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Crossing traditions :: American popular music in local and global contexts /

In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Se...

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Bibliographische Detailangaben
Weitere Verfasser:	M'Baye, Babacar, 1967- (HerausgeberIn), Hall, Alexander Charles Oliver (HerausgeberIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Lanham : The Scarecrow Press, Inc., 2013.
Schlagworte:	Popular music > United States > History and criticism. Music and globalization > United States. Musique populaire > États-Unis > Histoire et critique. Musique et mondialisation > États-Unis. MUSIC > Genres & Styles > Pop Vocal. Music and globalization Popular music United States Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural and interethnic influences among regional and transnational communities.--Publisher's website.
Beschreibung:	1 online resource ([164] pages)
Bibliographie:	Includes bibliographical references and index.
ISBN:	9780810888289 0810888289 9781299734852 1299734855

Internformat

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505	0	0	\|g Part 1. \|t American popular music in local contexts. \|g 1. \|t Blue Maxwell : race, space, and the battle for the Chicago blues / \|r John Robert Terry. \|g 2. \|t The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s / \|r Paul L. Gaston. \|g 3. \|t Resistance stance against commodification : bad religion and the punk rock protest music they make / \|r Sarah L. DeLury. \|g 4. \|t Who "owns" rap? : a justification for white Christian rap / \|r Randi Pahlau. \|g 5. \|t "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia / \|r Alexander Charles Oliver Hall -- \|g Part 2. \|t American popular music in global contexts. \|g 6. \|t In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues / \|r Babacar M'Baye. \|g 7. \|t Recolonizing the blues : the paradox of the British invasion of American popular music / \|r Andrea Caroso. \|g 8. \|t Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music / \|r Susanna Loza. \|g 9. \|t Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music / \|r Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca.
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650		6	\|a Musique et mondialisation \|z États-Unis.
650		7	\|a MUSIC \|x Genres & Styles \|x Pop Vocal. \|2 bisacsh
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650		7	\|a Popular music \|2 fast
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700	1		\|a Hall, Alexander Charles Oliver, \|e editor. \|0 http://id.loc.gov/authorities/names/n2013008579
758			\|i has work: \|a Crossing traditions (Text) \|1 https://id.oclc.org/worldcat/entity/E39PCFvkwQJYtJBgv6VmVKFjwd \|4 https://id.oclc.org/worldcat/ontology/hasWork
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author2	M'Baye, Babacar, 1967- Hall, Alexander Charles Oliver
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author_GND	http://id.loc.gov/authorities/names/n2008072429 http://id.loc.gov/authorities/names/n2013008579
author_additional	John Robert Terry. Paul L. Gaston. Sarah L. DeLury. Randi Pahlau. Alexander Charles Oliver Hall -- Babacar M'Baye. Andrea Caroso. Susanna Loza. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca.
author_facet	M'Baye, Babacar, 1967- Hall, Alexander Charles Oliver
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callnumber-subject	ML - Literature on Music
collection	ZDB-4-EBA
contents	American popular music in local contexts. Blue Maxwell : race, space, and the battle for the Chicago blues / The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s / Resistance stance against commodification : bad religion and the punk rock protest music they make / Who "owns" rap? : a justification for white Christian rap / "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia / American popular music in global contexts. In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues / Recolonizing the blues : the paradox of the British invasion of American popular music / Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music / Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music /
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dewey-sort	3781.640973
dewey-tens	780 - Music
discipline	Musikwissenschaft
format	Electronic eBook
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publisher	The Scarecrow Press, Inc.,
record_format	marc
spelling	Crossing traditions : American popular music in local and global contexts / edited by Babacar M'Baye, Alexander Charles Oliver Hall. Lanham : The Scarecrow Press, Inc., 2013. 1 online resource ([164] pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Part 1. American popular music in local contexts. 1. Blue Maxwell : race, space, and the battle for the Chicago blues / John Robert Terry. 2. The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s / Paul L. Gaston. 3. Resistance stance against commodification : bad religion and the punk rock protest music they make / Sarah L. DeLury. 4. Who "owns" rap? : a justification for white Christian rap / Randi Pahlau. 5. "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia / Alexander Charles Oliver Hall -- Part 2. American popular music in global contexts. 6. In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues / Babacar M'Baye. 7. Recolonizing the blues : the paradox of the British invasion of American popular music / Andrea Caroso. 8. Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music / Susanna Loza. 9. Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music / Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural and interethnic influences among regional and transnational communities.--Publisher's website. Print version record. English. Popular music United States History and criticism. Music and globalization United States. Musique populaire États-Unis Histoire et critique. Musique et mondialisation États-Unis. MUSIC Genres & Styles Pop Vocal. bisacsh Music and globalization fast Popular music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast M'Baye, Babacar, 1967- editor. https://id.oclc.org/worldcat/entity/E39PCjHvG64KtyjtBqcDBWw9WC http://id.loc.gov/authorities/names/n2008072429 Hall, Alexander Charles Oliver, editor. http://id.loc.gov/authorities/names/n2013008579 has work: Crossing traditions (Text) https://id.oclc.org/worldcat/entity/E39PCFvkwQJYtJBgv6VmVKFjwd https://id.oclc.org/worldcat/ontology/hasWork Print version: Crossing traditions. Lanham, Maryland : Scarecrow, 2013 9780810888272 (DLC) 2013006685 (OCoLC)828246283 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=609511 Volltext
spellingShingle	Crossing traditions : American popular music in local and global contexts / American popular music in local contexts. Blue Maxwell : race, space, and the battle for the Chicago blues / The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s / Resistance stance against commodification : bad religion and the punk rock protest music they make / Who "owns" rap? : a justification for white Christian rap / "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia / American popular music in global contexts. In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues / Recolonizing the blues : the paradox of the British invasion of American popular music / Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music / Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music / Popular music United States History and criticism. Music and globalization United States. Musique populaire États-Unis Histoire et critique. Musique et mondialisation États-Unis. MUSIC Genres & Styles Pop Vocal. bisacsh Music and globalization fast Popular music fast
title	Crossing traditions : American popular music in local and global contexts /
title_alt	American popular music in local contexts. Blue Maxwell : race, space, and the battle for the Chicago blues / The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s / Resistance stance against commodification : bad religion and the punk rock protest music they make / Who "owns" rap? : a justification for white Christian rap / "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia / American popular music in global contexts. In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues / Recolonizing the blues : the paradox of the British invasion of American popular music / Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music / Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music /
title_auth	Crossing traditions : American popular music in local and global contexts /
title_exact_search	Crossing traditions : American popular music in local and global contexts /
title_full	Crossing traditions : American popular music in local and global contexts / edited by Babacar M'Baye, Alexander Charles Oliver Hall.
title_fullStr	Crossing traditions : American popular music in local and global contexts / edited by Babacar M'Baye, Alexander Charles Oliver Hall.
title_full_unstemmed	Crossing traditions : American popular music in local and global contexts / edited by Babacar M'Baye, Alexander Charles Oliver Hall.
title_short	Crossing traditions :
title_sort	crossing traditions american popular music in local and global contexts
title_sub	American popular music in local and global contexts /
topic	Popular music United States History and criticism. Music and globalization United States. Musique populaire États-Unis Histoire et critique. Musique et mondialisation États-Unis. MUSIC Genres & Styles Pop Vocal. bisacsh Music and globalization fast Popular music fast
topic_facet	Popular music United States History and criticism. Music and globalization United States. Musique populaire États-Unis Histoire et critique. Musique et mondialisation États-Unis. MUSIC Genres & Styles Pop Vocal. Music and globalization Popular music United States Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=609511
work_keys_str_mv	AT mbayebabacar crossingtraditionsamericanpopularmusicinlocalandglobalcontexts AT hallalexandercharlesoliver crossingtraditionsamericanpopularmusicinlocalandglobalcontexts

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