The eyes have it :: cinema and the reality effect /
This book explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, N.J. :
Rutgers University Press,
[2013]
|
| Schriftenreihe: | Techniques of the moving image.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - the author journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "A Fairy Tale" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. -- Publisher's website |
| Beschreibung: | 1 online resource (xii, 268 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 223-249) and index. |
| ISBN: | 9780813560601 0813560608 9781461934974 1461934974 9781299733640 1299733646 |
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| 520 | |a This book explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - the author journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "A Fairy Tale" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. -- Publisher's website | ||
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| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 268 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Rutgers University Press, |
| record_format | marc |
| series | Techniques of the moving image. |
| series2 | Techniques of the moving image |
| spelling | Pomerance, Murray, 1946- The eyes have it : cinema and the reality effect / Murray Pomerance. New Brunswick, N.J. : Rutgers University Press, [2013] ©2013 1 online resource (xii, 268 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Techniques of the moving image Includes bibliographical references (pages 223-249) and index. Prelude : Corn -- Vivid rivals -- The two of us -- Being there -- A fairy tale. This book explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - the author journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "A Fairy Tale" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. -- Publisher's website Print version record. In English. Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Réalisme au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Realism in motion pictures fast Electronic book. Print version: Pomerance, Murray, 1946- Eyes have it. New Brunswick, N.J. : Rutgers University Press, ©2013 9780813560595 (DLC) 2012023499 (OCoLC)797969813 Techniques of the moving image. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=608753 Volltext |
| spellingShingle | Pomerance, Murray, 1946- The eyes have it : cinema and the reality effect / Techniques of the moving image. Prelude : Corn -- Vivid rivals -- The two of us -- Being there -- A fairy tale. Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Réalisme au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Realism in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85111771 |
| title | The eyes have it : cinema and the reality effect / |
| title_auth | The eyes have it : cinema and the reality effect / |
| title_exact_search | The eyes have it : cinema and the reality effect / |
| title_full | The eyes have it : cinema and the reality effect / Murray Pomerance. |
| title_fullStr | The eyes have it : cinema and the reality effect / Murray Pomerance. |
| title_full_unstemmed | The eyes have it : cinema and the reality effect / Murray Pomerance. |
| title_short | The eyes have it : |
| title_sort | eyes have it cinema and the reality effect |
| title_sub | cinema and the reality effect / |
| topic | Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Réalisme au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Realism in motion pictures fast |
| topic_facet | Realism in motion pictures. Réalisme au cinéma. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video General. Realism in motion pictures Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=608753 |
| work_keys_str_mv | AT pomerancemurray theeyeshaveitcinemaandtherealityeffect AT pomerancemurray eyeshaveitcinemaandtherealityeffect |