Symbolism, its origins and its consequences /:
The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars,
2010.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L'Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going f ... |
| Beschreibung: | 1 online resource (xxii, 641 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9781443824521 1443824526 |
| Zugangseinschränkungen: | Legal Deposit; |
Internformat
MARC
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| 245 | 0 | 0 | |a Symbolism, its origins and its consequences / |c edited by Rosina Neginsky. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars, |c 2010. | ||
| 300 | |a 1 online resource (xxii, 641 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references. | ||
| 520 | |a The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L'Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going f ... | ||
| 505 | 0 | |a TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; PART II; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT; CHAPTER TWENTY-NINE; PART III; CHAPTER THIRTY | |
| 505 | 8 | |a CHAPTER THIRTY-ONE CHAPTER THIRTY-TWO; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CONTRIBUTORS | |
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| 650 | 0 | |a Symbolism in art |x History |x Criticism and interpretation. | |
| 650 | 0 | |a Symbolism (Art movement) |x History |x Criticism and interpretation. | |
| 650 | 6 | |a Symbolisme dans l'art |x Histoire |x Critique et interprétation. | |
| 650 | 6 | |a Symbolisme (Mouvement artistique) |x Histoire |x Critique et interprétation. | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a Literature & literary studies. |2 bicssc | |
| 650 | 7 | |a Philosophy: aesthetics. |2 bicssc | |
| 650 | 7 | |a ART |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 1 | 7 | |a Symbolisme. |2 gtt |
| 651 | 7 | |a West-Europa. |2 gtt | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Neginsky, Rosina. | |
| 776 | 0 | 8 | |i Print version: |t Symbolism, its origins and its consequences. |d Newcastle upon Tyne : Cambridge Scholars, 2010 |w (DLC) 2010551493 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=553554 |3 Volltext |
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| contents | TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; PART II; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT; CHAPTER TWENTY-NINE; PART III; CHAPTER THIRTY CHAPTER THIRTY-ONE CHAPTER THIRTY-TWO; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CONTRIBUTORS |
| ctrlnum | (OCoLC)847618270 |
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| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.946 |
| dewey-search | 704.946 |
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| discipline | Kunstgeschichte |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:23Z |
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| language | English |
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| spelling | Symbolism, its origins and its consequences / edited by Rosina Neginsky. Newcastle upon Tyne : Cambridge Scholars, 2010. 1 online resource (xxii, 641 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references. The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L'Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going f ... TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; PART II; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT; CHAPTER TWENTY-NINE; PART III; CHAPTER THIRTY CHAPTER THIRTY-ONE CHAPTER THIRTY-TWO; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CONTRIBUTORS Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL Symbolism in art History Criticism and interpretation. Symbolism (Art movement) History Criticism and interpretation. Symbolisme dans l'art Histoire Critique et interprétation. Symbolisme (Mouvement artistique) Histoire Critique et interprétation. The arts. bicssc Literature & literary studies. bicssc Philosophy: aesthetics. bicssc ART Subjects & Themes General. bisacsh Symbolisme. gtt West-Europa. gtt History fast Neginsky, Rosina. Print version: Symbolism, its origins and its consequences. Newcastle upon Tyne : Cambridge Scholars, 2010 (DLC) 2010551493 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=553554 Volltext |
| spellingShingle | Symbolism, its origins and its consequences / TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; PART II; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT; CHAPTER TWENTY-NINE; PART III; CHAPTER THIRTY CHAPTER THIRTY-ONE CHAPTER THIRTY-TWO; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CONTRIBUTORS Symbolism in art History Criticism and interpretation. Symbolism (Art movement) History Criticism and interpretation. Symbolisme dans l'art Histoire Critique et interprétation. Symbolisme (Mouvement artistique) Histoire Critique et interprétation. The arts. bicssc Literature & literary studies. bicssc Philosophy: aesthetics. bicssc ART Subjects & Themes General. bisacsh Symbolisme. gtt |
| title | Symbolism, its origins and its consequences / |
| title_auth | Symbolism, its origins and its consequences / |
| title_exact_search | Symbolism, its origins and its consequences / |
| title_full | Symbolism, its origins and its consequences / edited by Rosina Neginsky. |
| title_fullStr | Symbolism, its origins and its consequences / edited by Rosina Neginsky. |
| title_full_unstemmed | Symbolism, its origins and its consequences / edited by Rosina Neginsky. |
| title_short | Symbolism, its origins and its consequences / |
| title_sort | symbolism its origins and its consequences |
| topic | Symbolism in art History Criticism and interpretation. Symbolism (Art movement) History Criticism and interpretation. Symbolisme dans l'art Histoire Critique et interprétation. Symbolisme (Mouvement artistique) Histoire Critique et interprétation. The arts. bicssc Literature & literary studies. bicssc Philosophy: aesthetics. bicssc ART Subjects & Themes General. bisacsh Symbolisme. gtt |
| topic_facet | Symbolism in art History Criticism and interpretation. Symbolism (Art movement) History Criticism and interpretation. Symbolisme dans l'art Histoire Critique et interprétation. Symbolisme (Mouvement artistique) Histoire Critique et interprétation. The arts. Literature & literary studies. Philosophy: aesthetics. ART Subjects & Themes General. Symbolisme. West-Europa. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=553554 |
| work_keys_str_mv | AT neginskyrosina symbolismitsoriginsanditsconsequences |