Jazz and machine-age imperialism :: music, "race," and intellectuals in France, 1918-1945 /
This book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor :
The University of Michigan Press,
[2013]
|
| Schriftenreihe: | Jazz perspectives.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose first encounters with the music in those years played a catalytic role in their emerging Black or Creole consciousness. Jazz's first arrival in France in 1918 coincided with a series of profound shocks to received notions of French national identity and cultural and moral superiority. These shocks, characteristic of the era of machine-age imperialism, had been provoked by the first total mechanized war, the accelarated introduction of Taylorist and Fordist production techniques into European factories, and the more frequent encounters with primitive 'Others' in the imperial metropolis engendered by interwar imperialism. Through close readings of the work of early white French jazz critics, alongside the essays and poems of intellectuals of color such as the Nardal sisters, Léon-Gontran Damas, Léopold Sédar Senghor, and Réne Ménil, this book highlights the ways in which the French reception of jazz was bound up with a series of urgent contemporary debates about primitivism, imperialism, anti-imperialism, Black and Creole consciousness, and the effects of American machine-age technologies on the minds and bodies of French citizens. -- Page 4 of cover. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages 209-220) and index. |
| ISBN: | 9780472029228 0472029223 9781299734593 1299734596 |
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| 245 | 1 | 0 | |a Jazz and machine-age imperialism : |b music, "race," and intellectuals in France, 1918-1945 / |c Jeremy F. Lane. |
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| 490 | 1 | |a Jazz perspectives | |
| 504 | |a Includes bibliographical references (pages 209-220) and index. | ||
| 588 | |a Description based on print version record and CIP data provided by publisher. | ||
| 505 | 0 | |a Between "the Virgin Forest and Modernism" : Techno-Primitive Hybrids in the Work of André Schaeffner and Robert Goffin -- Armstrong's "Bitter Laughter" : Jazz, Gender, and Racial Politics in Léon-Gontran Damas's Pigments (1937) -- Jazz as Antidote to the Machine Age : From Hugues Panassié to Léopold Sédar Senghor -- "And What If Jazz Were French ...?" : Postcolonial Melancholy and Myths of French Louisiana in Vichy-Era France -- "Marvellous" Ellington : René Ménil, Jazz, Surrealism, and Creole Identity in Wartime Martinique. | |
| 520 | |a This book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose first encounters with the music in those years played a catalytic role in their emerging Black or Creole consciousness. Jazz's first arrival in France in 1918 coincided with a series of profound shocks to received notions of French national identity and cultural and moral superiority. These shocks, characteristic of the era of machine-age imperialism, had been provoked by the first total mechanized war, the accelarated introduction of Taylorist and Fordist production techniques into European factories, and the more frequent encounters with primitive 'Others' in the imperial metropolis engendered by interwar imperialism. Through close readings of the work of early white French jazz critics, alongside the essays and poems of intellectuals of color such as the Nardal sisters, Léon-Gontran Damas, Léopold Sédar Senghor, and Réne Ménil, this book highlights the ways in which the French reception of jazz was bound up with a series of urgent contemporary debates about primitivism, imperialism, anti-imperialism, Black and Creole consciousness, and the effects of American machine-age technologies on the minds and bodies of French citizens. -- Page 4 of cover. | ||
| 546 | |a English. | ||
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| 650 | 0 | |a Music and race |z France |x History |y 20th century. | |
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| 650 | 6 | |a Guerre mondiale, 1939-1945 |x Musique et guerre. | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 758 | |i has work: |a Jazz and machine-age imperialism (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFWHRbMjxv3hyRYrCrYkWC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Jazz and machine-age imperialism |d Ann Arbor : The University of Michigan Press, 2013 |z 9780472118816 (cloth : alk. paper) |w (DLC) 2012047395 |
| 830 | 0 | |a Jazz perspectives. |0 http://id.loc.gov/authorities/names/n2002068548 | |
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| adam_text | |
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| author | Lane, Jeremy F. |
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| callnumber-first | M - Music |
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| contents | Between "the Virgin Forest and Modernism" : Techno-Primitive Hybrids in the Work of André Schaeffner and Robert Goffin -- Armstrong's "Bitter Laughter" : Jazz, Gender, and Racial Politics in Léon-Gontran Damas's Pigments (1937) -- Jazz as Antidote to the Machine Age : From Hugues Panassié to Léopold Sédar Senghor -- "And What If Jazz Were French ...?" : Postcolonial Melancholy and Myths of French Louisiana in Vichy-Era France -- "Marvellous" Ellington : René Ménil, Jazz, Surrealism, and Creole Identity in Wartime Martinique. |
| ctrlnum | (OCoLC)853239318 |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.650944/09041 |
| dewey-search | 781.650944/09041 |
| dewey-sort | 3781.650944 49041 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | France fast |
| geographic_facet | France |
| id | ZDB-4-EBA-ocn853239318 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:26Z |
| institution | BVB |
| isbn | 9780472029228 0472029223 9781299734593 1299734596 |
| language | English |
| lccn | 2020707444 |
| oclc_num | 853239318 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | The University of Michigan Press, |
| record_format | marc |
| series | Jazz perspectives. |
| series2 | Jazz perspectives |
| spelling | Lane, Jeremy F., author. Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / Jeremy F. Lane. Ann Arbor : The University of Michigan Press, [2013] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Jazz perspectives Includes bibliographical references (pages 209-220) and index. Description based on print version record and CIP data provided by publisher. Between "the Virgin Forest and Modernism" : Techno-Primitive Hybrids in the Work of André Schaeffner and Robert Goffin -- Armstrong's "Bitter Laughter" : Jazz, Gender, and Racial Politics in Léon-Gontran Damas's Pigments (1937) -- Jazz as Antidote to the Machine Age : From Hugues Panassié to Léopold Sédar Senghor -- "And What If Jazz Were French ...?" : Postcolonial Melancholy and Myths of French Louisiana in Vichy-Era France -- "Marvellous" Ellington : René Ménil, Jazz, Surrealism, and Creole Identity in Wartime Martinique. This book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose first encounters with the music in those years played a catalytic role in their emerging Black or Creole consciousness. Jazz's first arrival in France in 1918 coincided with a series of profound shocks to received notions of French national identity and cultural and moral superiority. These shocks, characteristic of the era of machine-age imperialism, had been provoked by the first total mechanized war, the accelarated introduction of Taylorist and Fordist production techniques into European factories, and the more frequent encounters with primitive 'Others' in the imperial metropolis engendered by interwar imperialism. Through close readings of the work of early white French jazz critics, alongside the essays and poems of intellectuals of color such as the Nardal sisters, Léon-Gontran Damas, Léopold Sédar Senghor, and Réne Ménil, this book highlights the ways in which the French reception of jazz was bound up with a series of urgent contemporary debates about primitivism, imperialism, anti-imperialism, Black and Creole consciousness, and the effects of American machine-age technologies on the minds and bodies of French citizens. -- Page 4 of cover. English. Jazz France History and criticism. Music and race France History 20th century. World War, 1939-1945 Music and the war. http://id.loc.gov/authorities/subjects/sh85148449 Musique et race France Histoire 20e siècle. Guerre mondiale, 1939-1945 Musique et guerre. MUSIC Genres & Styles Jazz. bisacsh HISTORY Europe France. bisacsh Jazz fast Music and race fast Music and war fast France fast World War (1939-1945) fast (OCoLC)fst01180924 1900-1999 fast Criticism, interpretation, etc. fast History fast has work: Jazz and machine-age imperialism (Text) https://id.oclc.org/worldcat/entity/E39PCFWHRbMjxv3hyRYrCrYkWC https://id.oclc.org/worldcat/ontology/hasWork Print version: Jazz and machine-age imperialism Ann Arbor : The University of Michigan Press, 2013 9780472118816 (cloth : alk. paper) (DLC) 2012047395 Jazz perspectives. http://id.loc.gov/authorities/names/n2002068548 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=610556 Volltext |
| spellingShingle | Lane, Jeremy F. Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / Jazz perspectives. Between "the Virgin Forest and Modernism" : Techno-Primitive Hybrids in the Work of André Schaeffner and Robert Goffin -- Armstrong's "Bitter Laughter" : Jazz, Gender, and Racial Politics in Léon-Gontran Damas's Pigments (1937) -- Jazz as Antidote to the Machine Age : From Hugues Panassié to Léopold Sédar Senghor -- "And What If Jazz Were French ...?" : Postcolonial Melancholy and Myths of French Louisiana in Vichy-Era France -- "Marvellous" Ellington : René Ménil, Jazz, Surrealism, and Creole Identity in Wartime Martinique. Jazz France History and criticism. Music and race France History 20th century. World War, 1939-1945 Music and the war. http://id.loc.gov/authorities/subjects/sh85148449 Musique et race France Histoire 20e siècle. Guerre mondiale, 1939-1945 Musique et guerre. MUSIC Genres & Styles Jazz. bisacsh HISTORY Europe France. bisacsh Jazz fast Music and race fast Music and war fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85148449 (OCoLC)fst01180924 |
| title | Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / |
| title_auth | Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / |
| title_exact_search | Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / |
| title_full | Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / Jeremy F. Lane. |
| title_fullStr | Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / Jeremy F. Lane. |
| title_full_unstemmed | Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 / Jeremy F. Lane. |
| title_short | Jazz and machine-age imperialism : |
| title_sort | jazz and machine age imperialism music race and intellectuals in france 1918 1945 |
| title_sub | music, "race," and intellectuals in France, 1918-1945 / |
| topic | Jazz France History and criticism. Music and race France History 20th century. World War, 1939-1945 Music and the war. http://id.loc.gov/authorities/subjects/sh85148449 Musique et race France Histoire 20e siècle. Guerre mondiale, 1939-1945 Musique et guerre. MUSIC Genres & Styles Jazz. bisacsh HISTORY Europe France. bisacsh Jazz fast Music and race fast Music and war fast |
| topic_facet | Jazz France History and criticism. Music and race France History 20th century. World War, 1939-1945 Music and the war. Musique et race France Histoire 20e siècle. Guerre mondiale, 1939-1945 Musique et guerre. MUSIC Genres & Styles Jazz. HISTORY Europe France. Jazz Music and race Music and war France Criticism, interpretation, etc. History |
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| work_keys_str_mv | AT lanejeremyf jazzandmachineageimperialismmusicraceandintellectualsinfrance19181945 |