Kingsley Amis :: antimodels and the audience /
While it has become commonplace to discount British novelist Kingsley Amis as a "naïve realist," a mere comedic novelist, even a misogynist and failed moralist, Andrew James argues that Amis was seriously concerned with the role of the artist in society and explored this subject in many o...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Montréal :
McGill-Queen's University Press,
2013.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | While it has become commonplace to discount British novelist Kingsley Amis as a "naïve realist," a mere comedic novelist, even a misogynist and failed moralist, Andrew James argues that Amis was seriously concerned with the role of the artist in society and explored this subject in many of his novels. Throughout the first twenty years of his career, Amis used bad artists as whimsical characters, or antimodels, that helped identify his artistic preferences and fictional techniques. He became convinced that the relationship between an artist and his audience was reciprocal and that both the outer audience and the artist's inner circle must be held accountable for the production of bad literature. During the last twenty years of his career, Amis no longer concerned himself with satirizing bad artists, but instead explored ways of ameliorating them. James shows that the development of antimodels as fully drawn characters and Amis's insistence upon reciprocity in the writer-reader relationship demonstrate that he was more than just a comedic writer, and was aware of himself as an artist with social responsibilities. The first study of Amis to analyze manuscript revisions in all of his novel drafts, Kingsley Amis: Antimodels and the Audience shows the more serious side of a complex writer who has yet to receive the critical recognition he deserves. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780773588332 0773588337 |
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245 | 1 | 0 | |a Kingsley Amis : |b antimodels and the audience / |c Andrew James. |
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504 | |a Includes bibliographical references and index. | ||
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505 | 0 | |a PART ONE 1946-1969: EXPOSING FLAWS IN ANTIMODELS AND FORMATIVE INFLUENCES. Exploring Critical Misinterpretations and the Roots of Antimodels -- Lessons of The Legacy, a Comparison with Wain, and the Development of a Narrative Voice in Lucky Jim -- Defining the Self: Writing Against Dylan Thomas and Philip Larkin in That Uncertain Feeling -- Lessons in Storytelling: Graham Greene, Modernism, and I Like It Here -- Experiments in Content: William Empson, Ambiguity, and Take a Girl Like You -- Evelyn Waugh, Charles Algernon Swinburne, and Englishness in One Fat Englishman -- Limitations of the Provincial Aesthetic in Amis's Poetry: Witnesses, Moral Provocateurs, and The Evans Country -- New Reasons to Write: Entertainment and the Inner Audience in The Egyptologists, The Anti-Death League, and I Want It Now. | |
505 | 8 | |a PART TWO BALANCE Contents 1969-1995: TOWARDS RECIPROCITY AND BALANCE. Looking into the Artistic Future: The Green Man, Girl, 20, Ending Up, and The Alteration -- Problems with Language and Balance: Jake's Thing, Stanley and the Women, and Russian Hide-and-Seek -- Resolving Creative Problems: The Old Devils, Difficulties with Girls, The Folks That Live on the Hill, and The Russian Girl -- Final Creative Self-Definitions: You Can't Do Both and The Biographer's Moustache -- Conclusions. | |
520 | |a While it has become commonplace to discount British novelist Kingsley Amis as a "naïve realist," a mere comedic novelist, even a misogynist and failed moralist, Andrew James argues that Amis was seriously concerned with the role of the artist in society and explored this subject in many of his novels. Throughout the first twenty years of his career, Amis used bad artists as whimsical characters, or antimodels, that helped identify his artistic preferences and fictional techniques. He became convinced that the relationship between an artist and his audience was reciprocal and that both the outer audience and the artist's inner circle must be held accountable for the production of bad literature. During the last twenty years of his career, Amis no longer concerned himself with satirizing bad artists, but instead explored ways of ameliorating them. James shows that the development of antimodels as fully drawn characters and Amis's insistence upon reciprocity in the writer-reader relationship demonstrate that he was more than just a comedic writer, and was aware of himself as an artist with social responsibilities. The first study of Amis to analyze manuscript revisions in all of his novel drafts, Kingsley Amis: Antimodels and the Audience shows the more serious side of a complex writer who has yet to receive the critical recognition he deserves. | ||
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn842266356 |
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adam_text | |
any_adam_object | |
author | James, Andrew, 1968- |
author_GND | http://id.loc.gov/authorities/names/no2013059148 |
author_facet | James, Andrew, 1968- |
author_role | |
author_sort | James, Andrew, 1968- |
author_variant | a j aj |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR6001 |
callnumber-raw | PR6001.M6 Z68 2013eb |
callnumber-search | PR6001.M6 Z68 2013eb |
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callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | PART ONE 1946-1969: EXPOSING FLAWS IN ANTIMODELS AND FORMATIVE INFLUENCES. Exploring Critical Misinterpretations and the Roots of Antimodels -- Lessons of The Legacy, a Comparison with Wain, and the Development of a Narrative Voice in Lucky Jim -- Defining the Self: Writing Against Dylan Thomas and Philip Larkin in That Uncertain Feeling -- Lessons in Storytelling: Graham Greene, Modernism, and I Like It Here -- Experiments in Content: William Empson, Ambiguity, and Take a Girl Like You -- Evelyn Waugh, Charles Algernon Swinburne, and Englishness in One Fat Englishman -- Limitations of the Provincial Aesthetic in Amis's Poetry: Witnesses, Moral Provocateurs, and The Evans Country -- New Reasons to Write: Entertainment and the Inner Audience in The Egyptologists, The Anti-Death League, and I Want It Now. PART TWO BALANCE Contents 1969-1995: TOWARDS RECIPROCITY AND BALANCE. Looking into the Artistic Future: The Green Man, Girl, 20, Ending Up, and The Alteration -- Problems with Language and Balance: Jake's Thing, Stanley and the Women, and Russian Hide-and-Seek -- Resolving Creative Problems: The Old Devils, Difficulties with Girls, The Folks That Live on the Hill, and The Russian Girl -- Final Creative Self-Definitions: You Can't Do Both and The Biographer's Moustache -- Conclusions. |
ctrlnum | (OCoLC)842266356 |
dewey-full | 828/.91409 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 828 - English miscellaneous writings |
dewey-raw | 828/.91409 |
dewey-search | 828/.91409 |
dewey-sort | 3828 591409 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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genre | Electronic books. Criticism, interpretation, etc. fast |
genre_facet | Electronic books. Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn842266356 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:25:20Z |
institution | BVB |
isbn | 9780773588332 0773588337 |
language | English |
oclc_num | 842266356 |
open_access_boolean | |
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publisher | McGill-Queen's University Press, |
record_format | marc |
spelling | James, Andrew, 1968- https://id.oclc.org/worldcat/entity/E39PCjFc8MrJGVdDbr7qkFbx8P http://id.loc.gov/authorities/names/no2013059148 Kingsley Amis : antimodels and the audience / Andrew James. Montréal : McGill-Queen's University Press, 2013. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. PART ONE 1946-1969: EXPOSING FLAWS IN ANTIMODELS AND FORMATIVE INFLUENCES. Exploring Critical Misinterpretations and the Roots of Antimodels -- Lessons of The Legacy, a Comparison with Wain, and the Development of a Narrative Voice in Lucky Jim -- Defining the Self: Writing Against Dylan Thomas and Philip Larkin in That Uncertain Feeling -- Lessons in Storytelling: Graham Greene, Modernism, and I Like It Here -- Experiments in Content: William Empson, Ambiguity, and Take a Girl Like You -- Evelyn Waugh, Charles Algernon Swinburne, and Englishness in One Fat Englishman -- Limitations of the Provincial Aesthetic in Amis's Poetry: Witnesses, Moral Provocateurs, and The Evans Country -- New Reasons to Write: Entertainment and the Inner Audience in The Egyptologists, The Anti-Death League, and I Want It Now. PART TWO BALANCE Contents 1969-1995: TOWARDS RECIPROCITY AND BALANCE. Looking into the Artistic Future: The Green Man, Girl, 20, Ending Up, and The Alteration -- Problems with Language and Balance: Jake's Thing, Stanley and the Women, and Russian Hide-and-Seek -- Resolving Creative Problems: The Old Devils, Difficulties with Girls, The Folks That Live on the Hill, and The Russian Girl -- Final Creative Self-Definitions: You Can't Do Both and The Biographer's Moustache -- Conclusions. While it has become commonplace to discount British novelist Kingsley Amis as a "naïve realist," a mere comedic novelist, even a misogynist and failed moralist, Andrew James argues that Amis was seriously concerned with the role of the artist in society and explored this subject in many of his novels. Throughout the first twenty years of his career, Amis used bad artists as whimsical characters, or antimodels, that helped identify his artistic preferences and fictional techniques. He became convinced that the relationship between an artist and his audience was reciprocal and that both the outer audience and the artist's inner circle must be held accountable for the production of bad literature. During the last twenty years of his career, Amis no longer concerned himself with satirizing bad artists, but instead explored ways of ameliorating them. James shows that the development of antimodels as fully drawn characters and Amis's insistence upon reciprocity in the writer-reader relationship demonstrate that he was more than just a comedic writer, and was aware of himself as an artist with social responsibilities. The first study of Amis to analyze manuscript revisions in all of his novel drafts, Kingsley Amis: Antimodels and the Audience shows the more serious side of a complex writer who has yet to receive the critical recognition he deserves. Amis, Kingsley Criticism and interpretation. Amis, Kingsley fast https://id.oclc.org/worldcat/entity/E39PBJg8KghgHdpRDRmyRGppT3 Artists in literature. http://id.loc.gov/authorities/subjects/sh85008305 Artistes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Artists in literature fast Electronic books. Criticism, interpretation, etc. fast has work: Kingsley Amis (Text) https://id.oclc.org/worldcat/entity/E39PCH3B8TMdY7J6HQpqR6CbBP https://id.oclc.org/worldcat/ontology/hasWork Print version: James, Andrew, 1968- Kingsley Amis. Montréal : McGill-Queen's University Press, 2013 9780773541368 (OCoLC)818414661 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=515315 Volltext |
spellingShingle | James, Andrew, 1968- Kingsley Amis : antimodels and the audience / PART ONE 1946-1969: EXPOSING FLAWS IN ANTIMODELS AND FORMATIVE INFLUENCES. Exploring Critical Misinterpretations and the Roots of Antimodels -- Lessons of The Legacy, a Comparison with Wain, and the Development of a Narrative Voice in Lucky Jim -- Defining the Self: Writing Against Dylan Thomas and Philip Larkin in That Uncertain Feeling -- Lessons in Storytelling: Graham Greene, Modernism, and I Like It Here -- Experiments in Content: William Empson, Ambiguity, and Take a Girl Like You -- Evelyn Waugh, Charles Algernon Swinburne, and Englishness in One Fat Englishman -- Limitations of the Provincial Aesthetic in Amis's Poetry: Witnesses, Moral Provocateurs, and The Evans Country -- New Reasons to Write: Entertainment and the Inner Audience in The Egyptologists, The Anti-Death League, and I Want It Now. PART TWO BALANCE Contents 1969-1995: TOWARDS RECIPROCITY AND BALANCE. Looking into the Artistic Future: The Green Man, Girl, 20, Ending Up, and The Alteration -- Problems with Language and Balance: Jake's Thing, Stanley and the Women, and Russian Hide-and-Seek -- Resolving Creative Problems: The Old Devils, Difficulties with Girls, The Folks That Live on the Hill, and The Russian Girl -- Final Creative Self-Definitions: You Can't Do Both and The Biographer's Moustache -- Conclusions. Amis, Kingsley Criticism and interpretation. Amis, Kingsley fast https://id.oclc.org/worldcat/entity/E39PBJg8KghgHdpRDRmyRGppT3 Artists in literature. http://id.loc.gov/authorities/subjects/sh85008305 Artistes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Artists in literature fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85008305 |
title | Kingsley Amis : antimodels and the audience / |
title_auth | Kingsley Amis : antimodels and the audience / |
title_exact_search | Kingsley Amis : antimodels and the audience / |
title_full | Kingsley Amis : antimodels and the audience / Andrew James. |
title_fullStr | Kingsley Amis : antimodels and the audience / Andrew James. |
title_full_unstemmed | Kingsley Amis : antimodels and the audience / Andrew James. |
title_short | Kingsley Amis : |
title_sort | kingsley amis antimodels and the audience |
title_sub | antimodels and the audience / |
topic | Amis, Kingsley Criticism and interpretation. Amis, Kingsley fast https://id.oclc.org/worldcat/entity/E39PBJg8KghgHdpRDRmyRGppT3 Artists in literature. http://id.loc.gov/authorities/subjects/sh85008305 Artistes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Artists in literature fast |
topic_facet | Amis, Kingsley Criticism and interpretation. Amis, Kingsley Artists in literature. Artistes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Artists in literature Electronic books. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=515315 |
work_keys_str_mv | AT jamesandrew kingsleyamisantimodelsandtheaudience |