Composing for the red screen :: Prokofiev and Soviet film /
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the f...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Oxford University Press,
©2013.
|
| Series: | Oxford music/media series.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. |
| Physical Description: | 1 online resource (xi, 228 pages) : illustrations |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9780199967605 0199967601 9780199333240 0199333246 |
Staff View
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| 505 | 0 | |a Introduction -- New media, new means : Lieutenant Kizhe. Cinema and new simplicity ; Outlines ; Music for an absent hero ; Celluloid sound ; Skazka -- The queen of spades, the 1937 Pushkin Jubilee, and repatriation. The new simplicity and Pushkin's "True spirit" ; A silent with a soundtrack ; New music for an old tale ; Committee intervention -- The year 1938 : halcyon days in Hollywood and an unanticipated collaboration. Hollywood, part two ; Popov, Eisenstein, and Prokofiev ; Forging collaborative methods -- Alexander Nevsky and the Stalinist Museum. Epic frame, epic sound ; The "assumed vernacular" ; Prokofiev's Russians ; Stalin Prize -- The wartime films. The path to Alma-ata ; Wartime collaboration ; Authenticity versus "Patriotic resonance" ; Cosmopolitan versus Russian ; Ukrainian partisans ; Realities -- Ivan the Terrible and the Russian national tradition. Outlines ; Ivan in Russian music ; Caricatures and villainy ; Prokofiev's Ivan, Eisenstein's Gesamtkunstwerk ; Eisenstein's multivalency ; Stalin Prize revisited -- Epilogue -- Appendix: Prokofiev, "His respect for music was so great." | |
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Record in the Search Index
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| _version_ | 1829094959999877121 |
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| author | Bartig, Kevin |
| author_facet | Bartig, Kevin |
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| contents | Introduction -- New media, new means : Lieutenant Kizhe. Cinema and new simplicity ; Outlines ; Music for an absent hero ; Celluloid sound ; Skazka -- The queen of spades, the 1937 Pushkin Jubilee, and repatriation. The new simplicity and Pushkin's "True spirit" ; A silent with a soundtrack ; New music for an old tale ; Committee intervention -- The year 1938 : halcyon days in Hollywood and an unanticipated collaboration. Hollywood, part two ; Popov, Eisenstein, and Prokofiev ; Forging collaborative methods -- Alexander Nevsky and the Stalinist Museum. Epic frame, epic sound ; The "assumed vernacular" ; Prokofiev's Russians ; Stalin Prize -- The wartime films. The path to Alma-ata ; Wartime collaboration ; Authenticity versus "Patriotic resonance" ; Cosmopolitan versus Russian ; Ukrainian partisans ; Realities -- Ivan the Terrible and the Russian national tradition. Outlines ; Ivan in Russian music ; Caricatures and villainy ; Prokofiev's Ivan, Eisenstein's Gesamtkunstwerk ; Eisenstein's multivalency ; Stalin Prize revisited -- Epilogue -- Appendix: Prokofiev, "His respect for music was so great." |
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| discipline | Musikwissenschaft |
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| illustrated | Illustrated |
| indexdate | 2025-04-11T08:41:25Z |
| institution | BVB |
| isbn | 9780199967605 0199967601 9780199333240 0199333246 |
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| series2 | The Oxford music/media series |
| spelling | Bartig, Kevin. Composing for the red screen : Prokofiev and Soviet film / Kevin Bartig. New York : Oxford University Press, ©2013. 1 online resource (xi, 228 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier The Oxford music/media series Includes bibliographical references and index. Print version record. Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Introduction -- New media, new means : Lieutenant Kizhe. Cinema and new simplicity ; Outlines ; Music for an absent hero ; Celluloid sound ; Skazka -- The queen of spades, the 1937 Pushkin Jubilee, and repatriation. The new simplicity and Pushkin's "True spirit" ; A silent with a soundtrack ; New music for an old tale ; Committee intervention -- The year 1938 : halcyon days in Hollywood and an unanticipated collaboration. Hollywood, part two ; Popov, Eisenstein, and Prokofiev ; Forging collaborative methods -- Alexander Nevsky and the Stalinist Museum. Epic frame, epic sound ; The "assumed vernacular" ; Prokofiev's Russians ; Stalin Prize -- The wartime films. The path to Alma-ata ; Wartime collaboration ; Authenticity versus "Patriotic resonance" ; Cosmopolitan versus Russian ; Ukrainian partisans ; Realities -- Ivan the Terrible and the Russian national tradition. Outlines ; Ivan in Russian music ; Caricatures and villainy ; Prokofiev's Ivan, Eisenstein's Gesamtkunstwerk ; Eisenstein's multivalency ; Stalin Prize revisited -- Epilogue -- Appendix: Prokofiev, "His respect for music was so great." Prokofiev, Sergey, 1891-1953. Motion picture music. http://id.loc.gov/authorities/names/n2012062312 Motion picture music (Prokofiev, Sergey) fast Motion picture music Soviet Union History and criticism. Film, Musique de URSS Histoire et critique. MUSIC Printed Music Musicals, Film & TV. bisacsh Motion picture music fast Soviet Union fast Criticism, interpretation, etc. fast has work: Composing for the red screen (Text) https://id.oclc.org/worldcat/entity/E39PCGWt4pkmckgy8BtqkwrFDq https://id.oclc.org/worldcat/ontology/hasWork Print version: Bartig, Kevin. Composing for the red screen. New York : Oxford University Press, ©2013 9780199967599 (DLC) 2012036503 (OCoLC)811137281 Oxford music/media series. http://id.loc.gov/authorities/names/no2009184448 |
| spellingShingle | Bartig, Kevin Composing for the red screen : Prokofiev and Soviet film / Oxford music/media series. Introduction -- New media, new means : Lieutenant Kizhe. Cinema and new simplicity ; Outlines ; Music for an absent hero ; Celluloid sound ; Skazka -- The queen of spades, the 1937 Pushkin Jubilee, and repatriation. The new simplicity and Pushkin's "True spirit" ; A silent with a soundtrack ; New music for an old tale ; Committee intervention -- The year 1938 : halcyon days in Hollywood and an unanticipated collaboration. Hollywood, part two ; Popov, Eisenstein, and Prokofiev ; Forging collaborative methods -- Alexander Nevsky and the Stalinist Museum. Epic frame, epic sound ; The "assumed vernacular" ; Prokofiev's Russians ; Stalin Prize -- The wartime films. The path to Alma-ata ; Wartime collaboration ; Authenticity versus "Patriotic resonance" ; Cosmopolitan versus Russian ; Ukrainian partisans ; Realities -- Ivan the Terrible and the Russian national tradition. Outlines ; Ivan in Russian music ; Caricatures and villainy ; Prokofiev's Ivan, Eisenstein's Gesamtkunstwerk ; Eisenstein's multivalency ; Stalin Prize revisited -- Epilogue -- Appendix: Prokofiev, "His respect for music was so great." Prokofiev, Sergey, 1891-1953. Motion picture music. http://id.loc.gov/authorities/names/n2012062312 Motion picture music (Prokofiev, Sergey) fast Motion picture music Soviet Union History and criticism. Film, Musique de URSS Histoire et critique. MUSIC Printed Music Musicals, Film & TV. bisacsh Motion picture music fast |
| subject_GND | http://id.loc.gov/authorities/names/n2012062312 |
| title | Composing for the red screen : Prokofiev and Soviet film / |
| title_auth | Composing for the red screen : Prokofiev and Soviet film / |
| title_exact_search | Composing for the red screen : Prokofiev and Soviet film / |
| title_full | Composing for the red screen : Prokofiev and Soviet film / Kevin Bartig. |
| title_fullStr | Composing for the red screen : Prokofiev and Soviet film / Kevin Bartig. |
| title_full_unstemmed | Composing for the red screen : Prokofiev and Soviet film / Kevin Bartig. |
| title_short | Composing for the red screen : |
| title_sort | composing for the red screen prokofiev and soviet film |
| title_sub | Prokofiev and Soviet film / |
| topic | Prokofiev, Sergey, 1891-1953. Motion picture music. http://id.loc.gov/authorities/names/n2012062312 Motion picture music (Prokofiev, Sergey) fast Motion picture music Soviet Union History and criticism. Film, Musique de URSS Histoire et critique. MUSIC Printed Music Musicals, Film & TV. bisacsh Motion picture music fast |
| topic_facet | Prokofiev, Sergey, 1891-1953. Motion picture music. Motion picture music (Prokofiev, Sergey) Motion picture music Soviet Union History and criticism. Film, Musique de URSS Histoire et critique. MUSIC Printed Music Musicals, Film & TV. Motion picture music Soviet Union Criticism, interpretation, etc. |
| work_keys_str_mv | AT bartigkevin composingfortheredscreenprokofievandsovietfilm |