How did poetry survive? :: the making of modern American verse /
How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelera...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana :
University of Illinois Press,
[2012]
|
| Schriftenreihe: | UPCC book collections on Project MUSE.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages [303]-326) and index. |
| ISBN: | 0252093909 9780252093906 |
Internformat
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| 100 | 1 | |a Newcomb, John Timberman. | |
| 245 | 1 | 0 | |a How did poetry survive? : |b the making of modern American verse / |c John Timberman Newcomb. |
| 246 | 3 | 0 | |a Making of modern American verse |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references (pages [303]-326) and index. | ||
| 505 | 0 | |a Introduction. A modernism of the city -- Inventing the new verse -- American poetry on the brink, 1905-1912 -- Poetry's opening door : Harriet Monroe and American modernism -- Young, blithe, and whimsical : the avant-gardism of the masses -- There is always others : experimental verse and "ulterior social result" -- Volunteers of America, 1917 : the seven arts and the Great War -- Keys to the city -- Gutter and skyline : the new verse and the metropolitan cityscape -- Footprints of the 20th century : American skyscrapers, modern poems -- Subway fare : toward a poetics of rapid transit. | |
| 588 | |a Description based on print version record. | ||
| 520 | |a How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes. | ||
| 526 | |a 1830038 |x Grado en Estudios Ingleses |z Poesía en Lengua Inglesa I. | ||
| 546 | |a English. | ||
| 650 | 0 | |a American poetry |y 20th century |x History and criticism. | |
| 650 | 0 | |a Modernism (Literature) |z United States. | |
| 650 | 0 | |a Poetry |x Authorship |x Psychological aspects. | |
| 650 | 0 | |a Poets, American |y 20th century |x Psychology. | |
| 650 | 0 | |a Social change in literature. |0 http://id.loc.gov/authorities/subjects/sh94008623 | |
| 650 | 0 | |a Social conflict in literature. |0 http://id.loc.gov/authorities/subjects/sh85123928 | |
| 650 | 0 | |a City and town life in literature. |0 http://id.loc.gov/authorities/subjects/sh85026256 | |
| 650 | 0 | |a Technology in literature. |0 http://id.loc.gov/authorities/subjects/sh85133191 | |
| 650 | 6 | |a Poésie américaine |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Modernisme (Littérature) |z États-Unis. | |
| 650 | 6 | |a Poésie |x Art d'écrire |x Aspect psychologique. | |
| 650 | 6 | |a Poètes américains |y 20e siècle |x Psychologie. | |
| 650 | 6 | |a Changement social dans la littérature. | |
| 650 | 6 | |a Vie urbaine dans la littérature. | |
| 650 | 6 | |a Technologie dans la littérature. | |
| 650 | 7 | |a POETRY |x American |x General. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a American poetry |2 fast | |
| 650 | 7 | |a City and town life in literature |2 fast | |
| 650 | 7 | |a Modernism (Literature) |2 fast | |
| 650 | 7 | |a Poetry |x Authorship |x Psychological aspects |2 fast | |
| 650 | 7 | |a Poets, American |x Psychology |2 fast | |
| 650 | 7 | |a Social change in literature |2 fast | |
| 650 | 7 | |a Social conflict in literature |2 fast | |
| 650 | 7 | |a Technology in literature |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a How did poetry survive? (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFrG39DBffPFtHTgcCkbMK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t How did poetry survive? |z 9780252036798 (hardcover : alk. paper) |w (DLC) 2011027792 |
| 830 | 0 | |a UPCC book collections on Project MUSE. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn842264573 |
|---|---|
| _version_ | 1816882231861313536 |
| adam_text | |
| any_adam_object | |
| author | Newcomb, John Timberman |
| author_facet | Newcomb, John Timberman |
| author_role | |
| author_sort | Newcomb, John Timberman |
| author_variant | j t n jt jtn |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PS310 |
| callnumber-raw | PS310.M57 |
| callnumber-search | PS310.M57 |
| callnumber-sort | PS 3310 M57 |
| callnumber-subject | PS - American Literature |
| collection | ZDB-4-EBA |
| contents | Introduction. A modernism of the city -- Inventing the new verse -- American poetry on the brink, 1905-1912 -- Poetry's opening door : Harriet Monroe and American modernism -- Young, blithe, and whimsical : the avant-gardism of the masses -- There is always others : experimental verse and "ulterior social result" -- Volunteers of America, 1917 : the seven arts and the Great War -- Keys to the city -- Gutter and skyline : the new verse and the metropolitan cityscape -- Footprints of the 20th century : American skyscrapers, modern poems -- Subway fare : toward a poetics of rapid transit. |
| ctrlnum | (OCoLC)842264573 |
| dewey-full | 811/.5209 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.5209 |
| dewey-search | 811/.5209 |
| dewey-sort | 3811 45209 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:25:20Z |
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| spelling | Newcomb, John Timberman. How did poetry survive? : the making of modern American verse / John Timberman Newcomb. Making of modern American verse Urbana : University of Illinois Press, [2012] ©2012 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages [303]-326) and index. Introduction. A modernism of the city -- Inventing the new verse -- American poetry on the brink, 1905-1912 -- Poetry's opening door : Harriet Monroe and American modernism -- Young, blithe, and whimsical : the avant-gardism of the masses -- There is always others : experimental verse and "ulterior social result" -- Volunteers of America, 1917 : the seven arts and the Great War -- Keys to the city -- Gutter and skyline : the new verse and the metropolitan cityscape -- Footprints of the 20th century : American skyscrapers, modern poems -- Subway fare : toward a poetics of rapid transit. Description based on print version record. How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes. 1830038 Grado en Estudios Ingleses Poesía en Lengua Inglesa I. English. American poetry 20th century History and criticism. Modernism (Literature) United States. Poetry Authorship Psychological aspects. Poets, American 20th century Psychology. Social change in literature. http://id.loc.gov/authorities/subjects/sh94008623 Social conflict in literature. http://id.loc.gov/authorities/subjects/sh85123928 City and town life in literature. http://id.loc.gov/authorities/subjects/sh85026256 Technology in literature. http://id.loc.gov/authorities/subjects/sh85133191 Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. Poésie Art d'écrire Aspect psychologique. Poètes américains 20e siècle Psychologie. Changement social dans la littérature. Vie urbaine dans la littérature. Technologie dans la littérature. POETRY American General. bisacsh LITERARY CRITICISM American General. bisacsh American poetry fast City and town life in literature fast Modernism (Literature) fast Poetry Authorship Psychological aspects fast Poets, American Psychology fast Social change in literature fast Social conflict in literature fast Technology in literature fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Electronic books. Criticism, interpretation, etc. fast has work: How did poetry survive? (Text) https://id.oclc.org/worldcat/entity/E39PCFrG39DBffPFtHTgcCkbMK https://id.oclc.org/worldcat/ontology/hasWork Print version: How did poetry survive? 9780252036798 (hardcover : alk. paper) (DLC) 2011027792 UPCC book collections on Project MUSE. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569549 Volltext |
| spellingShingle | Newcomb, John Timberman How did poetry survive? : the making of modern American verse / UPCC book collections on Project MUSE. Introduction. A modernism of the city -- Inventing the new verse -- American poetry on the brink, 1905-1912 -- Poetry's opening door : Harriet Monroe and American modernism -- Young, blithe, and whimsical : the avant-gardism of the masses -- There is always others : experimental verse and "ulterior social result" -- Volunteers of America, 1917 : the seven arts and the Great War -- Keys to the city -- Gutter and skyline : the new verse and the metropolitan cityscape -- Footprints of the 20th century : American skyscrapers, modern poems -- Subway fare : toward a poetics of rapid transit. American poetry 20th century History and criticism. Modernism (Literature) United States. Poetry Authorship Psychological aspects. Poets, American 20th century Psychology. Social change in literature. http://id.loc.gov/authorities/subjects/sh94008623 Social conflict in literature. http://id.loc.gov/authorities/subjects/sh85123928 City and town life in literature. http://id.loc.gov/authorities/subjects/sh85026256 Technology in literature. http://id.loc.gov/authorities/subjects/sh85133191 Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. Poésie Art d'écrire Aspect psychologique. Poètes américains 20e siècle Psychologie. Changement social dans la littérature. Vie urbaine dans la littérature. Technologie dans la littérature. POETRY American General. bisacsh LITERARY CRITICISM American General. bisacsh American poetry fast City and town life in literature fast Modernism (Literature) fast Poetry Authorship Psychological aspects fast Poets, American Psychology fast Social change in literature fast Social conflict in literature fast Technology in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94008623 http://id.loc.gov/authorities/subjects/sh85123928 http://id.loc.gov/authorities/subjects/sh85026256 http://id.loc.gov/authorities/subjects/sh85133191 |
| title | How did poetry survive? : the making of modern American verse / |
| title_alt | Making of modern American verse |
| title_auth | How did poetry survive? : the making of modern American verse / |
| title_exact_search | How did poetry survive? : the making of modern American verse / |
| title_full | How did poetry survive? : the making of modern American verse / John Timberman Newcomb. |
| title_fullStr | How did poetry survive? : the making of modern American verse / John Timberman Newcomb. |
| title_full_unstemmed | How did poetry survive? : the making of modern American verse / John Timberman Newcomb. |
| title_short | How did poetry survive? : |
| title_sort | how did poetry survive the making of modern american verse |
| title_sub | the making of modern American verse / |
| topic | American poetry 20th century History and criticism. Modernism (Literature) United States. Poetry Authorship Psychological aspects. Poets, American 20th century Psychology. Social change in literature. http://id.loc.gov/authorities/subjects/sh94008623 Social conflict in literature. http://id.loc.gov/authorities/subjects/sh85123928 City and town life in literature. http://id.loc.gov/authorities/subjects/sh85026256 Technology in literature. http://id.loc.gov/authorities/subjects/sh85133191 Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. Poésie Art d'écrire Aspect psychologique. Poètes américains 20e siècle Psychologie. Changement social dans la littérature. Vie urbaine dans la littérature. Technologie dans la littérature. POETRY American General. bisacsh LITERARY CRITICISM American General. bisacsh American poetry fast City and town life in literature fast Modernism (Literature) fast Poetry Authorship Psychological aspects fast Poets, American Psychology fast Social change in literature fast Social conflict in literature fast Technology in literature fast |
| topic_facet | American poetry 20th century History and criticism. Modernism (Literature) United States. Poetry Authorship Psychological aspects. Poets, American 20th century Psychology. Social change in literature. Social conflict in literature. City and town life in literature. Technology in literature. Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. Poésie Art d'écrire Aspect psychologique. Poètes américains 20e siècle Psychologie. Changement social dans la littérature. Vie urbaine dans la littérature. Technologie dans la littérature. POETRY American General. LITERARY CRITICISM American General. American poetry City and town life in literature Modernism (Literature) Poetry Authorship Psychological aspects Poets, American Psychology Social change in literature Social conflict in literature Technology in literature United States Electronic books. Criticism, interpretation, etc. |
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