublime (1757-1790); 6.5 "The Devils Party" (1790-1852); 6.6 "A person in process of degrading" (1852-1900); 6.7 Begetting and Exalting (1900-1940); 6.8 "A good morning-s hate of Satan" (1940-1947); 6.9 "He does not degenerate, he is degraded" (1947-1961); 6.10 Satan and "the guilty reader" (1962-1970); 6.11 Conclusions; 7. God; 7.1 Prefatory Remarks: the Three Traditions Online resource; title from digital title page (viewed on July 23, 2020). A two-volume history of the criticism of John Milton's epic 'Paradise Lost', tracing the major debates as they have unfolded over the past three centuries. Milton, John, 1608-1674. Paradise lost. http://id.loc.gov/authorities/names/n85227530 Paradise lost (Milton, John) fast Epic poetry, English History and criticism. Fall of man in literature. http://id.loc.gov/authorities/subjects/sh85046972 Poésie épique anglaise Histoire et critique. Chute de l'homme dans la littérature. POETRY English, Irish, Scottish, Welsh. bisacsh Fall of man in literature fast Epic poetry, English fast Criticism, interpretation, etc. fast History fast has work: Faithful labourers (Text) https://id.oclc.org/worldcat/entity/E39PCG3CX4YXp6gjbp9Tpf9ygq https://id.oclc.org/worldcat/ontology/hasWork Print version: Leonard, John. Faithful Labourers : a Reception History of Paradise Lost, 1667-1970,Volume I : Style and Genre; Volume II : Interpretative Issues. Oxford : OUP Oxford, ©2013 9780199666553 |
| spellingShingle | Leonard, John, 1940- Faithful labourers : a reception history of Paradise lost, 1667-1970 / Cover; Contents; List of Illustrations; List of Abbreviations and a Note on Editions Used; VOLUME I. STYLE AND GENRE; I. Sound and Sense: 1667-1800; 1.1 Prefatory Remarks; 1.2 "Words of such a compass" (1674-1712); 1.3 "Our language sunk under him" (1712-1734); 1.4 "Doing what he Describes" (1734-1762); 1.5 "Rising gradually, like the swell of an organ" (1762-1800); 2. The Grand Style: 1800-1900; 2.1 Prefatory Remarks; 2.2 "He makes words tell as pictures" (1800-1819) 2.3 "English ought to be kept up" (1819-1846) 2.4 "Somewhat more solid and of better taste" (1846-1859); 2.5 "An ascetic nature in a sheath of poetry" (1859-1863); 2.6 "God-gifted organ-voice of England" (1863-1877); 2.7 "We catch ourselves admiring things not altogether worthy of admiration" (1877-1900); 3. The Milton Controversy: 1900-1970; 3.1 Prefatory Remarks; 3.2 Prosodic Bickerings (1900-1916); 3.3 Dissociation (1916-1933); 3.4 Dislodgment (1933-1935); 3.5 Initial Defences (1935-1939) 3.6 "Vigilant surrender" (1940-1947) 3.7 "Commanding voices": Scholars versus Critics (1947-1952); 3.8 "We must find other methods" (1953-1963); 3.9 Routing the Leavisites (1963-1970); 4. Paradise Lost and Epic; 4.1 Prefatory Remarks; 4.2 "Something like an Epick Poem" (1667-1733); 4.3 "Imitations of the Ancients" (1734-1801); 4.4 "The Laws of Epic Truth" (1801-1900); 4.5 "What is an Epic?" (1900-1950); 4.6 "Covert Allusions" (1950-1962); 4.7 Epic or Anti-Epic? (1963-1970); 4.8 Conclusions 5. Epic Similes 5.1 Prefatory Remarks; 5.2 "Unresembling Circumstances" : the Digressive Simile (1667-1740); 5.3 "Propriety of Circumstances" : the Relevant Simile (1741-1815); 5.4 "So many repelling poles" : Discordant Similes (1815-1900); 5.5 Homologation Emergent (1900-1935); 5.6 "Implied Comparisons" (1935-1954); 5.7 "Relevance is better than irrelevance" : Homologation Triumphant (1954-1963); 5.8 Startling by Otherness: the Negative Simile (1963-1970); 5.9 Conclusions; Contents; VOLUME II. INTERPRETATIVE ISSUES 6. Satan 6.1 Prefatory Remarks; 6.2 "Horrible Blasphemyes" (1667-1734); 6.3 The Bright Sublime (1734-1757); 6.4 The Dark Sublime (1757-1790); 6.5 "The Devils Party" (1790-1852); 6.6 "A person in process of degrading" (1852-1900); 6.7 Begetting and Exalting (1900-1940); 6.8 "A good morning-s hate of Satan" (1940-1947); 6.9 "He does not degenerate, he is degraded" (1947-1961); 6.10 Satan and "the guilty reader" (1962-1970); 6.11 Conclusions; 7. God; 7.1 Prefatory Remarks: the Three Traditions Milton, John, 1608-1674. Paradise lost. http://id.loc.gov/authorities/names/n85227530 Paradise lost (Milton, John) fast Epic poetry, English History and criticism. Fall of man in literature. http://id.loc.gov/authorities/subjects/sh85046972 Poésie épique anglaise Histoire et critique. Chute de l'homme dans la littérature. POETRY English, Irish, Scottish, Welsh. bisacsh Fall of man in literature fast Epic poetry, English fast |
| subject_GND | http://id.loc.gov/authorities/names/n85227530 http://id.loc.gov/authorities/subjects/sh85046972 |
| title | Faithful labourers : a reception history of Paradise lost, 1667-1970 / |
| title_auth | Faithful labourers : a reception history of Paradise lost, 1667-1970 / |
| title_exact_search | Faithful labourers : a reception history of Paradise lost, 1667-1970 / |
| title_full | Faithful labourers : a reception history of Paradise lost, 1667-1970 / John Leonard. |
| title_fullStr | Faithful labourers : a reception history of Paradise lost, 1667-1970 / John Leonard. |
| title_full_unstemmed | Faithful labourers : a reception history of Paradise lost, 1667-1970 / John Leonard. |
| title_short | Faithful labourers : |
| title_sort | faithful labourers a reception history of paradise lost 1667 1970 |
| title_sub | a reception history of Paradise lost, 1667-1970 / |
| topic | Milton, John, 1608-1674. Paradise lost. http://id.loc.gov/authorities/names/n85227530 Paradise lost (Milton, John) fast Epic poetry, English History and criticism. Fall of man in literature. http://id.loc.gov/authorities/subjects/sh85046972 Poésie épique anglaise Histoire et critique. Chute de l'homme dans la littérature. POETRY English, Irish, Scottish, Welsh. bisacsh Fall of man in literature fast Epic poetry, English fast |
| topic_facet | Milton, John, 1608-1674. Paradise lost. Paradise lost (Milton, John) Epic poetry, English History and criticism. Fall of man in literature. Poésie épique anglaise Histoire et critique. Chute de l'homme dans la littérature. POETRY English, Irish, Scottish, Welsh. Fall of man in literature Epic poetry, English Criticism, interpretation, etc. History |
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