Frank O'Hara and the poetics of saying "I" /:
Annotation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Madison [N.J.] : Lanham, Md. :
Fairleigh Dickinson University Press ; Co-published with Rowman & Littlefield Pub. Group,
©2011.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Annotation |
| Beschreibung: | 1 online resource (175 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781611470475 1611470471 |
Internformat
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| 245 | 1 | 0 | |a Frank O'Hara and the poetics of saying "I" / |c Micah Mattix. |
| 260 | |a Madison [N.J.] : |b Fairleigh Dickinson University Press ; |a Lanham, Md. : |b Co-published with Rowman & Littlefield Pub. Group, |c ©2011. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Frank O'Hara and his critics: the case of Marjorie Perloff -- "Memorial Day 1950" and the poetics of saying "I" -- Second Avenue -- Naming things -- The self and "In memory of my feelings" -- Love -- After O'Hara. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b While recent works of criticism on Frank O'Hara have focused on the technical similarities between his poetry and painting, or between his use of language and poststructuralism, Frank O'Hara and the Poetics of Saying 'I' argues that what is most significant in O'Hara's work is not such much his "borrowing" from painters or his proto-Derridean use of language, but his preoccupation with self exploration and the temporal effects of his work as artifacts. Following Pasternak's understanding of artistic inspiration as an act of love for the material world, O'Hara explores moments of experience in an effort to both complicate and enrich our experience of the material world. On the one hand, in poems such as Second Avenue, for example, O'Hara works to "muddy" language through which experience is, in part, mediated with the use of parataxis, allusions, and absurd metaphors and similes. On the other, in his "I do this I do that" poems, he names the events of his lunch hour in an effort, among other things, to experience time as a moment of fullness rather than as a moment of loss. The book argues, furthermore, that O'Hara's view of the self as both an expression of the creative force at work in the world and as the temporal aggregate of finite experiences, places him between so-called "Romantic" and "postmodern" theories of the lyric. While it is often argued that O'Hara is a forerunner of a new, critically informed, "materialist" poetics, this study concludes that O'Hara's work is somewhat less radical in its understanding of poetic meaning than is often claimed. Moreover, while O'Hara is preoccupied with his experience in his poems, the book argues that he espouses, in some respects, a rather traditional view of love. In addition to being a metaphor for the creative act, love, for O'Hara, is the chance coming together of two entities. Yet, one of the ironies of this is that while love is, for O'Hara, a feeling that is the result of movement, or the unexpected coming together of two otherwise separ | |
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| 650 | 6 | |a Expressionnisme dans la littérature. | |
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| 776 | 0 | 8 | |i Print version: |a Mattix, Micah, 1972- |t Frank O'Hara and the poetics of saying "I". |d Madison [N.J.] : Fairleigh Dickinson University Press ; Lanham, Md. : Co-published with Rowman & Littlefield Pub. Group, ©2011 |z 9780838642689 |w (DLC) 2010024715 |w (OCoLC)642352174 |
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| contents | Frank O'Hara and his critics: the case of Marjorie Perloff -- "Memorial Day 1950" and the poetics of saying "I" -- Second Avenue -- Naming things -- The self and "In memory of my feelings" -- Love -- After O'Hara. |
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| spelling | Mattix, Micah, 1972- https://id.oclc.org/worldcat/entity/E39PCjxmhG4gC8mcXG3WWvqcdP http://id.loc.gov/authorities/names/n2010038262 Frank O'Hara and the poetics of saying "I" / Micah Mattix. Madison [N.J.] : Fairleigh Dickinson University Press ; Lanham, Md. : Co-published with Rowman & Littlefield Pub. Group, ©2011. 1 online resource (175 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Frank O'Hara and his critics: the case of Marjorie Perloff -- "Memorial Day 1950" and the poetics of saying "I" -- Second Avenue -- Naming things -- The self and "In memory of my feelings" -- Love -- After O'Hara. Print version record. Annotation While recent works of criticism on Frank O'Hara have focused on the technical similarities between his poetry and painting, or between his use of language and poststructuralism, Frank O'Hara and the Poetics of Saying 'I' argues that what is most significant in O'Hara's work is not such much his "borrowing" from painters or his proto-Derridean use of language, but his preoccupation with self exploration and the temporal effects of his work as artifacts. Following Pasternak's understanding of artistic inspiration as an act of love for the material world, O'Hara explores moments of experience in an effort to both complicate and enrich our experience of the material world. On the one hand, in poems such as Second Avenue, for example, O'Hara works to "muddy" language through which experience is, in part, mediated with the use of parataxis, allusions, and absurd metaphors and similes. On the other, in his "I do this I do that" poems, he names the events of his lunch hour in an effort, among other things, to experience time as a moment of fullness rather than as a moment of loss. The book argues, furthermore, that O'Hara's view of the self as both an expression of the creative force at work in the world and as the temporal aggregate of finite experiences, places him between so-called "Romantic" and "postmodern" theories of the lyric. While it is often argued that O'Hara is a forerunner of a new, critically informed, "materialist" poetics, this study concludes that O'Hara's work is somewhat less radical in its understanding of poetic meaning than is often claimed. Moreover, while O'Hara is preoccupied with his experience in his poems, the book argues that he espouses, in some respects, a rather traditional view of love. In addition to being a metaphor for the creative act, love, for O'Hara, is the chance coming together of two entities. Yet, one of the ironies of this is that while love is, for O'Hara, a feeling that is the result of movement, or the unexpected coming together of two otherwise separ O'Hara, Frank, 1926-1966 Criticism and interpretation. O'Hara, Frank, 1926-1966 fast https://id.oclc.org/worldcat/entity/E39PBJwhtvPt6kY3CGjhrCvbVC Art and literature United States History 20th century. Expressionism in literature. http://id.loc.gov/authorities/subjects/sh94004146 Art et littérature États-Unis Histoire 20e siècle. Expressionnisme dans la littérature. POETRY American General. bisacsh Art and literature fast Expressionism in literature fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Criticism, interpretation, etc. fast History fast has work: Frank O'Hara and the poetics of saying "I" (Text) https://id.oclc.org/worldcat/entity/E39PCFxpC4Y9V4gXktx6fgFvVC https://id.oclc.org/worldcat/ontology/hasWork Print version: Mattix, Micah, 1972- Frank O'Hara and the poetics of saying "I". Madison [N.J.] : Fairleigh Dickinson University Press ; Lanham, Md. : Co-published with Rowman & Littlefield Pub. Group, ©2011 9780838642689 (DLC) 2010024715 (OCoLC)642352174 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=613725 Volltext |
| spellingShingle | Mattix, Micah, 1972- Frank O'Hara and the poetics of saying "I" / Frank O'Hara and his critics: the case of Marjorie Perloff -- "Memorial Day 1950" and the poetics of saying "I" -- Second Avenue -- Naming things -- The self and "In memory of my feelings" -- Love -- After O'Hara. O'Hara, Frank, 1926-1966 Criticism and interpretation. O'Hara, Frank, 1926-1966 fast https://id.oclc.org/worldcat/entity/E39PBJwhtvPt6kY3CGjhrCvbVC Art and literature United States History 20th century. Expressionism in literature. http://id.loc.gov/authorities/subjects/sh94004146 Art et littérature États-Unis Histoire 20e siècle. Expressionnisme dans la littérature. POETRY American General. bisacsh Art and literature fast Expressionism in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94004146 |
| title | Frank O'Hara and the poetics of saying "I" / |
| title_auth | Frank O'Hara and the poetics of saying "I" / |
| title_exact_search | Frank O'Hara and the poetics of saying "I" / |
| title_full | Frank O'Hara and the poetics of saying "I" / Micah Mattix. |
| title_fullStr | Frank O'Hara and the poetics of saying "I" / Micah Mattix. |
| title_full_unstemmed | Frank O'Hara and the poetics of saying "I" / Micah Mattix. |
| title_short | Frank O'Hara and the poetics of saying "I" / |
| title_sort | frank o hara and the poetics of saying i |
| topic | O'Hara, Frank, 1926-1966 Criticism and interpretation. O'Hara, Frank, 1926-1966 fast https://id.oclc.org/worldcat/entity/E39PBJwhtvPt6kY3CGjhrCvbVC Art and literature United States History 20th century. Expressionism in literature. http://id.loc.gov/authorities/subjects/sh94004146 Art et littérature États-Unis Histoire 20e siècle. Expressionnisme dans la littérature. POETRY American General. bisacsh Art and literature fast Expressionism in literature fast |
| topic_facet | O'Hara, Frank, 1926-1966 Criticism and interpretation. O'Hara, Frank, 1926-1966 Art and literature United States History 20th century. Expressionism in literature. Art et littérature États-Unis Histoire 20e siècle. Expressionnisme dans la littérature. POETRY American General. Art and literature Expressionism in literature United States Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=613725 |
| work_keys_str_mv | AT mattixmicah frankoharaandthepoeticsofsayingi |